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The Critic As Producer: Essays on Architecture Columbia University GSAPP / Fall 2014
The Critic as Producer: Essays on Architecture Columbia University GSAPP / Fall 2014 James Graham, [email protected] This seminar will examine the role of critics, criticism, and the essay form in shaping how we understand architecture, in public life and within architectural discourse. We will consider reviews as testing grounds for the author’s own intellectual commitments (theoretical, architectural, political) as those ideas are refracted through the work of others. Readings will include foundational texts in critical theory, histories of reviewing and essay writing, and predominantly the essays themselves. We will explore the complex responses to buildings across generational shifts through selected case studies, and we will speak with practitioners of the review in various forms. Finally, we will consider current trajectories within architectural writing and publishing, particularly a recent resurgence in the essay format (spawned in part by the rise of digital publication formats). This seminar is being taught in conjunction with the launch of The Avery Review, a new digital journal for critical essays on architecture run by the GSAPP Office of Publications (www.averyreview.com). While the essays there will not be required reading, the seminar is intended in part to help shape the direction of the journal and to explore the theoretical and historical underpinnings of this mode of writing, and students are asked to follow the journal so that it might enter our conversations from time to time. Students will be expected to participate vigorously in all class discussions, take an active role in leading the seminar once in the course of the semester, complete one group presentation on an architectural magazine or journal, and produce their own critical work in the form of two essays (strictly 2,000–3,000 words). -
OCTOBER 2002 Winner for PARENTS, EDUCATORS & STUDENTS
Award www.EDUCATIONUPDATE.com Volume VIII, No. 2 • New York City • OCTOBER 2002 Winner FOR PARENTS, EDUCATORS & STUDENTS JOSHUA BELL Virtuoso Educator U.S. POSTAGE PAID U.S. POSTAGE VOORHEES, NJ Permit No.500 PRSRT STD. 2 Award EDUCATION UPDATE ■ FOR PARENTS, EDUCATORS & STUDENTS ■ OCTOBER 2002 Winner GUEST EDITORIAL EDUCATION UPDATE Leadership in Our Schools: The Principal Part Mailing Address: 276 5th Avenue, Suite 1005 By CHARLOTTE K. FRANK, Ph.D. dren with their studies; dealing with children place. Principal means, quite literally, taking New York, NY 10001 Over this century, countless “magic bullets” with emotional or behavioral problems; follow- the principal role of leadership on the team that email: [email protected] have been suggested for reforming our schools. ing and implementing federal rules regarding contributes to effective learning. That team www.educationupdate.com In the 1920s, a progressive movement sought to special education; and taking on such other must also include parents and members of the Tel: 212-481-5519 eliminate curricula and external standards. In roles as union negotiator, community and par- community, who, so often, are eager to help if Fax: 212-481-3919 the 1950s, we were advised that the answer was ent public relations liaison; master of play- only they were personally called upon and to create fewer, larger schools out of the many, ground rules, bus schedules and budgets; and, guided in making their specific contributions. smaller ones—yet today, we see many larger in some cases, emergency plumber. But seeing where they can help, and personally PUBLISHER AND EDITOR: schools being divided into smaller learning School leadership today is upside down. -
The Egg Center for the Performing Arts Albany, New York Kitty Carlisle Hart Theatre Technical Specifications
The Egg Center for the Performing Arts Albany, New York Kitty Carlisle Hart Theatre Technical Specifications 1 | Hart Theatre Tech Specs - T h e E g g DIRECTIONS DO NOT USE GPS TO GET TO THE EGG. IT WILL SEND YOU TO THE WRONG PLACE. WE DO NOT HAVE A PHYSICAL STREET ADDRESS From the South (New York City): New York State Throughway/I-87 North to exit 23/787 N. Take 787 N to exit 3. Follow signs towards the Empire State Plaza. Loading dock A will be the first turn off on your right as your enter the tunnel. From the North (Montreal): I-87 South to exit 1A/I-90 east. Take exit 6A/787 S towards Albany downtown. Take exit 3A. Follow signs to the Empire State Plaza. Loading dock A will be the first turn off on your right as your enter the tunnel. From the East (Boston): I-90 W. Take exit 6A/787 S towards Albany downtown. Take exit 3A. Follow signs to the Empire State Plaza. Loading dock A will be the first turn off on your right as your enter the tunnel. From the West (Buffalo): I-90 E to exit 24 (exiting the Throughway). Continue on I-90 E to exit 6A/787 S towards Albany downtown. Take exit 3A. Follow signs to the Empire State Plaza. Loading dock A will be the first turn off on your right as your enter the tunnel. o For non-truck vehicle parking follow signs to visitor parking. o Please contact the Production Manager if you need directions from any local hotel to The Egg’s loading dock or visitor parking. -
How Globalization Makes All Cities Look the Same
INAUGURAL WORKING PAPER SERIES DESTINATION CULTURE: How Globalization makes all Cities Look the Same SHARON ZUKIN VOL. I, NO. 1 SPRING 2009 Destination Culture: How Globalization Makes All Cities Look the Same* Sharon Zukin Department of Sociology Brooklyn College and City University Graduate Center 365 Fifth Avenue New York, New York 10016 [email protected] *Revised paper delivered as a keynote for Conference on “Rethinking Cities and Communities: Urban Transition Before and During the Era of Globalization,” Center for Urban and Global Studies, Trinity College, Hartford, Connecticut, November 14-15, 2008. Comments on the original version were provided by Ahmed Kanna, Raether postdoctoral fellow at the Center for Urban and Global Studies during 2008-09. We also thank our Managing Editor, Jason C. Percy, for his skilled editing of this version. Please contact the author for permission to quote or cite material from this paper. 2 Introduction Debates about the effects of globalization during the past few years often focus on the question of whether the rapid migrations of people, images, and capital have reduced differences between national cultures, or just given them a wider territory and more means of expression. Skeptics argue that this is an age-old question that can never be resolved. In every era, trade routes and travelers have carried new ideas and materials across great distances, permitting indigenous groups to create fusions that gradually grow into new historical traditions. From this point of view, current global trends are neither stranger nor more innovative than “native” weavers who integrate imported dyes into traditional rug patterns or musicians who learn to play traditional instruments in a foreign rhythm. -
Six Canonical Projects by Rem Koolhaas
5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript -
Ramon Gilsanz Is a Founding Partner in the Firm Gilsanz Murray Steficek
Ramon Gilsanz, PE, SE, F.SEI, F.ASCE, Hon. AIA NYS Ramon Gilsanz is a founding Partner of Gilsanz Murray Steficek. In his over 35 year career as a structural engineer he has worked on a wide range of projects, both new construction and renovation. Among the new construction projects, Mr. Gilsanz has worked on residential towers, hospitals, office buildings, industrial facilities, and specialty projects such as art installations. He has been involved in renovating buildings, theaters and museums that have been deemed historical landmarks. Mr. Gilsanz is active in making contributions to the structural engineering industry through involvement in professional societies. He is currently serving as Chair of the New York City Department of Buildings’ Structural Technical Committee, a group responsible for the revisions of the New York City Building Code; Director for the New York/Northeast Chapter of Earthquake Engineering Research Institute (EERI); Chair of the American Council of Engineering Companies of New York Metropolitan Section Structural Code Committee; Past-Chairman of the code committee of the Structural Engineers Association of New York (SEAoNY), and he is working on several committees for the American Society of Civil Engineers (ASCE), including ASCE 7-16 Minimum Design Loads For Buildings And Other Structures, American Concrete Institute (ACI), and American Institute of Steel Construction (AISC) where he currently sits on the AISC Committee on Specifications. He also participated on the Code Advisory Committee for the National Council of Structural Engineers (NCSEA) and numerous New York City Committees on Standards. Mr. Gilsanz served on the Urban Green Council's Building Resiliency Task Force (BRTF) following Hurricane Sandy in October 2012. -
She's a Playwright! P.M
Rhode Island College Digital Commons @ RIC What's News? Newspapers 4-22-1985 What's News @ Rhode Island College Rhode Island College Follow this and additional works at: https://digitalcommons.ric.edu/whats_news Recommended Citation Rhode Island College, "What's News @ Rhode Island College" (1985). What's News?. 295. https://digitalcommons.ric.edu/whats_news/295 This Book is brought to you for free and open access by the Newspapers at Digital Commons @ RIC. It has been accepted for inclusion in What's News? by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. History club brings Robert Clary: Holocaust survivor• and TV star here Robert Clary, known internationally to 16 children, Clary began performing quit e Clar y and the rest of his famil.y were television viewers for his role as LeBeau in early in life. He was singing profes sionally placed in a cattle car with I 00 other French the comedy series about prisoners of war, throughout Paris at age 12. Jews and traveled for three days and two Hogan's Heroes, is a survivor of a much When the Nazis invaded France in 1940 nights before reaching the first of four grimmer sort of German prison camp . cha nges that were to alter his life forever camps in which he was held prisoner dur Clary spent the years from 1942 when he began . ing the war. was 16 until 1945 in German concentration In 1942 the Germans came for him and Because he was young and . strong he was camps. -
Today's News - June 14, 2004 a Labor of Love Is U.K.'S Building of the Year (Along with a Few Other Hot Projects)
Home Yesterday's News Contact Us Subscribe Today's News - June 14, 2004 A labor of love is U.K.'s Building of the Year (along with a few other hot projects). -- Muschamp changing his beat? -- Gaps in the greening of Chicago. -- Tower envy (and mediocre architecture?) in Toronto. -- Another thumbs-up for Holyrood. -- Back to the drawing board (and a second competition) for Berlin museum -- the original winner not happy at all. -- A state-of-art complex planned for Perth not really arts-friendly. -- A university master plan in Michigan: is it worth the price, and will it actually be followed? -- Plans on paper: University of California regents missing the point when looking at pictures. -- Big bucks for Clinton presidential library (with link to article questioning who should pay the big bucks). -- Revamped department store a cross between Blade Runner and teatime. -- Guggenheim getting a facelift. -- Four visionaries re-imagine Times Square. -- A house by Murcutt (the other one). -- A call to re-think how to teach architects about urbanism. -- The "stealth designers" reshaping Manhattan. To subscribe to the free daily newsletter click here Maggie's Cancer Care Centre is building of the year. By Giles Worsley - Frank Gehry/James F Stephen Architects; Future Systems; Wilkinson Eyre; Allies & Morrison; Nicholas Grimshaw; Tim Ronalds architects; John McAslan- Telegraph (UK) Off the Record: Herbert Muschamp, The New York Times’ fanciful architecture critic, has told his bosses that he’s getting tired of his current duties and intends to step down before long.- New York Observer For big Chicago buildings, it's not easy being green: ...there are some major gaps in the greening of Chicago, as we learn from the eye-opening traveling exhibition "Big & Green." By Blair Kamin- Chicago Tribune Tower envy: Boys need something to look up to: People in Toronto have just discovered that architecture is interesting. -
Central Opera Service Bulletin • Vol
CENTRAL OPERA SERVICE CONFERENCE/BULLETIN Volume 27, Number 1 CENTRAL OPERA SERVICE NATIONAL CONFERENCE AN INTERNATIONAL SYMPOSIUM la The MetropotttM Opera GaiM'* Fiftieth AwUveray New York - NoTfber Iud2, 015 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, NY. 10023 • (212) 799-3467 I i ; i Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, N.Y. 10023 • (212)799-346? CENTRAL OPERA SERVICE Volume 27, Number 1 Spring/Summer 1986 CENTRAL OPERA SERVICE NATIONAL CONFERENCE AN INTERNATIONAL SYMPOSIUM In Collaboration With "Opera News" Celebrating The Metropolitan Opera Guild's Fiftieth Anniversary New York - November 1 and 2,1985 This is the special COS Conference issue. The next number will be again a regular news issue with the customary variety of subjects and a performance listing. CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BEL MONT (1879-1979) Honorary National Chairman ROBERT L.B. TOBIN National Chairman MRS. MARGO H. B1NDHARDT National Vice Chairman MRS. MARY H. DARRELL Central Opera Service Bulletin • Vol. 27, No. 1 • Spring/Summer 1986 Editor: MARIA F. RICH Assistant Editor: CHERYL KEMPLER Editorial Assistants: LISA VOLPE-REISSIG FRITZI BICKHARDT NORMA LITTON The COS Bulletin is published quarterly for its members by Central Opera Service. Please send any news items suitable for mention in the COS Bulletin as well as performance information to The Editor, Central Opera Service Bulletin, Metropolitan Opera, Lincoln Center, New York, NY 10023. Copies this issue: $12.00 Regular news issues: $3.00 ISSN 0008-9508 TABLE OF CONTENTS Friday, November 1, 1985 WELCOME 1 Margo H. -
Landmarks Preservation in New York City: a Critique
University of Rhode Island DigitalCommons@URI Open Access Master's Theses 1977 Landmarks Preservation in New York City: a Critique Karen Ansis University of Rhode Island Follow this and additional works at: https://digitalcommons.uri.edu/theses Recommended Citation Ansis, Karen, "Landmarks Preservation in New York City: a Critique" (1977). Open Access Master's Theses. Paper 1354. https://digitalcommons.uri.edu/theses/1354 This Thesis is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Master's Theses by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. LANDMARKS PRESERVATION IN NEW YORK CITY: A CRITIQUE by KAREN ANSIS A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF COMMUNITY PLANNING UNIVERSITY OF RHODE ISLAND 197? MASTER OF COMMUNITY PLANNING THESIS OF KAREN ANSIS Approved: Thesis Committee: Major Professor ~C! I~ ~~?=r_J!_J Dean of the Graduate School UNIVERSITY OF RHODE ISLAND 1977 Abstract Along with a substantial increase in interest in historic preser vation in the last decade has come an acute awareness that landmarks preservation is a rea l estate, planning, and development activity which frequently involves extensive costs and difficult market decisions. In response to the needs to assuage and resolve financial and legal conflicts and to establish equitable public pol icy regarding the built environment, in 1965 the City of New York enacted one of the most inno vative and progressive landmarks preservation statutes in the country. Because this law has served as a model for other localities and because this law has been successfully challenged in litigation, its strengthen ing and the strengthening of the framework for landmarks preservation in New York City are pressing concerns for preservationists. -
ANTHONY VIDLER CURRICULUM VITAE BA Architecture and Fine Arts, Hons.; Dipl
1 ANTHONY VIDLER CURRICULUM VITAE BA Architecture and Fine Arts, Hons.; Dipl. Arch., Cantab.; PhD. TU Delft. Professor, The Irwin S. Chanin School of Architecture, The Cooper Union for the Advancement of Science and Art, New York Fellow of the American Academy of Arts and Sciences. Citizenship: British. Permanent Resident, USA ACADEMIC POSITIONS 2001-present Professor, Irwin S. Chanin School of Architecture, The Cooper Union, NY. 2014-2018 Vincent Scully Visiting Professor of Architectural History, Yale University School of Architecture (Spring Semester). 2013 (Spring) Institute for Advanced Study, Princeton: Member, School of Historical Studies, 2013 -2014 Brown University: Visiting Professor of Humanities and Art History, 1998-2001: University of California Los Angeles: Professor of Art History and Architecture. 1982-1993: Princeton University: Professor of Architecture, William R. Kenan, Jr. Chair. 1972-1982: Princeton University: Associate Professor of Architecture. 1967-1972: Princeton University: Assistant Professor of Architecture. 1965-1967: Princeton University: Instructor in Architecture and Research Associate. ADMINISTRATIVE 2002-2013: Dean, School of Architecture, The Cooper Union 1993-2002: Chair, Department of Art History, UCLA 1997-1998 Dean, College of Art, Architecture, and Planning, Cornell University 1973-1993: Chair, PhD. Program, School of Architecture, Princeton University. 1980-1987: Director, European Cultural Studies Program, Princeton University. 1982-1993 Dean's Executive Committee, School of Architecture, Princeton -
Architecture [Criticism] Or Revolution
Architecture [Criticism] or Revolution Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Architectural Studies in the Graduate School of The Ohio State University By Gregory Lee Delaney, B.S. Graduate Program in Architectural Studies The Ohio State University 2010 Thesis Committee: Ashley Schafer, Advisor Jeffrey Kipnis Douglas Graf Copyright by Gregory Lee Delaney 2010 Abstract Architecture [Criticism] or Revolution is an exploration in journalistic architecture criticism. The current state of journalistic architecture criticism is uninspiring. There are two few of voices, and its field of influence is too narrow. The first article details the current position of journalistic architecture criticism. It accounts its history, its voices, its influence, and its future. The second two articles are explorations in writing on architecture for the people of Columbus, Ohio. They are meant for a non-professional audience, and begin to explore ways of educating the public on issues of contemporary architecture, and calls upon them to demand better design for our city. ii Vita 2000 to 2004……………………………….. Dublin Coffman High School 2004 to 2008………………..………...……. B.S. Architecture, The Ohio State University 2008 to 2009……………………..………… Graduate Assistant, Academic Advising, Knowlton School of Architecture, The Ohio State University 2009……….……………………...……...… Graduate Teaching Assistant, Knowlton School of Architecture, The Ohio State University Fields of Study Major Field: Architectural Studies iii Table of Contents Abstract……………………………………………………………………………………ii Vita……………………………………………………………………………………….iii Article 1: Architecture [Criticism] or Revolution………………………………………...1 Article 2: Building Momentum………………………………………………………….16 Article 3: (Mid)Western Duel…………………………………………………………...21 References………………………………………………………………………………..28 iv Article 1: Architecture [Criticism] or Revolution The year was 1963. The Beatles released their first album.