CARYL CHURCHILL Playwright THEATRE
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Corporate Sponsor Pack Sismo Stories & Performances 2021-2022
An annual season bringing to Amsterdam the very best theatre and dance productions from London and the UK. Cutting-edge London shows, transferring to Amsterdam with their original casts & creative teams. Audiences based in and around Amsterdam will finally be able to experience the unique perspective of the very best of British theatre-making. Corporate Sponsor Pack Sismo Stories & Performances 2021-2022 seven methods of killing kylie jenner “How exactly does one kill a social media figure/entrepreneur, or as I like to term her: a by Jasmine Lee-Jones con artist-cum-provocateur?” 3 directed by Milli Bhatia Holed up in her bedroom, Cleo’s aired A hit play from the twenty-two Whatsapps from Kara and has ROYAL COURT THEATRE cut off contact with the rest of the world. It Main Stage Evening Standard Theatre Award 2019 doesn’t mean she’s been silent though – Critics Circle Theatre Award 2019 she’s got a lot to say. On the internet, actions Nominated for James Tait Black Prize 2020 don’t always speak louder than words… ------- ★ ★ ★ ★ The Times A play about cultural appropriation, "In short, it slays.” queerness, friendship between womxn and ★ ★ ★ ★ Time Out the ownership of Black bodies both online “Lee-Jones’ writing is genuinely hilarious” and in real life. MEAT When Max pays Ronan a visit at his restaurant in Dublin, he’s determined to by Gillian Greer prove to her how far he’s come, but directed by Lucy Jane Atkinson she’s got something bigger to discuss. Over the course of one wine-soaked The hit play from Theatre 503 evening, old wounds are exposed and new truths uncovered. -
J Street Sides with Israel's Enemies & Works to Destroy Support for Israel
ZIONIST ORGANIZATION OF AMERICA J Street Sides With Israel’s Enemies & Works to Destroy Support for Israel Special Report Including Executive Summary by The Zionist Organization of America by Morton A. Klein, Elizabeth Berney, Esq., and Daniel Mandel, PhD “J Street is one of the most virulent anti-Israel organizations in the history of Zionism and Judaism.” - Prof. Alan Dershowitz, Harvard Law School Copyright 2018, Zionist Organization of America CONTENTS Table of Contents . i Executive Summary . ES-00 - ES-13 Full Report . 1 Introduction . 1 I. J Street’s Anti-Israel, Foreign & Muslim Donors, and Its Lies About Them. 1 (1) For years, J Street Falsely Denied that Anti-Zionist Billionaire George Soros Was A Major J Street Funder . 1 (2) J Street’s Arab, Muslim and Foreign Donors . 4 II. J Street’s Interconnected Web Of Extremist Anti-Israel Organizations . 9 (1) J Street Is Part of a Soros-Funded Web of Anti-Israel Organizations . 9 (2) J Street Is Also Part of an Interconnected Web of Extremist Organizations Working to Delegitimize Israel, Founded by and/or Coordinated by J Street President Ben-Ami’s Consulting Firm . 11 III. J Street Persistently Even Opposes Israel’s Existence, Persistently Defames and Condemns Israel, And Has Even Encouraged Anti-Israel Violence. 12 (1) J Street Persistently Maligns and Blames Israel . 12 (2) J Street Speakers Have Called for the End of the Jewish State; and a J Street Official Letter to Congress Supported Those Calling for an End to Israel’s Existence . 15 (3) J Street’s Co-Founder Condemned Israel’s Creation As “Wrong” – A Repeated J Street Theme . -
Rapid Write Response: J'ouvert
ACT 1 Mash Rapid Write Response: J’Ouvert Written by Yasmine Lever Directed by Emma Wilkinson These pieces are written by 7 writers in response to J’Ouvert by Yasmin Cast: Kate Reid (9653-7868-6998) and Ray Sesay (5819-7831-7622) Joseph The Number 82 Written by Adanna Oji Directed by Nkechi Nwobani Akanwo Cast: Yvonne Campbell (0535-6751-0964) Funmi Florence Cole and Heather Lewis Upcoming Rapid Write Response Dates Wine Down Check back on the Theatre503 website for our next Rapid Write Response in our Autumn season. Until then, here’s what’s coming up this Summer at Written by Ekene Okobi Directed by Kaleya Baxe Cast: Angelina Chudi (2058-8972-5714) Janani Rajendra and Aïsha Kent (1410-8970-2592) Theatre503: By Way of Kensal Green FOLK THE POLICE REHEARSED READING. 24 JUN Written by James Directed by Alessandra Davison Reynolds A TINDER TRILOGY 25 – 29 JUN Cast: Arthur Velarde (9856-3494-6667) and Mercy Philips DRIP 26 – 27 JUN VOICES FROM HOME 30 JUN – 1 JUL MOTHERHOOD WEEK 02 – 06 JUL ACT 2 EDFRINGE PREVIEWS 15 – 28 JUL Dutty Wind Written by Nicole Latchana Directed by Kelechi Okafor More information about how to get involved can be found on our website Cast: Bruna Campos and Diana Yekinni (0457-9083-8923) www.theatre503.com or email [email protected] to join our writers’ mailing list. Poles Apart Written by Martin Edwards Directed by Shayde Sinclair Cast: Steffi Igbinovia and Shem Hamilton Curated by Leian Darell Queen (of) B(acchanal) Written by Hassan Govia Directed by Leian Darell Leian uses his work to explore identity, the black image and experience. -
FROM BLOOD LIBEL to Boycott
FROM BLOOD LIBEL TO BOYCOTT CHANGING FACES OF BRITISH ANTISEMITISM Robert Wistrich he self-congratulatory and somewhat sanitized story of Anglo-Jewry since the mid- T 17th century “return” of the Jews to Britain traditionally depicted this history as a triumphal passage from servitude to freedom or from darkness to light. Great Britain— mother of parliaments, land of religious and civic toleration, cradle of the Industrial Revolution, and possessor of a great overseas empire had graciously extended its liberties to the Jewish community which had every reason to love Britain precisely because it was British. So if things had always been so good, how could they became so bad? Why are there so many dark clouds building up on the horizon? Why is Anglo-Jewry the only important ethnic or religious minority in contemporary Britain that has to provide a permanent system of guards and surveillance for its communal institutions, schools, synagogues, and cultural centers? Antisemitism in the British Isles is certainly not a new phenomenon. It has a long history which should surprise only those who naively think of the English as being a uniquely tolerant, fair-minded, and freedom-loving nation. There were periods like the 12th century, as the historian Anthony Julius recently noted, when Anglo-Jews were being injured or murdered without pity or conscience—at times in an atmosphere of public revelry. Over 150 people were killed in March 1190 during the massacre of the Jews of York. This nasty wave of violent persecution (which included the first anti-Jewish blood libel in Christian Europe) culminated in the unceremonious expulsion of Jewry in 1290. -
Contemporary Left Antisemitism
“David Hirsh is one of our bravest and most thoughtful scholar-activ- ists. In this excellent book of contemporary history and political argu- ment, he makes an unanswerable case for anti-anti-Semitism.” —Anthony Julius, Professor of Law and the Arts, UCL, and author of Trials of the Diaspora (OUP, 2010) “For more than a decade, David Hirsh has campaigned courageously against the all-too-prevalent demonisation of Israel as the one national- ism in the world that must not only be criticised but ruled altogether illegitimate. This intellectual disgrace arouses not only his indignation but his commitment to gather evidence and to reason about it with care. What he asks of his readers is an equal commitment to plumb how it has happened that, in a world full of criminality and massacre, it is obsessed with the fundamental wrongheadedness of one and only national movement: Zionism.” —Todd Gitlin, Professor of Journalism and Sociology, Columbia University, USA “David Hirsh writes as a sociologist, but much of the material in his fascinating book will be of great interest to people in other disciplines as well, including political philosophers. Having participated in quite a few of the events and debates which he recounts, Hirsh has done a commendable service by deftly highlighting an ugly vein of bigotry that disfigures some substantial portions of the political left in the UK and beyond.” —Matthew H. Kramer FBA, Professor of Legal & Political Philosophy, Cambridge University, UK “A fierce and brilliant rebuttal of one of the Left’s most pertinacious obsessions. What makes David Hirsh the perfect analyst of this disorder is his first-hand knowledge of the ideologies and dogmata that sustain it.” —Howard Jacobson, Novelist and Visiting Professor at New College of Humanities, London, UK “David Hirsh’s new book Contemporary Left Anti-Semitism is an impor- tant contribution to the literature on the longest hatred. -
Caryl Churchill's the Skriker and the Struggle Against Patriarchy Ruthellen Cunnally Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2005 This ointment disappointment: Caryl Churchill's The skriker and the struggle against patriarchy Ruthellen Cunnally Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the English Language and Literature Commons Recommended Citation Cunnally, Ruthellen, "This ointment disappointment: Caryl Churchill's The skriker and the struggle against patriarchy" (2005). Retrospective Theses and Dissertations. 14453. https://lib.dr.iastate.edu/rtd/14453 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. "This ointment disappointment": Caryl Churchill's TheSkriker and the struggle against patriarchy by Ruthellen Cunnally A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Literature) Program ofStudy Committee: Susan Carlson, Major Professor Kathy Hickok Madeleine Henry Iowa State University Ames, Iowa 2005 u Graduate College Iowa State University This is to certify that the master's thesis of Ruthellen Cunnally has met the thesis requirements ofIowa State University Signatures have been redacted for privacy Ill Table ofContents Chapter 1: Introduction 1 Chapter 2: The Evolutionary Development of Churchill's Plays 3 Chapter 3: Who or Whatis The Skriker? 21 Chapter4: The Skrikerand the Failure of the Ethic of Caring 35 AppendixA: Comparison of Patriarchal and Matriarchal Systems 64 Appendix B: Matriarchal Point ofView 67 Works Cited 72 Chapter 1: Introduction "Achieving things isn't necessarily good, it matters what you achieve" (Churchill interview, Betsko and Koenig, 78). -
NT Associates and Peter Hall Bursary Recipients
Thursday 15 October NATIONAL THEATRE ANNOUNCES NEW ASSOCIATES AND PETER HALL BURSARY RECIPIENTS The National Theatre announced today that Rufus Norris, NT Director and Joint Chief Executive, has invited Ola Animashawun and Clint Dyer to join as Associates of the National Theatre. In addition, The Peter Hall Bursary has been expanded to support three new artists. The directors who have been invited to receive this fund are Ned Bennett, Ola Ince and Nancy Medina and they will be supported by the NT for the next two years. Ola Animashawun, was previously the founder and Head of the Royal Court Young Writers Programme, where he was also an Associate. Ola will work at Associate level in both Learning and the New Work Department at the NT, as well as continuing in his role as Connections Dramaturg which he has held since 2018. In this new position he will work cross organisationally towards racial equity and increased representation both in the work presented on stage and at all levels in the NT’s workforce. Ola is joined by Clint Dyer who becomes an NT Associate following playing ‘Cutler’ in the NTs Olivier winning production of Ma Rainey’s Black Bottom, the success of Death of England and the programming of Death of England: Delroy, which will open in the Olivier theatre later this month. In this role Clint will work closely with Rufus Norris and the Senior Artistic team and together with the Associates will advise on programming decisions. He will also continue to act and write and direct his own work. -
Timeline: Royal Court International (1989–2013) Compiled by Elaine Aston and Elyse Dodgson
Timeline: Royal Court International (1989–2013) Compiled by Elaine Aston and Elyse Dodgson The Timeline charts the Royal Court’s London-based presentations of international plays and related events from 1989–2013. It also records the years in which fi rst research trips overseas were made and exchanges begun. Writers are listed alphabetically within recorded events; translators for the Court are named throughout; directors are listed for full productions and major events. Full productions are marked with an asterisk (*) – other play listings are staged readings. 1989: First international Summer School hosted by the Royal Court 1992: Court inaugurates exchange with Germany 1993: Summer School gains support from the British Council Austrian & German Play Readings (plays selected and commissioned by the Goethe-Institut; presented in October) Rabenthal Jorg Graser; Soliman Ludwig Fels; In den Augen eines Fremdung Wolfgang Maria Bauer; Tatowierung Dea Loher; A Liebs Kind Harald Kislinger; Alpenglühen Peter Turrini 1994: First UK writers exchange at the Baracke, Deutsches Theater, Berlin, coordinated by Michael Eberth. British writers were Martin Crimp, David Greig, Kevin Elyot, Meredith Oakes and David Spencer. Elyse Dodgson, Stephen Daldry and Robin Hooper took part in panel discussions 1995: Daldry and Dodgson make initial contacts in Palestine Plays from a Changing Country – Germany (3–6 October) Sugar Dollies Klaus Chatten, trans. Anthony Vivis; The Table Laid Anna Langhoff, trans. David Spencer; Stranger’s House Dea Loher, trans. David Tushingham; Waiting Room Germany Klaus Pohl, trans. David Tushingham; Jennifer Klemm or Comfort and Misery of the Last Germans D. Rust, trans. Rosee Riggs Waiting Room Germany Klaus Pohl, Downstairs, director Mary Peate, 1 to 18 November* 1996: Founding of the International Department by Daldry; Dodgson appointed Head. -
Sophocles' Elektra
DATE: August 12, 2010 FOR IMMEDIATE RELEASE ABOUT THE COMPANY Sophocles' Elektra Thursdays, Fridays, Saturdays, September 9—October 2, 2010 Carey Perloff (Director) Carey Perloff is celebrating her nineteenth season as artistic director of Tony Award-winning American Conservatory Theater (A.C.T.) in San Francisco, where she is known for directing innovative productions of classics, championing new writing for the theater, and creating international collaborations with such artists as Robert Wilson and Tom Stoppard. Before joining A.C.T., Perloff was artistic director of Classic Stage Company (CSC) in New York. She is a recipient of France’s Chevalier de l’Ordre des Arts et des Lettres and the National Corporate Theatre Fund’s 2007 Artistic Achievement Award. Perloff received a B.A. Phi Beta Kappa in classics and comparative literature from Stanford University and was a Fulbright fellow at the University of Oxford. She has taught at the Tisch School of the Arts at New York University and in the Master of Fine Arts Program in Acting at A.C.T., in addition to authoring numerous plays. This is Perloff’s second encounter with Sophocles’ Elektra, having directed the world premiere of Ezra Pound’s version of the play at CSC in 1988. Timberlake Wertenbaker (Translator/Adaptor) Timberlake Wertenbaker is an acclaimed playwright who grew up in the Basque Country in southwest France. Plays include The Grace of Mary Traverse (Royal Court Theatre); Our Country's Good (Royal Court Theatre and Broadway), which won the Laurence Olivier Play of the Year -
Announcing a VIEW from the BRIDGE
FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street. -
Clint Dyer Appointed Deputy Artistic Director
TUESDAY 26 JANUARY RUFUS NORRIS APPOINTS CLINT DYER AS DEPUTY ARTISTIC DIRECTOR OF THE NATIONAL THEATRE The National Theatre has announced today that Clint Dyer has been appointed Deputy Artistic Director. He will work closely with Rufus Norris, Director and Joint Chief Executive, and Emily McLaughlin, Director of New Work to support and shape the NT’s creative output. Over the course of his award-winning career Clint has worked across theatre, film and TV as an actor, writer and director. He was a longstanding board member and an Associate Artist at Theatre Royal Stratford East, where he acted in and directed work. At the Royal Court Theatre, Clint has worked frequently as an actor, director and writer he has also acted, written and directed for Complicité. His work at the National Theatre includes the role of Cutler in Ma Rainey's Black Bottom in 2016 and co-writer and director of Death of England and Death of England: Delroy which played in the Dorfman and Olivier theatres last year. He was appointed as an NT Associate last year. Clint is one of only a very small number of people, and the only Black British artist, to have worked at the NT as an actor, writer and director on full-scale productions. His breadth of experience and creative work will be invaluable as the organisation adapts following the impact of the coronavirus pandemic and focuses on the future. Clint will continue to act, write and direct his own work away from the NT. His next project will be directing Get Up, Stand Up! The Bob Marley Musical which opens at the Lyric Theatre in the West End this year. -
A Socialist Feminist Reading of Thatcherite Women in British Feminist Plays∗
SEFAD, 2019; (42): 21-34 e-ISSN: 2458-908X DOI Number: https://doi.org/10.21497/sefad.674996 A Socialist Feminist Reading of Thatcherite Women in British Feminist Plays∗ Prof. Berna Ayça Ülker Erkan İzmir Democracy University, Faculty of Science and Letters Department of English Language and Literature [email protected] Abstract This study focuses on the representation of women in British feminist drama that challenges gender roles and gets stuck in having obsessive power as an outcome of the policy of the first British woman Prime Minister Margaret Thatcher. The study discusses excessively ambitious women who question patriarchal order and subvert gender roles to get power and finally left alone on the top like Thatcher. Marlene in Caryl Churchill’s play Top Girls, Marion in Churchill’s play Owners, Mary Traverse in Timberlake Wertenbaker’s play The Grace of Mary Traverse are discussed throughly. Marlene, Marion, and Mary are the representatives of the destructive effects of the ambition for power that characterize Thatcher’s Britain. Socialist/materialist feminism is applied to the plays both to criticize selfish Thatcherite powerful women figures and to express the lack of collaboration among women to improve their position. Keywords: Margaret Thatcher, Socialist/Materialist Feminism, British feminist Drama, Caryl Churchill, Timberlake Wertenbaker. İngiliz Feminist Oyunlarındaki Thatcher’cı Kadınların Sosyal Feminist Açısından Okunması Öz Bu çalışma, cinsiyet rollerine meydan okuyan İngiliz Feminist tiyatrosundaki kadınların temsili ve bu kadınlar İngiliz ilk kadın Başbakanı olan Margaret Thatcher politikasının sonucu olarak takıntılı bir şekilde güce sahip olurken nasıl sıkıştıkları üzerine odaklanır. Çalışma, ataerkil düzeni sorgulayan, güce ulaşmak için cinsiyet rollerini ters yüz eden ve sonunda Thatcher gibi tepede yalnız bırakılan aşırı hırslı kadınları tartışır.