Cavalry Warrant Officer Stetson
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Spring/Summer 2020 2020 Spring/Summer Headwear Collection 4 Premium 6 Classic 20 Rain 22 No Fly Zone 28 Outdoor 36 Caps 40 Leather 50 Sales Reps 51 Index
SPRING/SUMMER 2020 2020 SPRING/SUMMER HEADWEAR COLLECTION 4 PREMIUM 6 CLASSIC 20 RAIN 22 NO FLY ZONE 28 OUTDOOR 36 CAPS 40 LEATHER 50 SALES REPS 51 INDEX FRONT COVER STYLE PAGE STC205 | PAGE 34 BUCKAROO | STC363 | PAGE 31 2 P: 800-367-3626 HABLAMOS ESPANOL X2100 6:30AM - 5:00PM PACIFIC TIME WWW.DORFMANPACIFIC.COM PREMIUM BE TIMELESS Outfitting America since 1865 OUR HISTORY In 1865, John B. Stetson fashioned the hat that would become the symbol of American independence, individuality, integrity and strength. Today everything that carries the Stetson brand, from authentic western wear to rugged action wear to contemporary street wear, stays true to these American values; make things right and the best they can be. COLTON | STC360 | PAGE 13 P: 800-367-3626 HABLAMOS ESPANOL X2100 6:30AM - 5:00PM PACIFIC TIME WWW. DORFMANPACIFIC.COM 3 Luxury Collection PREMIUM COLLECTION Meticulously handmade in Germany with cashmere and silk fibers. These pieces will age like a fine wine and elevate your style. CRAVAT | STC354 | PAGE 12 4 P: 800-367-3626 HABLAMOS ESPANOL X2100 6:30AM - 5:00PM PACIFIC TIME WWW.DORFMANPACIFIC.COM PREMIUM Grey Brown MADE IN GERMANY KNOX | STC1 Hatteras Cashmere/Silk Blend Newsboy | Silk Lining Sold by Color | Sold by Size M-2X Minimum 1 | 122XDF Grey Brown MADE IN GERMANY THATCHER | STC2 Bandera Cashmere/Silk Blend Ivy | Silk Lining Sold by Color | Sold by Size M-2X Minimum 1 | 122JPH P: 800-367-3626 HABLAMOS ESPANOL X2100 6:30AM - 5:00PM PACIFIC TIME WWW. DORFMANPACIFIC.COM 5 CLASSIC COLLECTION As renowned and timeless as the brand, these styles complement everyday wear while offering a bit of panache to your wardrobe. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
Costume Crafts an Exploration Through Production Experience Michelle L
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2010 Costume crafts an exploration through production experience Michelle L. Hathaway Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Hathaway, Michelle L., "Costume crafts na exploration through production experience" (2010). LSU Master's Theses. 2152. https://digitalcommons.lsu.edu/gradschool_theses/2152 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. COSTUME CRAFTS AN EXPLORATION THROUGH PRODUCTION EXPERIENCE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Fine Arts in The Department of Theatre by Michelle L. Hathaway B.A., University of Colorado at Denver, 1993 May 2010 Acknowledgments First, I would like to thank my family for their constant unfailing support. In particular Brinna and Audrey, girls you inspire me to greatness everyday. Great thanks to my sister Audrey Hathaway-Czapp for her personal sacrifice in both time and energy to not only help me get through the MFA program but also for her fabulous photographic skills, which are included in this thesis. I offer a huge thank you to my Mom for her support and love. -
Letter Carriers' Uniform: Hats, Introduction
Letter Carriers’ Uniform: Hats, Introduction In 1868 the Postmaster General listed a cap as the letter carrier’s uniform headgear. It was to be made of the same material as the coat, bound round with a black cloth band 1 1/2 inches wide, and have small buttons at the sides. In 1873, panama hats were authorized for summer. In 1887, numbered badges were added to the carriers' headwear, and helmets were approved for use. Helmets were short-brimmed with a tall crown, similar to British bobby helmets. In 1893, the more general straw hat replaced the panama hat as allowable summer headgear. By 1901, a western-style hat appeared, with a stiff crown and wide brim. Though never described in the Postal Laws and Regulations, photographs indicate this cowboy-style hat was standard wear at some Post Offices. From 1902 through 1948, postal regulations listed the hat, cap or helmet as acceptable carrier headwear. Uniform manufacturers advertised many variations in headgear style. The bobby-style helmet was last advertised in The Postal Record in 1907; in 1949, the safari-style helmet ws first pictured. Although carriers at each Post Office were to dress uniformly, photographs indicate that this was not always enforced. In 1955, only the helmet and cap were listed as acceptable headgear. The helmet was specified for summer; it was made of molded fiber in a blue-gray cadet shade and had a maroon chinstrap. The cap was a blue-gray eight-point style cap with braid the same color as the cap and a maroon chin strap. -
Hat, Cap, Hood, Mitre
CHAPTER 1 Headgear: Hat, Cap, Hood, Mitre Introduction down over his shoulders;4 and in Troilus and Criseyde Pandarus urges his niece, a sedate young widow, to Throughout the later Middle Ages (the twelfth to early cast off her face-framing barbe, put down her book and sixteenth centuries), if we are to believe the evidence of dance.5 art, some kind of headgear was worn by both sexes in- In art of the middle medieval period (from about doors and out: at dinner, in church, even in bed. This is the eighth to the eleventh centuries), headgear is less understandable if we consider the lack of efficient heat- well attested. Men are usually depicted bareheaded. ing in medieval buildings, but headgear was much more Women’s heads and necks are wrapped in voluminous than a practical item of dress. It was an immediate mark- coverings, usually depicted as white, so possibly linen is er of role and status. In art, it is possible to distinguish being represented in most cases. There is no clue to the immediately the head of a man from that of woman, as shape of the piece of cloth that makes up this headdress, for example in a fourteenth-century glass panel with a sa- how it is fastened, or whether there is some kind of cap tirical depiction of a winged serpent which has the head beneath it to which it is secured. Occasionally a fillet is of a bishop, in a mitre, and a female head, in barbe* and worn over, and more rarely under, this veil or wimple. -
Dealer Catalog Fall & Winter 2015 | Stormykromer.Com | 888.455.2253
2015 FALL AND WINTER DEALER CATALOG FALL & WINTER 2015 | STORMYKROMER.COM | 888.455.2253 LEGENDARY PARTNERSHIPS Expert craftsmanship. High-quality materials. And a deep respect for the skilled men and women who work every day to further legacies of warmth, style and durability. These are the qualities that have made Carhartt, Harris Tweed, Wolverine and Stormy Kromer the timeless brands we are today. Now, Stormy Kromer is pushing into a new era, with partnerships that combine each company’s best qualities – allowing us to grow while building on the legendary products that preceded them. 2 3 FALLFALLL & WINTERWINTER 2015202 155 | STORMYKROMER.COMSTORMYKROMER.COM | 88888.455.22538.455.2253 Across the waters from Scotland, beyond the Isle of Skye lies the barren, rocky island of Harris. One hundred and fi fty years ago, the people of this island created a unique cloth, a tweed woven entirely by hand that was to become world famous. Today, it is known simply as Harris Tweed. To this day, Harris Tweed is the only fabric in the world protected by an Act of Parliament. It must be “made with 100% pure virgin wool, dyed, spun and fi nished in the Outer Hebrides and woven by hand by the Islanders in their homes on the Islands of Lewis, Harris, Uist and Barra.” Harris Tweed production is monitored on a daily basis and all fabric is inspected and approved before being stamped with their trademark. No other fabric can call itself Harris Tweed, just as no other cap can call itself Stormy Kromer. We are proud to bring you this unique collection of products which combines the history and tradition of two legendary brands from either side of the Atlantic. -
Stetson Valley Owners Association
STETSON VALLEY OWNERS ASSOCIATION DESIGN GUIDELINES 51?.29!.2 {?n/2005 i:17 AM] 0133653 STETSON VALLEY OWNERS ASSOCIATION DESIGN GUIDELINES Table of Contents Page ARTICLEl ARCHITECTTJRAL REVIEW COMMITTEE; GENERAL PROVISIONS 1.1 Architectural Review Committee; Requirement for Approval. ........................... 1 1.2 Establishment of Design Guidelines .................................................................... 1 1.3 Permitted Uses; Defined Te1111s ........................................................................... 1 1.4 Use Restrictions ................................................................................................... 1 1.5 Modification; Conflict. ........................................................................................ l 1.6 Right of Waiver ................................................................................................... 1 ARTICLE2 SUBMITTAL PROCESS 2.1 Required Materials .............................................................................................. 2 2.2 Process ............. n••·····••n• .. ········•nn••······ ............................................................... 2 2.3 Compliance with Requirements of Governmental Authorities ........................... 3 2.4 Warranty Disclaimer ............................................................................................ ;\ ARTICLE3 LANDSCAPING 3.1 Initial Installation ................................................................................................. 3 3.2 Landscape Concept. .................................................................... -
Orange County Sheriff's Office General Order
ORANGE COUNTY SHERIFF'S OFFICE GENERAL ORDER Rescinds – G.O. 9.1.2 (March 14, 2014) Effective Date: July 3, 2014 Amends Number: 9.1.2 Print Date: SUBJECT: APPEARANCE, UNIFORMS, AND EQUIPMENT Distribution: ALL PERSONNEL CALEA Standards: 22.2.5, 22.2.7, 26.1.1, 41.3.4, 46.2.3 CFA Standards: 2.09 This order consists of the following: 1. Purpose 2. Policy 3. Definitions 4. Procedures 1. Purpose The purpose of this directive is to describe the agency’s initial clothing and equipment issue and to establish a standard of appearance and apparel for agency members wearing assigned uniforms. 2. Policy It is the policy of the agency to issue uniforms and equipment as required for employees to accomplish assigned functions and be neat and professional in appearance. 3. Definitions A. Class “A” Uniform – long sleeve shirt with shoulder emblems and worn with metal badges and accessories, black tie, and trousers. B. Class “B” Uniform – short sleeve shirt with shoulder emblems and worn with metal badges and accessories, and trousers. C. Class “C” Uniform – short sleeve spruce green pull-over style shirt with shoulder emblems, sewn-on cloth badge, and black shorts. D. Class “D” Uniform – heavy-duty twill spruce green shirt with shoulder emblems, sewn-on cloth badge, embroidered name strips, embroidered accessories, and spruce twill trousers. This uniform consists of both long and short sleeve versions. E. Specialty Uniform – any uniform designed or configured for a specific function or purpose, e.g., Aviation flight suits, Motors/Mounted breeches. F. Body Ornamentation – includes, but is not limited to, tattoos, brands, body mutilation, dental ornamentation, and body or tongue piercing. -
Autumn Winter 2021/22
AUTUMN WINTER 2021/22 cover: CLOCHE, wool felt soft, M21506, this page: CAP, lambskin, P21601, following page, left: BUCKET HAT, melusine felt, M21514, right: BUCKET HAT, melusine felt, M21515 AUTUMN WINTER 2021/22 BIG HUG Where have you gone, you intimate, stormy, friendly, romantic, comforting hugs? We have missed you so much. The autumn winter 2021/22 collection invites you to join it in a big, all-enveloping hug. The hats are fluffy and light as a feather, voluminous, as soft and padded as cotton wool. You can wrap yourself up in them, squeeze them heartily, literally crawl into them for comfort. In return they will hug you back and wrap themselves protectively around you. These are materials that invite cuddles, to feel, to sense, to lose ourselves in them. Because it’s simply impossible to keep your hands off cashmere loden, melusin felt, soft sherpa wool and thickly padded fabrics. The pieces in this collection are approachable, easy to grasp, and just as easy to experience and wear. This feels so good. Wo seid ihr geblieben, ihr innigen, stürmischen, freund- schaftlichen, romantischen, tröstenden Umarmungen? Wir haben euch so vermisst. Die Modelle der Kollektion Herbst Winter 2021/22 laden zu einer großen Umarmung ein. Sie sind flauschig und federleicht, watteweich gepolstert und mit Volumen gefüllt. Man kann sich darin einwickeln, sie herzhaft drücken, förmlich in sie hineinkriechen. Sie sind uns nahe und legen sich schützend um uns. Da sind Materialien, die zum Kuscheln einladen, zum Spüren, Fühlen, sich darin verlieren. Denn von Kaschmir- loden, Melusinfilz, weicher Sherpa-Wolle und dick gepolster- ten Stoffen kann man einfach nicht die Finger lassen. -
Santa Barbara Sheriff's Office Uniform Policy Manual
Santa Barbara Sheriff’s Office Uniform Policy Manual Index Page 1.800.0 Uniform/Grooming - Scope 1.801.0 General Policy 1.802.0 Periodic Inspections 1.803.0 Right of Unit Commanders to Make Exceptions 1.804.0 Uniform and Equipment - Possession of 1.805.0 Uniform and Equipment - Maintenance of 1.806.0 Identification Card and Agency Badge 1.807.0 Plain Clothes 1.808.0 Uniform Standardization 1.809.0 Uniform Specifications 1.810.0 Condition and Appearance 1.811.0 Uniformed Employees Personal Appearance .1 Hair Standards .2 Sideburns .3 Mustaches .4 Beards .5 Fingernails .6 Wigs and Hairpieces .7 Civilian Personnel .8 Courtroom Attire .9 Exemptions 1.812.0 Manner in Which Uniform Shall Be Worn 1.813.0 Service Stars .1 Service Stars - Deputies and Custody Deputies .2 Service Stars - Placement 1.814.0 Authorized Uniforms .1 Uniform Classifications a) Class A b) Class A Formal c) Class B d) Class C e) Class D f) Class E g) Class F h) Class G .2 Special Enforcement Team (S.E.T.) Uniform .3 Aero Squadron Uniform .4 Dive Team Uniform .5 Custody Operations S.O.R.T. (Special Operations Response Team) Uniform .6 Beach & Bicycle Patrol Uniform .7 Honor Guard Uniform .8 Gang Enforcement and Warrant Service Uniform .9 Custody Operations SWAP and Work Furlough Field Uniform .10 Motor Officer Uniform .11 Mounted Unit Uniform .12 Volunteer Uniform .13 Chaplain Uniform .14 Explorer Uniform .15 Cadet Uniform .16 Training Bureau Personnel Uniform .17 D.A.R.E. & School Resource Deputy Uniform .18 Cold Weather Uniform .19 Marijuana Eradication Uniform .20 Special -
Great Plains Rifle
Lyman® Dear Black Powder Shooter: Congratulations on purchasing your new Lyman Black Powder Gun. All of our black powder products are the result of extensive thought and testing. With proper care, your new gun should bring you a lifetime of shooting pleasure. Before firing your gun, there are a few precautions that should be followed. Please read these instructions carefully. 1. If your new rifle is a flintlock, we have function tested the lock assembly, flint and frizzen to ensure that it provides proper ignition. Therefore, please do not be concerned with the resulting marks on the frizzen–it is simply a reminder of our comprehensive factory inspection. 2. The barrel's bore contains a heavy duty preservative that may resemble rusty oil. It is not rust! This preservative must be thoroughly removed before firing to obtain maximum accuracy. Directions: A. Swab the bore with some form of solvent or penetrating oil (example: WD-40 or Hoppe's #9). Let soak overnight. B. Brush out the following day using a nylon brush wrapped with 00 steel wool or a brass brush (must be under bore diameter to prevent bristles from jamming at the breech of the barrel). C. Wipe out using soft flannel (avoid t-shirt material–it doesn't work well using cleaning jag and has a tendency to stay down the bore). The brass coloration you see is normal after cleaning. 3. The stock has been stained with oil leaving a dull finish. As with all oil finished stocks, rubbing in additional thin coats of oil (Linseed or Birchwood Casey's Tru-Oil) will further enhance the finish and protect the stock. -
In Our Centennial Year of the Society, Another Great Reunion
In Our Centennial Year of the Society, Another Great Reunion By Henry Bodden – Editor ur 102nd Anniversary Left, entrance to Jekyll Soldiers Ball, and the Island Resort. 100th Anniversary of the Below, Gabe Guevarra O and Henry Bodden met Society of the Third Infantry in the lobby. Division returned to Fort Stewart, Georgia to celebrate these two events. Most guests to the reunion stayed at the Westin Hotel on the beach at Jekyll Island. Although the weather was overcast and drizzling for the Unfortunately, on Friday of weekend, it was nice to be on the November 15th, a transportation ocean for walks and sightseeing. glitch denied us a tour to the It was nice to reunite with friends Mighty Eight Museum tour, so and new acquaintances as every- some visited the area while oth- one checked in. On Thursday ers congregated in the November the 14th, registration Hospitality Room while awaiting began as members assembled in the much anticipated formal the Hospitality Room for snacks Soldiers Ball that night. So, at uniforms of our Fort Stewart sol- and fellowship. That night we all 5:00 p.m. there was a VIP recep- diers and all the beautiful ladies attended the President’s tion which was followed by a in their formal dress. It was a Reception Dinner with a wel- social hour. As a non-veteran and come and stirring speech by my first Soldiers Ball, I was real- Please turn to REUNION on page 4 Society President Toby Knight. ly impressed with all the dress A Visit With Col.