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AMOR SCHUMACHER SYNCHRON (Rollen und Ensemble) Auswahl „The Dinner“ Splendid Nana Spier „Superstore“ BSG Frank Muth „Librarians“ Interopa Elke Weidemann „Billions“ Cinephon Reinhard Knapp „Patriots Day“ RC Bernhard Völger „Collateral Beauty“ FFS Marianne Gross „Christmas Office RC Kathrin Fröhlich Party“ „La La Land“ Cinephon Dr. Harald Wolff „House of Lies“ Cinephon Dr. Harald Wolff Wohnort: Berlin „Flikken Maastricht“ Antares Marc Böttcher Geburtsdatum: 14.08.1979 Sprachen: deutsch (Muttersprache), „Paradise“ Studio Funk Olaf Mierau spanisch (Muttersprache), „Homeland“ Cinephon Stephan Hoffmann englisch (fliessend), italienisch (GK) „Istanbul“ Taunusfilm Beate Klöckner Dialekte: hessisch, American English, „Better Call Saul“ BSG Frank Muth British English „Brigade“ SDI Uschi Hugo Akzente: englisch, spanisch, französisch, italienisch, arabisch „Bull“ Cinephon Stefan Ludwig Stimmlage: Alt „New Girl“ Cinephon Martin Schmitz „Bad Batch“ SDI Bernhard Völger Sprachberatung: Spanisch diverse Dialekte „Die irre Heldentour Interopa Christoph Cierpka des Billy Lynn“ „The Strain“ Cinephon Stefan Ludwig „Brotherhood“ Cinephon Wolfgang Ziffer AUSBILDUNG „Veep“ Cinephon Stefan Ludwig „Captain America: FFS Björn Schalla 2009, 2010, 2012 Larry Moss, Susan Civil War“ Batson Masterclass, „I Zombie“ Arena Synchron Gabrielle Pietermann Meisner Technique Mike Bernardin, Berlin „Relentless Justice“ Lautfabrik U.G. Benjamin Plath 2002 - 2006 Berliner Schule für „Longmire” FFS Marianne Gross Schauspiel „ScoobyDoo” SDI Sven Plate 2000 Method Studio London „Vampire -
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Sunday Morning Grid 5/1/16 Latimes.Com/Tv Times
SUNDAY MORNING GRID 5/1/16 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program Boss Paid Program PGA Tour Golf 4 NBC News (N) Å Meet the Press (N) Å News Rescue Red Bull Signature Series (Taped) Å Hockey: Blues at Stars 5 CW News (N) Å News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) NBA Basketball First Round: Teams TBA. (N) Basketball 9 KCAL News (N) Joel Osteen Schuller Pastor Mike Woodlands Amazing Paid Program 11 FOX In Touch Paid Fox News Sunday Midday Prerace NASCAR Racing Sprint Cup Series: GEICO 500. (N) 13 MyNet Paid Program A History of Violence (R) 18 KSCI Paid Hormones Church Faith Paid Program 22 KWHY Local Local Local Local Local Local Local Local Local Local Local Local 24 KVCR Landscapes Painting Joy of Paint Wyland’s Paint This Painting Kitchen Mexico Martha Pépin Baking Simply Ming 28 KCET Wunderkind 1001 Nights Bug Bites Space Edisons Biz Kid$ Celtic Thunder Legacy (TVG) Å Soulful Symphony 30 ION Jeremiah Youssef In Touch Leverage Å Leverage Å Leverage Å Leverage Å 34 KMEX Conexión En contacto Paid Program Fútbol Central (N) Fútbol Mexicano Primera División: Toluca vs Azul República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Schuller In Touch PowerPoint It Is Written Pathway Super Kelinda Jesse 46 KFTR Paid Program Formula One Racing Russian Grand Prix. -
Honoring the Dead of Both Sides
1A SUNDAY, FEBRUARY 17, 2013 | YOUR COMMUNITY NEWSPAPER SINCE 1874 | $1.00 Lake City Reporter LAKECITYREPORTER.COM Like having Caribbean seeing SUNDAY EDITION a chef on signs of rebound in the shelf. 1C tourist industry. 1D Honoring the dead of both sides the Oaklawn Cemetery Memorial Ceremony Northern soldier for the Union, Johnny Reb Olustee weekend begins signaled the start of the 37th Olustee Battle for the Southern way of life — we honor them with memorial service at Festival Friday at 9 a.m. both this morning,” Montgomery said. Oaklawn Cemetery. After the presentation of the colors by the The Rev. James W. Binion, dressed as First Florida Honor Guard, former county Confederate President Jefferson Davis, was By DEREK GILLIAM commissioner James Montgomery led about guest speaker at the ceremony. Binion served [email protected] 60 spectators in the invocation. He spoke of in the Air Force with service in Southeast the North, the South and the fight that tore Asia during the Vietnam War. Confederate battle flags planted beside the nation apart. Binion said it was an honor to speak at JASON MATTHEW WALKER/Lake City Reporter the headstones of the 155 fallen soldiers “Remembering those who paid the ulti- David Dubi (left) and his brother, gently waved in a cold February breeze as mate price for a cause they believed in — the OAKLAWN continued on 5A John, retire the colors Friday. Horrors of war BLASTING AWAY brought home Civil War medical technology makes for gruesome display. By DEREK GILLIAM [email protected] Severed limbs lay scattered under the table with wounded soldiers bleeding nearby. -
SIMPSONS to SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M
CONTEMPORARY ANIMATION: THE SIMPSONS TO SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M. Social Work 134 Instructor: Steven Pecchia-Bekkum Office Phone: 801-935-9143 E-Mail: [email protected] Office Hours: M-W 3:00 P.M.-5:00 P.M. (FMAB 107C) Course Description: Since it first appeared as a series of short animations on the Tracy Ullman Show (1987), The Simpsons has served as a running commentary on the lives and attitudes of the American people. Its subject matter has touched upon the fabric of American society regarding politics, religion, ethnic identity, disability, sexuality and gender-based issues. Also, this innovative program has delved into the realm of the personal; issues of family, employment, addiction, and death are familiar material found in the program’s narrative. Additionally, The Simpsons has spawned a series of animated programs (South Park, Futurama, Family Guy, Rick and Morty etc.) that have also been instrumental in this reflective look on the world in which we live. The abstraction of animation provides a safe emotional distance from these difficult topics and affords these programs a venue to reflect the true nature of modern American society. Course Objectives: The objective of this course is to provide the intellectual basis for a deeper understanding of The Simpsons, South Park, Futurama, Family Guy, and Rick and Morty within the context of the culture that nurtured these animations. The student will, upon successful completion of this course: (1) recognize cultural references within these animations. (2) correlate narratives to the issues about society that are raised. -
A Field-Based Inquiry of Innovation Through Making and Craft
Handmade Future: A Field-based Inquiry of Innovation through Making and Craft Samantha Shorey A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2019 Reading Committee: Daniela K. Rosner, Chair Gina Neff, Chair Matthew Powers Christine Harold Megan Finn Program Authorized to Offer Degree: Communication © Copyright 2019 Samantha Shorey University of Washington Abstract Handmade Future: A Field-based Inquiry of Innovation through Making and Craft Samantha Shorey Chair of the Supervisory Committee: Gina Neff Department of Communication Daniela K. Rosner Department of Human Centered Design and Engineering This project analyzes the impact of mediated discourse on the skills, materials, and tools of innovation through a multi-method, three-part study of “making” practices— a growing method of Do-It-Yourself technology design that engages students, hobbyists, and experienced engineers in the building of technological artifacts outside of corporate hierarchies. Making integrates material skills (e.g. sewing, woodworking) and digital fabrication tools (e.g. 3D printing, laser cutting) to produce physical prototypes. These hybrid forms of construction hold significant promise as an inclusive method of innovation, acting as a pathway for women’s participation in technology design. However, if public conceptions of making neglect the contribution of craft and handwork, the potential for innovation will be reduced. This project contributes to existing scholarship in communication and science & technology (STS) studies by elucidating the mechanisms through which media produce symbolic value for technology industries and technology practices. Across this three-part project, I argue that when we expand popular narratives about the tools and practices of technology production, opportunities are also expanded to recognize the diverse contributions—both presently and historically—of people on the peripheries of STEM communities. -
Becca Kleinstein on Martha Stewart Yes, You Read That Correctly – I Chose Martha Stewart As the Leader I Admire
Becca Kleinstein on Martha Stewart Yes, you read that correctly – I chose Martha Stewart as the leader I admire. I’m guessing that quizzical look on your face has something to do with the fact that she spent 5 months in federal prison, or that she is known for being a ruthless tyrant in the professional domain, or even the fact that it is very publicly known that she and her daughter don’t get along (her daughter even wrote a book about their poor relationship!). However, Martha Stewart possesses several leadership traits that I admire and she has been able to harmonize all four of her domains. Marth Kostyra was born in 1941, and was raised in New Jersey by her middle class parents with her four brothers and sisters. Her knack for crafts was obvious from her childhood as she learned crafting, gardening, sewing, cooking, and preserve-jarring from her close-knit Polish American family. Her planning was also evident in her youth. She frequently babysat for the children of Mickey Mantle of the New York Yankees and organized birthday parties for the four boys. Martha won partial scholarship to Barnard College and modeled on the side to pay expenses. She initially intended to major in chemistry, but switched to art, European history, and architectural history. She married then law student Andrew Stewart after her sophomore year in college, and after taking a year off from school, earned her degree. Martha had her only child, Alexis, in 1965, and worked as model and stockbroker on Wall Street until 1973. -
With No Catchy Taglines Or Slogans, Showtime Has Muscled Its Way Into the Premium-Cable Elite
With no catchy taglines or slogans, Showtime has muscled its way into the premium-cable elite. “A brand needs to be much deeper than a slogan,” chairman David Nevins says. “It needs to be a marker of quality.” BY GRAHAM FLASHNER ixteen floors above the Wilshire corridor in entertainment. In comedy, they have a sub-brand of doing interesting things West Los Angeles, Showtime chairman and with damaged or self-destructive characters.” CEO David Nevins sits in a plush corner office Showtime can skew male (Ray Donovan, House of Lies) and female (The lined with mementos, including a prop knife Chi, SMILF). It’s dabbled in thrillers (Homeland), black comedies (Shameless), from the Dexter finale and ringside tickets to adult dramas (The Affair), docu-series (The Circus) and animation (Our the Pacquiao-Mayweather fight, which Showtime Cartoon President). It’s taken viewers on journeys into worlds TV rarely presented on PPV. “People look to us to be adventurous,” he explores, from hedge funds (Billions) to management consulting (House of says. “They look to us for the next new thing. Everything we Lies) and drug addiction (Patrick Melrose). make better be pushing the limits of the medium forward.” Fox 21 president Bert Salke calls Showtime “the thinking man’s network,” Every business has its longstanding rivalries. Coke and Pepsi. Marvel and noting, “They make smart television. HBO tries to be more things to more DC. For its first thirty-odd years, Showtime Networks (now owned by CBS people: comedy specials, more half-hours. Showtime is a bit more interested Corporation) ran a distant second to HBO. -
We'll Have a Gay Ol'time: Trangressive Sexulaity and Sexual Taboo In
We’ll have a gay ol’ time: transgressive sexuality and sexual taboo in adult television animation By Adam de Beer Thesis Presented for the Degree of DOCTOR OF PHILOSOPHY in Film Studies in the Faculty of Humanities and the Centre for Film and Media Studies UNIVERSITY OF CAPE TOWN UniversityFebruary of 2014Cape Town Supervisor: Associate Professor Martin P. Botha The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Declaration I declare that this thesis is my own unaided work. It is submitted for the degree of Doctor of Philosophy at the University of Cape Town. It has not been submitted before for any other degree or examination at any other university. Adam de Beer February 2014 ii Abstract This thesis develops an understanding of animation as transgression based on the work of Christopher Jenks. The research focuses on adult animation, specifically North American primetime television series, as manifestations of a social need to violate and thereby interrogate aspects of contemporary hetero-normative conformity in terms of identity and representation. A thematic analysis of four animated television series, namely Family Guy, Queer Duck, Drawn Together, and Rick & Steve, focuses on the texts themselves and various metatexts that surround these series. The analysis focuses specifically on expressions and manifestations of gay sexuality and sexual taboos and how these are articulated within the animated diegesis. -
Martha Stewart Living Omnimedia, Inc
MARTHA STEWART LIVING OMNIMEDIA, INC. 2013 ANNUAL REPORT >NOTICE OF 2014 ANNUAL MEETING >PROXY STATEMENT >ANNUAL REPORT ON FORM 10-K A Message from our CEO and our Founder Dear Stockholders, INSPIRATION - IT’S WHERE WE STARTED AND WHAT WE ARE Almost twenty-five years ago, Martha Stewart Living published its first inspirational issue with the following statement: “Our Company is about this wonderful life, and about how to live it. About going home again, and about building a house. About a glorious feast, and chocolate chip cookies. About gardens of flowers and rows of beans. It’s about the American Dream, and the reality that’s in our hands.” While the world of the past few decades has experienced amazing and rapid change, this simple statement continues to inspire us. It is an invaluable guidepost for all the things we do for our readers, our retail partners, our stockholders and ourselves. We are Makers, Doers, Cooks, Gardeners, Crafters, Learners, Sharers, Embracers of Technology and Starters of Conversations and Ideas. And, most importantly, we touch like-minded people through our dynamic content and quality products. We are passionate weavers of inspiration, deeply connected with our loyal community that shares the same desire to live well. We see our message resonating with our growing and increasingly diverse community, and we will look to expand our influence abroad this year. Passion, creativity and community are our core principles, and they will continue to guide how we approach our business and our customers. INSPIRING PRODUCTS We are proud of our relationships with many of the best retailers and manufacturers in North America. -
Family and Satire in Family Guy
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2015-06-01 Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy Reilly Judd Ryan Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Film and Media Studies Commons, and the Theatre and Performance Studies Commons BYU ScholarsArchive Citation Ryan, Reilly Judd, "Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy" (2015). Theses and Dissertations. 5583. https://scholarsarchive.byu.edu/etd/5583 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy Reilly Judd Ryan A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Darl Larsen, Chair Sharon Swenson Benjamin Thevenin Department of Theatre and Media Arts Brigham Young University June 2015 Copyright © 2015 Reilly Judd Ryan All Rights Reserved ABSTRACT Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy Reilly Judd Ryan Department of Theatre and Media Arts, BYU Master of Arts This paper explores the presentation of family in the controversial FOX Network television program Family Guy. Polarizing to audiences, the Griffin family of Family Guy is at once considered sophomoric and offensive to some and smart and satiric to others. -
The List: All Primetime Series on Television Calendar Year 2015
The List: All Primetime Series on Television Calendar Year 2015 Source: Nielsen, Live+7 data provided by FX Networks Research. 12/29/14-12/27/15. Original telecasts only. Excludes repeats, specials, movies, news, sports, programs with only one telecast, and Spanish language nets. Cable: Mon-Sun, 8-11P. Broadcast: Mon-Sat, 8-11P; Sun 7-11P. "<<" denotes below Nielsen minimum reporting standards based on P2+ Total U.S. Rating to the tenth (0.0). Important to Note: This list utilizes the TV Guide listing service to denote original telecasts (and exclude repeats and specials), and also line-items original series by the internal coding/titling provided to Nielsen by each network. Thus, if a network creates different "line items" to denote different seasons or different day/time periods of the same series within the calendar year, both entries are listed separately. The following provides examples of separate line items that we counted as one show: %(7 V%HLQJ0DU\-DQH%(,1*0$5<-$1(6DQG%(,1*0$5<-$1(6 1%& V7KH9RLFH92,&(DQG92,&(78( 1%& V7KH&DUPLFKDHO6KRZ&$50,&+$(/6+2:3DQG&$50,&+$(/6+2: Again, this is a function of how each network chooses to manage their schedule. Hence, we reference this as a list as opposed to a ranker. Based on our estimated manual count, the number of unique series are: 2015³1,415 primetime series (1,524 line items listed in the file). 2014³1,517 primetime series (1,729 line items). The List: All Primetime Series on Television Calendar Year 2015 Source: Nielsen, Live+7 data provided by FX Networks Research.