DOCSLIB.ORG

Cartooning Across the Pond the Big Reuben Wrap Up! This Past

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Cartooning Across the Pond The Big Reuben Wrap Up! This past Memorial Day weekend the National Cartoonists Society, had its annual Reuben Awards Weekend in not-so-sunny San Diego, CA… well, we did see some sun on the final day of the festivities, but for most of it we experienced what native San Diegans call “May Gray”. That hardly got us down, however. The weekend was a lot of fun. They usually are, but this one seemed to be turned up a notch. Most of the events took place at the beautiful Omni hotel right at the start of the famous Gaslamp District. Friday, May 23rd The ball got rolling Friday with a terrific slate of guest speakers. As NCS president, I have many things I have to do and oversee throughout the weekend, so I rarely get to catch many of the speakers, but I did get to see the majority of the first three of the day who I thought were great, and I heard nothing but raves about the others: Eddie Pittman- Freelancer, animator and creator of the online graphic novel Red’s Planet, Eddie shared his work from various Disney features like “Mulan” and “Lilo and Stich”, to TV’s “Phineas and Ferb”, to his excellent web comic (which was nominated for a divisional award). Chris Houghton- The second recipient of the Jay Kennedy Memorial Scholarship for cartooning, Chris is a great success story. He’s worked on several animated TV shows, comics, MAD and more, including his own comic Reed Gunther. Greg Evans- The Reuben Award-winning creator of the syndicated comic strip Luann, Greg shared stories of some of his early tries at syndication, and about his 29 years doing Luann. Suzy Spafford- The creator of the art brand “Suzy’s Zoo”, Suzy talked about built a line of greeting cards into an international licensing business… including a peek at an upcoming kids TV show concept. The sun peeked out a bit for our poolside/patio/foyer hosted NCS Reuben Welcome Party on the 6th floor of the Omni, where attendees got to say hello to old and meet new friends while enjoying drinks and a wonderful buffet dinner. We had a “new member/first time attendee” pre-event cocktail hour, where NCS board members past and present welcomed new faces and introduced them around. An NCS tradition, the party moved into the L Street Art Gallery adjacent to the hotel for both praise and cringe inducing Karaoke performances. Saturday May 25th- We always host a big NCS Buffet Breakfast for those who didn’t go too crazy with the karaoke and cocktails the night before… well, for them too. The NCS Business Meeting followed. This is a closed door, members-only meeting, so as usual we asked that no one disseminate any information on what was discussed. That said, the NCS will be making some announcements soon about some big changes coming to the awards process, and some terrific initiatives from both the NCS and The NCS Foundation, the charitable arm of the Society. Lots of exciting things coming up. One thing I can share is that the board decided to rename the NCS Divisional Awards. It’s long been a misnomer that these divisional awards, the ones like “Best in Comic Strips” or “Best in Editorial Cartoons” were referred to as “Reubens”. They are not. The “Reuben” is the big award for “Outstanding Cartoonist of the Year”. The others are not Reuben Awards… but they are now. The Board voted to rename them “Silver Reubens”. So, from now on all those people who have wrongly been saying so and so had “won a Reuben” will be partly right, although color-blind. Our line-up of speakers on Saturday afternoon were every bit as awesome as Fridays: The Rube Goldberg Panel- Rube Goldberg’s grand-daughter Jennifer George led a panel on the career of one of the founders of the NCS, and shared the terrific new book on Rube from Abrams ComicArt: The Art of Ruben Goldberg. Sandra Bell-Lundy- Sandra is celebrating 20 years of syndication for her daily comic strip Between Friends, and she shared stories about her road to syndication, her influences, and some reader’s responses to her comics. Bunny Hoest-Carpenter and John Reiner- These two beloved cartoonists were being honored with the prestigious Gold Key award this weekend. They gave a presentation on their respective long and amazing careers, up to their 30 year collaboration on The Lockhorns. Russ Heath- Moderated by writer Mark Evanier (who I understand has some minor experience moderation panels about comics), we were lucky to get to hear the great Russ Heath talk about a career in comics that might be truly unparalleled. From humor to war to superhero comics, advertising, etc. Russ has excelled in almost every genre of cartooning there is. His being honored with the Milton Caniff Lifetime Achievement Award is well deserved. After a cocktail hour and The Reuben Award Banquet dinner (black tie as always) The big Reuben Award show is always entertaining, but I must say director Bill Morrison and Master of Ceremonies Tom Gammill really knocked it out of the park this year. The winner of the Jay Kennedy Memorial Scholarship Renee Faundo was on hand to be honored, ACE Award recipient “Weird Al” Yankovic gave a very funny acceptance speech, Gold Key winners Bunny Hoest-Carpenter and John Reiner were presented with their awards with a touching intro by Ed Steckley and a hilarious story about Bunny from the great Lynn Johnston, then the incredible Sergio Aragonés didn’t even need a translator (much) to present the Milton Caniff award to Russ Heath. The extended Hoest Family aka “Bunny’s Hunnys” “Weird Al” Yankovic gets the NCS “A.C.E” Award One of the highlights was the live playing of a solo violin during the “In Memorium” segment right before the break. It was a very poignant and classy way to say goodbye to a lot of cartooning greats we lost this year. The second half is where the hardware really gets handed out. If you didn’t see it, here’s a list of all the evening’s winners. The big award, The Reuben for “Outstanding Cartoonist of the Year”, went to Wiley Miller, creator of the syndicated strip Non Sequitur. Wiley gave a moving acceptance speech about the support his mom gave him in pursuing cartooning when the rest of his family and friends tried to convince him to choose a more traditional career. I guess we have a lot to thank Wiley’s mom for too, his comics are fantastic. A well deserved honor. It is too bad that the other nominees, Stephan Pastis, Hilary Price and Mark Tatulli, couldn’t have taken home a Rueben also… but their time will come I am sure. We then partied into the night at the President’s After Party back at the L Street Art Gallery! Wiley Miller and his Reuben Award Sunday, May 25th- I’ve written here many times about the USO tours many NCS members have participated in to veterans hospitals here in the states to the far flung reaches of the planet into war zones like Iraq and Afghanistan. A large group of artists got to participate in the experience when we boarded a bus in the morning and took a short trip to the Balboa area to draw for wounded warriors and staff at the Naval Hospital. It was too short a time, but I think everyone enjoyed the experience. What an appropriate way to spend part of memorial Day Weekend. That afternoon we did our annual public-outreach event in conjunction with the NCS Foundation, this time aboard the USS Midway aircraft carrier/museum. Here over 100 artists signed autographs, did sketches, met with fans and in general had a great time. Jeff Keane (The Family Circus) and Joe Wos (The Toonseum) draw for some fans We had a truly epic Farewell Gala that evening also aboard the USS Midway. In fact, we gathered right on the flight deck in the shadow of the “island” command tower. A great dinner, great music by Pulitzer-prize winning editorial cartoonist Micheal Ramirez and the DeLuz Band, and of course great company. The event was sponsored in part by the USO and IDW Publishing, and we hosted 38 wounded warriors and their families who enjoyed dinner and got plenty of drawings, autographs and thank yous from our members. One final President’s after-after party back at the hotel wrapped up another great Reubens. We’d love to welcome any PCO members to the Reubens any time you want to attend… we extend the same rates for attending to PCO members as we do to NCS members… email me at [email protected] if you want more details!.
Recommended publications
  • UPA : Redesigning Animation

    UPA : Redesigning Animation

    This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. UPA : redesigning animation Bottini, Cinzia 2016 Bottini, C. (2016). UPA : redesigning animation. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/69065 https://doi.org/10.32657/10356/69065 Downloaded on 05 Oct 2021 20:18:45 SGT UPA: REDESIGNING ANIMATION CINZIA BOTTINI SCHOOL OF ART, DESIGN AND MEDIA 2016 UPA: REDESIGNING ANIMATION CINZIA BOTTINI School of Art, Design and Media A thesis submitted to the Nanyang Technological University in partial fulfillment of the requirement for the degree of Doctor of Philosophy 2016 “Art does not reproduce the visible; rather, it makes visible.” Paul Klee, “Creative Credo” Acknowledgments When I started my doctoral studies, I could never have imagined what a formative learning experience it would be, both professionally and personally. I owe many people a debt of gratitude for all their help throughout this long journey. I deeply thank my supervisor, Professor Heitor Capuzzo; my cosupervisor, Giannalberto Bendazzi; and Professor Vibeke Sorensen, chair of the School of Art, Design and Media at Nanyang Technological University, Singapore for showing sincere compassion and offering unwavering moral support during a personally difficult stage of this Ph.D. I am also grateful for all their suggestions, critiques and observations that guided me in this research project, as well as their dedication and patience. My gratitude goes to Tee Bosustow, who graciously
  • Bud Fisher—Pioneer Dean of the Comic Artists

    Bud Fisher—Pioneer Dean of the Comic Artists

    Syracuse University SURFACE The Courier Libraries Winter 1979 Bud Fisher—Pioneer Dean of the Comic Artists Ray Thompson Follow this and additional works at: https://surface.syr.edu/libassoc Part of the American Art and Architecture Commons, and the American Popular Culture Commons Recommended Citation Thompson, Ray. "Bud Fisher—Pioneer Dean of the Comic Artists." The Courier 16.3 and 16.4 (1979): 23-36. This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. ISSN 0011-0418 ARCHIMEDES RUSSELL, 1840 - 1915 from Memorial History ofSyracuse, New York, From Its Settlement to the Present Time, by Dwight H. Bruce, Published in Syracuse, New York, by H.P. Smith, 1891. THE COURIER SYRACUSE UNIVERSITY LIBRARY ASSOCIATES Volume XVI, Numbers 3 and 4, Winter 1979 Table of Contents Winter 1979 Page Archimedes Russell and Nineteenth-Century Syracuse 3 by Evamaria Hardin Bud Fisher-Pioneer Dean of the Comic Artists 23 by Ray Thompson News of the Library and Library Associates 37 Bud Fisher - Pioneer Dean of the Comic Artists by Ray Thompson The George Arents Research Library for Special Collections at Syracuse University has an extensive collection of original drawings by American cartoonists. Among the most famous of these are Bud Fisher's "Mutt and Jeff." Harry Conway (Bud) Fisher had the distinction of producing the coun­ try's first successful daily comic strip. Comics had been appearing in the press of America ever since the introduction of Richard F.
  • Melissa Dejesus

    Melissa Dejesus

    Melissa DeJesus Mobile 646 344 2877 Website http://melissade.daportfolio.com/ Email [email protected] Passionate about motivating and inspiring children and teens in expression and critical thinking through the arts using the best in comics, animation, illustration, storytelling and design. Always looking to challenge myself, learn from others, and enjoy teaching others about self representation through art. My interests and skills extend over a vast array of genres and fields of professions. I'm looking to continue my career in education to offer the best of my experience and enthusiasm. Education The School of Visual Arts MAT Art Education 2013-2014 BFA Animation 1998-2002 Employment Harper Collins Publishing 2013-2014 Relevant Comic Illustrator Illustrated 7 page black and white comic excerpt for teen novel. Awesome Forces Productions Fall 2012 Assistant Animator Collaborated with partner in creating animation key frames for animated segments featured in TV series entitled The Aquabats! Super Show! Yen Press 2012-current Graphic Novel Illustrator Illustrated a full color chapters for a graphic novel entitled Monster Galaxy. Created and designed new characters along with existing characters in the online game franchise. Random House 2012-2013 Letterer / Retouch Artist Digitally retouched Japanese graphic novels for sub-division, Kodansha. Lettered 200+ comic pages and designed supplemental pages. Organized and prepared interior book files for print production. King Features Syndicate 2006-2010 Comic Strip Illustrator Digitally illustrated, colored and lettered daily comic strip, My Cage, for newspapers across the country from Hawaii to South Africa. Designed numerous characters on a day to day basis for growing cast.
  • Dick Tracy.” MAX ALLAN COLLINS —Scoop the DICK COMPLETE DICK ® TRACY TRACY

    Dick Tracy.” MAX ALLAN COLLINS —Scoop the DICK COMPLETE DICK ® TRACY TRACY

    $39.99 “The period covered in this volume is arguably one of the strongest in the Gould/Tracy canon, (Different in Canada) and undeniably the cartoonist’s best work since 1952's Crewy Lou continuity. “One of the best things to happen to the Brutality by both the good and bad guys is as strong and disturbing as ever…” comic market in the last few years was IDW’s decision to publish The Complete from the Introduction by Chester Gould’s Dick Tracy.” MAX ALLAN COLLINS —Scoop THE DICK COMPLETE DICK ® TRACY TRACY NEARLY 550 SEQUENTIAL COMICS OCTOBER 1954 In Volume Sixteen—reprinting strips from October 25, 1954 THROUGH through May 13, 1956—Chester Gould presents an amazing MAY 1956 Chester Gould (1900–1985) was born in Pawnee, Oklahoma. number of memorable characters: grotesques such as the He attended Oklahoma A&M (now Oklahoma State murderous Rughead and a 467-lb. killer named Oodles, University) before transferring to Northwestern University in health faddist George Ozone and his wild boys named Neki Chicago, from which he was graduated in 1923. He produced and Hokey, the despicable "Nothing" Yonson, and the amoral the minor comic strips Fillum Fables and The Radio Catts teenager Joe Period. He then introduces nightclub photog- before striking it big with Dick Tracy in 1931. Originally titled Plainclothes Tracy, the rechristened strip became one of turned policewoman Lizz, at a time when women on the the most successful and lauded comic strips of all time, as well force were still a rarity. Plus for the first time Gould brings as a media and merchandising sensation.
  • Narrative, Public Cultures and Visuality in Indian Comic Strips and Graphic Novels in English, Hindi, Bangla and Malayalam from 1947 to the Present

    Narrative, Public Cultures and Visuality in Indian Comic Strips and Graphic Novels in English, Hindi, Bangla and Malayalam from 1947 to the Present

    UGC MRP - COMICS BOOKS & GRAPHIC NOVELS Narrative, Public Cultures and Visuality in Indian Comic Strips and Graphic Novels in English, Hindi, Bangla and Malayalam from 1947 to the Present UGC MAJOR RESEARCH PROJECT F.NO. 5-131/2014 (HRP) DT.15.08.2015 Principal Investigator: Aneeta Rajendran, Gargi College, University of Delhi UGC MRP INDIAN COMIC BOOKS AND GRAPHIC NOVELS Acknowledgements This work was made possible due to funding from the UGC in the form of a Major Research Project grant. The Principal Investigator would like to acknowledge the contribution of the Project Fellow, Ms. Shreya Sangai, in drafting this report as well as for her hard work on the Project through its tenure. Opportunities for academic discussion made available by colleagues through formal and informal means have been invaluable both within the college, and in the larger space of the University as well as in the form of conferences, symposia and seminars that have invited, heard and published parts of this work. Warmest gratitude is due to the Principal, and to colleagues in both the teaching and non-teaching staff at Gargi College, for their support throughout the tenure of the project: without their continued help, this work could not have materialized. Finally, much gratitude to Mithuraaj for his sustained support, and to all friends and family members who stepped in to help in so many ways. 1 UGC MRP INDIAN COMIC BOOKS AND GRAPHIC NOVELS Project Report Contents EXECUTIVE SUMMARY 3 1. Scope and Objectives 3 2. Summary of Findings 3 2. Outcomes and Objectives Attained 4 3.
  • Keane, for Allowing Us to Come and Visit with You Today

    Keane, for Allowing Us to Come and Visit with You Today

    BIL KEANE June 28, 1999 Joan Horne and myself, Ann Townsend, interviewers for the Town of Paradise Valley Historical Committee are privileged to interview Bil Keane. Mr. Keane has been a long time resident of the Town of Paradise Valley, but is best known and loved for his cartoon, The Family Circus. Thank you, Mr. Keane, for allowing us to come and visit with you today. May we have your permission to quote you in part or all of our conversation today? Bil Keane: Absolutely, anything you want to quote from it, if it's worthwhile quoting of course, I'm happy to do it. Ann Townsend: Thank you very much. Tell us a little bit about yourself and what brought you to hot Arizona? Bil Keane: Well, it was a TWA plane. I worked on the Philadelphia Bulletin for 15 years after I got out of the army in 1945. It was just before then end of 1958 that I had been bothered each year with allergies. I would sneeze in the summertime and mainly in the spring. Then it got in to be in the fall, then spring, summer and fall. The doctor would always prescribe at that time something that would alleviate it. At the Bulletin I was doing a regular comic and I was editor of their Fun Book. I had a nine to five job there and we lived in Roslyn which was outside Philadelphia and it was one hour and a half commute on the train and subway. I was selling a feature to the newspapers called Channel Chuckles, which was the little cartoon about television which I enjoyed doing.
  • 2020 Book.Comic Art in Museums

    2020 Book.Comic Art in Museums

    Deviating from “Art”: Japanese Manga Exhibitions, 1990–2015 Jaqueline Berndt Revised and updated from the essay “Permeability and Othering: The Relevance of ‘Art’ in Contemporary Japanese Manga Discourse” published in Critical Perspectives on Twentieth Century Japanese Thought, edited by Livia Monnet. Les Presses de l’Universite de Monreal (2001). Japan has seen an increasing number of comics exhibitions since the s, held in commercial spaces, public art galleries, and also specialized manga museums. $is article looks back upon a major shi% in the public sector from leaning on the authority of fine art to deviating from that institutional crutch in favor of manga as media culture, and recently a return to aestheticization in a techni- cal rather than conceptual sense. Taking as its example three representative exhibitions in public museums held in , , and , respectively, the article looks at which notion of manga manifested in each, and how this notion materialized in presentation techniques. All three exhibitions featured graphic narratives, or story-manga, that is, primarily entertaining fiction for younger readers that had come to dominate the domain of Japanese comics since the late s with the spread of the manga magazine format and its gendered genres. Yet, magazine manga is not easily displayed. Initially produced as throwaway reading material, its monochrome visuals on acidic paper look much less attrac- tive than eye-catching covers, colored supplements, or merchandising goods. In addition, this kind of manga consists usually of lengthy serialized narra- tives that are inclined to facilitate reader participation rather than authorly self-expression. While crucial characteristics of commercial manga such as the collaborative mode of production, the importance of imitative copying, and the possibility of sharing due to conventions seemed to work against gal- lery exhibitions, in recent years, the alleged shortcoming is being turned into a strength: Domestic manga exhibitions in public institutions are increasingly oriented at the broader community of readers.
  • November 21, 2014 Vol. 118 No. 47

    November 21, 2014 Vol. 118 No. 47

    VOL. 118 - NO. 47 BOSTON, MASSACHUSETTS, NOVEMBER 21, 2014 $.35 A COPY Thanksgiving vs. Roseland and Massport Celebrate Opening of the Big Box Company PORTSIDE AT EAST PIER BUILDING 7 by Nicole Vellucci Ribbon-Cutting Held for Luxury Residential and Retail Complex in East Boston Thanksgiving, a Roseland, a subsidiary of day synonymous Mack-Cali Realty Corpora- with the word fam- tion (NYSE: CLI), in partner- ily in American cul- ship with the Massachusetts ture, has become Port Authority (Massport), more about the dol- hosted a ribbon-cutting for lar than together- the opening of Portside at ness. As a child, our East Pier Building 7, its flag- Thanksgiving ship luxury residential and preparations began retail complex located at 50 weeks prior to the Lewis Street in East Boston. main event with planning the menu, inviting family and Joined by Senator Anthony friends and endless trips to the grocery store. My father Petruccelli and State Rep. would post the dinner menu on our kitchen refrigerator Carlo Basile, Roseland and and everyone was asked to add their requests. Turkey day Massport celebrated the morning began with naming our bird (or birds since one completion of the initial thirty-pound turkey was not enough because you never building in East Boston’s first knew who would stop by) and preparation of all the deli- residential waterfront devel- Left to right: State Senator Anthony Petruccelli, cious accompaniments. Besides the wonderful aroma of this opment project in decades. Roseland President Marshall Tycher, City Councilor Sal feast filling our home, what I remember most is all the Portside at East Pier Build- LaMattina, State Rep Carlo Basile, BRA Director Brian Golden and Massport CEO Tom Glynn.
  • An Exploration of Comics and Architecture in Post-War Germany and the United States

    An Exploration of Comics and Architecture in Post-War Germany and the United States

    An Exploration of Comics and Architecture in Post-War Germany and the United States A DISSERTATION SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Ryan G. O’Neill IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Dr. Rembert Hueser, Adviser October 2016 © Ryan Gene O’Neill 2016 Table of Contents List of Figures……………………………………………………………………………………...……….i Prologue……………………………………………………………………………………….....…1 Introduction………………………………………………………………………………………...8 Chapter 1: The Comic Laboratory…………………………………………………...…………………………………….31 Chapter 2: Comics and Visible Time…………………………………………………………………………...…………………..52 Chapter 3: Comic Cities and Comic Empires………………………………...……………………………...……..…………………….80 Chapter 4: In the Shadow of No Archive…………………………………………………………………………..…….…………114 Epilogue: The Painting that Ate Paris………………………………………………………………………………...…………….139 Works Cited…..……………………………………………………………………………..……152 i Figures Prologue Figure 1: Kaczynski, Tom (w)(a). “Skyway Sleepless.” Twin Cities Noir: The Expanded Edition. Ed. Julie Schaper, Steven Horwitz. New York: Akashic Books, 2013. Print. Figure 2: Kaczynski, Tom (w)(a). “Skyway Sleepless.” Twin Cities Noir: The Expanded Edition. Ed. Julie Schaper, Steven Horwitz. New York: Akashic Books, 2013. Print. Figure 3: Image of Vitra Feuerwehrhaus Uncredited. https://www.vitra.com/de-de/campus/architecture/architecture-fire-station Figure 4: Kaczynski, Tom (w)(a). “Skyway Sleepless.” Twin Cities Noir: The Expanded Edition. Ed. Julie Schaper, Steven Horwitz. New York: Akashic Books, 2013. Print. Introduction Figure 1: Goscinny, René (w), Alberto Uderzo (i). Die Trabantenstadt. trans. Gudrun Penndorf. Stuttgart: Ehapa Verlag GmbH, 1974. Pp.28-29. Print. Figure 2: Forum at Pompeii, Vitruvius Vitrubius. The Ten Books on Architecture. trans. Morris Hicky Morgan, Ph.D., LL.D. Illustrations under the direction of Herbert Langford Warren, A.M. pp. 132. Print. Figure 3: Töpffer, Rodolphe.
  • Between Friends

    Between Friends

    Friendships Between Men: Masculinity as a Relational Experience by Matthew L. Brooks A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Communication College of Arts and Sciences University of South Florida Major Professor: Arthur P. Bochner, Ph.D. Carolyn Ellis, Ph.D. Kenneth Cissna, Ph.D. Stacy Holman Jones, Ph.D. James King, Ph.D. Date of Approval: November 2, 2007 Keywords: Friendship, Masculinity, Autoethnography, Dialogue, Friendship as Method, Narrative © Copyright 2007, Matthew L. Brooks Dedication This dissertation is dedicated to my son. Acknowledgements I wish to thank my advisor, Art Bochner, without whom this dissertation would not have been concluded successfully and artfully. I also thank my committee members—Ken Cissna, Carolyn Ellis, Stacy Holman Jones, and Jim King—who lent creative and critical support along the way. My most gracious thanks to all my peers, whose conversation in the hallways between classes sustained me. Finally, to my best friend and wife, Kimberly, for always living with me through the pits and pinnacles of writing and researching; I love you. Contents Abstract iii Foreword 1 Chapter One: Necessary Baggage 17 Chapter Two: Details, Desire, Names 36 Chapter Three: Touched 48 Chapter Four: Hair, Muscles, and Orgasm 63 Chapter Five: Assuming Old Habits 86 Chapter Six: Opposites 121 Chapter Seven: No Method but the Self 139 Chapter Eight: Participant Monologues 167 Bert’s Monologue 167 Sidney’s Monologue 174 Kirk’s Monologue 181 Chapter
  • January 1988

    January 1988

    VOLUME 12, NUMBER 1, ISSUE 99 Cover Photo by Lissa Wales Wales PHIL GOULD Lissa In addition to drumming with Level 42, Phil Gould also is a by songwriter and lyricist for the group, which helps him fit his drums into the total picture. Photo by Simon Goodwin 16 RICHIE MORALES After paying years of dues with such artists as Herbie Mann, Ray Barretto, Gato Barbieri, and the Brecker Bros., Richie Morales is getting wide exposure with Spyro Gyra. by Jeff Potter 22 CHICK WEBB Although he died at the age of 33, Chick Webb had a lasting impact on jazz drumming, and was idolized by such notables as Gene Krupa and Buddy Rich. by Burt Korall 26 PERSONAL RELATIONSHIPS The many demands of a music career can interfere with a marriage or relationship. We spoke to several couples, including Steve and Susan Smith, Rod and Michele Morgenstein, and Tris and Celia Imboden, to find out what makes their relationships work. by Robyn Flans 30 MD TRIVIA CONTEST Win a Yamaha drumkit. 36 EDUCATION DRIVER'S SEAT by Rick Mattingly, Bob Saydlowski, Jr., and Rick Van Horn IN THE STUDIO Matching Drum Sounds To Big Band 122 Studio-Ready Drums Figures by Ed Shaughnessy 100 ELECTRONIC REVIEW by Craig Krampf 38 Dynacord P-20 Digital MIDI Drumkit TRACKING ROCK CHARTS by Bob Saydlowski, Jr. 126 Beware Of The Simple Drum Chart Steve Smith: "Lovin", Touchin', by Hank Jaramillo 42 Squeezin' " NEW AND NOTABLE 132 JAZZ DRUMMERS' WORKSHOP by Michael Lawson 102 PROFILES Meeting A Piece Of Music For The TIMP TALK First Time Dialogue For Timpani And Drumset FROM THE PAST by Peter Erskine 60 by Vic Firth 104 England's Phil Seamen THE MACHINE SHOP by Simon Goodwin 44 The Funk Machine SOUTH OF THE BORDER by Clive Brooks 66 The Merengue PORTRAITS 108 ROCK 'N' JAZZ CLINIC by John Santos Portinho A Little Can Go Long Way CONCEPTS by Carl Stormer 68 by Rod Morgenstein 80 Confidence 116 NEWS by Roy Burns LISTENER'S GUIDE UPDATE 6 Buddy Rich CLUB SCENE INDUSTRY HAPPENINGS 128 by Mark Gauthier 82 Periodic Checkups 118 MASTER CLASS by Rick Van Horn REVIEWS Portraits In Rhythm: Etude #10 ON TAPE 62 by Anthony J.
  • Jnt£Rnationa1 Journal of Comic Art

    Jnt£Rnationa1 Journal of Comic Art

    JNT£RNATIONA1 JOURNAL OF COMIC ART Vol. 14, No. 1 Spring2012 112 113 Graphic Tales of Cancer catharsis, testimonies, and education. Michael Rhode and JTH Connor1 Cartoons, Comics, Funnies, Comic Books "Cancer is not a single disease," said Robert A. Weinberg, a cancer While names work against it, and demagogues have railed against it, biologist at the Whitehead Institute and the Massachusetts Institute comic art has not necessarily been for children. 8 And cancer is not the only of Technology. "It's really dozens, arguably hundreds of diseases."' illness seen in comic art-- characters have died of AIDS in the "Doonesbury" comic strip and the Incredible Hulk comic book, and survived AIDS in Peeter's autobiographical Blue Pills; "Doonesbury"'s football-star-turned-coach B.D. Few people in North America are unaware of or unaffected by the popular suffered a traumatic amputation of his leg in Iraq; "Crankshaft" coped with and professional publicity related to the incidences of the various forms of Alzheimer's disease; Frenchman David B. cartooned a graphic novel on his cancer, the search for a "cure for cancer," the fund-raising runs and other brother's epilepsy; Haidee Merritt drew gag cartoons about her diabetes; similar campaigns in support of research into its causes and treatment, or the "Ziggy"'s Tom Wilson wrote a prose book on his depression, and Keiko To be pink-looped ribbon that is immediately identifiable as the "logo" for breast won awards for her 14-volume fictional manga about autism. 9 Editorial cancer awareness. Study of the history of cancer through professional medical cartoonists have long addressed the link between tobacco use and cancer, 10 and surgical literature is an obvious and traditional portal to understanding as did Garry Trudeau who has long opposed smoking as seen in his Mr.