Keys Fine Art Auctioneers Palmers Lane Aylsham Pictures & Prints Norwich NR11 6JA United Kingdom Started 06 Feb 2015 10:30 GMT Lot Description 1 AFTER PINTURICCHIO, CHROMOLITHOGRAPH, "Betrothal of Frederick III", 24 x 17"; together with one similar (2) AFTER F WHEATLEY, PAIR OF 19TH CENTURY HAND COLOURED STIPPLE ENGRAVINGS, "The Woodman's Return" AND "The 2 Itinerant Potters", 21 x 17" (2) WILLIAM FRANK CALDERON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE PHOTOGRAVURE (PUB BY LAWRENCE & 3 BULLEN LTD) "Coursing" 8 x 12 1/2" TOGETHER WITH EDMUND CALDWELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE PHOTOGRAVURE (PUB BY LAWRENCE & BULLEN LTD) 10 x 15" (2) AFTER W L ORCHARDSON, BLACK AND WHITE PHOTOGRAVURE (SUPPLEMENT TO "Holly Leaves", The Christmas Number of 4 "The Illustrated Sporting and Dramatic News - December 1910") "The Surrender of Napoleon to Great Britain" 16 x 24"; together with two further prints of napoleonic interest (3) AFTER A A GLENDENNING, PAIR OF HAND COLOURED PHOTOGRAVURES, (PUBLISHED BY HILDESHEIMER & CO, 1894) 5 "Belaugh on the Bure" and "On the River Bure" 12 x 19" (2) AFTER T WEAVER, ENGRAVED BY W WARD, 19TH CENTURY BLACK AND WHITE MEZZOTINT, "Portrait of Thomas William Coke 6 Esq and his South Down Sheep", 20 1/2 x 28" AFTER WILLIAM FREDERICK AUSTIN, HAND COLOURED LITHOGRAPH (PUB BY GEORGE STEWARDSON 1868) "Fakenham 7 Marketplace, Norfolk" 11 x 17" 8 AFTER R CATON WOODVILLE, CHROMOLITHOGRAPH (PUB 1898) "Fuentes Onoro, May 5 1811" 16 1/2 x 27 1/2 ins 9 FLORENCE PRELEUR-POULAIN, SIGNED, AND DATED 98, MIXED MEDIA, Triptych, each 12" x 10" AFTER W P FRITH, ENGRAVED BY C W SHARPE, 19TH CENTURY HAND COLOURED ENGRAVING, "Life at the Seaside, 10 Ramsgate 1854" 21 x 42" 11 AFTER E LANDSEER, HAND COLOURED ETCHING WITH REMARQUE, "Horses in a Landscape", 9 x 14" 12 AFTER LIONEL EDWARDS, COLOURED PRINT, "The Pytchley Hunt, Crick Meet, 1952", 14 1/2 x 18" JOHN FULLWOOD, SIGNED, IN PENCIL TO MARGIN, COLOURED MEZZOTINT (PUBLISHED 1913), "Hayfield" 10 x 14" 13 TOGETHER WITH A FURTHER ENGRAVING BY JOSEPH FARQUHARSON (2) AFTER S & N BUCK, HAND COLOURED ENGRAVING (LATER IMPRESSION), "The Southwest Prospect of Yarmouth, in the County 14 of Norfolk", 10 x 31" TERRANCE CUNEO, SIGNED, IN PENCIL TO MARGIN, LIMITED EDITION (232/850) COLOURED ARTISTS PROOF WITH 15 PUBLISHERS BLIND STAMP, "The Flying Scotsman", 22" x 20" together with Certificate of Authenticity TERENCE CUNEO, SIGNED, IN PENCIL TO MARGIN, LIMITED EDITION (480/850) COLOURED ARTISTS PROOF, "The Last 16 Halifax", (COUNTERSIGNED BY ARTHUR T HARRIS), 20 x 25" 17 GEORGINA SCOTT, SIGNED, IN PENCIL TO MARGIN, DRYPOINT AND ETCHING, inscribed "Weight or Lightness I" 11" x 8" 18 GEORGINA SCOTT, COLOURED DRYPOINT ETCHING, "Figure and Blocks", 19" x 9" 19 ANNA RAZUMOVSKAYA, SIGNED, LIMITED EDITION (104/195) HAND EMBELLISHED PRINT, "Spanish Heat", 24" x 18" 20 THOMAS FAIRLAND, PAIR OF HAND COLOURED LITHOGRAPHS (PUBLISHED 1844,) "A Poser and Too Hot", 13 1/2" x 9 1/2" (2) 21 JANE HARPER, INITIALLED LIMITED EDITION (2/50), GICLEE PRINT, "Seagull", 23 1/2" x 15" 22 JANE HARPER, INITIALLED LIMITED EDITION (6/50) GICLEE PRINT, "Seagulls", 23 1/2" x 15" LORNA CASSIDY, SIGNED, IN PENCIL TO MARGIN, LIMITED EDITION (3/40), BLACK AND WHITE ETCHING INSCRIBED, "All 23 Saints Parish Church, High Wycombe", 10" x 14" 24 AFTER NORMAN WILKINSON, COLOURED PRINT, "National Insurance", 9" x 14" AFTER A PINNACKER, ENGRAVED BY J PYE, BLACK AND WHITE ENGRAVING (PUBLISHED BY JOHN BOYDELL 1773), "Europa 25 Point, Gibraltar", 14" x 21 1/2" AFTER E LANDSEER, ENGRAVED BY W H WATT, HAND COLOURED ENGRAVING (PUBLISHED BY F G MOON 1836), "The Pets", 26 13" x 11" 27 AFTER R COBBE, HAND COLOURED PHOTOGRAVURE, "Friend or Foe", 10" x 13 1/2" 28 AFTER J WOLF AND J SMIT, COLOURED LITHOGRAPH (M & N HANHART IMPRESSION), "Paradisea Raggiana", 23 1/2" x 19" 29 MODERN BRITISH SCHOOL, COLOURED PRINT, "Fields with Corn stalks", 17" x 21" JOHN BRUNSDEN, SIGNED, IN PENCIL TO MARGIN LIMITED EDITION (124/150), COLOURED ETCHING Inscribed "Welsh Village, 30 Autumn", 15" x 17" 31 AFTER GEORGE AYLING, COLOURED PRINT, "A Harbour Scene", 21" x 25" ANDREW DIBBEN, SIGNED, TWO LIMITED EDITION (61 & 31/100) COLOURED PRINTS, "Blakeney Marsh" and "Wells Quay at 32 Dusk", 11" x 17" and 11 1/2" x 16" respectively (2) MICHAEL A ROMEL, SIGNED, IN PENCIL TO MARGIN, TWO LIMITED EDITION (OF 200) COLOURED PRINTS, "Cordoba" AND 33 "Paul de Venie", 22" x 29 1/2" TOGETHER WITH ONE FURTHER LIMITED EDITION PRINT BY A DIFFERENT ARTIST (3) 33A AFTER DAVID GENTLEMAN, GROUP OF FOUR COLOURED PRINTS, Winchester College, 10" x 13" (4) LIONEL EDWARDS, SIGNED, IN PENCIL TO MARGIN, ARTISTS COLOURED PROOF WITH PUBLISHERS BLIND STAMP, 34 (PUBLISHED BY EYRE AND SPOTTISWOODE), "The Essex 1928", 13" x 19" together with a further engraving of a Hunting Scene, (2) AFTER T DAVIDSON, BLACK AND WHITE PHOTOGRAVURE, (PUBLISHED BY LANDAKER AND BROWN), "Nelson's Last Signal at 35 Trafalgar" 16 x 24" MICHAEL CARLO, SIGNED, AND DATED 1980 IN PENCIL TO MARGIN, LIMITED EDITION (133/200) COLOURED PRINT, Inscribed 36 "February - Track", 14" x 20"; together with ANN SHINGLETON, SIGNED, AND DATED 89 IN PENCIL TO MARGIN, LIMITED EDITION (71/75) BLACK AND WHITE ETCHING, Inscribed "Aesop II - The Voice of T ...[more] 37 INDISTINCTLY SIGNED AND DATED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed "Cul Ravello", 9 1/2" x 6" 38 PAIR OF FRENCH LITHOGRAPHS (PUBLISHED CIRCA 1860), NUDE MALES (INDISTINCTLY SIGNED, TO PLATE), 17" x 11" (2) JOHN H EASTMAN, SIGNED, IN PENCIL TO MARGIN, COLOURED ARTISTS PROOF, "It is He who made the Earth by his Power 39 .....", 1975, 19" diam JOHN WADE, SIGNED, IN PENCIL TO MARGIN, LIMITED EDITION (41/50) BLACK AND WHITE ETCHING, inscribed "Highland 40 Morning", 9 1/2" x 23 1/2" together with BARRY C W D LAKE, SIGNED, AND DATED '86 IN PENCIL TO MARGIN, LIMITED EDITION (1/25) ETCHING, "Warren Clarke", 16" x 14", (2) 41 AFTER C AMYOT, CHROMOLITHOGRAPH (PUBLISHED CIRCA 1895), "Covering the Retreat", 23" x 18", maple framed HUGH BRANDON-COX, SIGNED, IN PENCIL TO MARGIN, COLOURED PRINT, inscribed "Autumn near Thetford", 6" x 9" together 42 with one further coloured print by the same artist, (2) AFTER R B DAVIS, ENGRAVED BY F BROMLEY, HAND COLOURED MEZZOTINT (PUBLISHED BY A J ISAACS), "The Royal 43 Cortege in Windsor Park", 17" x 28" 44 C STANLEY TODD, SIGNED IN PENCIL TO MARGIN COLOURED PRINT, "Partridge in Highland Landscape", 20" x 27" AFTER N J CROWLEY, ENGRAVED BY J SCOTT, BLACK AND WHITE ENGRAVING (PUBLISHED BY HENRY GRAVES 1851), 45 "Major General, His Royal Highness The Duke of Cambridge K.G", 27" x 19" UNFRAMED WINSTON MEGARAN, SIGNED, IN PENCIL TO MARGIN, COLOURED ARTISTS PROOF ETCHING INSCRIBED "The Home Birch" 46 8" x 12" TOGETHER WITH KEN HILDREW, SIGNED, IN PENCIL TO MARGIN COLOURED ARTISTS PROOF INSCRIBED "The Ashdown II", 12" x 12" (2) AFTER J CONSTABLE, ENGRAVED BY D LUCAS, BLACK AND WHITE MEZZOTINT (PUBLISHED BY MR CONSTABLE 1832) 47 "Yarmouth, Norfolk" 5 1/2" x 8 1/2" TOGETHER WITH A FURTHER ENGRAVING AFTER J S COTMAN (2) AFTER J L MEISSONIER, TWO BLACK AND WHITE ENGRAVINGS, SIGNED, to the margins by the etchers, A Pierrot and Two 48 Horses, one with Rider, in Open Landscape, 16" x 10" and 18" x 23" (2) AFTER EDWARD SEAGO, COLOURED PRINT "Pin Mill" 17" x 26" TOGETHER WITH TWO FURTHER COLOURED PRINTS, AFTER 49 ROWLAND HILDER (3) THOMAS TODD BLAYLOCK, SIGNED, STENCIL ON BLACK SATIN, Inscribed "Apple Blossom", 14" x 9"; together with THOMAS 50 TODD BLAYLOCK, FOLDER CONTAINING COLLECTION OF ASSORTED WOOD BLOCKS AND MEZZOTINT TO INCLUDE THE "The Jetty", "Night in the Harbour", and others, assorted sizes 51 THOMAS TODD BLAYLOCK, SIGNED, PASTEL, Still Life Study of Mixed Flowers in a Vase, 20" x 21" JOSEPH STANNARD, BLACK AND WHITE ETCHING. "Fishermen" circa 1825 2 1/2" x 4" TOGETHER WITH ONE SIMILAR (2) BOTH 52 TRIMMED AND LAID DOWN 53 STEPHEN PARRISH, SIGNED, IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING INSCRIBED IN PORT, 4" x 9 1/2" LUCAS VAN LEYDEN, OLD MASTER ENGRAVING "The Dance of St Mary Magdalen". THIS IMPRESSION WOULD DATE CIRCA 54 1600, PAPER WATERMARKED WITH THE ARMS OF BURGUNDY AND AUSTRIA WITH GOLDEN FLEECE, 11 1/2" x 15" TOGETHER WITH FURTHER ENGRAVING AFTER LUCAS VAN LEYDEN "The Fall of Man" BOTH UNFRAMED (2) 55 AFTER D Y CAMERON, BLACK AND WHITE ETCHING COASTAL SCENE, 5" x 9 1/2" 56 AFTER REMBRANDT, 20TH CENTURY ETCHING, A WINDMILL 6" x 8" ARTHUR WILLIAM HEINTZELMAN, SIGNED, IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Young Girl, 12" x 9", mounted 57 but unframed ERNEST L HAMPSHIRE, SIGNED, IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, INSCRIBED "St Pauls from the River" 6" 58 x 9" FRANK PATON, SIGNED, IN PENCIL TO MARGIN, BLACK AND WHITE ENGRAVING, "Coming Events Cast their Shadows Before" 59 4" x 6" PAUL PAWLCHKE, SIGNED, IN PENCIL TO MARGIN, BLACK AND WHITE LITHOGRAPH, "Venice", 7" x 9"; Provenance: Melbourne 60 Gallery, 3 Potter Street, Melbourne, Derbys - see label verso) 61 PAIR OF 19TH CENTURY ROUGE STIPPLE ENGRAVINGS, "Friendship and Love" 7" x 8" (2) 19TH CENTURY HAND COLOURED STIPPLE ENGRAVING, "Classical Ladies" 11 1/2" diameter TOGETHER WITH TWO FURTHER 62 OVAL ENGRAVINGS (3) AFTER W HAMILTON, ENGRAVED BY F BARTOLOZZI, PAIR OF BLACK AND WHITE ENGRAVINGS, (pub BY W PALMER 1787) 63 "Hunt the Slipper" and "Hot Cockles" 5" x 6" TOGETHER WITH ONE FURTHER ENGRAVING AFTER F WHEATLEY (3) AFTER FRAGONARD, ENGRAVED BY N DE LAUNAY, SET OF FOUR 19TH CENTURY BLACK AND WHITE ENGRAVINGS, 64 FIGURATIVE SCENES 10 1/2" x 12" (4) AFTER GUERCINO, ENGRAVED BY F POZZI, 19TH CENTURY BLACK AND WHITE ENGRAVING "L'Aurora Uscendo Fuor