DOCSLIB.ORG

Dveepsea6/62Fre Ahled4li,614

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

1 1111 IN MAY, 1959 500 dveepsea6/62fre ahled4li,614-./ www.americanradiohistory.com 40 Watts MONOPHONIC... 20 Watts STEREOPHONIC... with RCA -6973 TUBES See her sitting there so neat. And I tell you very confidentially... the 6973's got POWER...real power for such a small "bottle ". Four of them, in twin, push -Full class AB' circuits, put 20 watts of power into each of two output- transformers to give you the brilliant stereo sound you dream about. With the flip cf a switch, you can parallel the twin circuits for 40 husky watts' monophonic power output. B:g on power.. small in size...long on low -cost design possibilities...everything about RCA's 6973 beam -power tube makes sweet news. Whether you'-e designing for monophonic or stereo high fidel ty, you'll want to hear the many other facts your RCA Field Representative car give you on the RCA -6773. For technical data, write RCA Commercial Engineering, RCA FIELD OFFICES EAST: 744 Broad 5t. Section E91 CE, Harrison, N. J. Newark 2, N. J. HUmboldt 5 -3900 RCA Tube Distributor RCA tubes for H.gh Fidelity also avail ble from your local Authorized MIDWEST. Suite 1154, Merchandise Mart Plaza, Chicago 54, III. WHiteholl 42900 WEST: 6355 E. Washington Blvd., OF AMERICA Los Angeles 22, Calif. RADIO CORPORATION RAymond 3.8361 Electron Tube Division Harrison, N. J. www.americanradiohistory.com MAY, 1959 VOL. 43, No. 5 Successor to RADIO, Est. 1917. AU D Io ENGINEERING MUSIC SOUND REPRODUCTION C. G. McProud, Editor and Publisher 4 Q,0 fn °t: N L Henry A. Schober, Business Manager m C Q, C L- ó C y N N 3 _ Harrie m w c Só K. Richardson, Associate Editor Ul'SCdE H L - 2 ',5 a`,;',7, Linda Sueskind, Assistant Editor á O°C d > VV N d Janet M. Durgin, m'o.ypÿ c )2 'a Production Manager tf ° Edgar E. Newman, Circulation Director o> °=8 ro .O°mU -a ° crnc ctd, .7.0u;g= o 3 "- Ñ . cs 03 C 15 Z N N C N>. w tÑ d Y O CO é; c - ` w* ¿- Sanford L. Cahn, Advertising Director O ' - t ¡, _ Á c _ MEMtFR Midwest Representative óipNTL t ó - V ú Vi« III 1 MA4y W. A. Cook and Associates _ p$ J Go eaa i .o 7^ 161 East Grand Ave., Chicago 11, Ill. LLa WoW )- West Coast Representative - « - ó+ C. ° _ N j ¡ óm i i lames Galloway ° w° ° Ñ /NC'S esr a ai 3 ÿ as N 6535 Wilshire Boulevard, Los Angeles 48, Calif. t-°ó a. d .C1-7 ~ U c O Ñ C 0 Ç :il.' 1° á a3d y_ iLLái' 3 I lif CONTENTS ÿ. 3 NsiN: G ff Audioelinie- Joseph Giovanelli 2 Letters 6 Speaker Phasing With an Oscilloscope-Bob E. Tripp 10 Audio ETC -Edward Tatnall Canby 12 Editor's Review 14 A Compatible Stereophonic Sound System-Floyd K. Becker 17 Moving Magnet Stereo -The new horizon of stereo disc reproduction - Herbert Horowitz 19 Negative- Supply Outboard Codan-Ronaid L. Ives 22 The Amplifier Distortion Story- Norman H. Crowhurst 24 The Tape Guide-What Kind of Tape Machine for your Audio System- Herman Burstein 30 Equipment Profile -Lafayette KT -600 Stereo Control Amplifier 34 Standard Methods of Measurements for Tuners -The Complete text of IHFM -T -100, adopted in December, 1958 42 Record Revue-Edward Tatnall Canby 48 Jazz and All That-Charles A. Robertson 54 New Products 60 New Literature 63 Coming Hi Fi Shows 63 About Music -Harold Lawrence 64 Industry Notes & People 79 Advertising Index 80 COVER PHOTO -Music wall built by E. L. Phillips, Jr. for his home in Odessa, Texas. In the upper compartments are two McIntosh MC -60 power amplifiers and a Fairchild 411 -H turntable with Grado arm and stereo cartridge and a Calrad viscous damped arm with an ESL Concert monophonic cartridge. The center row contains a Garrard RC -88 changer with E -V stereo cartridge, a McIntosh C -20 stereo preamp (serial No. 6), Magnecordette stereo tape recorder and amplifier, Grundig TK -820 tape recorder (for background music), and drawers for tape storage, tools, spare cables, microphones, etc. Two Bozak 305 speaker systems at the bottom flank a record storage compartment. Cabinet cost, only about $450. AUDIO (title registered U. S. Pal. Off.) Is published monthly by Radio Magazines, Inc., Henry A. Schober, President; C. C. McProud, Secretary. Executive and Editorial Offices, 204 Front St., Mineola, N. Y. Subscription rates Possessions. -U. S. Canada and Mexico, $4.00 for one year, $7.00 for two years, all other countries, per year. copies 50t. $5.00 Single Printed In U.S.A. at Lancaster, Pa. All rights reserved. Entire contents copyrighted 1959 by Radio Magazines, Inc. Entered u Second Class Matter February 9, 1950 at the Post Office, Lancaster, Pa. under the act of March 3, 1879. RADIO MAGAZINES, INC., P. O. Box 629, MINEOLA, N. Y. Postmaster : Send Form 3579 to AUDIO, P. O. Box 629, Mineola, N. Y. AUDIO MAY, 1959 www.americanradiohistory.com AUDIOCLI N IC?? GRADO JOSEPH GIOVANELLI Deemphasis and Time Constant blesome when connect c,i as .amplifiers. This results partly from the direct con- Q. I have a Browning RJ48 tuner which nection to the power line and partly be- which has given exemplary service since cause of poor grounding in such circuits. 1954. Its FM response has a rising char- Poor grounding is made necessary in order acteristic to 10,000 cps, which snakes it to isolate these circuits from the line. This slightly on the bright side, which is not isolation, in turn, is made necessary to too objectionable; but I have lately added minimize the shock hazard and to conform a tape recorder and the high- frequency to U. L. requirements. The first of these "Truly boost in the tuner together with the high - outlined conditions may be remedied by frequency boost in the recording equali- placing an isolation transformer between zation causes a most unpleasing sound on the set and the power line. One side of playback. The de- emphasis network at the the primary of this transformer should be the discriminator of the tuner consists of a bypassed to B minus with a 0.05 -µf series 7.5,000 -ohm resistor, followed by a capacitor, of 400 volt d.c. rating. 620 µµf capacitor to ground, with the If this procedure proves unsatisfactory, world's signal taken off the capacitor. we must improve the grounding. This is in 1. How can I change this network to give addition to using the isolation transformer. me flat response? (Use of this isolation transformer elimi- 2. What is the method used to calculate nates the shock hazard which might other- finest..." the time constant? John A. Roberts, wise result after the readjustment of the Quebec, Canada. ground lead.) A. The values in the de- emphasis net- 1. Connect B minus directly to the chassis. work of your Browning RJ48 tuner should 2. Connect the return for the tuner input be a 75,000 -ohm resistor and a 1000 µµf to the point at which the first audio ampli- capacitor. However, the a.c. resistance of fier stage is grounded. the discriminator is approximately 10,000 ohms and is in series with the de- emphasis The Pickering Stereo Cartridge network. Therefore, the actual value of the external resistor to be used is 65,000 Q. tlfy original monophonic setup worked io stereo, ohms since this value plus the 10,000 ohms very well. After I switched I difficulties with my Pickering STEREO CARTRIDGE $49.50 inherent in the discriminator itself is equal experienced When this to 75,000 ohms, the correct value needed stereo cartridge. I connected COMPATIBLE WITH cartridge to the input terminal (specifi- Monaural Vertica for the time constant of the de- emphasis Lateral cally marked "Pickering ") of my pream- Stereo Westrex Mime network, 75 microseconds. The time constant in microseconds of plifier, I obtained almost no gain. also, that the cartridge when STEREO TONE ARM $29.95 a resistor and capacitor in series may be I noticed, figured by assuming the capacitor to be tracking at 2 -4 grams, has considerable Finest Wolnul Woo'` distortion, especially at the high end. 4 Shlel : in micro- microfara.ds and the resistor to Wires and conditions? he expressed in terms of megohms. By How may I correct these multiplying resistance by capacitance, you Harry Hausman, Weirton, W. Va. will then have the time constant of the A. The new Pickering stereo cartridge network in microseconds. has relatively low output as opposed to the older monophonic cartridges for which the Interconnecting a.c. Equipment with Pickering terminal on your preamplifier AC -DC Receivers was designed. The cartridge, therefore, should be plugged into the high -gain input, Q. My problem concerns strong hum normally used for GE inputs and the like. ..+....... after connecting an FM tuner into an AC- The original Pickering stereo cartridge DC receiver which has the input specifically cannot track at 2-4 grams, because this is marked: "for FM tuner, TV sound, phono." not sufficient force to push the stylus shank This sounds as though it was meant for parallel to the face of the disc and, there- connecting a.c. devices. The receiver has fore, in line with the polepieces. A 6-8 push -pull output and a phase inverter, and gram tracking force should provide the the usual series-connected filaments. It also best results. There is a new T -bar stylus has a shunt resistor- capacitor connected assembly, however, which will track at the from B minus to chassis ground.
Recommended publications
  • J2P and P2J Ver 1

    J2P and P2J Ver 1

    } Paid Circulation This Issue 21,812, Including 1,900 Oversee .1 July 3, 1961 4.1 .50 CZ Cia c.? itt tai . CL w - ái J _J Ñt VtCs Q G 1 m B LLB DARE z r 4 'MUSIC WEEIc Music -Phonograph Merchandising Radio -Tv Programming Coin Machine Operating Seeburg Spikes Rumors on Cap to Issue Albums European Production Base On New Weekly Basis By OMER ANDERSON production facilities in West Ger- Olas partly front imported and many. Canteen acquired the Tono - partly front domestic components. To Release 3 or 4 COLOGNE -Seeburg will not Only Pop LP's at Time; mat Company of Nett Isenberg, But Gilbert voiced the strongest establish a European production near Frankfurt, where it is assem- skepticism about the advantages of Permits Pushing Artists base within the foreseeable future and Catalog Waxings bling the AMI. Wurlitzer is con- European production of juke boxes. despite the activity of other Amer- structing a factory at Huellhorst, in The Seeburg export chief conceded HOLLYWOOD Capitol Rec- monthly avalanche of product. ican coin machine manufacturers in - Northern Germany, to produce the foreign production and assembly of ords will start issuing LP's on a With fewer LP's to handle at a this direction. Lyric, a compact version of the U. S. products might be feasible weekly basis, abandoning the tra- time, Capitol's sales and promo- In an interview here, George L. Wurlitzer standard box. in the case of certain products, but ditional mass monthly album re- tional corps will be able to devote H. Gilbert. vice -president of See- not juke boxes.
  • WDR 3 Persönlich Mit Götz Alsmann Vom 15.08.2020

    WDR 3 Persönlich Mit Götz Alsmann Vom 15.08.2020

    WDR 3 Jazz & World, 15. August 2020 Persönlich mit Götz Alsmann 13:04-15:00 Stand: 14.08.2020 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de Moderation: Götz Alsmann Redaktion: Werner Wittersheim 22:04-24:00 Laufplan 1. Oh Yeah K/T: Bob Jung 2:12 THE PAGE SEVEN RCA Victor 2734; LC: ßß316 LP: ... An Explosion In Pop Music 2. Sometimes I’m Happy K/T: Youmans/ Caesar/ Gray 3:04 GENE KRUPA Alamac 180058; LC: 99999 LP: Gene Krupa & His Prchestra 1949 3. Stompin’ At The Savoy K/T: Goodman/ Sampson/ Webb/ Razaf 2:53 BENNY GOODMAN RCA 730 7070; LC: 00316 LP: Trio & Quartet Vol.2 4. The Walls Keep Talking K/T: Hill/ Bauer/ Wainer 3:15 GENE KRUPA & ANITA O’DAY CBS 88016; LC: 00162 LP: Gene Krupa, His Orchestra And Anita O’Day feat. Roy Eldridge 5. Have Swing Will Travel K/T: Mort Herbert 4:05 MICKEY SHEEN Herald 0105; LC: 99999 LP: Have Swing Will Travel 6. Napoleon In Paris K/T: Marty Napoleon 3:02 MICKEY SHEEN wie Titel 5 7. It’s Sunny In Italy K/T: Mort Herbert 3:05 MICKEY SHEEN wie Titel 5 8. Blues In Berlin K/T: Mort Herbert 4:25 MICKEY SHEEN wie Titel 5 9. La Belle Creole K/T: Colson 2:40 DON BARRETO Harlequin 06; LC: 99999 CD: Don Barretp 1932 – 1935 10. Runidera K/T: Rodriguez 2:54 DON BARRETO wie Titel 9 11. Vengo Por La Conga K/T: Don Barreto/ Luis Fuentes 2:39 DON BARRETO wie Titel 9 Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt.
  • Lester Young

    Lester Young

    THE TRAGEDY AND TRIUMPH OF LESTER YOUNG By RON TABOR still at (or close to) the height of his creative powers, and much like Billie Holiday, Young suffered an extended period “I STAY BY MYSELF. SO HOW DO YOU KNOW ANYTHING of physical, psychological, and most believe, artistic decline, ABOUT ME?”1 which was visible to all but the most obtuse observers. Young’s death, in other words, can almost be described as protracted and public. To anyone more than a little familiar with the life of Lester Young, the great African American jazz tenor saxophonist, the What is usually accounted for as the cause of Young’s deterio- title of my essay must seem ironic. For Young’s life is more ration and ultimate demise was the time he spent in the US often described, when it is described at all, as a triumph fol- Army during the last year of World War II, when he was lowed by tragedy. This reflects the arc of his artistic career. In arrested for possession of marijuana and barbiturates and the late 1930s, Young burst upon the national jazz scene as a spent a term in the detention barracks. Nobody knows exactly star, even the star, of the fabulous Count Basie band. His new what went on there, but whatever it was, it had a profound sound and radical approach to improvisation, in the context impact on the saxophonist. According to most observers, of the innovations of the band itself, set the jazz world afire, Young emerged from the experience a changed—some say, paved the way for modern jazz, and influenced hundreds if disturbed—man.
  • Preset Chart

    Preset Chart

    CALLIOPE Preset Chart Keyboard 020 Jazz Organ1 040 Full Pipe 060 GRPiano 080 Hammer Pluck 001 Grand Piano 021 Jazz Organ2 041 LA Piano 061 Nutcracker 081 Six Operators 002 Bright Piano 022 Jazz Organ3 042 Taxi Bob 062 Western 082 Four Operators 003 Dance Piano 023 Rock Organ1 043 Steely Fagan 063 Romantic Wuully 083 French Accordion 004 Smooth Grand 024 Rock Organ2 044 Pop Centry 064 TremoRhodes 084 Accordion Waltz 005 Slow Jazz Piano 025 Rock Organ3 045 Ball Attack EP1 065 Clav Funk 085 Straight Tango 006 Ballade Grand 026 Pipe Organ1 046 Ball Attack EP2 066 Funky Harpsi 086 Passion Polka1 007 90s Piano 027 Pipe Organ2 047 MIDI Rhodes 067 Wowulitzer 087 Passion Polka2 008 Electric Grand 028 Soft Electric Organ 048 Smooth CP 068 Piano n Bass 088 Dance Slowly 009 Analog Piano1 029 Accordion1 049 Winwood Ballade 069 Road n Bass 089 Project Tango1 010 Analog Piano2 030 Accordion2 050 Warm Grand 070 Wuily n Bass 090 Project Tango2 011 Pretty DX Piano1 031 Low Pad Piano 051 Liquid Piano 071 CP n B3 091 Soul Layer 012 Pretty DX Piano2 032 Piano Strings 052 Comp Grand 072 CPC3 092 Twinkle Keys 013 Vintage Road 033 Calm DX1 053 Jimmy Split1 073 Hard Touch Goodness 093 Sweet Ballade 014 Best Friend 034 Calm DX2 054 Jimmy Split2 074 Tiny FM Piano 094 Cute Chorus 015 Celesta 035 Ballade FM1 055 Split Drawbar1 075 Sharp Fingers 095 New MKS 016 The Box 036 Ballade FM2 056 Split Drawbar2 076 DIgi Ana 096 Warm Fingers 017 Clavinet 037 Velo Pianet 057 Rock Split1 077 MIDI 80 097 Percussive Attack 018 Harpsichord Single 038 Tiny 7IIFD 058 Rock Split2
  • Recorded Jazz in the 20Th Century

    Recorded Jazz in the 20Th Century

    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
  • Reprint from Artistic Experimentation in Music - ISBN 978 94 6270 013 0 - © Leuven University Press, 2014 ARTISTIC EXPERIMENTATION in MUSIC

    Reprint from Artistic Experimentation in Music - ISBN 978 94 6270 013 0 - © Leuven University Press, 2014 ARTISTIC EXPERIMENTATION in MUSIC

    Reprint from Artistic Experimentation in Music - ISBN 978 94 6270 013 0 - © Leuven University Press, 2014 ARTISTIC EXPERIMENTATION IN MUSIC: AN ANTHOLOGY Artistic Experimentation in Music: an Anthology Edited by Darla Crispin and Bob Gilmore Leuven University Press Table of Contents 9 Introduction Darla Crispin and Bob Gilmore Section I Towards an Understanding of Experimentation in Artistic Practice 23 Five Maps of the Experimental World Bob Gilmore 31 The Exposition of Practice as Research as Experimental Systems Michael Schwab 41 Epistemic Complexity and Experimental Systems in Music Performance Paulo De Assis 55 Experimental Art as Research Godfried-Willem Raes 61 Tiny Moments of Experimentation: Kairos in the Liminal Space of Performance Kathleen Coessens 69 The Web of Artistic Practice: A Background for Experimentation Kathleen Coessens 83 Towards an Ethical-Political Role for Artistic Research Marcel Cobussen 91 A New Path to Music: Experimental Exploration and Expression of an Aesthetic Universe Bart Vanhecke 105 From Experimentation to Construction Richard Barrett 111 Artistic Research and Experimental Systems: The Rheinberger Questionnaire and Study Day: A Report Michael Schwab 5 Table of Contents Section II The Role of the Body: Tacit and Creative Dimensions of Artistic Experimentation 129 Embodiment and Gesture in Performance: Practice-Based Perspectives Catherine Laws 141 Order Matters A Thought on How to Practise Mieko Kanno 147 Association-Based Experimentation as an Artistic Research Method Valentin Gloor 151 Association
  • October 1987

    October 1987

    Cover Photo by Ebet Roberts EDUCATION IN THE STUDIO Roberts An Introduction 42 Ebet by Craig Krampf by ROCK 'N' JAZZ CLINIC Emphasizing Beats Photo by Rod Morgenstein 44 TEACHERS' FORUM Motivation by Ron Jordan 48 JAZZ DRUMMERS' WORKSHOP Basic Independence by Peter Erskine 72 ELECTRONIC INSIGHTS Marching To The MIDI Drummer by Bruce Nazarian 82 ROCK PERSPECTIVES Ringo Starr: The Early Period by Kenny Aronoff 102 ROCK CHARTS Ian Paice: "Perfect Strangers" by James Morton 106 CONCEPTS Listening NARADA MICHAEL by Roy Burns 120 CLUB SCENE WALDEN Selling Yourself On Tape In recent months, he has had great success as a producer for by Rick Van Horn 122 such artists as Whitney Houston and Aretha Franklin, but EQUIPMENT Narada Michael Walden isn't about to abandon his SHOP TALK drumming, and here he tells why. Snare Drum Options by Rick Mattingly 16 by John Clarke 76 PRODUCT CLOSE-UP More New Cymbals AL JACKSON by Rick Van Horn and Rick Until his untimely death, Al Jackson provided the backbeat Mattingly 126 for classic Memphis recordings by Booker T. & The MGs, Al ELECTRONIC REVIEW Greene, Sam & Dave, Otis Redding, and all the artists on Stax Pearl SC-40 Syncussion-X records. He is remembered by such friends and colleagues as by Bob Saydlowski, Jr. 128 Steve Cropper, Duck Dunn, Al Greene, and Jim Keltner. JUST DRUMS 132 by T. Bruce Wittet 22 REVIEWS PRINTED PAGE 104 PAUL LEIM PROFILES Since moving to L.A. from Dallas, Paul Leim has recorded PORTRAITS with an impressive array of artists, including Lionel Richie, Sherman Ferguson: Fire, Groove, Peter Cetera, and Kenny Rogers.
  • Albert Ayler. Lo Spirito E La Rivolta INDICE Dei NOMI

    Albert Ayler. Lo Spirito E La Rivolta INDICE Dei NOMI

    Indice dei nomi 369th Infantry Band (Hell Fighters), At Slug's Saloon Vol. 1 e Vol. 2, 182, 145 206-8 76th Army Band (Banda della Set- Awake Nu, 205 tantaseiesima Armata), 28, 31, “AY”, 197-8 228 Ayler, Arlene (Arlene Benton), 12, 52, A Love Supreme, 178 66 “A Man Is Like a Tree”, 178, 218 Ayler, Cynthia, 18 “A Night in Tunisia”, 42 Ayler, Desirée, 52, 66 AACM (Association for the Advance- Ayler, Donald (Don), 12, 18, 20, 39, ment of Creative Music), 127 56, 73-7, 76n, 80, 90-1, 94, 96, Abdul Rahim, Mustafa (Donald Stric- 100, 103-4, 106-8, 110, 112, 114- kland), 51 7, 117n, 120-2, 128-30, 136, 140, “Again Comes the Rising of the Sun”, 145, 153, 167, 170, 177, 183-4, 197, 219 199, 201-2, 204, 206, 208-9, 212, Äijänen, Martti, 224 214-6, 225-7 Albert Ayler, 211 Ayler, Edward, 12, 17, 18, 19, 20, 21, Albert Ayler in Europe 1959-1962, 23, 40, 112, 128, 130 228 Ayler, Myrtle (Myrtle Hunter), 18, 21, Albert Ayler Vol. 1 & 2, 223 114 Albert Smiles with Sunny, 62n, 195-6 Ali, Muhammad, 119-20, 218-20, 227 Bach, Johann Sebastian, 20, 92, 93 Ali, Rashied, 87, 119, 183, 225, Baraka, Amiri (LeRoi Jones), 12, 53n, “All”, 107, 183, 210-1 55, 73, 73n, 77, 83-5, 85n, 114-5, “All Love”, 175, 219, 221 123-4, 136, 155, 183, 183n, 201, Allen, Byron, 59, 61, 79 205, 206 Allen, Clifford, 57n Beatles, 100, 111 “Angels”, 85, 171, 190, 199-200, 204, Bechet, Sidney, 143-4, 154 212, 214 Beins, Burkhard, 249-50 Annala, Heikki, 224 Bells, 81, 165, 182, 197, 202-4 Armstrong, Louis, 97, 99, 144, “Bells”, 76-7, 90, 109, 146, 166, 202-3, Art Ensemble of Chicago, 32,
  • JREV2.11Full.Pdf

    JREV2.11Full.Pdf

    SPIRITUALS to SWING FROM THE FAMOUS CARNEGIE HALL CONCERTS — with such artists as: COUNT BASIE ORIGINAL ORCHESTRA • BENNY GOODMAN SEXTET • LESTER YOUNG • BUCK CLAYTON • SIDNEY BECHET • TOMMY LADNIER • JOE TURNER • HELEN HUMES • BIG BILL BROONZY • CHARLIE CHRISTIAN • JO JONES • JAMES P. JOHNSON • ALBERT AMMONS • "LIPS" PAGE • MEADE LUX LEWIS • PETE JOHNSON • Mitchell's Christian Singers • Fletcher Henderson • Ida Cox • Harry Edison • Herschel Evans • Lionel Hampton • Ed Lewis • Golden Gate Quartet • Sonny Terry • Bull City Red • Shad Collins • Kansas City Six • Earl Warren • Dickie Wells • Benny Morton • Arthur Bernstein • Jack Washington • Nick Fatool • Walter Page • Freddie Greene • Dan Minor Regular List Price $7.96 Special Jazz Collectors Price; 39 FOR THE TWO- RECORD SET Postage Prepaid on this item CHESTERFIELD MUSIC SHOPS, INC. 12 WARREN STREET NEW YORK 17, N. Y. for your Please send sets of John Hammond's Spirituals To Swing at the convenience special Collectors Price of $6.39 per set. $ enclosed. in Send FREE LP Catalog. ORDERING Name BY MAIL Address use this City Zone State handy blank Sorry no C.O.D. Discount Records—262 Sutter St., San Francisco, Calif. Special offer also available Discount Records—201 North La Salle, Chicago, Illinois from coast to coast at: Discount Records—202 Michigan Ave., Detroit, Michigan Chesterfield Music Shops—485 Madison Avenue, New York City, N. Y. Or take the next paragraph, same col• Naturally, when I speak of jazz, I speak umn, when I wrote, "the following prop• of a band style, an instrumental and LETTERS ositions are offered for consideration," orchestral style. It is not merely a use and what came out was "the following of blues scales nor for a notable proportions".
  • Bobby HACKETT

    Bobby HACKETT

    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Bobby HACKETT: Bobby Hackett -co; George Brunies -tb; Pee Wee Russell -cl,ts; Bernie Billings -ts; Dave Bowman - p; Eddie Condon -g; Clyde Newcomb -b; Johnny Blowers -d; Lola Bard -vo; recorded February 16, 1938 in New York 57864 YOU, YOU AND ESPECIALLY YOU 2.57 M754-1 Voc/Okeh 4142 57865 IF DREAMS COME TRUE 2.52 M755-1 Voc/Okeh 4047 57866 THAT DA-DA STRAIN 2.44 M757-1 Voc/Okeh 4142 57867 AT THE JAZZ BAND BALL 2.34 M756-1 Voc/Okeh 4047 "The Saturday Night Swing Club is On The Air" Bobby Hackett -co; Brad Gowans -vtb; Pee Wee Russell -cl; Ernie Caceres -bs; Dave Bowman -p; Eddie Condon -g; Clyde Newcomb -b; George Wettling -d; recorded June 25, 1938 in Broadcast, New York 70029 AT THE JAZZ BAND BALL 3.06 Fanfare LP17-117 Bobby Hackett -co; Brad Gowans -vtb,as; Pee Wee Russell -cl; Ernie Caceres -bs; Dave Bowman - p; Eddie Condon -g; Clyde Newcomb -b; Andy Picard -d; Linda Keene -vo; recorded November 04, 1938 in New York 57860 GHOST OF A CHANCE 2.55 M917-1 Voc/Okeh 4499 57861 POOR BUTTERFLY 2.22 M918-1 --- 57862 BLUE AND DISILLUSIONED 2.25 M916-1 Voc/Okeh 4565 57863 DOIN' THE NEW LOW-DOWN 2.29 M919-1 --- "Bobby Hackett and his Rhythm Cats" Bobby Hackett -co; Brad Gowans -vtb; Pee Wee Russell -cl; Ernie Caceres -bs; Dave Bowman -p; Andy Picard -d; recorded December 21, 1938 in New York 68471 SKELETON JANGLE 2.29 IAJRC-LP1 Bobby Hackett -co; Sterling Bose, Jack Thompson -tp;
  • 1959 Final Part II

    1959 Final Part II

    1959 – året det var så jazz – #1 Missa Fidelium [Messe for de troende] Credo (eller Fugae tempus) Libera Me Changing times Frie former – frijazz Sanctus In Paradisum Hardbopens uutholdelige letthet En foreløpig oppsummering? Agnus Dei Extroitus & Postludium Modalitetens frigjørende tyngde Miles Davis/Gil Evans, Sketches of Spain (1959) Og ja, det eksisterer virkelig en kirke der John Coltrane er kanonisert som helgen! 1959 – året det var så jazz – #2 These are changing times … En av de låtene fra 1959 som satte store fotspor etter seg, var Paul Desmonds «Take Five», låta i 5/4-takt som egentlig var ment bare å være et grunnlag for en trommesolo av Joe Morello For vi snakker nå selvfølgelig om skiva «Time Out» med Dave Brubeck Quartet. Men minst like fascinerende er «Blue Rondo a la Turk», som Brubeck skrev over et rytmemønster han hørte under en turné til Tyrkia. Egentlig er ikke dette ei låt, men en hel liten suite! Langt fra AABA-strukturer, mer ABC-ABC-DEF-GHI Hovedmotivet er i 9/8, delt i tre takter med 2-2-2-3, deretter en takt med mønstret 3-3-3. Det viste en dansende, annerledes ‘swing’-følelse enn noe annet som var hørt før. også ilagt et swingende 4/4 til solopartier, og vekselpartier med to og to takter med 4/4 og 9/8, Joe Morello, tr Eugene Wright, b Paul Desmond, as Dave Brubeck, p 1959 – året det var så jazz – #3 Hva skjedde om morgenen 15. mars 1959 i New York? … the Day the Prez died! Og bare fire måneder etter, døde hans Lady Day! Lester ble 49 år, Billy ble bare 44.
  • 2011 Minutes of the Board of Aldermen

    2011 Minutes of the Board of Aldermen

    City of Somerville, Massachusetts 2011 Minutes of the Board of Aldermen John J. Long City Clerk 2 City of Somerville, Massachusetts 2011 Minutes of the Board of Aldermen Table of Contents City Government, 2011 Page 5 January 3, 2011, Organizational Meeting Page 7 January 13, 2011, Regular Meeting Page 13 January 27, 2011, Regular Meeting Page 31 February 10, 2011, Regular Meeting Page 61 February 24, 2011, Regular Meeting Page 81 March 1, 2011, Special Meeting Page 99 March 10, 2011, Regular Meeting Page 101 March 24, 2011, Regular Meeting Page 115 April 14, 2011, Regular Meeting Page 125 April 28, 2011, Regular Meeting Page 153 May 2, 2011, Special Meeting Page 171 May 12, 2011, Regular Meeting Page 173 May 26, 2011, Regular Meeting Page 189 June 9, 2011, Regular Meeting Page 209 June 13, 2011, Special Meeting Page 227 June 23, 2011, Regular Meeting Page 233 July 14, 2011, Regular Meeting Page 249 July 28, 2011, Regular Meeting (cancelled) Page 263 August 11, 2011, Regular Meeting (cancelled) Page 265 August 11, 2011, Special Meeting Page 267 August 25, 2011, Regular Meeting Page 271 September 8, 2011, Regular Meeting Page 293 September 22, 2011, Regular Meeting Page 309 October 13, 2011, Regular Meeting Page 319 October 27, 2011, Regular Meeting Page 337 November 10, 2011, Regular Meeting Page 351 November 22, 2011, Regular Meeting Page 361 December 8, 2011, Regular Meeting Page 373 December 20, 2011, Regular Meeting Page 387 3 CITY OF SOMERVILLE CITY GOVERNMENT 2011 MAYOR Joseph A. Curtatone 130 Ten Hills Road, 02145 (617) 776-5159 [email protected] BOARD OF ALDERMEN AT LARGE: John M.