DOCSLIB.ORG

Keys Fine Art Auctioneers Palmers Lane Aylsham Pictures & Prints Norwich NR11 6JA United Kingdom Started 06 Feb 2015 10:30 GMT

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Keys Fine Art Auctioneers Palmers Lane Aylsham Pictures & Prints Norwich NR11 6JA United Kingdom Started 06 Feb 2015 10:30 GMT Keys Fine Art Auctioneers Palmers Lane Aylsham Pictures & Prints Norwich NR11 6JA United Kingdom Started 06 Feb 2015 10:30 GMT Lot Description 1 AFTER PINTURICCHIO, CHROMOLITHOGRAPH, "Betrothal of Frederick III", 24 x 17"; together with one similar (2) AFTER F WHEATLEY, PAIR OF 19TH CENTURY HAND COLOURED STIPPLE ENGRAVINGS, "The Woodman's Return" AND "The 2 Itinerant Potters", 21 x 17" (2) WILLIAM FRANK CALDERON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE PHOTOGRAVURE (PUB BY LAWRENCE & 3 BULLEN LTD) "Coursing" 8 x 12 1/2" TOGETHER WITH EDMUND CALDWELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE PHOTOGRAVURE (PUB BY LAWRENCE & BULLEN LTD) 10 x 15" (2) AFTER W L ORCHARDSON, BLACK AND WHITE PHOTOGRAVURE (SUPPLEMENT TO "Holly Leaves", The Christmas Number of 4 "The Illustrated Sporting and Dramatic News - December 1910") "The Surrender of Napoleon to Great Britain" 16 x 24"; together with two further prints of napoleonic interest (3) AFTER A A GLENDENNING, PAIR OF HAND COLOURED PHOTOGRAVURES, (PUBLISHED BY HILDESHEIMER & CO, 1894) 5 "Belaugh on the Bure" and "On the River Bure" 12 x 19" (2) AFTER T WEAVER, ENGRAVED BY W WARD, 19TH CENTURY BLACK AND WHITE MEZZOTINT, "Portrait of Thomas William Coke 6 Esq and his South Down Sheep", 20 1/2 x 28" AFTER WILLIAM FREDERICK AUSTIN, HAND COLOURED LITHOGRAPH (PUB BY GEORGE STEWARDSON 1868) "Fakenham 7 Marketplace, Norfolk" 11 x 17" 8 AFTER R CATON WOODVILLE, CHROMOLITHOGRAPH (PUB 1898) "Fuentes Onoro, May 5 1811" 16 1/2 x 27 1/2 ins 9 FLORENCE PRELEUR-POULAIN, SIGNED, AND DATED 98, MIXED MEDIA, Triptych, each 12" x 10" AFTER W P FRITH, ENGRAVED BY C W SHARPE, 19TH CENTURY HAND COLOURED ENGRAVING, "Life at the Seaside, 10 Ramsgate 1854" 21 x 42" 11 AFTER E LANDSEER, HAND COLOURED ETCHING WITH REMARQUE, "Horses in a Landscape", 9 x 14" 12 AFTER LIONEL EDWARDS, COLOURED PRINT, "The Pytchley Hunt, Crick Meet, 1952", 14 1/2 x 18" JOHN FULLWOOD, SIGNED, IN PENCIL TO MARGIN, COLOURED MEZZOTINT (PUBLISHED 1913), "Hayfield" 10 x 14" 13 TOGETHER WITH A FURTHER ENGRAVING BY JOSEPH FARQUHARSON (2) AFTER S & N BUCK, HAND COLOURED ENGRAVING (LATER IMPRESSION), "The Southwest Prospect of Yarmouth, in the County 14 of Norfolk", 10 x 31" TERRANCE CUNEO, SIGNED, IN PENCIL TO MARGIN, LIMITED EDITION (232/850) COLOURED ARTISTS PROOF WITH 15 PUBLISHERS BLIND STAMP, "The Flying Scotsman", 22" x 20" together with Certificate of Authenticity TERENCE CUNEO, SIGNED, IN PENCIL TO MARGIN, LIMITED EDITION (480/850) COLOURED ARTISTS PROOF, "The Last 16 Halifax", (COUNTERSIGNED BY ARTHUR T HARRIS), 20 x 25" 17 GEORGINA SCOTT, SIGNED, IN PENCIL TO MARGIN, DRYPOINT AND ETCHING, inscribed "Weight or Lightness I" 11" x 8" 18 GEORGINA SCOTT, COLOURED DRYPOINT ETCHING, "Figure and Blocks", 19" x 9" 19 ANNA RAZUMOVSKAYA, SIGNED, LIMITED EDITION (104/195) HAND EMBELLISHED PRINT, "Spanish Heat", 24" x 18" 20 THOMAS FAIRLAND, PAIR OF HAND COLOURED LITHOGRAPHS (PUBLISHED 1844,) "A Poser and Too Hot", 13 1/2" x 9 1/2" (2) 21 JANE HARPER, INITIALLED LIMITED EDITION (2/50), GICLEE PRINT, "Seagull", 23 1/2" x 15" 22 JANE HARPER, INITIALLED LIMITED EDITION (6/50) GICLEE PRINT, "Seagulls", 23 1/2" x 15" LORNA CASSIDY, SIGNED, IN PENCIL TO MARGIN, LIMITED EDITION (3/40), BLACK AND WHITE ETCHING INSCRIBED, "All 23 Saints Parish Church, High Wycombe", 10" x 14" 24 AFTER NORMAN WILKINSON, COLOURED PRINT, "National Insurance", 9" x 14" AFTER A PINNACKER, ENGRAVED BY J PYE, BLACK AND WHITE ENGRAVING (PUBLISHED BY JOHN BOYDELL 1773), "Europa 25 Point, Gibraltar", 14" x 21 1/2" AFTER E LANDSEER, ENGRAVED BY W H WATT, HAND COLOURED ENGRAVING (PUBLISHED BY F G MOON 1836), "The Pets", 26 13" x 11" 27 AFTER R COBBE, HAND COLOURED PHOTOGRAVURE, "Friend or Foe", 10" x 13 1/2" 28 AFTER J WOLF AND J SMIT, COLOURED LITHOGRAPH (M & N HANHART IMPRESSION), "Paradisea Raggiana", 23 1/2" x 19" 29 MODERN BRITISH SCHOOL, COLOURED PRINT, "Fields with Corn stalks", 17" x 21" JOHN BRUNSDEN, SIGNED, IN PENCIL TO MARGIN LIMITED EDITION (124/150), COLOURED ETCHING Inscribed "Welsh Village, 30 Autumn", 15" x 17" 31 AFTER GEORGE AYLING, COLOURED PRINT, "A Harbour Scene", 21" x 25" ANDREW DIBBEN, SIGNED, TWO LIMITED EDITION (61 & 31/100) COLOURED PRINTS, "Blakeney Marsh" and "Wells Quay at 32 Dusk", 11" x 17" and 11 1/2" x 16" respectively (2) MICHAEL A ROMEL, SIGNED, IN PENCIL TO MARGIN, TWO LIMITED EDITION (OF 200) COLOURED PRINTS, "Cordoba" AND 33 "Paul de Venie", 22" x 29 1/2" TOGETHER WITH ONE FURTHER LIMITED EDITION PRINT BY A DIFFERENT ARTIST (3) 33A AFTER DAVID GENTLEMAN, GROUP OF FOUR COLOURED PRINTS, Winchester College, 10" x 13" (4) LIONEL EDWARDS, SIGNED, IN PENCIL TO MARGIN, ARTISTS COLOURED PROOF WITH PUBLISHERS BLIND STAMP, 34 (PUBLISHED BY EYRE AND SPOTTISWOODE), "The Essex 1928", 13" x 19" together with a further engraving of a Hunting Scene, (2) AFTER T DAVIDSON, BLACK AND WHITE PHOTOGRAVURE, (PUBLISHED BY LANDAKER AND BROWN), "Nelson's Last Signal at 35 Trafalgar" 16 x 24" MICHAEL CARLO, SIGNED, AND DATED 1980 IN PENCIL TO MARGIN, LIMITED EDITION (133/200) COLOURED PRINT, Inscribed 36 "February - Track", 14" x 20"; together with ANN SHINGLETON, SIGNED, AND DATED 89 IN PENCIL TO MARGIN, LIMITED EDITION (71/75) BLACK AND WHITE ETCHING, Inscribed "Aesop II - The Voice of T ...[more] 37 INDISTINCTLY SIGNED AND DATED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed "Cul Ravello", 9 1/2" x 6" 38 PAIR OF FRENCH LITHOGRAPHS (PUBLISHED CIRCA 1860), NUDE MALES (INDISTINCTLY SIGNED, TO PLATE), 17" x 11" (2) JOHN H EASTMAN, SIGNED, IN PENCIL TO MARGIN, COLOURED ARTISTS PROOF, "It is He who made the Earth by his Power 39 .....", 1975, 19" diam JOHN WADE, SIGNED, IN PENCIL TO MARGIN, LIMITED EDITION (41/50) BLACK AND WHITE ETCHING, inscribed "Highland 40 Morning", 9 1/2" x 23 1/2" together with BARRY C W D LAKE, SIGNED, AND DATED '86 IN PENCIL TO MARGIN, LIMITED EDITION (1/25) ETCHING, "Warren Clarke", 16" x 14", (2) 41 AFTER C AMYOT, CHROMOLITHOGRAPH (PUBLISHED CIRCA 1895), "Covering the Retreat", 23" x 18", maple framed HUGH BRANDON-COX, SIGNED, IN PENCIL TO MARGIN, COLOURED PRINT, inscribed "Autumn near Thetford", 6" x 9" together 42 with one further coloured print by the same artist, (2) AFTER R B DAVIS, ENGRAVED BY F BROMLEY, HAND COLOURED MEZZOTINT (PUBLISHED BY A J ISAACS), "The Royal 43 Cortege in Windsor Park", 17" x 28" 44 C STANLEY TODD, SIGNED IN PENCIL TO MARGIN COLOURED PRINT, "Partridge in Highland Landscape", 20" x 27" AFTER N J CROWLEY, ENGRAVED BY J SCOTT, BLACK AND WHITE ENGRAVING (PUBLISHED BY HENRY GRAVES 1851), 45 "Major General, His Royal Highness The Duke of Cambridge K.G", 27" x 19" UNFRAMED WINSTON MEGARAN, SIGNED, IN PENCIL TO MARGIN, COLOURED ARTISTS PROOF ETCHING INSCRIBED "The Home Birch" 46 8" x 12" TOGETHER WITH KEN HILDREW, SIGNED, IN PENCIL TO MARGIN COLOURED ARTISTS PROOF INSCRIBED "The Ashdown II", 12" x 12" (2) AFTER J CONSTABLE, ENGRAVED BY D LUCAS, BLACK AND WHITE MEZZOTINT (PUBLISHED BY MR CONSTABLE 1832) 47 "Yarmouth, Norfolk" 5 1/2" x 8 1/2" TOGETHER WITH A FURTHER ENGRAVING AFTER J S COTMAN (2) AFTER J L MEISSONIER, TWO BLACK AND WHITE ENGRAVINGS, SIGNED, to the margins by the etchers, A Pierrot and Two 48 Horses, one with Rider, in Open Landscape, 16" x 10" and 18" x 23" (2) AFTER EDWARD SEAGO, COLOURED PRINT "Pin Mill" 17" x 26" TOGETHER WITH TWO FURTHER COLOURED PRINTS, AFTER 49 ROWLAND HILDER (3) THOMAS TODD BLAYLOCK, SIGNED, STENCIL ON BLACK SATIN, Inscribed "Apple Blossom", 14" x 9"; together with THOMAS 50 TODD BLAYLOCK, FOLDER CONTAINING COLLECTION OF ASSORTED WOOD BLOCKS AND MEZZOTINT TO INCLUDE THE "The Jetty", "Night in the Harbour", and others, assorted sizes 51 THOMAS TODD BLAYLOCK, SIGNED, PASTEL, Still Life Study of Mixed Flowers in a Vase, 20" x 21" JOSEPH STANNARD, BLACK AND WHITE ETCHING. "Fishermen" circa 1825 2 1/2" x 4" TOGETHER WITH ONE SIMILAR (2) BOTH 52 TRIMMED AND LAID DOWN 53 STEPHEN PARRISH, SIGNED, IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING INSCRIBED IN PORT, 4" x 9 1/2" LUCAS VAN LEYDEN, OLD MASTER ENGRAVING "The Dance of St Mary Magdalen". THIS IMPRESSION WOULD DATE CIRCA 54 1600, PAPER WATERMARKED WITH THE ARMS OF BURGUNDY AND AUSTRIA WITH GOLDEN FLEECE, 11 1/2" x 15" TOGETHER WITH FURTHER ENGRAVING AFTER LUCAS VAN LEYDEN "The Fall of Man" BOTH UNFRAMED (2) 55 AFTER D Y CAMERON, BLACK AND WHITE ETCHING COASTAL SCENE, 5" x 9 1/2" 56 AFTER REMBRANDT, 20TH CENTURY ETCHING, A WINDMILL 6" x 8" ARTHUR WILLIAM HEINTZELMAN, SIGNED, IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Young Girl, 12" x 9", mounted 57 but unframed ERNEST L HAMPSHIRE, SIGNED, IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, INSCRIBED "St Pauls from the River" 6" 58 x 9" FRANK PATON, SIGNED, IN PENCIL TO MARGIN, BLACK AND WHITE ENGRAVING, "Coming Events Cast their Shadows Before" 59 4" x 6" PAUL PAWLCHKE, SIGNED, IN PENCIL TO MARGIN, BLACK AND WHITE LITHOGRAPH, "Venice", 7" x 9"; Provenance: Melbourne 60 Gallery, 3 Potter Street, Melbourne, Derbys - see label verso) 61 PAIR OF 19TH CENTURY ROUGE STIPPLE ENGRAVINGS, "Friendship and Love" 7" x 8" (2) 19TH CENTURY HAND COLOURED STIPPLE ENGRAVING, "Classical Ladies" 11 1/2" diameter TOGETHER WITH TWO FURTHER 62 OVAL ENGRAVINGS (3) AFTER W HAMILTON, ENGRAVED BY F BARTOLOZZI, PAIR OF BLACK AND WHITE ENGRAVINGS, (pub BY W PALMER 1787) 63 "Hunt the Slipper" and "Hot Cockles" 5" x 6" TOGETHER WITH ONE FURTHER ENGRAVING AFTER F WHEATLEY (3) AFTER FRAGONARD, ENGRAVED BY N DE LAUNAY, SET OF FOUR 19TH CENTURY BLACK AND WHITE ENGRAVINGS, 64 FIGURATIVE SCENES 10 1/2" x 12" (4) AFTER GUERCINO, ENGRAVED BY F POZZI, 19TH CENTURY BLACK AND WHITE ENGRAVING "L'Aurora Uscendo Fuor
Load more

Recommended publications
  • Animal and Sporting Paintings in the Penkhus Collection: the Very English Ambience of It All
    Animal and Sporting Paintings in the Penkhus Collection: The Very English Ambience of It All September 12 through November 6, 2016 Hillstrom Museum of Art SEE PAGE 14 Animal and Sporting Paintings in the Penkhus Collection: The Very English Ambience of It All September 12 through November 6, 2016 Opening Reception Monday, September 12, 2016, 7–9 p.m. Nobel Conference Reception Tuesday, September 27, 2016, 6–8 p.m. This exhibition is dedicated to the memory of Katie Penkhus, who was an art history major at Gustavus Adolphus College, was an accomplished rider and a lover of horses who served as co-president of the Minnesota Youth Quarter Horse Association, and was a dedicated Anglophile. Hillstrom Museum of Art HILLSTROM MUSEUM OF ART 3 DIRECTOR’S NOTES he Hillstrom Museum of Art welcomes this opportunity to present fine artworks from the remarkable and impressive collection of Dr. Stephen and Mrs. Martha (Steve and Marty) T Penkhus. Animal and Sporting Paintings in the Penkhus Collection: The Very English Ambience of It All includes sixty-one works that provide detailed glimpses into the English countryside, its occupants, and their activities, from around 1800 to the present. Thirty-six different artists, mostly British, are represented, among them key sporting and animal artists such as John Frederick Herring, Sr. (1795–1865) and Harry Hall (1814–1882), and Royal Academicians James Ward (1769–1859) and Sir Alfred Munnings (1878–1959), the latter who served as President of the Royal Academy. Works in the exhibit feature images of racing, pets, hunting, and prized livestock including cattle and, especially, horses.
    [Show full text]
  • The Story of John G. Paton, Told for Young Folks
    https://doi.org/10.24355/dbbs.084-202003201137-0 https://doi.org/10.24355/dbbs.084-202003201137-0 https://doi.org/10.24355/dbbs.084-202003201137-0 https://doi.org/10.24355/dbbs.084-202003201137-0 THE STORY OF JOHN G. PATON https://doi.org/10.24355/dbbs.084-202003201137-0 From a Photograph. by ElUott b Fry, 55 ßakcr Street, IV. A.D. x894. AET. 70. https://doi.org/10.24355/dbbs.084-202003201137-0 THE STORY OF JOHN G. PATON TOLD FOR YOUNG FOLKS OR REARRANGED AND EDITED BY THE REV. JAMES PATON, B.A. FIFTH EDITION COMPLETING THIRTY-FIFTH THOUSAND ~lltullltt HODDER AND STOUGHTON 27 PATERNOSTER ROW MDCCCXCVIII https://doi.org/10.24355/dbbs.084-202003201137-0 https://doi.org/10.24355/dbbs.084-202003201137-0 PREFACE EVER since the story of my brother's life first appeared (January 1889), it has been constantly pressed upon me that a YOUNG FOLKS' EDITION would be highly prized. The Autobiography has therefore been re-cast and illustrated, in the hope and prayer that the Lord will use it to inspire the Boys and Girls of Christendom with a whole-hearted enthusiasm for the Conversion of the Heathen World to Jesus Christ. A few fresh incidents have been introduced ; the whole contents have been rearranged to suit a new class of readers ; and the service of a gifted Artist has been employed, to make the book every way attractive to the young. For full details as to the Missionary's work and life, the COMPLETE EDITION must still of course be referrcd to.
    [Show full text]
  • DUTCH and ENGLISH PAINTINGS Seascape Gallery 1600 – 1850
    DUTCH AND ENGLISH PAINTINGS Seascape Gallery 1600 – 1850 The art and ship models in this station are devoted to the early Dutch and English seascape painters. The historical emphasis here explains the importance of the sea to these nations. Historical Overview: The Dutch: During the 17th century, the Netherlands emerged as one of the great maritime oriented empires. The Dutch Republic was born in 1579 with the signing of the Union of Utrecht by the seven northern provinces of the Netherlands. Two years later the United Provinces of the Netherlands declared their independence from the Spain. They formed a loose confederation as a representative body that met in The Hague where they decided on issues of taxation and defense. During their heyday, the Dutch enjoyed a worldwide empire, dominated international trade and built the strongest economy in Europe on the foundation of a powerful merchant class and a republican form of government. The Dutch economy was based on a mutually supportive industry of agriculture, fishing and international cargo trading. At their command was a huge navy and merchant fleet of fluyts, cargo ships specially designed to sail through the world, which controlled a large percentage of the international trade. In 1595 the first Dutch ships sailed for the East Indies. The Dutch East Indies Company (the VOC as it was known) was established in 1602 and competed directly with Spain and Portugal for the spices of the Far East and the Indian subcontinent. The success of the VOC encouraged the Dutch to expand to the Americas where they established colonies in Brazil, Curacao and the Virgin Islands.
    [Show full text]
  • Historicalmaterialism Bookseries
    Landscape between Ideology and the Aesthetic Historical Materialism Book Series Editorial Board Sébastien Budgen (Paris) David Broder (Rome) Steve Edwards (London) Juan Grigera (London) Marcel van der Linden (Amsterdam) Peter Thomas (London) volume 135 The titles published in this series are listed at brill.com/hm Landscape between Ideology and the Aesthetic Marxist Essays on British Art and Art Theory, 1750–1850 By Andrew Hemingway leiden | boston The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at http://lccn.loc.gov/2016042764 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface. issn 1570-1522 isbn 978-90-04-26900-2 (hardback) isbn 978-90-04-26901-9 (e-book) Copyright 2017 by Koninklijke Brill nv, Leiden, The Netherlands. Koninklijke Brill nv incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi and Hotei Publishing. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill nv provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, ma 01923, usa. Fees are subject to change. This book is printed on acid-free paper
    [Show full text]
  • May 2012 (PDF 501KB)
    Pacific Manuscripts Bureau Newsletter Room 4201, Coombs Building (9) College of Asia and the Pacific The Australian National University, Canberra ACT 0200 Australia Ph: (612) 6125 2521; Fax: (612) 6125 0198; Email: [email protected] http://asiapacific.anu.edu.au/pambu/ Series 5, No. 31 May 2012 Pambu News p.1 Natalie Blake Fieldwork on Makira, Solomon Islands p.4 Radio New Zealand International, Germany to present gifts for Samoa’s 50 years of Independence scholarship, archival equipment, celebrate connection p.5 Kathy Creely,Plac e your mes sage here. F or maximum i mpact, us e t wo or thr ee sent ences. An anniversary and a new name: The Tuzin Archive for Melanesian Anthropology p.5 Angela Jowitt, Digital library project, University of the South Pacific, Alafua, Samoa p.6 Buk bilong pikinini p.7 PMB Photographic collections displayed as part of the 11th Festival of Pacific Arts, Solomon Islands p.7 Elizabeth M. Ling, The re-stocking of agriculture information at NARI, Keravat p.8 A focus on dance in Papua New Guinea p.9 Rita W. Paton, Excerpts from “At home on a Pacific Island” p.10 Neil Gunson essay prize in Pacific History p.11 The society of Jesus charts a future for Micronesian Seminar with expanded programs p.11 Latest PMB Manuscripts & Printed Document Series Titles p.12 PAMBU NEWS The Bureau continues to receive offers of ar- Warm Pacific greetings for 2012 from the chive collections for preservation copying relating Pambu office! The Bureau has had a busy start to the Pacific from scholars and individuals.
    [Show full text]
  • The Norwich School John Old Crome John Sell Cotman George Vincent
    T H E NO RW I CH SCH OOL JOH N “ OLD ” CROME JOH N SELL c o TMAN ( ) , G E OR G E ‘D I N C E N T JA ME A , S S T RK 1 B N Y C OM JOHN I T . E E E R R , TH R LE D BROOKE D A ’DI D H OD N R. LA , GSO ? J J 0 M. E . 0TM 89 . g/{N E TC . WITH ARTI LES BY M UND ALL C H . C P S A , . CONT ENTS U A P S A R I LES BY H M C ND LL . A T C . , Introduction John Crome John Sell Cotman O ther Members of the Norwich School I LLUSTRATIONS I N COLOURS l Cotman , John Sel Greta rid Yorkshire t - B ge, (wa er colour) Michel Mo nt St. Ruined Castle near a Stream B oats o n Cromer Beach (oil painting) Crome , John The Return ofthe Flock— Evening (oil painting) The Gate A athin Scene View on the Wensum at Thor e Norivtch B g p , (oil painting) Road with Pollards ILLUSTRAT IONS IN MONOTONE Cotman , John Joseph towards Norwich (water—colour) lx x vu Cotman , John Sell rid e Valle and Mountain B g , y, Llang ollen rid e at Sa/tram D evo nshire B g , D urham Castle and Cathedral Windmill in Lincolnshire D ieppe Po wis Cast/e ‘ he alai d an e t Lo T P s e Justic d the Ru S . e , Ro uen Statue o Charles I Chart/2 Cross f , g Cader I dris Eto n Colleg e Study B oys Fishing H o use m th e Place de la Pucelle at Rouen Chdteau at Fo ntame—le— en i near aen H r , C Mil/hank o n the Thames ILLUSTRATIONS IN MONOTONE— Continued PLATE M Cotman , iles Edmund Boats on the Medway (oil painting) lxxv Tro wse Mills lxxvi Crome , John Landscape View on th e Wensum ath near o w ch Mousehold He , N r i Moonlight on the Yare Lands cape : Grov' e Scene The Grove Scene Marlin o rd , gf The Villag e Glade Bach o the Ne w Mills Norwich f , Cottage near L ahenham Mill near Lahenham On th e Shirts of the Forest ive orwich Bach R r, N ru es Ri'ver Ostend in the D istance B g , ; Moo nlight Yarmouth H arho ur ddes I tal e s Parts 1 oulevar i n 1 8 .
    [Show full text]
  • British Canvas, Stretcher and Panel Suppliers' Marks. Part 7, Reeves & Sons
    British canvas, stretcher and panel suppliers’ marks. Part 7, Reeves & Sons This resource surveys suppliers’ marks on the reverse of picture supports. This part is devoted to Reeves, a business founded by Thomas Reeves and his brother, William, in about 1780 and which went through several partnerships before becoming Reeves & Sons in 1830, when Thomas Reeves took his sons into partnership, and Reeves & Sons Ltd in 1890. The business was a significant supplier of canvas from the 1830s until the 1940s. For further information, see British artists' suppliers, 1650-1950 - R on this website. Measurements of marks, given where known, are approximate and may vary according to the stretching or later conservation treatment of a canvas or the trimming of a label. Links are given to institutional websites where dimensions of works can be found. Dates for partnerships and addresses are usually accurate to within a year. Square brackets are used to indicate indistinct or missing lettering in transcripts, with readings sometimes based on other examples. Compiled by Jacob Simon, September 2017, updated February 2020, and based on the pioneering work of Cathy Proudlove and the suppliers’ database created by Jacob Simon. With thanks to Dr Joyce Townsend for providing information on paintings in Tate and to John Payne, National Gallery of Victoria, Melbourne. Arranged in five numbered sections according to address and business designation, with two appendices. Work details Mark transcripts Product marks (not to uniform scale) 1. Reeves & Sons at 150 Cheapside, 1830-45 Move to 113 Cheapside in 1845 Illustrated: Stencil on canvas: Alvan Fisher, unspecified work, possibly Autumnal REEVES & SONS Landscape with Indians, Prepared 1848 (ex-Corcoran ARTISTS CANVAS.
    [Show full text]
  • Oil Paintings, Watercolours & Prints
    OIL PAINTINGS, WATERCOLOURS & PRINTS (Sold subject to the usual conditions of sale) AUCTION ON TUESDAY 24th JUNE 2014 AT 2.p.m N.B. This picture sale is to be held on a Tuesday WATER COLOURS. 401. JOHN TENNANT - Terns and boats off Brittany 16" X 12" signed & inscribed on label to reverse *Exhibited Soc: of wild life artists 1991 at the Mall Galleries 402. E.C.SEATON - 1935. A jug of red roses 10" X 9" signed and inscribed 403. REGINALD D SHERRIN - Over the moors near Brendon 5" X 12" signed with initials 404. REGINALD D SHERRIN - A Dartmoor landscape with cattle and moorland pool 10.5" X 15" signed 405. AYLIFFE GUNTER - A Lowestoff rounding bouy 21" X 10" signed 406. T.H.VICTOR - Newlyn harbour 6" X 8" signed 407. F.W. GRIFFIN - Brixham trawlers in port 7" X 10" signed & inscribed 408. LEONARD LEWIS - A lake with boats 9.5" X 5" signed and dated 409. MAC A. - a birch tree bedside a clearing 5.5" X 9" 410. REGINALD D SHERRIN - A Dartmoor landscape with pool 10.5" X 14" signed 411. REGINALD D SHERRIN - A Dartmoor landscape with heather 10.5" X 14" signed 412. A. HANDCOCK - 1902 figures on bridge Wickham Glen 13" x 18" signed 413. S.E.HALL - Mountainous loch scene 9" X 17" signed 414. ANDREW W GLENDENNING - 1880 a pen and ink sketch of a hunting lady caught in her bush 4" X 6" signed and dated 415. INDISCTINCTLY SIGED IN RED - A venetian back water 15" X 11" 416.
    [Show full text]
  • SPECIAL CORRESPONDENCE. Omentum, Which Was Reduced by the Taxis Without Any Difficulty
    970 THE BRITISH MEDICAL _OURNAL. [Dec. 28, I878. into requisition in the treatment of many medical and surgical cases of disease. HOSPITAL AND DISPENSARY MANAGEMENT. The following case, related by the Gazette des Hc$pitaux, would seem TUNBRIDGE WELLS PROVIDENT DISPENSARY. to afford an illustration of the efficacy of intestinal insufflation of air THE first annual meeting of the Tunbridge Wells Provident Dis- or gas in certain forms of disease. A woman aged 58 had a left pensary was held on the 12th instant. The report, which was read femoral hernia for about twenty years, which was kept in a reduced and adopted, gave a satisfactory account of the progress of the institu- condition by a truss, which one day she neglected to wear, when the tion. There are at the present time more thaul 1,350 members on the hernia returned, and, notwithstanding the proper application of the books. During the year, their payments have amounted to £406, and taxis, purgative enemata, etc., it remained irreducible for five days; of this sum £268 have been divided among the medical officers. This and, urgent symptoms having set in, Dr. Guermonprez of Annappes, is a good beginning, and we trust the dispensary may go on growing in the patient's medical attendant, recollecting that cases of intestinal ob- popularity and prosperity year by year. It is remarkably well situated, struction had been overcome by the administration of lavements of as it occupies premises next door to the infirmary. The leading me- eau de Seltz or ordinary soda-water, resolved to try the remedy in this dical men of the town take a lively interest in its welfare, and several case.
    [Show full text]
  • Grosvenor Prints Catalogue
    Grosvenor Prints Tel: 020 7836 1979 19 Shelton Street [email protected] Covent Garden www.grosvenorprints.com London WC2H 9JN Catalogue 111 Item 141, Hogarth's The Rake's Progress, one of eight plates. ` Cover: Detail of item 119 Back: Detail of Item 80 Registered in England No. 305630 Registered Office: 2, Castle Business Village, Station Road, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rainment. C.E. Ellis. E&OE VAT No. 217 6907 49 1. Raphael's Witch!!! or the Oracle of the Future, by the Author of the Prophetic Messenger. With Coloured Designs on Copper, by R. Cruikshank & The Author, a a Piece of Music by Blewitt. London: William Charleton Wright. Paternoster Row [n.d., c.1831]. 8vo, original half calf gilt, marbled boards, first edition; pp. 23+180; with coloured title and two coloured folding plates, both very defective. Binding distressed. £260 A book containing various methods of fortune telling. According to the Preface ''This book is adapted to lay 4. [Dawn & Dusk] Hoffnung! Ahnerin Dess, about in drawing-rooms - to be read in gardens and was vergessen uns jegliche Pein macht!... [&] groves - to ornament the boudoir - for amusement in Wiedersehn - das werd ich! Dich untergehende evening parties, as an innocent substitute for cards - to Sonne!... be consulted in every mood of mind and temper. For H. Lips del. et sculp. 1804. singular as it may seem, not a thought can arise, nor a Pair of stipples, printed in sepia. 245 x 195mm (9¾ x wish originate, but the LADY-WITCH OF RAPHAEL 7¾"), large margins £260 will easily solve and satisfy.
    [Show full text]
  • The Welter Weight. the Race May Not Always Be to the Swift
    The Welter Weight. The Race may not always be to the SOLD swift - but it generally is with the Pytchley! REF: 2251 Artist: LIONEL DALHOUSIE ROBERTSON EDWARDS Height: 13.5 cm (5 1/4") Width: 22 cm (8 3/4") Framed Height: 30 cm - 11 3/4" Framed Width: 38 cm - 14 1/1" 1 Sarah Colegrave Fine Art By appointment only - London and North Oxfordshire | England +44 (0)77 7594 3722 https://sarahcolegrave.co.uk/the-welter-weight-the-race-may-not-always-be-to-the-swift 30/09/2021 Short Description Lionel Edwards was born in Clifton, the son of a doctor. He studied in London at the South Kensington Schools and later at the Heatherley School of Fine Art and Frank Calderon’s School of Animal Painting. He became one of the best known equestrian and sporting artists of the 20th Century. In 1905 he moved to Radley in Oxfordshire and later to Worcestershire. During the Great War he volunteered as a Remount Purchasing Officer along with his contemporaries, Cecil Aldin and Sir Alfred Munnings. Working his oil and watercolour, many of his pictures were worked from his many sketches made on the spot. He also worked as an illustrator for many publications such as The Graphic and Bystander and wrote and illustrated a great number of books. He was fortunate to be able to combine his painting with his passion for fox hunting, hunting with almost every pack in the country. The present work bears the stamp for the Bystander magazine on the reverse and may have been used as an illustration.
    [Show full text]
  • SOUTHERN COUNTIES SPORTING GOODS SALE SATURDAY 12Th
    SOUTHERN COUNTIES SPORTING GOODS SALE Hunting, Shooting & Fishing SATURDAY 12th NOVEMBER 2016 Lots 263, 266, 268 At 10 am In Saleroom 1 (Lots 1– 844) At 10.30 am In Saleroom 2 (Lots 850 - End.) £3.00 Lot 32 Lot 37 Lot 42 Lot 18 Lot 58 Lot 45 Lot 12 Lot 59 Lot 143 THE SOUTHERN COUNTIES SPORTING SALE Saturday 12th November 2016 10AM SALEROOM 1. LOTS 1- 844 AND AT 10.30 AM SALEROOM 2. LOTS 850 - END Viewing 11th November 10am -6pm Morning of Sale: 8am-9.45am Lots 1 – 844 (10.00am Start.) 8am-10.15am Lots 850 - END (10.30am Start.) ENQUIRIES: Michael Vesey ~ 07971 571610 BUYERS PREMIUM: 15% PLUS VAT NETHERHAMPTON SALEROOMS SALISBURY AUCTION CENTRE NETHERHAMPTON ROAD SALISBURY, SP2 8RH. TEL: 01722 321215 FAX: 01722 421553 Email Yvonne ~ [email protected] THE SALE CAN BE VIEWED ON THE FOLLOWING WEBSITE: www.salisburyauctioncentre.co.uk COMMISSION BIDS The Auctioneer will be pleased to execute commission bids on behalf of prospective purchasers providing such commissions are given to the auctioneers in writing prior to the start of the sale. Taxidermy At 10 am in Sale Ring 1 1 Red Squirrel mounted in glass case in naturalistic setting £40-80 2 Water Rail in glass fronted case in naturalistic setting £80-120 3 Hanging woodcock mounted in an oval glazed picture frame £100-200 4 Red stag half skull mounted on shield £50-100 5 Fallow buck half skull mounted on shield £50-100 6 Quantity of roe buck half skulls & antlers £30-50 7 Roe buck half skull & quantity of roe antlers £20-40 8 Fallow antlers mounted on oak shield £40-80 9 Roe antlers
    [Show full text]