Aladdin and the Wonderful Lamp from the Blue Fairy Book, Edited by Andrew Lang

Total Page:16

File Type:pdf, Size:1020Kb

Aladdin and the Wonderful Lamp from the Blue Fairy Book, Edited by Andrew Lang Aladdin and the Wonderful Lamp From the Blue Fairy Book, Edited by Andrew Lang There once lived a poor trade, he offered to take a shop tailor, who had a son called for him and stock it with mer- Aladdin, a careless, idle boy chandise. Next day he bought who would do nothing but Aladdin a fine suit of clothes play ball all day long in the and took him all over the city, streets with little idle boys showing him the sights, and like himself. This so grieved brought him home at nightfall the father that he died; yet, to his mother, who was over- in spite of his mother’s tears joyed to see her son so fine. and prayers, Aladdin did not mend his ways. The next day the magician led Aladdin One day, when he was playing in the streets as into some beautiful gardens a long way out- usual, a stranger asked him his age, and if he side the city gates. They sat down by a foun- was not the son of Mustapha the tailor. “I am, tain and the magician pulled a cake from his sir,” replied Aladdin; “but he died a long while girdle, which he divided between them. They ago.” On this the stranger, who was a famous then journeyed onward till they almost reached African magician, fell on his neck and kissed the mountains. Aladdin was so tired that he him, saying, “I am your uncle, and knew you begged to go back, but the magician beguiled from your likeness to my brother. Go to your him with pleasant stories, and led him on mother and tell her I am coming.” Aladdin in spite of himself. At last they came to two ran home and told his mother of his newly mountains divided by a narrow valley. “We found uncle. “Indeed, child,” she said, “your will go no farther,” said the false uncle. “I will father had a brother, but I always thought he show you something wonderful; only do you was dead.” However, she prepared supper, gather up sticks while I kindle a fire.” When and bade Aladdin seek his uncle, who came it was lit the magician threw on it a powder laden with wine and fruit. He presently fell he had about him, at the same time saying down and kissed the place where Mustapha some magical words. The earth trembled a lit- used to sit, bidding Aladdin’s mother not to tle and opened in front of them, disclosing a be surprised at not having seen him before, square flat stone with a brass ring in the mid- as he had been forty years out of the country. dle to raise it by. Aladdin tried to run away, He then turned to Aladdin, and asked him but the magician caught him and gave him his trade, at which the boy hung his head, a blow that knocked him down. “What have while his mother burst into tears. On learn- I done, uncle?” he said piteously; whereupon ing that Aladdin was idle and would learn no the magician said more kindly: “Fear nothing, — — Created for Lit2Go on the web at fcit.usf.edu Aladdin and the Wonderful Lamp Edited by Andrew Lang but obey me. Beneath this stone lies a trea- foolish Aladdin for this purpose, intend- sure which is to be yours, and no one else may ing to get the lamp and kill him afterward. touch it, so you must do exactly as I tell you.” For two days Aladdin remained in the At the word treasure Aladdin forgot his fears, dark, crying and lamenting. At last he clasped and grasped the ring as he was told, saying the his hands in prayer, and in so doing rubbed names of his father and grandfather. The stone the ring, which the magician had forgotten to came up quite easily, and some steps appeared. take from him. Immediately an enormous and “Go down,” said the magician; “at the foot of frightful genie rose out of the earth, saying: those steps you will find an open door leading “What wouldst thou with me? I am the Slave into three large halls. Tuck up your gown and of the Ring, and will obey thee in all things.” go through them without touching anything, Aladdin fearlessly replied: “Deliver me from or you will die instantly. These halls lead into this place!” whereupon the earth opened, and a garden of fine fruit trees. Walk on until you he found himself outside. As soon as his eyes come to a niche in a terrace where stands a could bear the light he went home, but fainted lighted lamp. Pour out the oil it contains, and on the threshold. When he came to himself he bring it to me.” He drew a ring from his finger told his mother what had passed, and showed and gave it to Aladdin, bidding him prosper. her the lamp and the fruits he had gathered Aladdin found everything as the magi- in the garden, which were, in reality, precious cian had said, gathered some fruit off the stones. He then asked for some food. “Alas! trees, and, having got the lamp, arrived at the child,” she said, “I have nothing in the house, mouth of the cave. The magician cried out but I have spun a little cotton and will go and in a great hurry: “Make haste and give me sell it.” Aladdin bade her keep her cotton, the lamp.” This Aladdin refused to do until for he would sell the lamp instead. As it was he was out of the cave. The magician flew very dirty she began to rub it, that it might into a terrible passion, and throwing some fetch a higher price. Instantly a hideous ge- more powder on to the fire, he said some- nie appeared, and asked what she would have. thing, and the stone rolled back into its place. She fainted away, but Aladdin, snatching the The magician left Persia for ever, which lamp, said boldly: “Fetch me something to plainly showed that he was no uncle of Alad- eat!” The genie returned with a silver bowl, din’s, but a cunning magician, who had read twelve silver plates containing rich meats, two in his magic books of a wonderful lamp, silver cups, and two bottles of wine. Alad- which would make him the most powerful din’s mother, when she came to herself, said: man in the world. Though he alone knew “Whence comes this splendid feast?” “Ask not, where to find it, he could only receive it from but eat,” replied Aladdin. So they sat at break- the hand of another. He had picked out the fast till it was dinner-time, and Aladdin told — — Created for Lit2Go on the web at fcit.usf.edu Aladdin and the Wonderful Lamp Edited by Andrew Lang his mother about the lamp. She begged him her. She went every day for a week, and stood to sell it, and have nothing to do with devils. in the same place. When the council broke up “No,” said Aladdin, “since chance hath made on the sixth day the Sultan said to his Vizier: us aware of its virtues, we will use it, and the “I see a certain woman in the audience-cham- ring likewise, which I shall always wear on my ber every day carrying something in a nap- finger.” When they had eaten all the genie had kin. Call her next time, that I may find out brought, Aladdin sold one of the silver plates, what she wants.” Next day, at a sign from the and so on until none were left. He then had re- Vizier, she went up to the foot of the throne course to the genie, who gave him another set and remained kneeling till the Sultan said to of plates, and thus they lived for many years. her: “Rise, good woman, and tell me what you One day Aladdin heard an order from the want.” She hesitated, so the Sultan sent away Sultan proclaimed that everyone was to stay at all but the Vizier, and bade her speak frankly, home and close his shutters while the Princess, promising to forgive her beforehand for any- his daughter, went to and from the bath. Alad- thing she might say. She then told him of her din was seized by a desire to see her face, which son’s violent love for the Princess. “I prayed was very difficult, as she always went veiled. He him to forget her,” she said, “but in vain; he hid himself behind the door of the bath, and threatened to do some desperate deed if I re- peeped through a chink. The Princess lifted fused to go and ask your Majesty for the hand her veil as she went in, and looked so beautiful of the Princess. Now I pray you to forgive not that Aladdin fell in love with her at first sight. me alone, but my son Aladdin.” The Sultan He went home so changed that his mother was asked her kindly what she had in the nap- frightened. He told her he loved the Princess kin, whereupon she unfolded the jewels and so deeply that he could not live without her, presented them. He was thunderstruck, and and meant to ask her in marriage of her father. turning to the Vizier said: “What sayest thou? His mother, on hearing this, burst out laugh- Ought I not to bestow the Princess on one ing, but Aladdin at last prevailed upon her to who values her at such a price?” The Vizier, go before the Sultan and carry his request.
Recommended publications
  • Aladdin Movie 2019” Based on Disney’S Aladdin
    AN ANALYSIS OF MORAL VALUES IN GUY RITCHIE’S MOVIE “ALADDIN MOVIE 2019” BASED ON DISNEY’S ALADDIN THESIS BY DONNA TARULI AGUSTIA SILABAN NIM 372016024 UNIVERSITAS MUHAMMADIYAH PALEMBANG FACULTY OF TEACHER TRAINING AND EDUCATION ENGLISH EDUCATION STUDY PROGRAM AUGUST 2020 i AN ANALYSIS OF MORAL VALUES IN GUY RITCHIE’S MOVIE “ALADDIN MOVIE 2019” BASED ON DISNEY’S ALADDIN THESIS Presented to Universitas Muhammadiyah Palembang In partial fulfillment of the requirement For the degree of Sarjana in English Language Education By Donna Taruli Agustia Silaban NIM 372016024 UNIVERSITAS MUHAMMADIYAH PALEMBANG FACULTY OF TEACHER TRAINING AND EDUCATION ENGLISH EDUCATION STUDY PROGRAM August 2020 ii iii iv v ABSTRACT Donna Taruli Agustia Silaban, 2020. An Analysis of Moral Values in Guy Ritchie’s movie “Aladdin Movie 2019” Based on Disney’s Aladdin. Thesis, English Education Study Program, Sarjana Degree (S1), Faculty of Teacher Training and Education, Universitas Muhammadiyah Palembang. Advisor: (I) Kurnia Saputri,M.Pd. (II) Masagus Sulaiman, M.Pd. Keywords: Movie, Moral Values, Aladdin 2019 Movie The objectives of the research were to find out the types and meanings of moral values and the dominant moral value in Guy Ritchie’s movie “Aladdin 2019”. The researcher used a qualitative method in this research. The sources of this data were primary data and secondary data. In this research, the researcher used a documentation technique. In analyzing the data, the researcher used a literary analysis.There were some procedures in doing this research, such as identifying the conflict in the characters, classifying and categorizing of the conflicts found in the movie, identifying the important points related research, classifying the characters personalities and moral values in the movie, identifying the development of the plot and describing the conclusion.There were 7 moral values found in the “Aladdin 2019” movie directed by Guy Ritchie such as kindness, empathy, self-control, wisdom, cooperation, loyalty, and justice.
    [Show full text]
  • Plot and Characters
    By Damian Trasler, David Lovesy, Steve Clark and John Dowell © TLC Creative 2005 www.tlc-creative.co.uk CHARACTER & PLOT SYNOPSIS The wicked Abanazer is seeking the magic lamp that contains the all-powerful Genie, so that he can rule the world, and is just steps away from succeeding! Is all hope lost? No! Help is at hand! A family posse of wannabe heroes are here to foil Abanazer’s evil scheme! The innocent local lad, Aladdin, his brother, the cheeky Wishee Washee and their fearsome mother, washerwoman Widow Twankey are ready to intervene and save the day! Throw in a magic carpet, a mystical Spirit of the Ring, the Emperor of China, a beautiful princess and a couple of inept policemen and you have all the ingredients for a fantastic tale and great entertainment. Packed with songs, slapstick, silliness, audience participation for the whole family and all the fairytale magic of traditional pantomime! 1 by Damian Trasler, David Lovesy, Steve Clark and John Dowell © TLC Creative 2005 Plot and Character Synopsis CHARACTER NOTES Aladdin Female The hero. A young, naïve lad with his heart in the right place. Princess Jasmine Female Aladdin’s love interest! Daughter of the Emperor of China. Widow Twankey Male Mother to Aladdin and Wishee Washee. The traditional Pantomime Dame and washer woman. The Emperor of China Male A puffed up buffoon but full of good intentions. Wishee Washee Male The traditional link man character. A cheeky, lovable fellow. Aladdin’s brother. Genie of the Lamp Male The all powerful genie who lives in the lamp.
    [Show full text]
  • Aladdin Script Summary
    Aladdin SCRIPT SUMMARY STORY Aladdin dreams of a time when he could meet Princess Jasmine and has his chance when the grumpy Emperor Sing-Lo orders that he becomes a cleaner at the royal palace if his family is to remain in their home. Meanwhile the evil Egyptian sorcerer Abanaza has other plans for Aladdin and tricks him into opening the cave of wonders. Luckily, Aladdin has Su Shi to guide him and The Genie of the Lamp who help him win Princess Jasmine’s love and defeat Abanaza and his Mummy. With hilarious comedy support from Widow Twankey, Fu Fu the kung-fu panda, Hong, Kong and a spectacular chorus, this modern pantomime script has everything you’d expect from Aladdin and more! KEY INFORMATION • The traditional pantomime we all love, updated with fast-paced comedy and adventure • Strong roles for a Dame and lots of principal roles to showcase talent in your amateur theatre group • Modern references and jokes such as 'Kung Fu Panda' and the appearance of an Egyptian mummy • Plenty of 'Widow Twankey' humour throughout the show and her struggling take- away features in the messy scene • A strong principal girl who certainly isn't a 'damsel in distress' CHARACTERS Aladdin Poor boy who lives in old Beijing Widow Twankey Aladdin’s mother & owner of Mun Chin Takeaway Wishee Washee Aladdin’s brother and comedy part Fu Fu The Twankeys’ pet Panda Emporer Sing Lo Emporer of all of China Princess Jasmine The Emporer’s Daughter Tu Shy Princess Jasmine’s anxious maid Hong Comedy police inspector Kong Comedy police sergeant Genie Genie of the lamp Su Shi Spirit of the ring Abanaza Evil Sorcerer Mummy Abanaza’s mother Chorus of Residents of Beijing, Servants at the Palace, Cave Statues & Ancient Egyptian Dancers As always in Pantomime, genders are ambiguous and this is no exception.
    [Show full text]
  • Aladdin Pantomime Script
    Aladdin Script Draft May 2016 CHARACTERS Aladdin Poor boy who lives in old Beijing Widow Twankey Aladdin’s mother & owner of Mun Chin Takeaway Wishee Washee Aladdin’s brother and village idiot Fu fu The Twankeys’ pet Panda Emporer Sing Lo Emporer of all of China Princess Jasmine The Emporer’s Daughter So Shy Princess Jasmine’s anxious maid Hong Comedy police inspector Kong Comedy police sargent Abanaza Evil Sorcerer Genie Gang Nam Genie of the lamp Su Shi Spirit of the ring Mummy Abanaza’s mother Chorus of Residents of Beijing, Servants at the Palace, Cave Dwellers & Ancient Egyptian Dancers As always in Pantomime, genders are ambiguous and this is no exception. Particularly Aladdin, Hong, Kong, Wishee-Washee, Fu-fu, Emporer Sing Lo (or Sing Hi if female), Genie Gang Nam and Su Shi could be played by eitherReading a male or female but the gender of theirCopy character must remain the same. © Jack Northcott 2016 !2 Aladdin Script Draft May 2016 ACT I Prologue Old Beijing Scene 1 Old Beijing Scene 2 A Corridor Inside the Palace Scene 3 The Gardens of the Palace of Beijing Scene 4 An Alleyway in Beijing Scene 5 Twankey’s Mun Chin Takeaway Scene 6 A Mountain Path Scene 7 The Magic Cave ACT II Scene 8 The garden of the palace of Beijing Scene 9 The Royal Jail Cell & Magic Carpet Ride Scene 10 The Valley of the Kings Scene 11 On The Way Home Scene 12 Old Beijing Scene 13 The Community Song ReadingScene 14 The Palace of CopyBeijing © Jack Northcott 2016 !3 Aladdin Script Draft May 2016 ACT I Prologue Old Beijing (Enter Su Shi and Gang Nam) Su Shi Hello there boys and girls.
    [Show full text]
  • Musica E Fiaba Riflessioni, Percorsi E Proposte Didattiche
    Paola Lenzi Musica e fiaba Riflessioni, percorsi e proposte didattiche Edizioni ETS, Pisa 2004 Panoramica sulle fiabe in musica tra Otto e Novecento Aladino (da Aladino e la lampada meravigliosa) fa parte dei racconti de Le mille e una notte e compare per la prima volta in forma scritta nella traduzione francese dell’orientalista Antoine Galland (1646-1715). Attraverso la versione francese di Galland, la fiaba di Aladino è diventata una delle più famose della raccolta ed è entrata nella cultura narrativa orale di quasi tutto il mondo. Lo scrittore danese Adam Gottlob Oehlen Schläger fece di Aladino il protagonista di una delle sue novelle, inserita nella raccolta Poetiske skifter (1805), trasformandolo in un ragazzo cinese. Uno dei motivi centrali della narrazione è quello della lampada meravigliosa che aiuta il protagonista. La storia, divenuta un tema letterario popolare, ha ispirato anche il teatro, l’opera lirica e più tardi il cinema (del 1942 il film Le mille e una notte di John Rawline, del 1990 Superfantagenio con Bud Spencer e del 1992 il lungometraggio animato Disney Aladdin, con mus. di Alan Menken e Howard Hashman, VHS 1995). Aladino e la lampada magica. Fiaba lirica in 3 atti e 11 quadri, mus. Nino Rota (1911- 1979), libr. Vinci Verginelli. 1ª rappr.: Napoli, Teatro San Carlo, 13-I-1968 (dir. Carlo Franci). La vicenda si svolge in Cina e nel Magreb. Aladdin. Suite op. 34 di Carl Nielsen (1865-1931). CD Decca, 2-VIII-2000; CD Ondine (ODE 894), 16-IX-1997 (dir. L. Segerstan). Albero dei violini accesi. Opera da camera per bambini in 2 atti di Paolo Furlani (1964), per 7 voci soliste, un attore, un coro misto, 25 strumenti e un Quartettino formato da 4 violinisti; testo di Giuliano Scabia.
    [Show full text]
  • ALADDIN Optical Biometry and Topography System the Complete Picture— Enhanced
    ALADDIN Optical Biometry and Topography System The complete picture— enhanced. Final visual results and patient’s satisfaction are paramount in today’s cataract surgery. By providing precise measurements and incorporating the latest generation of IOL calculation formulae, the Aladdin assists in the optimization of refractive outcomes. With the combination of an optical biometer and full corneal topographer, Topcon pioneered the concept of “The Complete Picture” in IOL power calculation. Now the complete picture has been enhanced with the addition of the Barrett IOL Calculation Suite and the Olsen formula as a standard components of the Aladdin. ALADDIN features Fully integrated patient database Generic toric IOL calculation • Patient search function • Toric IOL rotation simulator • Input of post-operative data • Abulafia-Koch Astigmatism Formula Easy acquisition 9-in-1 Latest Generation Formulae • Axial length • Barrett Universal II • Keratometry • Barrett Universal II Toric • Corneal Topography • Barrett True K • Anterior Chamber Depth • Barrett True K Toric • Lens Thickness • Barrett Rx • Central Corneal Thickness • Olsen formula • White-to-White Pupillometry • Zernike analysis of the cornea • Dynamic, Photopic, Mesopic • Pupillometry • Decentralization and Latency graph Conventional IOL calculation formulae Reports • SRK II, SRK/T, Hoffer Q, Holladay 1, Haigis • Biometry report (AL, K, ACD, LT, CCT WTW) • Multiple surgeon pre-settings • To USB, shared folder and printer • ULIB database compatible • Topography report • Customizable IOL database • IOL report Post refractive IOL calculation formulae • Pupillometry • Camellin-Calossi • Shammas (no history) • Barrett True K • Barrett True K Toric DICOM™ COMPLIANCE The DICOM panel in the Aladdin Connectivity section allows the user to set the needed parameters for the connections to the available DICOM features: » Modality Worklist » Patient Root Query » Storage » Storage Commitment Onboard Barrett IOL Calcuation Suite Dr.
    [Show full text]
  • UF00082981 00001.Pdf
    BANBURY C7] MN The Baldwin Library University mB Florida wi Tae BANBURY CROSS SERIES PREPARED FOR CHILDREN BY Grace Ruys ALADDIN, OR THE WONDERFUL LAMP. ALADDIN. OR THE — WONDERFUL LAMP. ILLUSTRATED BY SINE eT Ele ne Ave LONDON © RUBLISHRD BY JM DENT & CO. AT ALDINE. HOUSE. IN G? BASTERN 87. 1595 To Leils aad Nor. [TF I had the Lamp of Aladdin of old, | I would bind my ‘book in silver and gold, And tie its leaves with a silken string! __ But now I think on ’t, I do not need it ; For, Leila and Nora, as you open and read it, _ Did you ever see a prettier thing ?- ; an a Aladdin, or — The Wonderful Lamp. — Wwe Ae was the son of Mustapha, a poor tailor in one of the rich provinces of China. When the boy was old enough to learn a trade, his father took him into his own workshop. But: Aladdin, being but an idle: fellow, loved - play-more than work, and spent his days ‘in playing in the public streets with other boys as idle as himself. : - His father died while he was yet very young; but he still continued his foolish ways, and his mother was forced’ to spin IO ALADDIN, OR THE WONDERFUL LAMP. cotton night and day in order to keep herself and him. When he was about fifteen years old, — he was one day playing in the streets with some of his companions. A stranger who was going by stopped and ‘looked at him. This stranger was a famous African Magician, who, having need of the help of some ignorant person, no sooner beheld Aladdin than he knew by his whole air, manner, and appearance, that he was a person of small prudence, and very fit to be made a tool of.
    [Show full text]
  • Aladdin Scene Summary May 2016 SCENE SUMMARY
    Aladdin Scene Summary May 2016 SCENE SUMMARY Scene Pages Songs Act I Prologue 3 Scene 1 5 3 Scene 2 4 1 Scene 3 6 Scene 4 4 1 Scene 5 5 Scene 6 4 Scene 7 4 2 Act II Scene 8 5 2 (plus junior dance) Scene 9 6 1 (plus carpet sequence) Scene 10 4 1 Scene 11 4 Scene 12 4 1 Scene 13 4 1 Scene 14 1 1 © Jack Northcott 2016 Aladdin Scene Summary May 2016 ACT I Prologue (Old Beijing) Su Shi and Gang Nam set the scene and Abanaza crashes their party. We discover that Abanaza wants to find the location of the magic lamp which will allow him to control the powerful Genie Gang Nam. He casts a spell which keeps Su Shi and Gang Nam apart. Scene One (Old Beijing) The girls of Old Beijing swoon over local ‘catch’ Wishee Washee meanwhile Widow Twankey is threatened by the Emperor to pay her rent or risk eviction. As a compromise, Twankey agrees that Aladdin will work in the Palace cleaning toilets to repay the debt to the Emperor. ⁃ 1. Opening Number - Bright and Cheerful ⁃ 2. Song (Hanky Panky with Twankey, suggest ‘Shake it Off’ or similar) - Twankey, Chorus & Dancers. ⁃ 3. Song (Goodbye to Aladdin or ‘Money Money Money’) - Twankey, Wishee and Company Scene Two (A Corridor Inside the Palace) Sirens play as the comedy policemen are hypnotised by Abanaza to capture Aladdin enabling him to use Aladdin to find the magic lamp. Meanwhile Aladdin is wondering the Palace corridors while Princess Jasmine is trying to escape, pursued by her friend and assistant So Shy.
    [Show full text]
  • “Who Will Change New Lamps for Old Ones?”: Aladdin and His Wonderful Lamp in British and American Children’S Entertainment
    chapter 5 “Who Will Change New Lamps for Old Ones?”: Aladdin and His Wonderful Lamp in British and American Children’s Entertainment Jennie MacDonald On Tuesday, the 20th of April, 1813, the dramatic Thanks to the familiarity of the play’s origin sto- reviewer for The Morning Chronicle reported on ry, theatrical spectacle presenting a “truly oriental” the previous night’s opening of Theatre Royal Cov- wonderland of scenery and special effects, and an ent Garden’s new “Melo-Dramatic Romance” by affecting cast, the reviewer concluded, “[t]he Man- actor/playwright Charles Farley, Aladdin; or, The agers having thus got possession of the Wonderful Wonderful Lamp:1 Lamp, it will probably be productive to them of considerable profit.” Over the next six weeks, the “Whoever has read the Arabian Nights Entertain- play was presented thirty nights and consistently ment2 (and who has not) cannot fail to recollect revived through to the end of 1815. During subse- with pleasure the story of Aladdin, and the Won- quent revivals that saw it performed well into the derful Lamp…. The machinery of the piece, on mid-nineteenth century, it found additional life in which all the effect of a tale of enchantment de- the booming juvenile drama and its companion in- pends, was admirably worked, and seemed tangi- dustry, the toy theater, and contributed to later bly to perform the fabled operations of magic. This nineteenth-century reconceptions of the tale that was aided by a splendour and magnificence truly can still be found in residual form in modern Brit- oriental, and which threw over the spectacle a ish pantomime.
    [Show full text]
  • Aladdin Kids
    Aladdin Kids 1 Act, G Rated Cast Size: 65 Campers 12 Roles + Ensemble Dance Requirements: Standard to None Plot Summary When the street urchin, Aladdin, vies for the attention of the beautiful princess, Jasmine, he uses a genie's magic power to become a prince in order to marry her. Iago, Jafar, the Genie and more are here in Disney’s Aladdin KIDS, a musical adventure filled with magic, mayhem and the power of love. Based on the iconic animated film, with an Academy Award-winning score by Alan Menken, Howard Ashman and Tim Rice, Disney’s Aladdin KIDS is sure to send audiences soaring on a flying carpet ride filled with romance and adventure. Character Breakdown Lamp Salesman – Lead Character *Auditions will begin with campers entering 4th – 6th Grade. Younger grades should speak with the Show Director if they would like to audition for this character. A likeable fast-talking vendor who serves as the principal storyteller in the show. The student playing this role should be comfortable onstage and have a clear speaking voice. Since this is not a major singing role, it is ideal for a strong actor still developing his or her singing skills. Aladdin – Lead Character *Auditions will begin with campers entering 4th – 6th Grade. Younger grades should speak with the Show Director if they would like to audition for this character. Aladdin is the good-hearted, diamond-in-the-rough street rat. He carries most of the show, so we will look for a good singer. The audience should enjoy Aladdin's adventures and root for him to save the day.
    [Show full text]
  • CAST of CHARACTERS ALADDIN JR. Aladdin (Boy): Is the Title Character and Therefore Carries Most of the Show
    CAST OF CHARACTERS ALADDIN JR. Aladdin (boy): is the title character and therefore carries most of the show. He’s charming, a great singer, a great actor, needs versatility to play the funny, slick prankster as well as the “romantic” lead. Genie (boy or girl): is fast-talking, scene-stealing funny man. Not necessarily the strongest singer and dancer, but the ability to do comedy is much more important. Jasmine (girl): is feisty and rebellious, yet genuinely sweet, somewhat trusting. NOT wishy- washy or too much of a brat either. She is the future leader with strong opinions on how things should be done. Strong Singer!! Isir, Manal, and Rajah (girl): are Jasmine’s devoted attendants, keep the Princess grounded with their honesty and openness. Isir, whose name means “inspiration,” is optimistic; Manal, “achievement,” is assertively encouraging; and Rajah, “hope,” is the most protective. Babkak, Omar, and Kassim (boy or girl): are Aladdin’s three loyal and playful pals. Babkak is the Agrabahn foodie who loves to snack, kindhearted Omar has a sensitive soul, and stubborn Kassim yearns to be a leader. Iago (boy or girl): is a comedic role. Like the Genie, he or she doesn’t need to be the strongest singer, but comedic skills are a MUST! Sarcastic jibes and audience asides while staying in character. Jafar’s sidekick. Jafar (boy or girl): is our villain. Possibly a taller boy. He will be a caricature of classic evil villains, not necessarily scary. Iago and Jafar also share some comic moments. Sultan (boy or girl): should be able to play a father figure convincingly.
    [Show full text]
  • Aladdin a Pantomime by Michael Gaunt Copyright © February 2019
    Aladdin a Pantomime by Michael Gaunt Copyright © February 2019 Michael Gaunt and Off The Wall Play Publishers http://offthewallplays.com This script is provided for reading purposes only Professionals and amateurs are hereby advised that it is subject to royalty It is fully protected under the laws of South Africa, the United States of America, the British Empire including the Dominion of Canada and all other countries of the Copyright Union. All rights including but not limited to professional amateur film radio and all other media including use on the worldwide web and the rights of translation into foreign languages are strictly reserved and any unauthorized use of the material may subject the user to any and all applicable civil and criminal penalties. For any information about royalties or to apply for a performance license please click the following link : https://offthewallplays.com/royalties-and-licensing-of-plays-sold-by-off-the-wall- plays/ 1 Aladdin a Pantomime by Michael Gaunt (2018 version) Cast in order of appearance. Abanazer Slave of the Ring Whishee Washie Aladdin Sergeant Whyte Constable Wong Widow Twankey Emperor of China Empress of China Princess So-shy Genie of the Lamp Wan Hung Lo Chorus. (Wing, Ying, Tong, Foo, Yang, Ding, Dong, Yung.) Act 1 Scene 1 Abanazer’s Den (Front of Cloth) (Blackout. Loud clash of thunder, lighting flash followed by maniacal laughter) ABAN: Ha, Ha, Ha. This is the great Abanazer speaking. Listen carefully to what I have to say, for I have travelled a long time in my quest. (The sound alternates around the speakers, stage left, stage right and to the back of auditorium) That’s right look around, see if you can see where I am.
    [Show full text]