Highlights. NPS Accomplishments 1978
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Railway Employee Records for Colorado Volume Iii
RAILWAY EMPLOYEE RECORDS FOR COLORADO VOLUME III By Gerald E. Sherard (2005) When Denver’s Union Station opened in 1881, it saw 88 trains a day during its gold-rush peak. When passenger trains were a popular way to travel, Union Station regularly saw sixty to eighty daily arrivals and departures and as many as a million passengers a year. Many freight trains also passed through the area. In the early 1900s, there were 2.25 million railroad workers in America. After World War II the popularity and frequency of train travel began to wane. The first railroad line to be completed in Colorado was in 1871 and was the Denver and Rio Grande Railroad line between Denver and Colorado Springs. A question we often hear is: “My father used to work for the railroad. How can I get information on Him?” Most railroad historical societies have no records on employees. Most employment records are owned today by the surviving railroad companies and the Railroad Retirement Board. For example, most such records for the Union Pacific Railroad are in storage in Hutchinson, Kansas salt mines, off limits to all but the lawyers. The Union Pacific currently declines to help with former employee genealogy requests. However, if you are looking for railroad employee records for early Colorado railroads, you may have some success. The Colorado Railroad Museum Library currently has 11,368 employee personnel records. These Colorado employee records are primarily for the following railroads which are not longer operating. Atchison, Topeka & Santa Fe Railroad (AT&SF) Atchison, Topeka and Santa Fe Railroad employee records of employment are recorded in a bound ledger book (record number 736) and box numbers 766 and 1287 for the years 1883 through 1939 for the joint line from Denver to Pueblo. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University M crct. rrs it'terrjt onai A Be" 4 Howe1 ir”?r'"a! Cor"ear-, J00 Norte CeeD Road App Artjor mi 4 6 ‘Og ' 346 USA 3 13 761-4’00 600 sC -0600 Order Number 9238197 Selected literary letters of Sophia Peabody Hawthorne, 1842-1853 Hurst, Nancy Luanne Jenkins, Ph.D. -
What Literature Knows: Forays Into Literary Knowledge Production
Contributions to English 2 Contributions to English and American Literary Studies 2 and American Literary Studies 2 Antje Kley / Kai Merten (eds.) Antje Kley / Kai Merten (eds.) Kai Merten (eds.) Merten Kai / What Literature Knows This volume sheds light on the nexus between knowledge and literature. Arranged What Literature Knows historically, contributions address both popular and canonical English and Antje Kley US-American writing from the early modern period to the present. They focus on how historically specific texts engage with epistemological questions in relation to Forays into Literary Knowledge Production material and social forms as well as representation. The authors discuss literature as a culturally embedded form of knowledge production in its own right, which deploys narrative and poetic means of exploration to establish an independent and sometimes dissident archive. The worlds that imaginary texts project are shown to open up alternative perspectives to be reckoned with in the academic articulation and public discussion of issues in economics and the sciences, identity formation and wellbeing, legal rationale and political decision-making. What Literature Knows The Editors Antje Kley is professor of American Literary Studies at FAU Erlangen-Nürnberg, Germany. Her research interests focus on aesthetic forms and cultural functions of narrative, both autobiographical and fictional, in changing media environments between the eighteenth century and the present. Kai Merten is professor of British Literature at the University of Erfurt, Germany. His research focuses on contemporary poetry in English, Romantic culture in Britain as well as on questions of mediality in British literature and Postcolonial Studies. He is also the founder of the Erfurt Network on New Materialism. -
Obituary 1967
OBITUARY INDEX 1967 You can search by clicking on the binoculars on the adobe toolbar or by Pressing Shift-Control-F Request Form LAST NAME FIRST NAME DATE PAGE # Abbate Barbara F. 6/6/1967 p.1 Abbott William W. 9/22/1967 p.30 Abel Dean 11/27/1967 p.24 Abel Francis E. 9/25/1967 p.24 Abel Francis E. 9/27/1967 p.10 Abel Frederick B. 11/11/1967 p.26 Abel John Hawk 12/7/1967 p.42 Abel John Hawk 12/11/1967 p.26 Abel William E. 7/10/1967 p.28 Abel William E. 7/12/1967 p.12 Aber George W. 3/14/1967 p.24 Abert Esther F. 7/26/1967 p.14 Abrams Laura R. Hoffman 8/14/1967 p.28 Abrams Laura R. Hoffman 8/17/1967 p.28 Abrams Pearl E. 10/19/1967 p.28 Abrams Pearl E. 10/20/1967 p.10 Achenbach Helen S. 11/6/1967 p.36 Achenbach Helen S. 11/8/1967 p.15 Ackerman Calvin 5/22/1967 p.34 Ackerman Calvin 5/25/1967 p.38 Ackerman Fritz 11/27/1967 p.24 Ackerman Harold 10/27/1967 p.26 Ackerman Harold 10/28/1967 p.26 Ackerman Hattie Mann 4/14/1967 p.21 Ackerman Hattie Mann 4/19/1967 p.14 Adamczyk Bennie 5/3/1967 p.14 Adamo Margaret M. 3/15/1967 p.15 Adamo Margaret M. 3/20/1967 p.28 Adams Anna 6/17/1967 p.22 Adams Anna 6/20/1967 p.17 Adams Harriet C. -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
Literature in the Louisiana Plantation Home Prior to 1861: a Study in Literary Culture
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1937 Literature in the Louisiana Plantation Home Prior to 1861: A Study in Literary Culture. Walton R. Patrick Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Part of the English Language and Literature Commons Recommended Citation Patrick, Walton R., "Literature in the Louisiana Plantation Home Prior to 1861: A Study in Literary Culture." (1937). LSU Historical Dissertations and Theses. 7803. https://digitalcommons.lsu.edu/gradschool_disstheses/7803 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. MANUSCRIPT THESES Unpublished theses submitted for the master^ and doctor*s degrees and deposited in the Louisiana State University Library are available for inspection* Use of any thesis is limited by the rights of the author* Bibliographical references may be noted, but passages may not be copied unless the author has given permission# Credit must be given in subsequent written or published work* A library which borrows this thesis for use by its clientele is expected to make sure that the borrower is aware of the above res trictions * LOUISIANA STATE UNIVERSITY LIBRARY LITERATURE IN THE LOUISIANA PLANTATION HOME PRIOR TO 1861 A STUDY IN LITERARY CULTURE A DISSERTATION SUBMITTED TO THE FACULTY OF THE LOUISIANA STATE UNIVERSITY AND AGRICULTURAL AND MECHANICAL COLLEGE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH Walton Richard Patrick M. -
Voided Certificate of Employee Information Reports
Public Contracts Equal Employment Opportunity Compliance Monitoring Program Voided Certificate of Employee Information Report Report run on: June 6, 2017 3:22 PM Name of Company Cert Street City State Zip (PC) 2 HD 37407 245 EAST 30TH NEW YORK CITY NY 10016 1515 BOARDWALK, INC 18317 121 WASHINGTON ST TOMS RIVER NJ 08753 174 NEWARK AVENUE ASSOCIATES, LP 34742 103 EISENHOWER PARKWAY ROSELAND NJ 07068 1993-N2 PROPERTIES, NO. 3 LIMITED PARTNERSHI 19621 12100 WILSHIRE BLVD LOS ANGELES CA 90025 1ST CALL PAINTING CONTRACTORS, LLC 37000 980-B DEHART PLACE ELIZABETH NJ 07202 3-2-1 QUALITY PRINTING 21779 100 JERSEY AVENUE NEW BRUNSWICK NJ 08901 3-D MFG.-DBA- AMERICAN LA-FRANCE 2831 500 S. AIRPORT ROAD SHAWANO WI 54166 4 FRONT VIDEO DESIGN INC. 22299 1500 BROADWAY #509 NEW YORK NY 10036 55 WASHINGTON STREET LLC 28132 P.O. BOX 66 CLOSTER NJ 07624 9-15 SOUTH MAIN STREET CORP. 20587 1125 ATLANTIC AVE., SUITE 617 ATLANTIC CITY NJ 08401 A & A ENGINEERING 9780 300 CORPORATE CENTER DRIVE MANALAPAN NJ 07726 A & B WIPER SUPPLY, INC. 6848 116 FOUNTAIN ST. PHILADELPHIA PA 19127 A & E CARPENTRY, INC. 8048 584 STUDIO RD. RIDGEFIELD NJ 07657 A & L UNIFORMS, L L C 37818 2605 SOUTH BROAD STREET TRENTON NJ 08610 A & P TUTORING, LLC 34701 4201 CHURCH ROAD #242 MT. LAUREL NJ 08054 A & R AUTO SUPPLY, INC. 7169 300 ATLANTIC CITY BLVD. TOMS RIVER NJ 08757 A & S FUEL OIL CO. INC. 25667 95 CALAIS ROAD PO BOX 22 IRONIA NJ 07845 A & W TECHNICAL SALES, INC. 33404 420 COMMERCE LANE, SUITE 3 WEST BERLIN NJ 08091 A AND C LABORATORIES, INC 17387 168 W. -
The Tarawera Forest Report
Downloaded from www.waitangi-tribunal.govt.nz THE TARAWERA FOREST REPORT Downloaded from www.waitangi-tribunal.govt.nz Downloaded from www.waitangi-tribunal.govt.nz Downloaded from www.waitangi-tribunal.govt.nz Downloaded from www.waitangi-tribunal.govt.nz THE TARAWERA FOREST REPORT WA I 4 11 WAITANGI TRIBUNAL REPORT 2003 Downloaded from www.waitangi-tribunal.govt.nz Downloaded from www.waitangi-tribunal.govt.nz The cover design by Cliff Whiting invokes the signing of the Treaty of Waitangi and the consequent interwoven development of MaoriandPakehahistoryinNewZealandasitcontinuously unfolds in a pattern not yet completely known A Waitangi Tribunal report isbn 1-86956-268-2 www.waitangi-tribunal.govt.nz Typeset by the Waitangi Tribunal Published by Legislation Direct, Wellington, New Zealand Printed by SecuraCopy, Wellington, New Zealand Set in Adobe Minion and Cronos multiple master typefaces Downloaded from www.waitangi-tribunal.govt.nz Downloaded from www.waitangi-tribunal.govt.nz CONTENTS Letter of transmittal . xiii Chapter1:TheClaims,Issues,andTreatyPrinciples 1.1 Introduction . 1 1.2 Claims’ relationship with eastern Bay of Plenty inquiry . 4 1.3 Wai 411 . 7 1.4 Wai 46. 12 1.5 Wai 872 . 13 1.6 The Crown’s response to the claims . 15 1.7 Issues for the Tribunal . 19 1.8 Relevant Treaty principles . 20 1.9 Summary . 32 Chapter2:TheContextfortheClaims 2.1 Introduction . 33 2.2 Crown policy for Maori land development . 33 2.3 Crown forestry development policy . 44 2.4 Tasman Pulp and Paper Company Limited . 49 2.5 Summary . 53 Chapter3:DevelopingtheJoint-Venture Proposal from 1960 to 1964 3.1 Introduction . -
In the Wake of the Sun: Navigating the Southern Works of Cormac Mccarthy © 2009 by Christopher J
In the Wake of the Sun Navigating the Southern Works of Cormac McCarthy Christopher J. Walsh In the Wake of the Sun In the Wake of the Sun Navigating the Southern Works of Cormac McCarthy Christopher J. Walsh Newfound Press THE UNIVERSITY OF TENNESSEE LIBRARIES, KNOXVILLE In the Wake of the Sun: Navigating the Southern Works of Cormac McCarthy © 2009 by Christopher J. Walsh Digital version at www.newfoundpress.utk.edu/pubs/walsh Newfound Press is a digital imprint of the University of Tennessee Libraries. Its publications are available for non-commercial and educational uses, such as research, teaching and private study. The author has licensed the work under the Creative Commons Attribution-Noncommercial 3.0 United States License. To view a copy of this license, visit <http://creativecommons.org/licenses/by-nc/3.0/us/>. For all other uses, contact: Newfound Press University of Tennessee Libraries 1015 Volunteer Boulevard Knoxville, TN 37996-1000 www.newfoundpress.utk.edu ISBN-13: 978-0-9797292-7-0 ISBN-10: 0-9797292-7-0 Walsh, Christopher J., 1968- In the wake of the sun : navigating the southern works of Cormac McCarthy / by Christopher J. Walsh. Knoxville, Tenn. : Newfound Press, University of Tennessee Libraries, c2009. xxiii, 376 p. : digital, PDF file. Includes bibliographical references (p. [357]-376). 1. McCarthy, Cormac, 1933- -- Criticism and interpretation. I. Title. PS3563.C337 Z943 2009 Book and cover design by Jayne Rogers Cover image by Andi Pantz I dedicate this book to my mother, Maureen Lillian Walsh, and to the memory of my father, Peter Anthony Walsh (1934-2000), as their hard work and innumerable sacrifices made all of this possible. -
Monuments of Culture and the Cult of the Monument
The Pennsylvania State University The Graduate School College of the Liberal Arts MONUMENTS OF CULTURE AND THE CULT OF THE MONUMENT A Dissertation in Comparative Literature by Renae Mitchell © 2013 Renae L. Mitchell Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2013 DOCTORAL COMMITTEE PAGE The dissertation of Renae L. Mitchell was reviewed and approved* by the following: Djelal Kadir Edwin Erle Sparks Professor of Comparative Literature Dissertation Adviser and Chair of Committee Thomas O. Beebee Edwin Erle Sparks Professor of Comparative Literature and German Julia Cuervo-Hewitt Associate Professor of Spanish and Portuguese Sean X. Goudie Associate Professor of English Caroline D. Eckhardt Professor of Comparative Literature and English Head of the Department of Comparative Literature *Signatures are on file in the Graduate School. Abstract By evaluating instances of creative critiques and interrogations of the monument, this study seeks to demonstrate how commemorations of a valorized European past are constructions of an originary moment that elide the complexities of Conquest and its attendant legacy of transculturation and miscegenation in the Americas. This project explores the ways in which the American monument subverts popular resistance by embodying master narratives for a people, and focuses on the ideological manifestations of the monument through the works of writers who figure prominently, one could say, monumentally, in the Americas. I trace this phenomenon of alienating monumentalism in various cultural productions—not only books, but sculpture, earthworks, and other artifacts — examining the formation of asymmetrical cultural relations embodied by these products, especially as they continue to influence contemporary American narrative and art. -
Literary Miscellany
Literary Miscellany Chiefly Recent Acquisitions. Catalogue 316 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are considered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering, and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inventory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request. -
Passages from the French and Italian Note-Books of Nathaniel
- - -- - - - - | - - - | |-- - - | -- - -. | - - - | |-- ||-- - - -- - - | - - -- . -- - - | | |-- THE UNIVERSITY OF CHICAGO LIBRARY ‘; HASSAGES ; : . ‘...."-- ; : : *R& fire ####&#AN pilºtAiiANº NOTE-BOOKS of NATHANIEL HAWTHORNE. * VOL. II. B O ST ON : JAMES R. OSGoo D AND com PANY., LATE Ticknor & Fields, AND FIELDs, Osgood, & Co. 1872. r r * - r * * * * * * * * r r tº - r r , , . - * * * * * * r r e. * * * * - - r t t e < ‘. r * , , t * * - - - - * r * * e * - •.' * . - r * * > . * , t r * * * ~ * - r f e • * , . r e ºr ‘. r r - - * r - r * * - r r r r ºr r * * * * * e e r * * * * * " * * * * * * * * * * - - - ... r * - * . “. * * - * e º 'º e e -e e - *ee - - Entered according to Act of Congress, in the year 1871, BY JAMES R. OSGOOD & Co., in the Office of the Librarian of Congress, at Washington. UNIVERSITY PREss: Welch, BIGELow, & Co., CAMBRIDGE. PºA SSAGES HAWTHORNE'S NOTE-BOOKS IN FRANCE AND ITALY. -6 FLORENCE – continued. June 8th. —I went this morning to the Uffizzi gallery. The entrance is from the great court of the palace, which communicates with Lung' Arno at one end, and with the Grand Ducal Piazza at the other. The gallery is in the upper story of the palace, and in the vestibule are some busts of the princes and cardinals of the Medici family, - none of them beau- ~ tiful, one or two so ugly as to be ludicrous, especially one who is all but buried in his own wig. I at first travelled slowly through the whole extent of this long, long gallery, which occupies the entire length of the palace on both sides of the court, and is full of sculpture and pictures. The latter, being opposite to the light, are not seen to the best advantage ; but it is the most perfect collection, in a chronological series, that I have seen, comprehending specimens of all the masters since painting began to be an art.