Annual Institutional Profile Report
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Stanley Kubrick's 18Th Century
Stanley Kubrick’s 18th Century: Painting in Motion and Barry Lyndon as an Enlightenment Gallery Alysse Peery Abstract The only period piece by famed Stanley Kubrick, Barry Lyndon, was a 1975 box office flop, as well as the director’s magnum opus. Perhaps one of the most sumptuous and exquisite examples of cinematography to date, this picaresque film effectively recreates the Age of the Enlightenment not merely through facts or events, but in visual aesthetics. Like exploring the past in a museum exhibit, the film has a painterly quality harkening back to the old masters. The major artistic movements that reigned throughout the setting of the story dominate the manner in which Barry Lyndon tells its tale with Kubrick’s legendary eye for detail. Through visual understanding, the once obscure novel by William Makepeace Thackeray becomes a captivating window into the past in a manner similar to the paintings it emulates. In 1975, the famed and monumental director Stanley Kubrick released his one and only box-office flop. A film described as a “coffee table film”, it was his only period piece, based on an obscure novel by William Makepeace Thackeray (Patterson). Ironically, his most forgotten work is now considered his magnum opus by critics, and a complete masterwork of cinematography (BFI, “Art”). A remarkable example of the historical costume drama, it enchants the viewer in a meticulously crafted vision of the Georgian Era. Stanley Kubrick’s film Barry Lyndon encapsulates the painting, aesthetics, and overall feel of the 18th century in such a manner to transform the film into a sort of gallery of period art and society. -
A Field-Based Inquiry of Innovation Through Making and Craft
Handmade Future: A Field-based Inquiry of Innovation through Making and Craft Samantha Shorey A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2019 Reading Committee: Daniela K. Rosner, Chair Gina Neff, Chair Matthew Powers Christine Harold Megan Finn Program Authorized to Offer Degree: Communication © Copyright 2019 Samantha Shorey University of Washington Abstract Handmade Future: A Field-based Inquiry of Innovation through Making and Craft Samantha Shorey Chair of the Supervisory Committee: Gina Neff Department of Communication Daniela K. Rosner Department of Human Centered Design and Engineering This project analyzes the impact of mediated discourse on the skills, materials, and tools of innovation through a multi-method, three-part study of “making” practices— a growing method of Do-It-Yourself technology design that engages students, hobbyists, and experienced engineers in the building of technological artifacts outside of corporate hierarchies. Making integrates material skills (e.g. sewing, woodworking) and digital fabrication tools (e.g. 3D printing, laser cutting) to produce physical prototypes. These hybrid forms of construction hold significant promise as an inclusive method of innovation, acting as a pathway for women’s participation in technology design. However, if public conceptions of making neglect the contribution of craft and handwork, the potential for innovation will be reduced. This project contributes to existing scholarship in communication and science & technology (STS) studies by elucidating the mechanisms through which media produce symbolic value for technology industries and technology practices. Across this three-part project, I argue that when we expand popular narratives about the tools and practices of technology production, opportunities are also expanded to recognize the diverse contributions—both presently and historically—of people on the peripheries of STEM communities. -
Becca Kleinstein on Martha Stewart Yes, You Read That Correctly – I Chose Martha Stewart As the Leader I Admire
Becca Kleinstein on Martha Stewart Yes, you read that correctly – I chose Martha Stewart as the leader I admire. I’m guessing that quizzical look on your face has something to do with the fact that she spent 5 months in federal prison, or that she is known for being a ruthless tyrant in the professional domain, or even the fact that it is very publicly known that she and her daughter don’t get along (her daughter even wrote a book about their poor relationship!). However, Martha Stewart possesses several leadership traits that I admire and she has been able to harmonize all four of her domains. Marth Kostyra was born in 1941, and was raised in New Jersey by her middle class parents with her four brothers and sisters. Her knack for crafts was obvious from her childhood as she learned crafting, gardening, sewing, cooking, and preserve-jarring from her close-knit Polish American family. Her planning was also evident in her youth. She frequently babysat for the children of Mickey Mantle of the New York Yankees and organized birthday parties for the four boys. Martha won partial scholarship to Barnard College and modeled on the side to pay expenses. She initially intended to major in chemistry, but switched to art, European history, and architectural history. She married then law student Andrew Stewart after her sophomore year in college, and after taking a year off from school, earned her degree. Martha had her only child, Alexis, in 1965, and worked as model and stockbroker on Wall Street until 1973. -
Martha Stewart Living Omnimedia, Inc
MARTHA STEWART LIVING OMNIMEDIA, INC. 2013 ANNUAL REPORT >NOTICE OF 2014 ANNUAL MEETING >PROXY STATEMENT >ANNUAL REPORT ON FORM 10-K A Message from our CEO and our Founder Dear Stockholders, INSPIRATION - IT’S WHERE WE STARTED AND WHAT WE ARE Almost twenty-five years ago, Martha Stewart Living published its first inspirational issue with the following statement: “Our Company is about this wonderful life, and about how to live it. About going home again, and about building a house. About a glorious feast, and chocolate chip cookies. About gardens of flowers and rows of beans. It’s about the American Dream, and the reality that’s in our hands.” While the world of the past few decades has experienced amazing and rapid change, this simple statement continues to inspire us. It is an invaluable guidepost for all the things we do for our readers, our retail partners, our stockholders and ourselves. We are Makers, Doers, Cooks, Gardeners, Crafters, Learners, Sharers, Embracers of Technology and Starters of Conversations and Ideas. And, most importantly, we touch like-minded people through our dynamic content and quality products. We are passionate weavers of inspiration, deeply connected with our loyal community that shares the same desire to live well. We see our message resonating with our growing and increasingly diverse community, and we will look to expand our influence abroad this year. Passion, creativity and community are our core principles, and they will continue to guide how we approach our business and our customers. INSPIRING PRODUCTS We are proud of our relationships with many of the best retailers and manufacturers in North America. -
Liattrhphtpr Brralh Manchester, Conn
Manchester, Conn. Hohmi oI Uhi WiMik IS sponsor(k1 by ih« Msnchosisr Herald Cloudy today, Saturday, Oct. 8, 1983 Check these outstanding features sunnier Sunday liattrhpHtpr Brralh Single copy: 25$ Located In preellgloua Westwood 1st floor family room with fireplace HOME 4 large bedrooms with color coordinated carpeting S wallpaper Formal dining room 2 car garage baths Dishwasher A Disposal In kitchen Slate foyer Watt may resign OF THE ^ Vinyl sidihg Immediate occupancy Priced at only $102,900. early next week 223 lost Centar St., Mondiettar WEEK S4S Hartford Tpka., RIa. SO, Vamen 28 Connaelleuf Bird., Eatl Hartford By Motthaw C. Quinn R E A L E S T A T E S E R V IC E S 60 Poquonock Ava., Windsor U n ite d Press International W ASHINGTON - Interior De partment officials said Friday 8 Interior Secretary James Watt could resign Monday and there are four prime candidates to succeed him, Capitol Hill sources reported. uTD SB -D 156 E Center St The sources said department Manchester In officials told a top committee staffer "to expect something, thin probably on Monday." Some members of Congress and aides MANCHESTER $52,900 m took that to mean “James Watt A great Ranch style home in convenient neighborhood air will fly to Camp David or go to the DOUBLE GOOD DEAL!! features hardwood floors, aluminum storms & screens, CHFA A PRIVACY TOO 646-2000 A duplex In Manchester is an ideal way to enjoy today and plan 3 bedrooms, large kitchen & front porch. 4 year old. 3 bedroom Ranch. 3 full baths, dining room full beaa- Mark Chauvin, an White House and submit his rnanl wHh wood atova hookup and beautfful 2 fu?l acres with fruit resignation,” one aide said. -
Margaret Tante Burk Papers MS.084
http://oac.cdlib.org/findaid/ark:/13030/kt7t1nf4km No online items Inventory of the Margaret Tante Burk Papers MS.084 Clay Stalls, Christine Bennett, Liliana Mariscal, Gia Forsythe William H. Hannon Library, Archives & Special Collections, Manuscripts © 2009 Loyola Marymount University William H. Hannon Library, Archives and Special Collections 1 LMU Dr. Los Angeles, CA 90045 [email protected] URL: http://library.lmu.edu/archivesandspecialcollections/ Inventory of the Margaret Tante MS.084 1 Burk Papers MS.084 Language of Material: English Contributing Institution: William H. Hannon Library, Archives & Special Collections, Manuscripts Title: Margaret Tante Burk Papers creator: Burk, Margaret Tante Identifier/Call Number: MS.084 Physical Description: 102 archival boxes15 oversize boxes,; 1 map case drawer Date (inclusive): 1921-2008 Date (bulk): 1921-2008 Abstract: This collection consists of the personal papers of Margaret Tante Burk, author, and long-time publicist and champion of Los Angeles' famed Ambassador Hotel. Besides these notable accomplishments, Margaret Tante Burke served as the first female vice-president of a financial institution in Los Angeles and the first female president of the Wilshire Chamber of Commerce. In addition Margaret Tante Burk was co-founder of the literary forum, the Round Table West. The Burk Papers consist of correspondence, photographs, flyers, brouchures, postcards, memoranda, and ephemera. Collection stored on site. Appointment is necessary to consult the collection. Language of Material: Languages represented in the collection: English Processed by: Clay Stalls, Christine Bennett, Gia Forsythe, Liliana Mariscal Date Completed: 2010 Encoded by: Christine Bennett, Gia Forsythe, Liliana Mariscal, and Natalie Sims Access Collection is open to research under the terms of use of the Department of Archives and Special Collections, Loyola Marymount University. -
April 27- May 1 the Virginia Theatre 203 W
THE COLLEGE OF MEDIA AT I LLINOIS PRESENTS 13th Annual April 27- May 1 The Virginia Theatre 203 W. Park, Champaign www.ebertfest.com Special support provided by the Academy of Motion Picture Arts and Sciences. FILM SCREENINGS AT THE VIRGINIA THEATRE LIVE WDWS ON-AIR INTERVIEW Wednesday, April 27, 2011 Please Tune In to WDWS-AM 1400! 7:00 pm Metropolis Wednesday, April 27, 2011 10:30 pm Natural Selection 9:00 am - 10:00 am Jim Turpin’s (WDWS)Ebertfest Interview Thursday, April 28, 2011 1:00 pm Umberto D ACADEMIC PANEL DISCUSSIONS 3:30 pm My Dog Tulip 8:00 pm Tiny Furniture Thursday, April 28, 2011 9:00 am – 10:15 am Friday, April 29, 2011 Personal Stories in Film 1:00 pm 45365 Moderated by Eric Pierson 4:00 pm Me and Orson Welles Pine Lounge, 1st Floor 8:30 pm Only You 10:30am -11:45 am Far Flung Correspondents: International Perspectives Saturday, April 30, 2011 in Film Criticism 11:00 am A Small Act Moderated by Omer Mozaffar Pine Lounge, 1st Floor 2:00 pm Life, Above All 6:30 pm Leaves of Grass Friday, April 29, 2011 9:30 pm I Am Love 9:00 am – 10:15 am Sunday, May 1, 2011 Ebert Presents: Reinventing the TV Show in the Digital Age Noon Louder Than a Bomb Moderated by Chaz Ebert Pine Lounge, 1st Floor SPECIAL POST-FESTIVAL SCREENING 10:30am -11:45 am Sunday, May 1, 2011 Choices: The Movies We Make, the Roles We Play 4:00 pm Louder Than a Bomb Moderated by Nate Kohn Pine Lounge, 1st Floor The Champaign County Anti-Stigma Alliance is pleased to announce that they will have a special showing of LOUDER THAN A BOMB immediately following the close of Ebertfest (May WORKSHOP 1). -
Siren Song Think Greta Garbo
WWDMILESTONESSECTION II Valentino at 50 WWD MONDAY, OCTOBER 15, 2012 Q WOMEN’S WEAR DAILY Q $3.00 Siren Song Think Greta Garbo. Not the reclusive one but the vamp version, camera-ready in spring’s high-glam lingerie looks. Here, Josie Natori’s embroidered silk satin slipgown under Dennis Basso’s nylon organza and chinchilla bed jacket. Badgley Mischka earrings; Barbara Flood’s Closet belt. For more, see pages 6 and 7. PHOTO BY KYLE ERICKSEN; STYLED BY BOBBI QUEEN Karstadt Keeps LIQUIDITY ISSUES Pushing Ahead HMX Under Pressure, By MELISSA DRIER Decision Expected Soon BERLIN — It’s action time at Karstadt. A triple-header of major store events has seen fielding unsolicited offers from po- the German department store chain taking rapid By JEAN E. PALMIERI tential bidders. Interested buyers in- strides towards modernizing and differentiating and VICKI M. YOUNG clude two brand management firms, its business as outlined in the “Karstadt 2015” Authentic Brands Group and Iconix strategic plan. Reflecting the group’s multitiered THE OTHER SHOE is about to drop for Brand Group, and private equity firm structure, the moves have been made on both HMX Group. Bluestar Alliance. upper and midmarket levels. The consistent mes- The company is running out of time In a bankruptcy scenario, sources sage, however, has been one of trading up and, to as liquidity constraints are forcing it to said one of those bidders would be some extent, cleaning out. decide as soon as this week whether to chosen as the “stalking horse” for Prior to the grand opening of KaDeWe’s new sell the firm or file for bankruptcy court the firm’s intellectual property as- Luxury Boulevard, the store’s revamped beauty protection. -
Image to Infinity: Rethinking Description and Detail in the Cinema
IMAGE TO INFINITY: RETHINKING DESCRIPTION AND DETAIL IN THE CINEMA by Alison L. Patterson BS, University of Pittsburgh, 1997 MA, Cinema Studies New York University, 2001 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Critical and Cultural Studies University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Alison L. Patterson It was defended on February 23, 2011 and approved by Troy Boone, PhD, Associate Professor, English Adam Lowenstein, PhD, Associate Professor, English Colin MacCabe, PhD, Distinguished University Professor, English Randall Halle, PhD, Klaus W. Jonas Professor of German and Film Studies Dissertation Director: Marcia Landy, PhD, Distinguished Professor, English ii Copyright © Alison L. Patterson 2011 All Rights Reserved iii IMAGE TO INFINITY: RETHINKING DESCRIPTION AND DETAIL IN THE CINEMA Alison L. Patterson, PhD University of Pittsburgh, 2011 In the late 1980s, historian Hayden White suggested the possibility of forms of historical thought unique to filmed history. White proposed the study of “historiophoty,” an imagistic alternative to written history. Subsequently, much scholarly attention has been paid to the category of History Film. Yet popular concerns for historical re‐presentation and heritage have not fully addressed aesthetic effects of prior history films and emergent imagistic‐historiographic practices. This dissertation identifies and elaborates one such alternative historiographic practice on film, via inter‐medial study attending to British and American history films, an instance of multi‐platform digital historiography, and an animated film – a category of film often overlooked in history film studies. -
Large Print Guide
Large Print Guide You can download this document from www.manchesterartgallery.org Sponsored by While principally a fashion magazine, Vogue has never been just that. Since its first issue in 1916, it has assumed a central role on the cultural stage with a history spanning the most inventive decades in fashion and taste, and in the arts and society. It has reflected events shaping the nation and Vogue 100: A Century of Style has been organised by the world, while setting the agenda for style and fashion. the National Portrait Gallery, London in collaboration with Tracing the work of era-defining photographers, models, British Vogue as part of the magazine’s centenary celebrations. writers and designers, this exhibition moves through time from the most recent versions of Vogue back to the beginning of it all... 24 June – 30 October Free entrance A free audio guide is available at: bit.ly/vogue100audio Entrance wall: The publication Vogue 100: A Century of Style and a selection ‘Mighty Aphrodite’ Kate Moss of Vogue inspired merchandise is available in the Gallery Shop by Mert Alas and Marcus Piggott, June 2012 on the ground floor. For Vogue’s Olympics issue, Versace’s body-sculpting superwoman suit demanded ‘an epic pose and a spotlight’. Archival C-type print Photography is not permitted in this exhibition Courtesy of Mert Alas and Marcus Piggott Introduction — 3 FILM ROOM THE FUTURE OF FASHION Alexa Chung Drawn from the following films: dir. Jim Demuth, September 2015 OUCH! THAT’S BIG Anna Ewers HEAT WAVE Damaris Goddrie and Frederikke Sofie dir. -
Magazine Pour Le Site
YACHTING La Louis Vuitton World Series à Nice. The Louis Vuitton World Series in Nice IMMOBILIER / REAL ESTATE L’heure de la reprise? Is the recession over? L’AVENIR EST AUX FONDAMENTAUX FUNDAMENTALS ARE THE FUTURE 00176 € R 97305 - 180 - F : 3,00 - RD [ RENCONTRE / MEET ] Jean-Marie Massaud Par Alexandre Benoist - photo Denis Rouvre superbe de simplicité. impressionnant de fi abilité. « Le designer doit s’éloigner de la mode. » Le mouvement du Cosmograph Daytona est une parfaite illustration de l’expertise "Designers should distance themselves from fashion." horlogère de Rolex. D’une élégante simplicité, il n’est composé que de 290 éléments, une prouesse par rapport aux autres chronographes. Son architecture exceptionnelle réduit la complexité et garantit une fiabilité accrue tout en maintenant un très haut niveau de précision chronométrique. Intégralement conçu et assemblé par Rolex, ce mouvement, doté d’éléments exclusifs tel le spiral Parachrom bleu, a nécessité Pour le créateur de l’année du Salon -/ For the Now! Design à Vivre plus de cinq ans de recherche. Ce même niveau d’innovation et de savoir-faire Now! Design à Vivre, le rôle d’un des- show's designer of the year, the role se retrouve dans toute la collection Rolex, preuve que chaque montre est un igner est aujourd’hui de proposer de of a designer today is to offer new chef-d’œuvre, à l’intérieur comme à l’extérieur. L’histoire continue sur rolex.com nouvelles perspectives, plus en perspectives more in synch with the phase avec les enjeux de l’époque. issues of our era. -
The Inventory of the Alan Cumming Collection #1825
The Inventory of the Alan Cumming Collection #1825 Howard Gotlieb Archival Research Center Cumming, Alan #1825 1/29/14 Preliminary Listing I. Photographs. A. Files; includes some correspondence. Box 1 1. “1993 - Script Writing for 'High Life', Mask Photo - Shooting Pilot Episode,” 5 color prints, 1993. [Env. 1] 2. “AC on Evening Winning Olivier Award for Comedy Performance of the Year,” 1 color print, 1991. [Env. 2] 3. “A Streetcar Named Desire,” 2 black white prints, 2/19/86.[Env. 3] 4. “The Anniversary Party,” 2 black and white prints, 1 color print, 2001. [F. 1] 5. “The Art Party,” 8 color prints, 2002; includes: [Env. 4] a. AC and Monica Lewinsky. b. AC and Anson Mount. c. AC and Rachel Weisz. d. Ileana Douglas, Cynthia Rowley, AC, and Monica Lewinsky. e. AC and Heather Graham. f. Molly Shannon, AC, and Heather Graham. 6. “Bath Time,” 3 color prints, 1995. [F. 2] 7. “BBC Travel Show - Palm Springs,” 9 color prints of AC and Saffron Burrows, 1996. [Env. 5] 8. “BBC TV” [AC appearing in a BBC television program titled “A Word In Your Era,” with AC playing Amadeus Mozart and Robert Baden-Powell], 2 color Polaroids, 1993. [Env. 6] 9. “Bernard and the Genie,” 8 color prints, 2 black and white prints, 1991. [Env. 7] 10. “Buddy” (3 files), 16 color prints, 37 prints, 1997, includes: [Env. 8-10] a. Color print of Rene Russo, AC, and monkeys in car. b. 2 color prints of AC and group, includes Rene Russo. 11. “Broadway Beards” event, 18 color prints, 1999.