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C H R I S T Y &
C h r i s t y & C ooC Since 1773 History and Legacy by Irra K With special thanks to The Stockport library and hat museum FamilyFamily Six reigns of Royals, and Eight generations of the Christy family have forged the brand of Christys London since it’s foundation by Miller Christy in 1773, 237 years ago Following his apprenticeship to a Hatter in Edinburgh, Miller Christy created a company that would survive for generations, outliving thousands of hat makers across the former British Empire: by 1864 for example there were 53 hatting firms in Stockport alone. Throughout hundreds of years, the factory was still managed by direct descendants of the founder of the Firm ValuesValues 1919 Christys readily registered their own The Christy Collection in Stockport is appreciation testament to the influence the company of workers’ had. At its height, it employed 3000 excellent local people leaving a valuable legacy service < - During World War II, hats were not rationed in order to boost morale, and Christys supported the effort within their family-run company, effectively running it like an extended family Celebrating Victory as well as mourning the fallen at the -> end of World War I Trade MarksTrade Marks The Stockport Collection With business of Christy Papers includes a expanding to 500 page booklet detailing foreign lands, trade marks registered safeguarding around the world at the the insignia in height of the British Empire. all it’s forms These involve registering the full name, letters 'C', it’s became vital – insignia, shape, and colours as we shall see In the early days, < - several variations - > of company marks and insignia were circulated, later consolidating into the Christy crown and heraldry which is now recognised the world over Trade Marks iiiiTrade In many territories, Trade Marks were either disputed or had to be re-registered. -
If the Hat Fits, Wear It!
If the hat fits, wear it! By Canon Jim Foley Before I put pen to paper let me declare my interests. My grandfather, Michael Foley, was a silk hatter in one of the many small artisan businesses in Claythorn Street that were so characteristic of the Calton district of Glasgow in late Victorian times. Hence my genetic interest in hats of any kind, from top hats that kept you at a safe distance, to fascinators that would knock your eye out if you got too close. There are hats and hats. Beaver: more of a hat than an animal As students for the priesthood in Rome the wearing of a ‘beaver’ was an obligatory part of clerical dress. Later, as young priests we were required, by decree of the Glasgow Synod, to wear a hat when out and about our parishes. But then, so did most respectable citizens. A hat could alert you to the social standing of a citizen at a distance of a hundred yards. The earliest ‘top’ hats, known colloquially as ‘lum’ hats, signalled the approach of a doctor, a priest or an undertaker, often in that order. With the invention of the combustion engine and the tram, lum hats had to be shortened, unless the wearer could be persuaded to sit in the upper deck exposed to the elements with the risk of losing the hat all together. I understand that the process of shortening these hats by a few inches led to a brief revival of the style and of the Foley family fortunes, but not for long. -
In This Month's Hatalk
Issue 60, March 2011 Next issue due 16th March 2011 HATalk the e-magazine for those who make hats In this month’s HATalk... Millinery in Practice People at work in the world of hats. This month: Maxim - promoting millinery fashion in Japan. Hat of the Month A twisted toyo hat by Tracy Thomson. Focus on... Landelijke Hoedendag 2011 - National Milliner’s Day in the Netherlands. How to… Create a layered effect sinamay brim without a block. Plus – S in the A to Z of Hats, Letters to the Editor, this month’s Give Away and The Back Page. Published by how2hats.com click here to turn over i Issue 60 Contents: March 2011 Millinery in Practice People at work in the world of hats. This month: Maxim - a profile of this successful Japanese millinery firm. Hat of the Month Learn about this colourful hat and something about Tracy Thomson, who created it. Focus on... Landelijke Hoedendag 2011 - National Milliner’s Day in the Netherlands. How to... Create a layered effect sinamay brim without using a block. The A to Z of Hats... More hat words that start with S - continued from February. This Month’s Give Away A chance to win 25 HATalk Back Issues on CD! Letters to the Editor This month - a tip for getting your petersham headband sewn in neatly. The Back Page Interesting hat facts; books; contact us and take part! 1 previous page next page Maxim Millinery Fashion in Japan This month, our spotlight is on a millinery dynasty which has worked tirelessly for the last seventy years to bring hats to the forefront of Japanese fashion. -
Baseball Caps
HILLS HATS WINTER LOOKBOOK 2019 TWEED HATS Eske Donegal English Luton Check English Tweed Cheesecutter Tweed Cheesecutter 2540 2541 Navy, Black, Olive Brown, Grey S, M, L, XL, XXL S, M, L, XL, XXL Herefordshire Check English Wiltshire Houndstooth English Tweed Cheesecutter Tweed Cheesecutter 2542 2544 Blue, Green Brown, Grey, Beige, Blue, Fawn S, M, L, XL, XXL S, M, L, XL, XXL Devon Houndstooth Swindon Houndstooth Lambswool Tweed Cheesecutter Lambswool English Tweed Cheesecutter 2552 2573 Blue, Rust Blue, Green, Wine, Fawn S, M, L, XL, XXL S, M, L, XL, XXL 1 Chester Overcheck Hunston Overcheck Lambswool English Tweed Cheesecutter English Tweed Cheesecutter 2574 2554 Blue, Olive, Brown Black, Blue, Brown, Green S, M, L, XL, XXL S, M, L, XL, XXL Saxilby Overcheck English Glencoe Overcheck Lambswool Tweed Cheesecutter Tweed Cheesecutter 2567 2537 Brown, Green Green, Mustard S, M, L, XL, XXL S, M, L, XL, XXL Bingley Check Lambswool Bramford Houndstooth English Tweed Cheesecutter Tweed Cheesecutter 2551 2556 Olive, Blue Blue, Green S, M, L, XL, XXL S, M, L, XL, XXL 2 TWEED HATS Warrington Herringbone English Tweed Cheesecutter 2576 Charcoal, Brown, Khaki S, M, L, XL, XXL English Wool Tweed Patchwork Cheesecutter 300 Blue, Green, Brown S, M, L, XL, XXL Eske Donegal English Tweed 4 Piece Cheesecutter 2570 Black, Navy, Olive S, M, L, XL, XXL 3 Dartford Herringbone English Tweed 4 Piece Cheesecutter 2570 Black, Brown, Blue, Green S, M, L, XL, XXL Bingley Check English Tweed 7 Piece Cheesecutter 2571 Blue, Olive S, M, L, XL, XXL Warrington Herringbone -
Assessing Next-Generation Construction Helmets
Assessing Next-Generation May 2018 Construction Helmets The KASK - Zenith and Superplasma Helmets Skanska’s Advancement In Head Protection Pilot Program Current Status Currently, Skanska uses the MSA V-Gard as its primary choice of hard hat head protection. This hard hat was introduced to the US 56 years ago. The V Guard (and all other regular styles of hard hats) primarily protects against objects striking the crown of a person’s head. This type of head protection offers minimal, if any protection to the front, rear and sides of the head. Comparatively, head protection such as the KASK helmet (not a hard hat) offers much more protection. Although it is listed as Type I head protection, it has passed ANSI Type II impact tests to the front, rear and sides. The Need for Change Skanska USA is investigating the advancements of head protection for employees working on its projects. Helmets being piloted on our projects include products from KASK, MSA Nexius, and 3M X5000. There are many reasons why we are looking to improve the current head protection. The primary reason is the fact that head injuries of all classifications still occur on our projects. These injuries vary on the spectrum of severity, from minimal in nature to catastrophic. Plain and simple: changes in head protection are needed in our industry. Skanska is looking to champion these efforts through an in-depth evaluation of different types of head protection, including the KASK helmets described in this white paper. A thorough list of the reasons for change include: • During any fall incident (slips, trips and falls from the same level, falls from ladders, falls from wall forms, etc.) the current hard hat is prone to fall off a worker’s head prior to impact because of the tendency for the head to “snap backwards,” leaving the head exposed when protection is most needed. -
13:40 KEMPTON (AW), 5F
Jockey Colours: Black, pink star, pink sleeves, black armlets and stars on pink cap Notes: Timeform says: Foaled March 1. 4,000 gns yearling, Rip Van Winkle filly. Half-sister to 9.5f/1¼m winner Across The Sky and 1¼m winner Rat Pack. Dam, unraced, closely related PDF Form Guide - Free from attheraces.com with to smart winner up to 1¼m High Rock. (Forecast 17.00) 9 (1) TO HAVE A DREAM (IRE) 2 9 - 0 M Dwyer - b f Zoffany - Tessa Romana J S Moore 13:40 KEMPTON (A.W.), 5f Jockey Colours: Light green, light blue seams, striped sleeves, light blue cap, brown star Notes: Watch Racing UK In HD Maiden Fillies' Stakes (Plus 10) (Div 2) (Class 4) (2YO Timeform says: Foaled March 4. €7,000 yearling, Zoffany filly. Dam unraced half-sister to useful 1½m-2m winner Blimey O'Riley. (Forecast 17.00) only) TIMEFORM VIEW: RAPACITY ALEXANDER is the one who stands out on pedigree being a sister to high-class Hong Kong sprinter Peniaphobia so she could be worth chancing. Chupalla and Stormy No(Dr) Silk Form Horse Details Age/Wt Jockey/Trainer OR Clouds both represent powerful yards and are the obvious threats. 1 (9) CHUPALLA 2 9 - 0 J Fanning - M Johnston b f Helmet - Dubai Sunrise Timeform 1-2-3: 1: RAPACITY ALEXANDER Jockey Colours: Dark green, red cap, dark green diamond Notes: 2: CHUPALLA Timeform says: Foaled April 7. Helmet filly. Half-sister to 1m-1¼m winner Bewilder and 1m winner Solar Moon. Dam unraced sister to top-class winner up to 1¼m Dubai Millennium. -
Costume Crafts an Exploration Through Production Experience Michelle L
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2010 Costume crafts an exploration through production experience Michelle L. Hathaway Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Hathaway, Michelle L., "Costume crafts na exploration through production experience" (2010). LSU Master's Theses. 2152. https://digitalcommons.lsu.edu/gradschool_theses/2152 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. COSTUME CRAFTS AN EXPLORATION THROUGH PRODUCTION EXPERIENCE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Fine Arts in The Department of Theatre by Michelle L. Hathaway B.A., University of Colorado at Denver, 1993 May 2010 Acknowledgments First, I would like to thank my family for their constant unfailing support. In particular Brinna and Audrey, girls you inspire me to greatness everyday. Great thanks to my sister Audrey Hathaway-Czapp for her personal sacrifice in both time and energy to not only help me get through the MFA program but also for her fabulous photographic skills, which are included in this thesis. I offer a huge thank you to my Mom for her support and love. -
MARK SULLIVAN As
TOPPING IT OFF SOCCER BATTLE IN THE SHADE GETTING PROTECTIVE Headwear Trends Brands Vie for Dollars Sunglass Technology 12 Hot New Products SPORTSINSIGHTMAG.COM PERFORMANCE + URBAN + ATHLETIC = THE NEW OUTDOOR APPAREL EQUATION SEE PAGE 28 PERMIT # 191 # PERMIT ITHACA, NY ITHACA, PAID US POSTAGE US RR STD PRSRT A FORMULA4MEDIA PUBLICATION • JULY/AUGUST 2015 Executive Editor Mark Sullivan [email protected] 646-319-7878 Editor-in-Chief Cara Griffin [email protected] sportsinsightmag.com facebook.com/sportsinsight twitter.com/sports_insight 8 Senior Editor Bob McGee IN THE MARKET [email protected] Soccer biz battle; Art Director Affordable Care Act Francis Klaess JULY update; plus more Associate Art Director Mary McGann industry analysis. Contributors Jennifer Ernst Beaudry Suzanne Blecher 24 Michael Jacobsen AUGUST15 Nancy Ruhling FOOTWEAR Tim Sitek Athleisure and Publisher Jeff Gruenhut casual trends are [email protected] driving footwear 404-467-9980 sales at retail. Advertising Beth Gordon [email protected] 28 949-293-1378 Troy Leonard OUTDOOR IMPACT [email protected] 352-624-1561 How the new urban, athletic consumer is Jeff Nott [email protected] impacting outdoor 516-305-4711 apparel trends. Sam Selvaggio [email protected] 212-398-5021 34 Production Brandon Christie HYDRATION 516-305-4712 Five fast facts: The [email protected] “need to knows” of Subscriptions the hydration business. store.formula4media.com Business Manager Marianna Rukhvarger 516-305-4709 36 [email protected] HEADWEAR Promotion Director Christina Henderson Active outdoor cap 516-305-4710 styles focus on [email protected] lightweight protection. 40 SUNGLASSES PO Box 23-1318 Sport styles meet Great Neck, NY 11023 Phone: 516-305-4710 the street and lens Fax: 516-305-4712 tech goes to a www.formula4media.com whole new level. -
Letter Carriers' Uniform: Hats, Introduction
Letter Carriers’ Uniform: Hats, Introduction In 1868 the Postmaster General listed a cap as the letter carrier’s uniform headgear. It was to be made of the same material as the coat, bound round with a black cloth band 1 1/2 inches wide, and have small buttons at the sides. In 1873, panama hats were authorized for summer. In 1887, numbered badges were added to the carriers' headwear, and helmets were approved for use. Helmets were short-brimmed with a tall crown, similar to British bobby helmets. In 1893, the more general straw hat replaced the panama hat as allowable summer headgear. By 1901, a western-style hat appeared, with a stiff crown and wide brim. Though never described in the Postal Laws and Regulations, photographs indicate this cowboy-style hat was standard wear at some Post Offices. From 1902 through 1948, postal regulations listed the hat, cap or helmet as acceptable carrier headwear. Uniform manufacturers advertised many variations in headgear style. The bobby-style helmet was last advertised in The Postal Record in 1907; in 1949, the safari-style helmet ws first pictured. Although carriers at each Post Office were to dress uniformly, photographs indicate that this was not always enforced. In 1955, only the helmet and cap were listed as acceptable headgear. The helmet was specified for summer; it was made of molded fiber in a blue-gray cadet shade and had a maroon chinstrap. The cap was a blue-gray eight-point style cap with braid the same color as the cap and a maroon chin strap. -
Initial Study Appendices
INITIAL STUDY APPENDICES A P P E N D I X A Air Quality and GHG Analysis The Planning Center | DC&E January 2014 MEMORANDUM DATE January 17, 2014 TO Robert Sparks, General Manager, Almaden Golf and Country Club Almaden Golf and Country Club FROM Nicole Vermilion, Associate Principal, Air Quality and GHG Services Steve Bush, Scientist Akshay Newgi, Assistant Planner RE Air Quality and Greenhouse Gas Emissions Technical Memorandum for the Almaden Golf and Country Club This Air Quality and Greenhouse Gas (GHG) Emissions Technical Memorandum has been prepared to analyze potential criteria air pollutant and GHG emissions impacts from construction and operation of the Almaden Golf and Country Club Project. The air quality and GHG emissions analysis includes an evaluation of the impacts of the Project compared to the significance criteria adopted by the Bay Area Air Quality Management District (BAAQMD). 1.1 AIR QUALITY ENVIRONMENTAL SETTING 1.1.1 REGULATORY FRAMEWORK Ambient air quality standards (AAQS) have been adopted at State and federal levels for criteria air pollutants. In addition, both the State and federal government regulate the release of toxic air contaminants (TACs). The City of San José is in the San Francisco Bay Area Air Basin (SFBAAB) and is subject to the rules and regulations imposed by the BAAQMD, as well as the California AAQS adopted by the California Air Resources Board (CARB) and national AAQS adopted by the United States Environmental Protection Agency (USEPA). Federal, State, regional and local laws, regulations, plans, or guidelines that are potentially applicable to the proposed Project are summarized below. -
Hat, Cap, Hood, Mitre
CHAPTER 1 Headgear: Hat, Cap, Hood, Mitre Introduction down over his shoulders;4 and in Troilus and Criseyde Pandarus urges his niece, a sedate young widow, to Throughout the later Middle Ages (the twelfth to early cast off her face-framing barbe, put down her book and sixteenth centuries), if we are to believe the evidence of dance.5 art, some kind of headgear was worn by both sexes in- In art of the middle medieval period (from about doors and out: at dinner, in church, even in bed. This is the eighth to the eleventh centuries), headgear is less understandable if we consider the lack of efficient heat- well attested. Men are usually depicted bareheaded. ing in medieval buildings, but headgear was much more Women’s heads and necks are wrapped in voluminous than a practical item of dress. It was an immediate mark- coverings, usually depicted as white, so possibly linen is er of role and status. In art, it is possible to distinguish being represented in most cases. There is no clue to the immediately the head of a man from that of woman, as shape of the piece of cloth that makes up this headdress, for example in a fourteenth-century glass panel with a sa- how it is fastened, or whether there is some kind of cap tirical depiction of a winged serpent which has the head beneath it to which it is secured. Occasionally a fillet is of a bishop, in a mitre, and a female head, in barbe* and worn over, and more rarely under, this veil or wimple. -
Spring Summer 2017
SPRING SUMMER 2017 1 this page: left: ART RIXA panama straw M17101 right: BERT ALESSA panama straw/straw grid M17103 cover: left: UDO panama straw/paper cotton M17137 right: ART GRAF panama straw/paper cotton 2 M17136 ART RIX paper panama 3 M17169 KASPAR cotton/jute 4 S17722 4 SPRING SUMMER 2017 SALLY straw grid 5 M17109 M16101 f M16102 f PRINZ MadlEN ART RIX fedora fedora reed/metal leaf reed/metal leaf sizes: 55 - 59 cm sizes: 55 - 59 cm M16103 u GRaf RIxa fedora corn straw/metal leaf sizes: 56 - 62 cm M16105 f Sally visor corn straw/metal leaf sizes: 54 - 59 cm M16107 m M16108 m DUKE Bodo DUKE pork pie fedora jute/paint jute/paint sizes: 55 - 60 cm sizes: 55 - 60 cm M16109 f M16110 f M16111 f RICHELLE JINGLE NadEttE fascinator fascinator fascinator sea grass/veil sea grass/veil sea grass/veil one size one size one size left: KUNO WILL panama straw/straw grid M16113 f M16114 u M16115 u M17114 Sally KARL ART RIxa right: cap trilby fedora BASIL sea grass/metal leaf sea grass/metal leaf sea grass/metal leaf cotton/jute 6 sizes: 54 - 59 cm sizes: 55 - 61 cm sizes: 55 - 59 cm S17724 6 JEAN straw grid/veil 7 M17112 FLORA yarn 8 M17147 8 DUKE RIX panama straw 9 M17132 left: ART RIX paper panama M17169 right: ART FAY panama straw 10 M17134 10 PatCHWORK Der Titel der Kollektion mag Bilder von der Verwertung The collection’s title could evoke images of liegengebliebener Restmaterialien hervorrufen. Verwerfen dusty fabric remnants.