2Nd Quarter Work Program and Department Updates 2018
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Narrative, Public Cultures and Visuality in Indian Comic Strips and Graphic Novels in English, Hindi, Bangla and Malayalam from 1947 to the Present
UGC MRP - COMICS BOOKS & GRAPHIC NOVELS Narrative, Public Cultures and Visuality in Indian Comic Strips and Graphic Novels in English, Hindi, Bangla and Malayalam from 1947 to the Present UGC MAJOR RESEARCH PROJECT F.NO. 5-131/2014 (HRP) DT.15.08.2015 Principal Investigator: Aneeta Rajendran, Gargi College, University of Delhi UGC MRP INDIAN COMIC BOOKS AND GRAPHIC NOVELS Acknowledgements This work was made possible due to funding from the UGC in the form of a Major Research Project grant. The Principal Investigator would like to acknowledge the contribution of the Project Fellow, Ms. Shreya Sangai, in drafting this report as well as for her hard work on the Project through its tenure. Opportunities for academic discussion made available by colleagues through formal and informal means have been invaluable both within the college, and in the larger space of the University as well as in the form of conferences, symposia and seminars that have invited, heard and published parts of this work. Warmest gratitude is due to the Principal, and to colleagues in both the teaching and non-teaching staff at Gargi College, for their support throughout the tenure of the project: without their continued help, this work could not have materialized. Finally, much gratitude to Mithuraaj for his sustained support, and to all friends and family members who stepped in to help in so many ways. 1 UGC MRP INDIAN COMIC BOOKS AND GRAPHIC NOVELS Project Report Contents EXECUTIVE SUMMARY 3 1. Scope and Objectives 3 2. Summary of Findings 3 2. Outcomes and Objectives Attained 4 3. -
Cartooning Across the Pond the Big Reuben Wrap Up! This Past
Cartooning Across the Pond The Big Reuben Wrap Up! This past Memorial Day weekend the National Cartoonists Society, had its annual Reuben Awards Weekend in not-so-sunny San Diego, CA… well, we did see some sun on the final day of the festivities, but for most of it we experienced what native San Diegans call “May Gray”. That hardly got us down, however. The weekend was a lot of fun. They usually are, but this one seemed to be turned up a notch. Most of the events took place at the beautiful Omni hotel right at the start of the famous Gaslamp District. Friday, May 23rd The ball got rolling Friday with a terrific slate of guest speakers. As NCS president, I have many things I have to do and oversee throughout the weekend, so I rarely get to catch many of the speakers, but I did get to see the majority of the first three of the day who I thought were great, and I heard nothing but raves about the others: Eddie Pittman- Freelancer, animator and creator of the online graphic novel Red’s Planet, Eddie shared his work from various Disney features like “Mulan” and “Lilo and Stich”, to TV’s “Phineas and Ferb”, to his excellent web comic (which was nominated for a divisional award). Chris Houghton- The second recipient of the Jay Kennedy Memorial Scholarship for cartooning, Chris is a great success story. He’s worked on several animated TV shows, comics, MAD and more, including his own comic Reed Gunther. Greg Evans- The Reuben Award-winning creator of the syndicated comic strip Luann, Greg shared stories of some of his early tries at syndication, and about his 29 years doing Luann. -
Between Friends
Friendships Between Men: Masculinity as a Relational Experience by Matthew L. Brooks A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Communication College of Arts and Sciences University of South Florida Major Professor: Arthur P. Bochner, Ph.D. Carolyn Ellis, Ph.D. Kenneth Cissna, Ph.D. Stacy Holman Jones, Ph.D. James King, Ph.D. Date of Approval: November 2, 2007 Keywords: Friendship, Masculinity, Autoethnography, Dialogue, Friendship as Method, Narrative © Copyright 2007, Matthew L. Brooks Dedication This dissertation is dedicated to my son. Acknowledgements I wish to thank my advisor, Art Bochner, without whom this dissertation would not have been concluded successfully and artfully. I also thank my committee members—Ken Cissna, Carolyn Ellis, Stacy Holman Jones, and Jim King—who lent creative and critical support along the way. My most gracious thanks to all my peers, whose conversation in the hallways between classes sustained me. Finally, to my best friend and wife, Kimberly, for always living with me through the pits and pinnacles of writing and researching; I love you. Contents Abstract iii Foreword 1 Chapter One: Necessary Baggage 17 Chapter Two: Details, Desire, Names 36 Chapter Three: Touched 48 Chapter Four: Hair, Muscles, and Orgasm 63 Chapter Five: Assuming Old Habits 86 Chapter Six: Opposites 121 Chapter Seven: No Method but the Self 139 Chapter Eight: Participant Monologues 167 Bert’s Monologue 167 Sidney’s Monologue 174 Kirk’s Monologue 181 Chapter -
Jnt£Rnationa1 Journal of Comic Art
JNT£RNATIONA1 JOURNAL OF COMIC ART Vol. 14, No. 1 Spring2012 112 113 Graphic Tales of Cancer catharsis, testimonies, and education. Michael Rhode and JTH Connor1 Cartoons, Comics, Funnies, Comic Books "Cancer is not a single disease," said Robert A. Weinberg, a cancer While names work against it, and demagogues have railed against it, biologist at the Whitehead Institute and the Massachusetts Institute comic art has not necessarily been for children. 8 And cancer is not the only of Technology. "It's really dozens, arguably hundreds of diseases."' illness seen in comic art-- characters have died of AIDS in the "Doonesbury" comic strip and the Incredible Hulk comic book, and survived AIDS in Peeter's autobiographical Blue Pills; "Doonesbury"'s football-star-turned-coach B.D. Few people in North America are unaware of or unaffected by the popular suffered a traumatic amputation of his leg in Iraq; "Crankshaft" coped with and professional publicity related to the incidences of the various forms of Alzheimer's disease; Frenchman David B. cartooned a graphic novel on his cancer, the search for a "cure for cancer," the fund-raising runs and other brother's epilepsy; Haidee Merritt drew gag cartoons about her diabetes; similar campaigns in support of research into its causes and treatment, or the "Ziggy"'s Tom Wilson wrote a prose book on his depression, and Keiko To be pink-looped ribbon that is immediately identifiable as the "logo" for breast won awards for her 14-volume fictional manga about autism. 9 Editorial cancer awareness. Study of the history of cancer through professional medical cartoonists have long addressed the link between tobacco use and cancer, 10 and surgical literature is an obvious and traditional portal to understanding as did Garry Trudeau who has long opposed smoking as seen in his Mr. -
2013 Syndicate Directory
2013 Syndicate Directory NEW FEATURES CUSTOM SERVICES EDITORIAL COMICS POLITICAL CARTOONS What’s New in 2013 by Norman Feuti Meet Gil. He’s a bit of an underdog. He’s a little on the chubby side. He doesn’t have the newest toys or live in a fancy house. His parents are split up – his single mother supports them with her factory job income and his father isn’t around as often as a father ought to be. Gil is a realistic and funny look at life through the eyes of a young boy growing up under circumstances that are familiar to millions of American families. And cartoonist Norm Feuti expertly crafts Gil’s world in a way that gives us all a good chuckle. D&S From the masterminds behind Mobilewalla, the search, discovery and analytics engine for mobile apps, comes a syndicated weekly column offering readers both ratings and descriptions of highly ranked, similarly themed apps. Each week, news subscribers receive a column titled “Fastest Moving Apps of the Week,” which is the weekly hot list of the apps experiencing the most dramatic increases in popularity. Two additional “Weekly Category” features, pegged to relevant news, events, holidays and calendars, are also available. 3TW Drs. Oz and Roizen give readers quick access to practical advice on how to prevent and combat conditions that affect overall wellness and quality of life. Their robust editorial pack- age, which includes Daily Tips, a Weekly Feature and a Q & A column, covers a wide variety of topics, such as diet, exercise, weight loss, sleep and much more. -
Views with Girls, and a Research Blog That Explains My Project to My Research Subjects in Understandable Language
DISTINCTLY DIGITAL: Subjectivity and Recognition in Teenage Girls’ Online Self-Presentations DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Adriane Brown Graduate Program in Women's Studies The Ohio State University 2011 Dissertation Committee: Mary Thomas, Advisor; Jill Bystydzienski; Linda Mizejewski; Julia Watso Copyright by Adriane Brown 2011 Abstract This dissertation examines the ways that teenage girls’ online interactions reflect their psychic and social struggles to negotiate contradictory and constricting discourses regarding contemporary American girlhood. Literature on girls’ online interactions has tended to fall into one of two categories. In the first, scholars sound alarms about the ubiquity of risk in digital spaces (for instance, on websites that supposedly promote eating disorders). In the second, scholars celebrate the ways that teenagers engage in social activism online. In contrast, I argue that emergent media scholarship often fails to question the messages of autonomous selfhood that characterize girls’ digital personas. I utilize feminist and psychoanalytic theories of subjectivity to suggest that girls’ voices and agencies are always embedded in normative ideals of gender, race, sexuality, and class. I examine a variety of digital spaces that cover a diverse range of contemporary American girlhoods, including queer girls’ MySpace pages, pro-bulimia message boards, and fan sites for young musicians such as Taylor Swift. I utilize a three-pronged methodology: analysis of the textual and visual elements of websites, instant messenger interviews with girls, and a research blog that explains my project to my research subjects in understandable language. -
One Fine Sunday in the Funny Pages” Exhibit
John Read is the creator and curator of the “One Fine Sunday in the Funny Pages” exhibit. A freelance cartoonist, John also teaches cartooning to children and is the publisher and editor of Stay Tooned! Magazine, considered the trade journal of the craft. The Comic Mode The comic strip provides a colorful and humorous respite from the serious and often tragic news that precedes it. There are many reasons for reading the “funny pages”; from the basic need to be entertained, to the desire to escape for a moment into what seems a playful combination of a joke and a sequence of images that illustrate the nonsense and play that generates it. Yet, what really constitutes the “comic” in a comic strip? Are they simply funny, as in Blondie, Garfield or Hagar the Horrible? Or do we sense underlying tones of irony, satire, political and social commentary as evidenced in Doonesbury, Non Sequitur, and Between Friends? How are we to understand the double entendre, the sting of wit or the twist of the absurd that infuses so many contemporary comic strips? It would seem that as in dreams, there are many levels to the comic mode. On the first take, the superficial or manifest appeal generates a smile or laughter. But as with many dreams and good jokes, there is the second take, a latent need to establish or defy meaning as embedded within the structure of the images themselves. The paradox or playfulness of the comic strip partially lies in discovering the truth in the nonsensical aspects of day-to-day living. -
Typical Girls: the Rhetoric of Womanhood in Comic Strips Susan E
Typical girls The Rhetoric of Womanhood in Comic Strips Susan E. Kirtley TYPICAL GIRLS STUDIES IN COMICS AND CARTOONS Jared Gardner and Charles Hatfield, Series Editors TYPICAL GIRLS The Rhetoric of Womanhood in Comic Strips SUSAN E. KIRTLEY THE OHIO STATE UNIVERSITY PRESS COLUMBUS COPYRIGHT © 2021 BY THE OHIO STATE UNIVERSITY. THIS EDITION LICENSED UNDER A CREATIVE COMMONS ATTRIBUTION- NONCOMMERCIAL-NODERIVS LICENSE. THE VARIOUS CHARACTERS, LOGOS, AND OTHER TRADEMARKS APPEARING IN THIS BOOK ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS AND ARE PRESENTED HERE STRICTLY FOR SCHOLARLY ANALYSIS. NO INFRINGEMENT IS INTENDED OR SHOULD BE IMPLIED. Library of Congress Cataloging-in-Publication Data Names: Kirtley, Susan E., 1972– author. Title: Typical girls : the rhetoric of womanhood in comic strips / Susan E. Kirtley. Other titles: Studies in comics and cartoons. Description: Columbus : The Ohio State University Press, [2021] | Series: Studies in comics and cartoons | Includes bibliographical references and index. | Summary: “Drawing from the work of Lynn Johnston (For Better or For Worse), Cathy Guisewite (Cathy), Nicole Hollander (Sylvia), Lynda Barry (Ernie Pook’s Comeek), Barbara Brandon-Croft (Where I’m Coming From), Alison Bechdel (Dykes to Watch Out For), and Jan Eliot (Stone Soup), Typical Girls examines the development of womanhood and women’s rights in popular comic strips”—Provided by publisher. Identifiers: LCCN 2020052823 | ISBN 9780814214572 (cloth) | ISBN 0814214576 (cloth) | ISBN 9780814281222 (ebook) | ISBN 0814281222 (ebook) Subjects: LCSH: Comic strip characters—Women. | Women in literature. | Women’s rights in literature. | Comic books, strips, etc.—History and criticism. Classification: LCC PN6714 .K47 2021 | DDC 741.5/3522—dc23 LC record available at https://lccn.loc.gov/2020052823 COVER DESIGN BY ANGELA MOODY TEXT DESIGN BY JULIET WILLIAMS TYPE SET IN PALATINO For my favorite superhero team—Evelyn, Leone, and Tamasone Castigat ridendo mores. -
Grades 6-8 Graphic Novels Reading Lists
GRAPHIC NOVELS READING LIST GRADES 6–8 ala.org/alsc GRAPHIC NOVELS READING LIST GRADES 6–8 All My Friends the mall haunted by her best Class Act Are Ghosts friend, Blob Ghost (an actual (New Kid #2) ghost), is in trouble, and they by S. M. Vidaurri, illustrated by Jerry Craft are counting on Beetle to by Hannah Krieger QUILL TREE, 2020 save them. KABOOM!, 2020 ISBN: 9780062885517 ISBN: 9781684154982 Drew struggles with Adrift loner Effie discovers Best Friends his identity and place a ghostly school in the (Friends #2) at an elite prep school woods where she finds while navigating by Shannon Hale, new friends, but just as she microaggressions and illustrated by LeUyen Pham starts to settle in, Effie’s tensions between friends FIRST SECOND, 2019 friends need her to put her ISBN: 9781250317452 during their eighth-grade new skills to use and show (Part of a series.) Shannon is ready for sixth year. the spirits what she can do. grade, but keeping up with the cool crowd can be hard, Cub Almost American even when you think you’ve by Cynthia L. Copeland Girl: An Illustrated got an “in.” (Part of a series.) ALGONQUIN, 2020 Memoir ISBN: 9781616209933 by Robin Ha Be Wary of the Silent A memoir shares the BALZER + BRAY, 2020 author’s experience as a Woods (The Weirn cub reporter and how that ISBN: 9780062685100 Books #1) Moving to Alabama from investigative work colored by Svetlana Chmakova Korea, artistic teenager all aspects of seventh JY, 2020 grade (not to mention Robin struggles to fit in at ISBN: 9781975311216 school and navigate her shaping her future as a Ailis and her cousins Na’ya changing relationship with writer) during the 1972–73 and D’esh are weirns. -
ABANDONED PACIFIST DOCTRINES of the OHIO VALLEY FRIENDS DURING WORLD WAR II a Dissertation Presented
QUAKER YOUTH INCARCERATED: ABANDONED PACIFIST DOCTRINES OF THE OHIO VALLEY FRIENDS DURING WORLD WAR II A Dissertation Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Peter S. Guiler August 2011 QUAKER YOUTH INCARCERATED: ABANDONED PACIFIST DOCTRINES OF THE OHIO VALLEY FRIENDS DURING WORLD WAR II Peter S. Guiler Dissertation Approved: Accepted: _______________________________ _____________________________ Advisor Department Chair Dr. Walter Hixson Dr. Michael M. Sheng _______________________________ ______________________________ Co-Advisor/Committee Member Dean of College Dr. Kenneth Bindas Dr. Chand Midha ______________________________ ______________________________ Committee Member Dean of Graduate School Dr. Kathryn Feltey Dr. George R. Newkome ______________________________ ______________________________ Committee Member Date Dr. Kevin Kern ______________________________ Committee Member Dr. Elizabeth Mancke ii ABSTRACT Religious groups use strong doctrinal markers to ensure and maintain their integrity and more importantly, their identity. The Ohio Valley Friends counted themselves among the traditional pacifist denominations throughout the United States in the twentieth century. With the onset of World War II, they dutifully followed this doctrine of pacifism incarcerating their youth in their own sponsored conscientious objector camp in Coshocton, Ohio. Driven by this central tenet of pacifism, through an ageist struggle to maintain identity, -
Strong Bonds: Child-Animal Relationships in Comics
Strong Bonds: Child-animal Relationships in Comics This publication an outcome of the COMICS project which has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme (grant agreement no. 758502) Couverture : Jinchalo ©Matthew Forsythe. Used by permission. Image courtesy Drawn & Quarterly. The editor and the publisher would like to thank Matthew Forsythe for allowing them to use an image from his graphic novel Jinchalo for the cover. Discussed in detail in Laura Pearson’s chapter in this volume, the image shows the child protagonist, Voguchi, fascinated by and merging with the plant and animal life around her. The image poetically captures this volume’s concerns with disentangling—and re-entangling—the connections between children and animals in comics. Dépôt légal D/2020/12.839/28 ISBN 978-2-87562-259-4 © Copyright Presses Universitaires de Liège Place du 20 août, 7 B–4000 Liège (Belgique) http://www.presses.uliege.be Tous droits de traduction et de reproduction réservés pour tous pays. Imprimé en Belgique Collection ACME 6 Strong Bonds: Child-animal Relationships in Comics edited by Maaheen Ahmed Presses Universitaires de Liège 2020 Table of Contents Introduction Maaheen Ahmed Child-animal Relationships in Comics: A First Mapping .................................. 9 Alternative Families Peter W.Y. Lee The Maternal Arf!: Raising Canines in the Roaring Twenties in Harold Gray’s Little Orphan Annie ............................................................................................. 29 Gert Meesters and Pascal Lefèvre Towards an Unexpected Equivalence: Animals, Children and Adults in the Popular Flemish Strip Jommeke .............................................................. 51 Jennifer Marchant Hergé’s Animal Sidekicks: The Adventures of Snowy and Jocko ..................... -
Oral History Interview with Bill Berkson, 2015 September 29-October 2
Oral history interview with Bill Berkson, 2015 September 29-October 2 Funding for this interview was provided by the Lichtenberg Family Foundation. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Bill Berkson on September 29- October 2, 2015. The interview was conducted at the Archives of American Art in New York, NY by Annette Leddy for the Archives of American Art, Smithsonian Institution. Bill Berkson and Annette Leddy have reviewed the transcript. Their corrections and emendations appear below in brackets appended by initials. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview ANNETE LEDDY: All right, this is Annette Leddy interviewing Bill Berkson in the Archives of American Art offices in New York City on September 29, 2015, card number one. Okay. You were born in 1939 in New York City. So how did your family come to New York? BILL BERKSON: They came separately. My mother was born in Crawfordsville, Indiana in 1903 and she—late in life she said all she could think of was going to New York. Partly I think because her father had left the family. He never remarried or anything. There was no divorce but he left the family to make his fortune—if not fame—as a theatrical producer in New York. Actually, before she was—a couple of years before she was conceived even and then—obviously—paid a visit to the family and she was conceived and she was born in 1903.