News Release

Total Page:16

File Type:pdf, Size:1020Kb

News Release News Release FOR IMMEDIATE RELEASE PRESS CONTACT: Ben Randle, Artistic Associate & Publicist ~ 415.694.6156 ~ [email protected] Press Kit: nctcsf.org/press NEW CONSERVATORY THEATRE CENTER GOES FOR A KNOCK-OUT WITH WEST COAST PREMIERE OF COCK, MICHAEL BARTLETT’S ACCLAIMED, OLIVIER-WINNING PLAY San Francisco, CA (July 15, 2014) — New Conservatory Theatre Center opens its 2014-15 Season with the West Coast Premiere of what The New York Times declared a “terrific new comedy with an unprintable name”: Cock by Michael Bartlett, directed by Stephen Rupsch. When John and his boyfriend take a break, the last thing he expects is to meet the woman of his dreams. This “exhilarating … robust and rollicking” new play (The New Yorker) takes a playful, candid look at sexuality, identity, and our obsession with certainty. Cock runs September 5 – October 12, 2014 in NCTC’s intimate Walker Theater. Opening Night is Saturday, September 13, 2014 at 8pm. Tickets are $25 - $45 and are available at nctcsf.org or by calling (415) 861-8972. Cock caused a critical sensation when it premiered at London’s Royal Court in 2009, going on to win a Laurence Oliver Award, and equal praise upon its New York premiere in 2012: “Never mind its provocative title”, declares The New York Post, “Cock is wonderful!” “With the exception of Oscar Wilde,” raves Variety, “quarreling lovers are never as articulate and entertaining as they are in Cock, Mike Bartlett’s Battle Royal of wit and persuasion.” “Brilliant!” proclaims The New York Times. Cock “never panders to any need for sensationalism. Instead he crafts a terrific contemporary play that puts much of other theater to shame.” "Uproariously funny,” hails New York Magazine. “Cock is a rite of spring you shouldn't miss!” Playwright Michael Bartlett is an award-winning playwright whose plays include King Charles III (Almeida Theatre); Chariots of Fire (based on the film; Hampstead/West End); 13 (National Theatre); Bull (Sheffield Theatres/Off-Broadway); Love, Love, Love (Paines Plough/Plymouth Drum/Royal Court); Earthquakes in London (Headlong/National Theatre); Cock (Royal Court/Off-Broadway). He is Associate Playwright at Paines Plough, was Writer-in-Residence at the National Theatre in 2011, and was the Pearson Playwright-in-Residence at the Royal Court Theatre in 2007. Cock won an Olivier Award for (MORE) Ed Decker Barbara Hodgen ARTISTIC DIRECTOR EXECUTIVE DIRECTOR Outstanding Achievement in an Affiliate Theatre in 2010. Love, Love, Love won the TMA Best New Play Award in 2011. He has written seven plays for BBC Radio, winning the Writers’ Guild Tinniswood and Imison prizes for Not Talking, and his three-part television series, The Town, was broadcast on ITV1 in 2012 and nominated for a BAFTA for Breakthrough Talent. Director Stephen Rupsch returns to NCTC, where he previously worked on staff and directed productions of Kilt, Pins, The Crumple Zone, Message to Michael and From the Hip: Siamese Twin Variations, as well as Get Real! for NCTC’s Theatre in Education program, YouthAware. Currently on sabbatical, Stepehn works as an Assistant Professor and Director of Theatre Studies for St. Norbert College in De Pere, WI. The design team for Cock features scenic design by resident designer Devin Kasper, lighting design by resident designer Christian Mejia, Costume Design by Michelle Mulholland, Sound Design by James Ard, Dialect Coaching by Patricia Reynoso, Stage Management by Vanessa Ramo. The cast of Cock includes Stephen McFarland, Todd Pivetti, Radhika Rao, and Matt Weimer. Special Engagements: During the run of the show, theatre lovers can enjoy many special events: Onstage Insight, Post-Show Discussions after the following performances: Sunday, September 21st at 8pm– Panel discussion featuring the cast. Low-cost Previews take place on Friday, September 5th – Friday, September 12th. Community Pay What You Wish Tickets: A limited number of tickets are held for each preview performance for our Pay-What-You-Wish program. These tickets cannot be reserved or purchased in advance and are only available for walkup sales beginning 1 hour before the performance. These tickets must be purchased in person. Opening Night will take place on Saturday, September 13th at 8pm. The performance will be followed by a reception with the cast, designers and director. New Conservatory Theatre Center is San Francisco’s premiere LGBTQIA and allied performing arts institution and progressive arts education conservatory since 1981. NCTC is renowned for its diverse range of innovative, high quality productions, touring productions and shows for young audiences; its foundational anti-bullying work with youth and educators through YouthAware; and its commitment to nurturing emerging artists and playwrights to expand the canon of queer and allied dramatic work. ### Ed Decker Barbara Hodgen ARTISTIC DIRECTOR EXECUTIVE DIRECTOR Cock FACT SHEET WHO: Written by Michael Bartlett Directed by Stephen Rupsch Starring Stephen McFarland, Todd Pivetti, Radhika Rao, and Matt Weimer. WHAT: The West Coast Premiere of Michael Bartlett’s acclaimed new play, Cock WHERE: New Conservatory Theatre Center Walker Theatre, 25 Van Ness Ave @Market, San Francisco, CA 94102 WHEN: September 5 – October 12, 2014 Wednesday – Sat at 8pm Sundays at 2pm COST: $25-$45 TICKETS AND BOX OFFICE: 415-861-8972, [email protected] Special Engagements: Onstage Insight with cast…………………….……..9/21 Low-Cost Previews…..……………..….........9/5 - 9/12 Opening Night…..………………….………………….9/13 PHOTOS AND PRESS KITS: nctcsf.org/press Ed Decker Barbara Hodgen ARTISTIC DIRECTOR EXECUTIVE DIRECTOR .
Recommended publications
  • Corporate Sponsor Pack Sismo Stories & Performances 2021-2022
    An annual season bringing to Amsterdam the very best theatre and dance productions from London and the UK. Cutting-edge London shows, transferring to Amsterdam with their original casts & creative teams. Audiences based in and around Amsterdam will finally be able to experience the unique perspective of the very best of British theatre-making. Corporate Sponsor Pack Sismo Stories & Performances 2021-2022 seven methods of killing kylie jenner “How exactly does one kill a social media figure/entrepreneur, or as I like to term her: a by Jasmine Lee-Jones con artist-cum-provocateur?” 3 directed by Milli Bhatia Holed up in her bedroom, Cleo’s aired A hit play from the twenty-two Whatsapps from Kara and has ROYAL COURT THEATRE cut off contact with the rest of the world. It Main Stage Evening Standard Theatre Award 2019 doesn’t mean she’s been silent though – Critics Circle Theatre Award 2019 she’s got a lot to say. On the internet, actions Nominated for James Tait Black Prize 2020 don’t always speak louder than words… ------- ★ ★ ★ ★ The Times A play about cultural appropriation, "In short, it slays.” queerness, friendship between womxn and ★ ★ ★ ★ Time Out the ownership of Black bodies both online “Lee-Jones’ writing is genuinely hilarious” and in real life. MEAT When Max pays Ronan a visit at his restaurant in Dublin, he’s determined to by Gillian Greer prove to her how far he’s come, but directed by Lucy Jane Atkinson she’s got something bigger to discuss. Over the course of one wine-soaked The hit play from Theatre 503 evening, old wounds are exposed and new truths uncovered.
    [Show full text]
  • Rapid Write Response: J'ouvert
    ACT 1 Mash Rapid Write Response: J’Ouvert Written by Yasmine Lever Directed by Emma Wilkinson These pieces are written by 7 writers in response to J’Ouvert by Yasmin Cast: Kate Reid (9653-7868-6998) and Ray Sesay (5819-7831-7622) Joseph The Number 82 Written by Adanna Oji Directed by Nkechi Nwobani Akanwo Cast: Yvonne Campbell (0535-6751-0964) Funmi Florence Cole and Heather Lewis Upcoming Rapid Write Response Dates Wine Down Check back on the Theatre503 website for our next Rapid Write Response in our Autumn season. Until then, here’s what’s coming up this Summer at Written by Ekene Okobi Directed by Kaleya Baxe Cast: Angelina Chudi (2058-8972-5714) Janani Rajendra and Aïsha Kent (1410-8970-2592) Theatre503: By Way of Kensal Green FOLK THE POLICE REHEARSED READING. 24 JUN Written by James Directed by Alessandra Davison Reynolds A TINDER TRILOGY 25 – 29 JUN Cast: Arthur Velarde (9856-3494-6667) and Mercy Philips DRIP 26 – 27 JUN VOICES FROM HOME 30 JUN – 1 JUL MOTHERHOOD WEEK 02 – 06 JUL ACT 2 EDFRINGE PREVIEWS 15 – 28 JUL Dutty Wind Written by Nicole Latchana Directed by Kelechi Okafor More information about how to get involved can be found on our website Cast: Bruna Campos and Diana Yekinni (0457-9083-8923) www.theatre503.com or email [email protected] to join our writers’ mailing list. Poles Apart Written by Martin Edwards Directed by Shayde Sinclair Cast: Steffi Igbinovia and Shem Hamilton Curated by Leian Darell Queen (of) B(acchanal) Written by Hassan Govia Directed by Leian Darell Leian uses his work to explore identity, the black image and experience.
    [Show full text]
  • NT Associates and Peter Hall Bursary Recipients
    Thursday 15 October NATIONAL THEATRE ANNOUNCES NEW ASSOCIATES AND PETER HALL BURSARY RECIPIENTS The National Theatre announced today that Rufus Norris, NT Director and Joint Chief Executive, has invited Ola Animashawun and Clint Dyer to join as Associates of the National Theatre. In addition, The Peter Hall Bursary has been expanded to support three new artists. The directors who have been invited to receive this fund are Ned Bennett, Ola Ince and Nancy Medina and they will be supported by the NT for the next two years. Ola Animashawun, was previously the founder and Head of the Royal Court Young Writers Programme, where he was also an Associate. Ola will work at Associate level in both Learning and the New Work Department at the NT, as well as continuing in his role as Connections Dramaturg which he has held since 2018. In this new position he will work cross organisationally towards racial equity and increased representation both in the work presented on stage and at all levels in the NT’s workforce. Ola is joined by Clint Dyer who becomes an NT Associate following playing ‘Cutler’ in the NTs Olivier winning production of Ma Rainey’s Black Bottom, the success of Death of England and the programming of Death of England: Delroy, which will open in the Olivier theatre later this month. In this role Clint will work closely with Rufus Norris and the Senior Artistic team and together with the Associates will advise on programming decisions. He will also continue to act and write and direct his own work.
    [Show full text]
  • Timeline: Royal Court International (1989–2013) Compiled by Elaine Aston and Elyse Dodgson
    Timeline: Royal Court International (1989–2013) Compiled by Elaine Aston and Elyse Dodgson The Timeline charts the Royal Court’s London-based presentations of international plays and related events from 1989–2013. It also records the years in which fi rst research trips overseas were made and exchanges begun. Writers are listed alphabetically within recorded events; translators for the Court are named throughout; directors are listed for full productions and major events. Full productions are marked with an asterisk (*) – other play listings are staged readings. 1989: First international Summer School hosted by the Royal Court 1992: Court inaugurates exchange with Germany 1993: Summer School gains support from the British Council Austrian & German Play Readings (plays selected and commissioned by the Goethe-Institut; presented in October) Rabenthal Jorg Graser; Soliman Ludwig Fels; In den Augen eines Fremdung Wolfgang Maria Bauer; Tatowierung Dea Loher; A Liebs Kind Harald Kislinger; Alpenglühen Peter Turrini 1994: First UK writers exchange at the Baracke, Deutsches Theater, Berlin, coordinated by Michael Eberth. British writers were Martin Crimp, David Greig, Kevin Elyot, Meredith Oakes and David Spencer. Elyse Dodgson, Stephen Daldry and Robin Hooper took part in panel discussions 1995: Daldry and Dodgson make initial contacts in Palestine Plays from a Changing Country – Germany (3–6 October) Sugar Dollies Klaus Chatten, trans. Anthony Vivis; The Table Laid Anna Langhoff, trans. David Spencer; Stranger’s House Dea Loher, trans. David Tushingham; Waiting Room Germany Klaus Pohl, trans. David Tushingham; Jennifer Klemm or Comfort and Misery of the Last Germans D. Rust, trans. Rosee Riggs Waiting Room Germany Klaus Pohl, Downstairs, director Mary Peate, 1 to 18 November* 1996: Founding of the International Department by Daldry; Dodgson appointed Head.
    [Show full text]
  • Sophocles' Elektra
    DATE: August 12, 2010 FOR IMMEDIATE RELEASE ABOUT THE COMPANY Sophocles' Elektra Thursdays, Fridays, Saturdays, September 9—October 2, 2010 Carey Perloff (Director) Carey Perloff is celebrating her nineteenth season as artistic director of Tony Award-winning American Conservatory Theater (A.C.T.) in San Francisco, where she is known for directing innovative productions of classics, championing new writing for the theater, and creating international collaborations with such artists as Robert Wilson and Tom Stoppard. Before joining A.C.T., Perloff was artistic director of Classic Stage Company (CSC) in New York. She is a recipient of France’s Chevalier de l’Ordre des Arts et des Lettres and the National Corporate Theatre Fund’s 2007 Artistic Achievement Award. Perloff received a B.A. Phi Beta Kappa in classics and comparative literature from Stanford University and was a Fulbright fellow at the University of Oxford. She has taught at the Tisch School of the Arts at New York University and in the Master of Fine Arts Program in Acting at A.C.T., in addition to authoring numerous plays. This is Perloff’s second encounter with Sophocles’ Elektra, having directed the world premiere of Ezra Pound’s version of the play at CSC in 1988. Timberlake Wertenbaker (Translator/Adaptor) Timberlake Wertenbaker is an acclaimed playwright who grew up in the Basque Country in southwest France. Plays include The Grace of Mary Traverse (Royal Court Theatre); Our Country's Good (Royal Court Theatre and Broadway), which won the Laurence Olivier Play of the Year
    [Show full text]
  • Announcing a VIEW from the BRIDGE
    FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street.
    [Show full text]
  • Clint Dyer Appointed Deputy Artistic Director
    TUESDAY 26 JANUARY RUFUS NORRIS APPOINTS CLINT DYER AS DEPUTY ARTISTIC DIRECTOR OF THE NATIONAL THEATRE The National Theatre has announced today that Clint Dyer has been appointed Deputy Artistic Director. He will work closely with Rufus Norris, Director and Joint Chief Executive, and Emily McLaughlin, Director of New Work to support and shape the NT’s creative output. Over the course of his award-winning career Clint has worked across theatre, film and TV as an actor, writer and director. He was a longstanding board member and an Associate Artist at Theatre Royal Stratford East, where he acted in and directed work. At the Royal Court Theatre, Clint has worked frequently as an actor, director and writer he has also acted, written and directed for Complicité. His work at the National Theatre includes the role of Cutler in Ma Rainey's Black Bottom in 2016 and co-writer and director of Death of England and Death of England: Delroy which played in the Dorfman and Olivier theatres last year. He was appointed as an NT Associate last year. Clint is one of only a very small number of people, and the only Black British artist, to have worked at the NT as an actor, writer and director on full-scale productions. His breadth of experience and creative work will be invaluable as the organisation adapts following the impact of the coronavirus pandemic and focuses on the future. Clint will continue to act, write and direct his own work away from the NT. His next project will be directing Get Up, Stand Up! The Bob Marley Musical which opens at the Lyric Theatre in the West End this year.
    [Show full text]
  • Press Release
    PRESS RELEASE Shakespeare’s Globe announces casting for The Taming of the Shrew and Women Beware Women 10 January 2020 Shakespeare’s Globe is delighted to announce full casting for the next two productions opening in the candlelit Sam Wanamaker Playhouse in February: The Taming of the Shrew, directed by Maria Gaitanidi, and Thomas Middleton’s Women Beware Women, directed by Amy Hodge. In an exciting and experimental production, roles for The Taming of the Shrew are to be played by different company members at different performances. The full company comprises: Raymond Anum: Raymond graduated from RADA last year and recently appeared in Youth Without God at The Coronet Theatre. Theatre credits while training include Love and Money, Romeo & Juliet, Philistines and The Last Days of Judas Iscariot (RADA). Ryan Ellsworth: Ryan returns to the Globe, having performed in a Read Not Dead rehearsed reading of The Custom of the Country in 2017. Other recent theatre work includes The Wizard of Oz (Sheffield Crucible), Labyrinth (Hampstead Theatre), Henry V (Regent’s Park Open Air Theatre) and Cat on a Hot Tin Roof (Theatr Clwyd). Television includes Angel of Darkness (Netflix) and Island at War (ITV). Film includes A Royal Winter and Bel Ami. Mattia Mariotti: Mattia’s recent theatre work includes La Mai Banale Banalità del Male (Teatro Instabile Genoa), The Temptation of St Anthony (Venue 45, Edinburgh Fringe Festival) and We Long Endure (Barron Theatre, St Andrews). Television includes Invisible Milk. Evelyn Miller: Evelyn returns to the Playhouse having appeared in Deep Night Dark Night earlier this year. She was also part of the Globe on Tour 2019 company, where she performed around the world in Pericles, Comedy of Errors and Twelfth Night.
    [Show full text]
  • Connect with Us Want to Find out About Forthcoming Broadcasts?
    Robert Fox, Matthew Byam Shaw for Playful Productions and Royal Court Theatre Productions present The Royal Court Theatre production of By Martin McDonagh Directed by Matthew Dunster About Hangmen About the Royal Court Theatre The year is 1965. In his small pub in the northern English town of The Royal Court Theatre is the writers’ theatre. For sixty years it has Oldham, Harry is something of a local celebrity. But what’s the second- been the leading force in world theatre for energetically cultivating best hangman in England to do on the day they’ve abolished hanging? writers – undiscovered, new, and established. Amongst the cub reporters and pub regulars dying to hear Harry’s Through the writers the Royal Court is at the forefront of creating restless, reaction to the news, his old assistant Syd and the peculiar Mooney alert, provocative theatre about now, inspiring audiences and influencing lurk with very different motives for their visit. future writers. Through the writers the Royal Court strives to constantly reinvent the theatre ecology, creating theatre for everyone. Over 120,000 Running time: 2 hrs 40 mins (including a 20-minute interval) people visit the Royal Court in Sloane Square, London, each year and Tonight’s performance is broadcast live from the many thousands more see our work elsewhere through transfers to the Wyndham’s Theatre in London’s West End. West End and New York, national and international tours, residencies across London and site-specific work. In 2016 the Royal Court is 60 Years New. This year work includes new plays by Caryl Churchill, Anna Jordan, Cast, in alphabetical order Mongiwekhaya, Alistair McDowall, David Ireland, Stef Smith, Charlene Hennessy JOSEF DAVIES James, Anthony Neilson, Nathaniel Martello-White and Suzan-Lori Parks.
    [Show full text]
  • The Working Playwright Booklet
    The Working Playwright Agreements and Contracts www.writersguild.org.uk The Writers’ Guild of Great Britain is a trade union registered at 134 Tooley Street, London SE1 2TU Contents Contents . ii . 1. INTRODUCTION . 4 2. THE NATIONAL THEATRE, THE RSC AND THE ROYAL COURT (THE TNC) . 5 1) What theatres does it cover? . 6. 2) Who and what does it apply to? . 6. 3) How writers are paid . .7 . 4) Commissioned plays . .7 . 5) Non-commissioned plays . 8 6) Short plays . 9 7) What management gets for its payments . .9 8) The writer’s rights . 12 9) The nature of the agreement . 15 3. THE THEATRICAL MANAGEMENT ASSOCIATION (TMA) . 16 1) What theatres does it cover? . .16 . 2) Who and what does it apply to? . .16 . 3) How writers are paid . 17 . 4) Commissioned plays . 17 . 5) Non-commissioned plays . 18 6) Short plays . 19 7) What management gets for its payments . .19 8) The writer’s rights . 20 . 9) The nature of the agreement . 23 . 4. THE INDEPENDENT THEATRE COUNCIL (ITC) . 24 1) What theatres does it cover? . 24 . 2) Who and what does it apply to? . 24. 3) How writers are paid . .24 . 4) Commissioned plays . .24 . 5) Non-commissioned plays . 25 . 6) Short plays . 26. 7) What management gets for its payments . .26 8) The writer’s rights . 27 . 9) The nature of the Agreement . .28 . Appendix 1 . .29 Headline provisions . 29. Appendix 2 . 31 . GRADE 1 . .31 . GRADE 2 . 31 GRADE 3 . 32 . ii The Working Playwright — Agreements and Contracts THE WORKING PLAYWRIGHT AGREEMENTS AND CONTRACTS In the old days, getting a play on wasn’t easy, but it was simple.
    [Show full text]
  • Full Cast Announced for the Treatment
    PRESS RELEASE Friday 24 February 2017 THE ALMEIDA THEATRE ANNOUNCES THE FULL CAST FOR THE TREATMENT, MARTIN CRIMP’S CONTEMPORARY SATIRE, DIRECTED BY LYNDSEY TURNER CHOREOGRAPHER ARTHUR PITA JOINS THE CREATIVE TEAM Joining Aisling Loftus and Matthew Needham in THE TREATMENT will be Gary Beadle, Ian Gelder, Ben Onwukwe, Julian Ovenden, Ellora Torchia, Indira Varma, and Hara Yannas. The Treatment begins previews at the Almeida Theatre on Monday 24 April and runs until Saturday 10 June. The press night is Friday 28 April. New York. A film studio. A young woman has an urgent story to tell. But here, people are products, movies are money and sex sells. And the rights to your life can be a dangerous commodity to exploit. Martin Crimp’s contemporary satire is directed by Lyndsey Turner, who returns to the Almeida following her award-winning production of Chimerica. The Treatment will be designed by Giles Cadle, with lighting by Neil Austin, composition by Rupert Cross, fight direction by Bret Yount, sound by Chris Shutt, and voice coaching by Charmian Hoare. The choreographer is Arthur Pita. Casting is by Julia Horan. ALMEIDA QUESTIONS In response to The Treatment - where it’s material that matters – Whose Life Is It Anyway? continues the Almeida’s programme of pre-show discussions as a panel delves into the worldwide fascination with constructed realities in art and in life. When you sell your story is your life still your own? In the golden age of social media - where immaculately contrived worlds are labelled as real life - what is the cost? Can truth be traced in art at all? The panel includes Instagram star Deliciously Stella, Made In Chelsea producer Nick Arnold, and Anita Biressi, Professor of Media and Communications at Roehampton University.
    [Show full text]
  • Constellations Cast Announcement
    Media Contact: Ashley Bodul, Geffen Playhouse [email protected] 310.208.6500 Ext. 159 FOR IMMEDIATE RELEASE GINNIFER GOODWIN TO MAKE LOS ANGELES STAGE DEBUT IN “CONSTELLATIONS” AT THE GEFFEN PLAYHOUSE THE LOS ANGELES PREMIERE OF THE HIT BROADWAY SHOW WILL RUN JUNE 6 – JULY 16; OPENING NIGHT IS WEDNESDAY, JUNE 14 LOS ANGELES (January 23, 2017) – The Geffen Playhouse today announced that Ginnifer Goodwin (Once Upon a Time, Big Love) will make her Los Angeles stage debut as Marianne in Constellations. The play, which was a critical hit when it opened on Broadway in 2015, is written by Nick Payne and directed by Giovanna Sardelli (Geffen Playhouse’s Guards at the Taj). The Los Angeles Premiere of Constellations will begin previews on Tuesday, June 6 in the Gil Cates Theater at the Geffen Playhouse, with opening night on Wednesday, June 14. The production closes Sunday, July 16. Constellations is the story of Roland, a beekeeper, and Marianne, a quantum physicist. What are their odds of falling in love? With infinite moments that can change the trajectory of a life, it’s anyone’s guess how cosmic collision is possible. Nick Payne’s Olivier and Drama League nominated hit is a charming, devastating and profound exploration of the universal truth of finding and losing love. A play that balances on the question of “what if” is, at its core, a poignant picture of “what is.” Manhattan Theatre Club’s production Constellations opened on Broadway in 2015 at the Samuel J. Friedman Theatre. Starring Jake Gyllenhaal and Ruth Wilson, the production received a Tony Award nomination for Best Performance by an Actress in a Leading Role in a Play (Wilson) and a Drama League Award nomination for Best Play.
    [Show full text]