Audioelinie- Joseph Giovanelli 2 Letters 6 Speaker Phasing with an Oscilloscope-Bob E

Total Page:16

File Type:pdf, Size:1020Kb

Audioelinie- Joseph Giovanelli 2 Letters 6 Speaker Phasing with an Oscilloscope-Bob E 1 1111 IN MAY, 1959 500 dveepsea6/62fre ahled4li,614-./ www.americanradiohistory.com 40 Watts MONOPHONIC... 20 Watts STEREOPHONIC... with RCA -6973 TUBES See her sitting there so neat. And I tell you very confidentially... the 6973's got POWER...real power for such a small "bottle ". Four of them, in twin, push -Full class AB' circuits, put 20 watts of power into each of two output- transformers to give you the brilliant stereo sound you dream about. With the flip cf a switch, you can parallel the twin circuits for 40 husky watts' monophonic power output. B:g on power.. small in size...long on low -cost design possibilities...everything about RCA's 6973 beam -power tube makes sweet news. Whether you'-e designing for monophonic or stereo high fidel ty, you'll want to hear the many other facts your RCA Field Representative car give you on the RCA -6773. For technical data, write RCA Commercial Engineering, RCA FIELD OFFICES EAST: 744 Broad 5t. Section E91 CE, Harrison, N. J. Newark 2, N. J. HUmboldt 5 -3900 RCA Tube Distributor RCA tubes for H.gh Fidelity also avail ble from your local Authorized MIDWEST. Suite 1154, Merchandise Mart Plaza, Chicago 54, III. WHiteholl 42900 WEST: 6355 E. Washington Blvd., OF AMERICA Los Angeles 22, Calif. RADIO CORPORATION RAymond 3.8361 Electron Tube Division Harrison, N. J. www.americanradiohistory.com MAY, 1959 VOL. 43, No. 5 Successor to RADIO, Est. 1917. AU D Io ENGINEERING MUSIC SOUND REPRODUCTION C. G. McProud, Editor and Publisher 4 Q,0 fn °t: N L Henry A. Schober, Business Manager m C Q, C L- ó C y N N 3 _ Harrie m w c Só K. Richardson, Associate Editor Ul'SCdE H L - 2 ',5 a`,;',7, Linda Sueskind, Assistant Editor á O°C d > VV N d Janet M. Durgin, m'o.ypÿ c )2 'a Production Manager tf ° Edgar E. Newman, Circulation Director o> °=8 ro .O°mU -a ° crnc ctd, .7.0u;g= o 3 "- Ñ . cs 03 C 15 Z N N C N>. w tÑ d Y O CO é; c - ` w* ¿- Sanford L. Cahn, Advertising Director O ' - t ¡, _ Á c _ MEMtFR Midwest Representative óipNTL t ó - V ú Vi« III 1 MA4y W. A. Cook and Associates _ p$ J Go eaa i .o 7^ 161 East Grand Ave., Chicago 11, Ill. LLa WoW )- West Coast Representative - « - ó+ C. ° _ N j ¡ óm i i lames Galloway ° w° ° Ñ /NC'S esr a ai 3 ÿ as N 6535 Wilshire Boulevard, Los Angeles 48, Calif. t-°ó a. d .C1-7 ~ U c O Ñ C 0 Ç :il.' 1° á a3d y_ iLLái' 3 I lif CONTENTS ÿ. 3 NsiN: G ff Audioelinie- Joseph Giovanelli 2 Letters 6 Speaker Phasing With an Oscilloscope-Bob E. Tripp 10 Audio ETC -Edward Tatnall Canby 12 Editor's Review 14 A Compatible Stereophonic Sound System-Floyd K. Becker 17 Moving Magnet Stereo -The new horizon of stereo disc reproduction - Herbert Horowitz 19 Negative- Supply Outboard Codan-Ronaid L. Ives 22 The Amplifier Distortion Story- Norman H. Crowhurst 24 The Tape Guide-What Kind of Tape Machine for your Audio System- Herman Burstein 30 Equipment Profile -Lafayette KT -600 Stereo Control Amplifier 34 Standard Methods of Measurements for Tuners -The Complete text of IHFM -T -100, adopted in December, 1958 42 Record Revue-Edward Tatnall Canby 48 Jazz and All That-Charles A. Robertson 54 New Products 60 New Literature 63 Coming Hi Fi Shows 63 About Music -Harold Lawrence 64 Industry Notes & People 79 Advertising Index 80 COVER PHOTO -Music wall built by E. L. Phillips, Jr. for his home in Odessa, Texas. In the upper compartments are two McIntosh MC -60 power amplifiers and a Fairchild 411 -H turntable with Grado arm and stereo cartridge and a Calrad viscous damped arm with an ESL Concert monophonic cartridge. The center row contains a Garrard RC -88 changer with E -V stereo cartridge, a McIntosh C -20 stereo preamp (serial No. 6), Magnecordette stereo tape recorder and amplifier, Grundig TK -820 tape recorder (for background music), and drawers for tape storage, tools, spare cables, microphones, etc. Two Bozak 305 speaker systems at the bottom flank a record storage compartment. Cabinet cost, only about $450. AUDIO (title registered U. S. Pal. Off.) Is published monthly by Radio Magazines, Inc., Henry A. Schober, President; C. C. McProud, Secretary. Executive and Editorial Offices, 204 Front St., Mineola, N. Y. Subscription rates Possessions. -U. S. Canada and Mexico, $4.00 for one year, $7.00 for two years, all other countries, per year. copies 50t. $5.00 Single Printed In U.S.A. at Lancaster, Pa. All rights reserved. Entire contents copyrighted 1959 by Radio Magazines, Inc. Entered u Second Class Matter February 9, 1950 at the Post Office, Lancaster, Pa. under the act of March 3, 1879. RADIO MAGAZINES, INC., P. O. Box 629, MINEOLA, N. Y. Postmaster : Send Form 3579 to AUDIO, P. O. Box 629, Mineola, N. Y. AUDIO MAY, 1959 www.americanradiohistory.com AUDIOCLI N IC?? GRADO JOSEPH GIOVANELLI Deemphasis and Time Constant blesome when connect c,i as .amplifiers. This results partly from the direct con- Q. I have a Browning RJ48 tuner which nection to the power line and partly be- which has given exemplary service since cause of poor grounding in such circuits. 1954. Its FM response has a rising char- Poor grounding is made necessary in order acteristic to 10,000 cps, which snakes it to isolate these circuits from the line. This slightly on the bright side, which is not isolation, in turn, is made necessary to too objectionable; but I have lately added minimize the shock hazard and to conform a tape recorder and the high- frequency to U. L. requirements. The first of these "Truly boost in the tuner together with the high - outlined conditions may be remedied by frequency boost in the recording equali- placing an isolation transformer between zation causes a most unpleasing sound on the set and the power line. One side of playback. The de- emphasis network at the the primary of this transformer should be the discriminator of the tuner consists of a bypassed to B minus with a 0.05 -µf series 7.5,000 -ohm resistor, followed by a capacitor, of 400 volt d.c. rating. 620 µµf capacitor to ground, with the If this procedure proves unsatisfactory, world's signal taken off the capacitor. we must improve the grounding. This is in 1. How can I change this network to give addition to using the isolation transformer. me flat response? (Use of this isolation transformer elimi- 2. What is the method used to calculate nates the shock hazard which might other- finest..." the time constant? John A. Roberts, wise result after the readjustment of the Quebec, Canada. ground lead.) A. The values in the de- emphasis net- 1. Connect B minus directly to the chassis. work of your Browning RJ48 tuner should 2. Connect the return for the tuner input be a 75,000 -ohm resistor and a 1000 µµf to the point at which the first audio ampli- capacitor. However, the a.c. resistance of fier stage is grounded. the discriminator is approximately 10,000 ohms and is in series with the de- emphasis The Pickering Stereo Cartridge network. Therefore, the actual value of the external resistor to be used is 65,000 Q. tlfy original monophonic setup worked io stereo, ohms since this value plus the 10,000 ohms very well. After I switched I difficulties with my Pickering STEREO CARTRIDGE $49.50 inherent in the discriminator itself is equal experienced When this to 75,000 ohms, the correct value needed stereo cartridge. I connected COMPATIBLE WITH cartridge to the input terminal (specifi- Monaural Vertica for the time constant of the de- emphasis Lateral cally marked "Pickering ") of my pream- Stereo Westrex Mime network, 75 microseconds. The time constant in microseconds of plifier, I obtained almost no gain. also, that the cartridge when STEREO TONE ARM $29.95 a resistor and capacitor in series may be I noticed, figured by assuming the capacitor to be tracking at 2 -4 grams, has considerable Finest Wolnul Woo'` distortion, especially at the high end. 4 Shlel : in micro- microfara.ds and the resistor to Wires and conditions? he expressed in terms of megohms. By How may I correct these multiplying resistance by capacitance, you Harry Hausman, Weirton, W. Va. will then have the time constant of the A. The new Pickering stereo cartridge network in microseconds. has relatively low output as opposed to the older monophonic cartridges for which the Interconnecting a.c. Equipment with Pickering terminal on your preamplifier AC -DC Receivers was designed. The cartridge, therefore, should be plugged into the high -gain input, Q. My problem concerns strong hum normally used for GE inputs and the like. ..+....... after connecting an FM tuner into an AC- The original Pickering stereo cartridge DC receiver which has the input specifically cannot track at 2-4 grams, because this is marked: "for FM tuner, TV sound, phono." not sufficient force to push the stylus shank This sounds as though it was meant for parallel to the face of the disc and, there- connecting a.c. devices. The receiver has fore, in line with the polepieces. A 6-8 push -pull output and a phase inverter, and gram tracking force should provide the the usual series-connected filaments. It also best results. There is a new T -bar stylus has a shunt resistor- capacitor connected assembly, however, which will track at the from B minus to chassis ground.
Recommended publications
  • Preset Chart
    CALLIOPE Preset Chart Keyboard 020 Jazz Organ1 040 Full Pipe 060 GRPiano 080 Hammer Pluck 001 Grand Piano 021 Jazz Organ2 041 LA Piano 061 Nutcracker 081 Six Operators 002 Bright Piano 022 Jazz Organ3 042 Taxi Bob 062 Western 082 Four Operators 003 Dance Piano 023 Rock Organ1 043 Steely Fagan 063 Romantic Wuully 083 French Accordion 004 Smooth Grand 024 Rock Organ2 044 Pop Centry 064 TremoRhodes 084 Accordion Waltz 005 Slow Jazz Piano 025 Rock Organ3 045 Ball Attack EP1 065 Clav Funk 085 Straight Tango 006 Ballade Grand 026 Pipe Organ1 046 Ball Attack EP2 066 Funky Harpsi 086 Passion Polka1 007 90s Piano 027 Pipe Organ2 047 MIDI Rhodes 067 Wowulitzer 087 Passion Polka2 008 Electric Grand 028 Soft Electric Organ 048 Smooth CP 068 Piano n Bass 088 Dance Slowly 009 Analog Piano1 029 Accordion1 049 Winwood Ballade 069 Road n Bass 089 Project Tango1 010 Analog Piano2 030 Accordion2 050 Warm Grand 070 Wuily n Bass 090 Project Tango2 011 Pretty DX Piano1 031 Low Pad Piano 051 Liquid Piano 071 CP n B3 091 Soul Layer 012 Pretty DX Piano2 032 Piano Strings 052 Comp Grand 072 CPC3 092 Twinkle Keys 013 Vintage Road 033 Calm DX1 053 Jimmy Split1 073 Hard Touch Goodness 093 Sweet Ballade 014 Best Friend 034 Calm DX2 054 Jimmy Split2 074 Tiny FM Piano 094 Cute Chorus 015 Celesta 035 Ballade FM1 055 Split Drawbar1 075 Sharp Fingers 095 New MKS 016 The Box 036 Ballade FM2 056 Split Drawbar2 076 DIgi Ana 096 Warm Fingers 017 Clavinet 037 Velo Pianet 057 Rock Split1 077 MIDI 80 097 Percussive Attack 018 Harpsichord Single 038 Tiny 7IIFD 058 Rock Split2
    [Show full text]
  • Reprint from Artistic Experimentation in Music - ISBN 978 94 6270 013 0 - © Leuven University Press, 2014 ARTISTIC EXPERIMENTATION in MUSIC
    Reprint from Artistic Experimentation in Music - ISBN 978 94 6270 013 0 - © Leuven University Press, 2014 ARTISTIC EXPERIMENTATION IN MUSIC: AN ANTHOLOGY Artistic Experimentation in Music: an Anthology Edited by Darla Crispin and Bob Gilmore Leuven University Press Table of Contents 9 Introduction Darla Crispin and Bob Gilmore Section I Towards an Understanding of Experimentation in Artistic Practice 23 Five Maps of the Experimental World Bob Gilmore 31 The Exposition of Practice as Research as Experimental Systems Michael Schwab 41 Epistemic Complexity and Experimental Systems in Music Performance Paulo De Assis 55 Experimental Art as Research Godfried-Willem Raes 61 Tiny Moments of Experimentation: Kairos in the Liminal Space of Performance Kathleen Coessens 69 The Web of Artistic Practice: A Background for Experimentation Kathleen Coessens 83 Towards an Ethical-Political Role for Artistic Research Marcel Cobussen 91 A New Path to Music: Experimental Exploration and Expression of an Aesthetic Universe Bart Vanhecke 105 From Experimentation to Construction Richard Barrett 111 Artistic Research and Experimental Systems: The Rheinberger Questionnaire and Study Day: A Report Michael Schwab 5 Table of Contents Section II The Role of the Body: Tacit and Creative Dimensions of Artistic Experimentation 129 Embodiment and Gesture in Performance: Practice-Based Perspectives Catherine Laws 141 Order Matters A Thought on How to Practise Mieko Kanno 147 Association-Based Experimentation as an Artistic Research Method Valentin Gloor 151 Association
    [Show full text]
  • Dveepsea6/62Fre Ahled4li,614
    1 1111 IN MAY, 1959 500 dveepsea6/62fre ahled4li,614-./ www.americanradiohistory.com 40 Watts MONOPHONIC... 20 Watts STEREOPHONIC... with RCA -6973 TUBES See her sitting there so neat. And I tell you very confidentially... the 6973's got POWER...real power for such a small "bottle ". Four of them, in twin, push -Full class AB' circuits, put 20 watts of power into each of two output- transformers to give you the brilliant stereo sound you dream about. With the flip cf a switch, you can parallel the twin circuits for 40 husky watts' monophonic power output. B:g on power.. small in size...long on low -cost design possibilities...everything about RCA's 6973 beam -power tube makes sweet news. Whether you'-e designing for monophonic or stereo high fidel ty, you'll want to hear the many other facts your RCA Field Representative car give you on the RCA -6773. For technical data, write RCA Commercial Engineering, RCA FIELD OFFICES EAST: 744 Broad 5t. Section E91 CE, Harrison, N. J. Newark 2, N. J. HUmboldt 5 -3900 RCA Tube Distributor RCA tubes for H.gh Fidelity also avail ble from your local Authorized MIDWEST. Suite 1154, Merchandise Mart Plaza, Chicago 54, III. WHiteholl 42900 WEST: 6355 E. Washington Blvd., OF AMERICA Los Angeles 22, Calif. RADIO CORPORATION RAymond 3.8361 Electron Tube Division Harrison, N. J. www.americanradiohistory.com MAY, 1959 VOL. 43, No. 5 Successor to RADIO, Est. 1917. AU D Io ENGINEERING MUSIC SOUND REPRODUCTION C. G. McProud, Editor and Publisher 4 Q,0 fn °t: N L Henry A.
    [Show full text]
  • Albert Ayler. Lo Spirito E La Rivolta INDICE Dei NOMI
    Indice dei nomi 369th Infantry Band (Hell Fighters), At Slug's Saloon Vol. 1 e Vol. 2, 182, 145 206-8 76th Army Band (Banda della Set- Awake Nu, 205 tantaseiesima Armata), 28, 31, “AY”, 197-8 228 Ayler, Arlene (Arlene Benton), 12, 52, A Love Supreme, 178 66 “A Man Is Like a Tree”, 178, 218 Ayler, Cynthia, 18 “A Night in Tunisia”, 42 Ayler, Desirée, 52, 66 AACM (Association for the Advance- Ayler, Donald (Don), 12, 18, 20, 39, ment of Creative Music), 127 56, 73-7, 76n, 80, 90-1, 94, 96, Abdul Rahim, Mustafa (Donald Stric- 100, 103-4, 106-8, 110, 112, 114- kland), 51 7, 117n, 120-2, 128-30, 136, 140, “Again Comes the Rising of the Sun”, 145, 153, 167, 170, 177, 183-4, 197, 219 199, 201-2, 204, 206, 208-9, 212, Äijänen, Martti, 224 214-6, 225-7 Albert Ayler, 211 Ayler, Edward, 12, 17, 18, 19, 20, 21, Albert Ayler in Europe 1959-1962, 23, 40, 112, 128, 130 228 Ayler, Myrtle (Myrtle Hunter), 18, 21, Albert Ayler Vol. 1 & 2, 223 114 Albert Smiles with Sunny, 62n, 195-6 Ali, Muhammad, 119-20, 218-20, 227 Bach, Johann Sebastian, 20, 92, 93 Ali, Rashied, 87, 119, 183, 225, Baraka, Amiri (LeRoi Jones), 12, 53n, “All”, 107, 183, 210-1 55, 73, 73n, 77, 83-5, 85n, 114-5, “All Love”, 175, 219, 221 123-4, 136, 155, 183, 183n, 201, Allen, Byron, 59, 61, 79 205, 206 Allen, Clifford, 57n Beatles, 100, 111 “Angels”, 85, 171, 190, 199-200, 204, Bechet, Sidney, 143-4, 154 212, 214 Beins, Burkhard, 249-50 Annala, Heikki, 224 Bells, 81, 165, 182, 197, 202-4 Armstrong, Louis, 97, 99, 144, “Bells”, 76-7, 90, 109, 146, 166, 202-3, Art Ensemble of Chicago, 32,
    [Show full text]
  • 1959 Final Part II
    1959 – året det var så jazz – #1 Missa Fidelium [Messe for de troende] Credo (eller Fugae tempus) Libera Me Changing times Frie former – frijazz Sanctus In Paradisum Hardbopens uutholdelige letthet En foreløpig oppsummering? Agnus Dei Extroitus & Postludium Modalitetens frigjørende tyngde Miles Davis/Gil Evans, Sketches of Spain (1959) Og ja, det eksisterer virkelig en kirke der John Coltrane er kanonisert som helgen! 1959 – året det var så jazz – #2 These are changing times … En av de låtene fra 1959 som satte store fotspor etter seg, var Paul Desmonds «Take Five», låta i 5/4-takt som egentlig var ment bare å være et grunnlag for en trommesolo av Joe Morello For vi snakker nå selvfølgelig om skiva «Time Out» med Dave Brubeck Quartet. Men minst like fascinerende er «Blue Rondo a la Turk», som Brubeck skrev over et rytmemønster han hørte under en turné til Tyrkia. Egentlig er ikke dette ei låt, men en hel liten suite! Langt fra AABA-strukturer, mer ABC-ABC-DEF-GHI Hovedmotivet er i 9/8, delt i tre takter med 2-2-2-3, deretter en takt med mønstret 3-3-3. Det viste en dansende, annerledes ‘swing’-følelse enn noe annet som var hørt før. også ilagt et swingende 4/4 til solopartier, og vekselpartier med to og to takter med 4/4 og 9/8, Joe Morello, tr Eugene Wright, b Paul Desmond, as Dave Brubeck, p 1959 – året det var så jazz – #3 Hva skjedde om morgenen 15. mars 1959 i New York? … the Day the Prez died! Og bare fire måneder etter, døde hans Lady Day! Lester ble 49 år, Billy ble bare 44.
    [Show full text]
  • 2011 Minutes of the Board of Aldermen
    City of Somerville, Massachusetts 2011 Minutes of the Board of Aldermen John J. Long City Clerk 2 City of Somerville, Massachusetts 2011 Minutes of the Board of Aldermen Table of Contents City Government, 2011 Page 5 January 3, 2011, Organizational Meeting Page 7 January 13, 2011, Regular Meeting Page 13 January 27, 2011, Regular Meeting Page 31 February 10, 2011, Regular Meeting Page 61 February 24, 2011, Regular Meeting Page 81 March 1, 2011, Special Meeting Page 99 March 10, 2011, Regular Meeting Page 101 March 24, 2011, Regular Meeting Page 115 April 14, 2011, Regular Meeting Page 125 April 28, 2011, Regular Meeting Page 153 May 2, 2011, Special Meeting Page 171 May 12, 2011, Regular Meeting Page 173 May 26, 2011, Regular Meeting Page 189 June 9, 2011, Regular Meeting Page 209 June 13, 2011, Special Meeting Page 227 June 23, 2011, Regular Meeting Page 233 July 14, 2011, Regular Meeting Page 249 July 28, 2011, Regular Meeting (cancelled) Page 263 August 11, 2011, Regular Meeting (cancelled) Page 265 August 11, 2011, Special Meeting Page 267 August 25, 2011, Regular Meeting Page 271 September 8, 2011, Regular Meeting Page 293 September 22, 2011, Regular Meeting Page 309 October 13, 2011, Regular Meeting Page 319 October 27, 2011, Regular Meeting Page 337 November 10, 2011, Regular Meeting Page 351 November 22, 2011, Regular Meeting Page 361 December 8, 2011, Regular Meeting Page 373 December 20, 2011, Regular Meeting Page 387 3 CITY OF SOMERVILLE CITY GOVERNMENT 2011 MAYOR Joseph A. Curtatone 130 Ten Hills Road, 02145 (617) 776-5159 [email protected] BOARD OF ALDERMEN AT LARGE: John M.
    [Show full text]
  • Marines Get New Uniform Regulations
    Vol. 1-1, No. 17 MCAS Kaneohe Bay, Hawaii April 25, 1985 They're home! Tugboats (I) welcome the USS Tarawa to after being deployed for more than five Pearl Harbor as the LHA ends its last Western months. Sgt. Kay Dunavan (r) searches for Pacific Deployment from Hawaii. Marines of her boyfriend HM3 Mike McGuire. See story the 37th MAU returned home, Wednesday, on A-5. Marines get new uniform regulations below the stenciled Marine serving with Marine Corps the collars of the white shirt, shirts. Some changes Corps emblem, and Navy units, will wear their black worn with the blue dress Approved swords of any are rank insignia will be centered miniature cap device/black "A/B" uniforms, when they length may be purchased and below the miniature cap rank insignia in the area anticipate removing the blue used by officers, provided currently in effect device worn instead of the where the Marine Corps coat within office spaces. they meet the current Marine Corps emblem. emblem is normally sten- Local commanders may regulation that the tip of the Washington,. D.C. (MC- Bulletin 1020, published by Colonels and Navy captains ciled. prescribe nametags on blue sword, when at the carry will use News) - Effective immedi- the Marine Corps Uniform the left collar Other changes include: dress uniforms when they are position, falls not more than ately, Marines will wear rank Board on March 25, and insignia. one inch above or below Officer insignia designated as the uniform of eye insignia on camouflage includes other uniform items. on the the day.
    [Show full text]
  • Album Title Index
    Album Title Index (updated December 26, 2011) (Wolf Schmaler) Explanatory Information <1> Articles (The, A, Les, Die, Il) and first names at the beginning of an album title are not considered in the alphabetical order and listed in brackets, except they are an essential part of the album title (for example: Thelonious Himself). Numbers in titles are listed after letters. “[+1]”, “[+2]” (indicating more tracks than on the original) are not treated as part of the title <2> Album titles beginning with a number or a Roman numeral are listed after “Z”. “&” is listed like “and”. <3> The list includes all mentioned album titles in The Reference, with Coltrane’s participation or not, also album titles mentioned in the “typos and small corrections” and “issues/reissues” lists for the web site (marked as: “<see typos …>” or “<see “issues/reissues”>”). These entries and according page numbers are in bold types. There are bold notes “<for research>”, too, for releases that need a further check - these will be replaced in a future update. <4> Page numbers through 366 refer to the Chronology, page numbers 367 and higher refer to the Discography or Appendices. <5> Many albums are listed twice or more times, under titles and different “subtitles”; an example: CD Rhino R2-71255 “The John Coltrane Anthology: The Last Giant” is listed under “C”: (The John) Coltrane Anthology: The Last Giant and under “L”: (The) Last Giant: The John Coltrane Anthology <6> In a few cases reissues with a different title than the original are only listed for the first session they appear in the discography, but not for further sessions - so in these cases the page numbers do not show all mentions of this special issue.
    [Show full text]
  • Visibility Matters: the Pursuit of American Belonging in an Age of Moving Images
    Abstract Visibility Matters: The Pursuit of American Belonging in an Age of Moving Images Brian Joseph Distelberg 2015 Visibility Matters examines the history of a long-held American conviction: that to be fully present and fairly portrayed in movies and on television is both a prelude to other forms of inclusion and, in itself, an essential part of national belonging. Virtually since the birth of the motion picture as a commercial entertainment with a mass audience in the 1910s, through the movies’ maturation and then their midcentury battle with television for supremacy, and on to the rise of network television as the predominant medium for mass entertainment by the 1960s and 1970s, this conviction prompted racial, ethnic, and religious minorities, and eventually other marginalized social groups as well, to criticize what they saw on screen, and to organize and agitate to change it. In their pursuit of fair representation, they studied and analyzed moving images and their effects, picketed and boycotted particular pictures and programs, appealed to governments to regulate screen content and diversify employment in the motion picture and television industries, and negotiated directly with producers for specific changes in content and to facilitate routine consultation. Even as Irish Americans and Jews, African Americans and women, and Latinos and gays and lesbians struggled to dismantle the legal, political, and social structures that enforced their marginalization, many were preoccupied by whether people like them were fairly represented on screen. They were certain that their visibility mattered. Brian J. Distelberg, Visibility Matters: The Pursuit of American Belonging in an Age of Moving Images, Ph.D.
    [Show full text]
  • Fire Management Notes Is Published by the Forest Service of the United States Department of Agriculture, Washington, DC
    United States Department of Agriculture Forest Service Fire Management Volume 51, No.4 1990 Notes United States Department of Fire Agriculture Management Forest Service An international quarterly periodical Notes devoted to forest fire management Volume 51, No.4 1990 Contents Short Features 3 Wildland-Urban Interface Emergency Responses: 8 Incident Business Management Coordinator Positions What Influences Them? William G. Bradshaw Hanna J. Cortner, Robert M. Swinford, and Michael R. Williams 13 Acquisition Guidelines for FEPP Francis R. Russ 9 The Haines Index and Idaho Wildfire Growth Paul Werth and Richard Ochoa 15 Proceedings of 1988 Interior West Fire Council Annual Meeting and Workshop 14 Vegetative Management in the Wildland-Urban Martin E. Alexander and Gordon F. Bisgrove Interface Dick Manning 22 National Advanced Resource Technology Center Course Schedule for Fiscal Year 1992 16 A Power Backpack Pump With Foam Capability Tom French 25 The 1992 National Wildland Fire Training Conference 18 The 1988 Wildland Fire Season: Revisions to Wage, Equipment, and Training Standards 27 FIREFAMILY Returns, Revised Katie Mac Millen Donna M. Paananen 21 A Laser-Based Forest Fire Detection System 42 The Range Finder J.P. Greene Jim Shotwell 23 Computer Calculation of the Keetch-Byram Drought 43 Fire Training Index-Programmers Beware! J. Howard Parman Martin E. Alexander 26 FCFAST: Fort Collins Fire Access Software Larry S. Bradshaw and Patricia L. Andrews Fire Management Notes is published by the Forest Service of the United States Department of Agriculture, Washington, DC. The Secretary of Agriculture has determined that the publication of this periodical is necessary in the transaction of the public business 28 Hurricane Hugo and the CL-215 required by law of this Department.
    [Show full text]
  • Te Awamutu Courier
    ISSN 1170-1099 Approachable Professional Prompt All accounting work for rentals through to complex structures Call Sarah at MOBILE ACCOUNTING SERVICES (1994) LTD Phone 871 8080 or email me on Published Tuesday and Thursday [email protected] TUESDAY, JANUARY 15, 2008 276TC011-06 Circulated FREE to all households throughout Te Awamutu and surrounding districts. Extra copies 40c. BRIEFLY Light up sparks QSM for long time Waipa generosity Visitors on the Te Awamutu Christmas lights ramble helped contributor Ron Cooper raise money for Ronald McDon- ald House. A collection tin put out at the Kairangi farmer Ron Cooper Balks’ home on Mahoe Street has a record of service to the had $261 by the end of the wider Waipa community that is event. hard to rival. Trevor Balks says they had Mr Cooper was awarded a a wonderful response to their Queen’s Service Medal in the lights and the collection for New Year’s Honours in recogni- Ronald McDonald house. tion of his services to local body “There are a lot of very gen- affairs and the community - serv- erous people in Te Awamutu ices that span more than four and the money raised will go decades. to Ronald McDonald house in Waipa Mayor Alan Livingston, Rotorua. Thankyou to everyone in making a presentation to the who donated.” outgoing councillor at Council’s meeting last month, referred to the longevity and diversity of Mr Maori farming Cooper’s contributions. He was a Waipa County Coun- award extended cillor from 1980-89 and a Waipa The deadline for entries in District Councillor from that the BNZ Maori Excellence in organisation’s inauguration in Farming Award has been ex- 1989 until last year’s election - a tended to January 25.
    [Show full text]
  • Soda Stereo En Chile : Cronología De Un Fenómeno Socio – Musical ”
    UNIVERSIDAD DE CHILE FACULTAD DE CINENCIAS SOCIALES ESCUELA DE PERIODISMO “ SODA STEREO EN CHILE : CRONOLOGÍA DE UN FENÓMENO SOCIO – MUSICAL ” Memoria académica para optar al título de Periodista. OCTUBRE 2000 Alumna: JESSICA CELIS ABURTO. Profesor guía: Rafael del Villar. INDICE INTRODUCCIÓN............................................................................................................................ 1 1982-1985. DESDE LA PREHISTORIA DE SODA STEREO AL IMPACTO CHILENO................ 3 LOS ORÍGENES Y SUS PRIMEROS PASOS -1982. El nacimiento.......................................................................................................................... 5 -1983. Los primeros demos............................................................................................................... 5 -1984. El primer disco : “SODA STEREO”......................................................................................... 6 -1985. La Popularidad se consolida en Argentina............................................................................. 7 El segundo álbum : “Nada Personal”. 1986. LA PRIMERA GIRA LATINOAMERICANA........................................................................... 10 CHILE. EL CONTEXTO SOCIO-HISTÓRICO : ARGENTINA / CHILE............................................ 12 -Los Prisioneros................................................................................................................... 14 EL PRIMER PASO INTERNACIONAL : ¡CHILE, CHILE LINDO!.......................................
    [Show full text]