Fastoral Paradigms and Displacements, with Some Proposals
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Raquel Prado Romanillos1
Raquel Prado Romanillos1 "EVEN IF THEY CALL US CRAZY": A DE (DEVELOPMENT EDUCATION) EXPERIENCE BASED ON CLASSICAL LITERATURE TEXTS Abstract By means of this article I just want to share an experience on how to apply the global gaze (Education for Development, DE) to the daily routine of a Spanish Language and Literature class, based on an interdisciplinary project carried out together with the teachers of Mathematics and Biology of 3rd Grade ESO (Compulsory Secondary Education). The project addressed the values of environmental care and global citizenship. The starting point for Language and Literature class was the topic of the "locus amoenus", the myth of the four ages in Ovid's Metamorphoses, and fragments of Don Quixote of La Mancha. Key-words Literature, interdisciplinary project, environment, global citizens. 1 Raquel Prado Romanillos has worked as a Secondary Education teacher of Language and Literature since 1998. As a volunteer from a young age, she has taken part in development projects both in her hometown, Madrid (in toy and leisure libraries in areas of Vallecas), and abroad (neighbourhoods on the outskirts of Havana and in Sahrawi camps in Algeria). At present, her efforts are focused on her work as a teacher at María Reina de las Hijas de Jesús School, in the neighbourhood of Orcasur (Madrid), the educational project of which is, in itself, a community development project. Since 2012, she has coordinated the "Global Cities" project in the school, through which the way to introduce a more human and curriculum-committed perspective is beginning to gain ground and to be implemented. -
Ingo Berensmeyer Literary Culture in Early Modern England, 1630–1700
Ingo Berensmeyer Literary Culture in Early Modern England, 1630–1700 Ingo Berensmeyer Literary Culture in Early Modern England, 1630–1700 Angles of Contingency This book is a revised translation of “Angles of Contingency”: Literarische Kultur im England des siebzehnten Jahrhunderts, originally published in German by Max Niemeyer Verlag, Tübingen 2007, as vol. 39 of the Anglia Book Series. ISBN 978-3-11-069130-6 e-ISBN (PDF) 978-3-11-069137-5 e-ISBN (EPUB) 978-3-11-069140-5 DOI https://doi.org/10.1515/9783110691375 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2020934495 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available from the Internet at http://dnb.dnb.de. ©2020 Ingo Berensmeyer, published by Walter de Gruyter GmbH, Berlin/Boston The book is published with open access at www.degruyter.com. Cover image: Jan Davidszoon de Heem, Vanitas Still Life with Books, a Globe, a Skull, a Violin and a Fan, c. 1650. UtCon Collection/Alamy Stock Photo. Typesetting: Integra Software Services Pvt. Ltd. Printing and binding: CPI books GmbH, Leck www.degruyter.com Preface to the Revised Edition This book was first published in German in 2007 as volume 39 of the Anglia Book Series. In returning to it for this English version, I decided not simply to translate but to revise it thoroughly in order to correct mistakes, bring it up to date, and make it a little more reader-friendly by discarding at least some of its Teutonic bag- gage. -
1 4 Henry Stead Swinish Classics
Pre-print version of chapter 4 in Stead & Hall eds. (2015) Greek and Roman Classics and the British Struggle for Social Reform (Bloomsbury). 4 Henry Stead Swinish classics; or a conservative clash with Cockney culture On 1 November 1790 Edmund Burke’s Reflections on the Revolution in France was published in England. The counter-revolutionary intervention of a Whig politician who had previously championed numerous progressive causes provided an important rallying point for traditionalist thinkers by expressing in plain language their concerns 1 Pre-print version of chapter 4 in Stead & Hall eds. (2015) Greek and Roman Classics and the British Struggle for Social Reform (Bloomsbury). about the social upheaval across the channel. From the viewpoint of pro- revolutionaries, Burke’s Reflections gave shape to the conservative forces they were up against; its publication provoked a ‘pamphlet war’, which included such key radical responses to the Reflections as Mary Wollstonecraft’s A Vindication of the Rights of Man (1790) and Tom Paine’s The Rights of Man (1791).1 In Burke’s treatise, he expressed a concern for the fate of French civilisation and its culture, and in so doing coined a term that would haunt his counter-revolutionary campaign. Capping his deliberation about what would happen to French civilisation following the overthrow of its nobility and clergy, which he viewed as the twin guardians of European culture, he wrote, ‘learning will be cast into the mire, and trodden down under the hoofs of a swinish multitude’. This chapter asks what part the Greek and Roman classics played in the cultural war between British reformists and conservatives in the periodical press of the late 1810s and early 1820s. -
Shakespeare and the Tree Catalogue in Early Modern Literature
ISSN 2249-4529 Lapis Lazuli An International Literary Journal WWW.PINTERSOCIETY.COM VOL.6 / NO.1-2/SPRING, AUTUMN 2016 Shakespeare and the Tree Catalogue in Early Modern Literature Nivedita Basu* Abstract: This paper is going to discuss what has been termed as the 'tree catalogue' and its significance for the Renaissance texts. I would attempt to look at Shakespeare's comedies alongside The Old Arcadia and The Faerie Queene in order to find out the various ways in which catalogue of flora in the early modern period could become a site for articulating complex set of cultural and symbolic values. Through a focused study of the densely figurative language of these texts may help us to rethink the human-centered worldview of Renaissance humanism. While generally forming the backdrop to conflict between human protagonists, nature is rendered as invisible and non-significant. However, as my paper would attempt to show through a discussion of Thomas Hariott's famous travel account how a detailed inventory of trees could often voice the nascent colonial drive of the Renaissance intellectual. At other times, through traditional associations derived from classical mythology, scripture, and popular folklore, trees and forests could underpin the protagonist's psychological and sexual yearnings. Reading certain instances of the tree catalogue in early modern literature reveals how the nature versus culture binary is becoming increasingly unsustainable. Key Words: Shakespeare, Thomas Hariott, Tree Catalogue, Philip Sidney, Edmund Spenser, Faerie Queene, Old Arcadia, Colonialism * Assistant Professor, Department of English, Kirori Mal College, University of Delhi. 9 Lapis Lazuli An International Literary Journal The poetic device sometimes referred to as a tree catalogue goes back to classical literature. -
The Pennsylvania State University the Graduate School
The Pennsylvania State University The Graduate School College of Arts and Architecture PLANTAE, ANIMALIA, FUNGI: TRANSFORMATIONS OF NATURAL HISTORY IN CONTEMPORARY AMERICAN ART A Dissertation in Art History by Alissa Walls Mazow © 2009 Alissa Walls Mazow Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2009 The Dissertation of Alissa Walls Mazow was reviewed and approved* by the following: Sarah K. Rich Associate Professor of Art History Dissertation Adviser Chair of Committee Brian A. Curran Associate Professor of Art History Richard M. Doyle Professor of English, Science, Technology and Society, and Information Science and Technology Nancy Locke Associate Professor of Art History Craig Zabel Associate Professor of Art History Head of the Department of Art History *Signatures are on file in the Graduate School. ii Abstract This dissertation examines the ways that five contemporary artists—Mark Dion (b. 1961), Fred Tomaselli (b. 1956), Walton Ford (b. 1960), Roxy Paine (b. 1966) and Cy Twombly (b. 1928)—have adopted the visual traditions and theoretical formulations of historical natural history to explore longstanding relationships between “nature” and “culture” and begin new dialogues about emerging paradigms, wherein plants, animals and fungi engage in ecologically-conscious dialogues. Using motifs such as curiosity cabinets and systems of taxonomy, these artists demonstrate a growing interest in the paradigms of natural history. For these practitioners natural history operates within the realm of history, memory and mythology, inspiring them to make works that examine a scientific paradigm long thought to be obsolete. This study, which itself takes on the form of a curiosity cabinet, identifies three points of consonance among these artists. -
Siân Adiseshiah University of Lincoln, UK [email protected] The
Siân Adiseshiah University of Lincoln, UK [email protected] The unbridgeable bridge to utopia: Howard Brenton’s Greenland Written and performed just after Thatcher’s third election victory in Britain in 1987, Howard Brenton’s Greenland is an isolated example durinG this period of a Left playwright’s attempts to represent utopia on staGe. Unlike the savaGely satirical approaches of other Left plays around the same time, such as Brenton and David Hare’s Pravda and Caryl Churchill’s Serious Money (both sardonic travesties of the riGht-winG press and the City of London in Thatcher’s Britain) Greenland attempts to reconstruct a utopian future. The second act of Greenland partially resembles a utopian space usually encountered in a conventional utopian narrative, and in doinG so, has led some commentators to dismiss the play as tedious and lackinG in dramatic interest. Its lack of conflict and the contentment of its inhabitants have led to it being described as static and dull. This interpretation has brouGht with it a readinG that concurs with the character, Severan-Severan, whose view is that misery and sufferinG are essential to the human condition and that liberation is a living death. However, this approach neglects a more complex engagement with utopia that can be traced in the play. Spectators of the play - along with the non-utopian character, Joan - respond to Greenland in a way that can be illuminated by Frederic Jameson’s idea of the ‘terror of obliteration’. This paper will explore ways in which Greenland exposes psycho-political barriers to utopia, barriers that frame the spectator’s view of the play, and it will also reveal ways in which bridGes to utopia are constantly at stake. -
Revelation 21:1-22:5: an Early Christian Locus Amoenus? Fergus
Revelation 21:1-22:5: An Early Christian Locus Amoenus? Fergus J King D Th (University of South Africa) Dept of Philosophy, Religious Studies & Theology University of Newcastle, University Drive Callaghan NSW 2305 [email protected] Keywords Pastoral* Revelation* Johannine Literature *Apocalyptic* locus amoenus*eschatology ABSTRACT The visons of the Heavenly Jerusalem (Rev. 21) have a utopian feel. This essay suggests that ancient writers from a Graeco-Roman background might have read these visons through the lens of the locus amoenus (pleasant place)- a utopian prototype. Whilst associated primarily with pastoral poetry, the motif also served wider theological and philosophical purposes in the late Roman Republic and early Imperial periods and had spread beyond purely literary confines. The genre also engaged with philosophical, theological and eschatological themes. Thus engaging with Revelation 21 as an locus amoenus, as a contextually appropriate form, may have served as a jumping-off point into the less familiar realms of Judaic eschatological symbolism. Lastly, it is suggested that the appearance of the motif within what would become the Scriptures of emerging Christianity may provide a reason for the later more explicit developments of the genre in patristic writing. 1 Introduction The literary character of Revelation embraces many different types and genres. In this article, it is suggested that the literary motif of the locus amoenus, found predominantly, but not exclusively, in pastoral poetry provides a literary form which may be helpful in analyzing the visions of the heavenly Jerusalem given in Revelation 21-22. It is worth, as a preliminary question asking whether it is appropriate to explore revelation for a Graeco-Roman literary motif. -
Towards a Poetics of Marvellous Spaces in Old and Middle English Narrative
Towards A Poetics of Marvellous Spaces in Old and Middle English Narrative by Ioana Alexandra Bolintineanu A thesis submitted in conformity with the requirements for Doctor of Philosophy Centre for Medieval Studies University of Toronto © Copyright by Ioana Alexandra Bolintineanu, 2012 Towards A Poetics of Marvellous Spaces in Old and Middle English Narrative Ioana Alexandra Bolintineanu Doctor of Philosophy Centre for Medieval Studies University of Toronto 2012 Abstract From the eighth to the fourteenth century, places of wonder and dread appear in a wide variety of genres in Old and Middle English: epics, lays, romances, saints’ lives, travel narratives, marvel collections, visions of the afterlife. These places appear in narratives of the other world, a term which in Old and Middle English texts refers to the Christian afterlife: Hell, Purgatory, even Paradise can be fraught with wonder, danger, and the possibility of harm. But in addition to the other world, there are places that are not theologically separate from the human world, but that are nevertheless both marvellous and horrifying: the monster-mere in Beowulf, the Faerie kingdom of Sir Orfeo, the demon-ridden Vale Perilous in Mandeville’s Travels, or the fearful landscape of the Green Chapel in Sir Gawain and the Green Knight. Fraught with horror or the possibility of harm, these places are profoundly different from the presented or implied home world of the text. My dissertation investigates how Old and Middle English narratives create places of wonder and dread; how they situate these places metaphysically between the world of living mortals and the world of the afterlife; how they furnish these places with dangerous topography and monstrous inhabitants, as well as with motifs, with tropes, and with thematic concerns that signal their marvellous and fearful nature. -
(Rjelal) Arden
Research Journal of English Language and Literature (RJELAL) A Peer Reviewed (Refereed) International Journal Vol.3.3.2015 (July-Sep) http://www.rjelal.com RESEARCH ARTICLE ARDEN, "AS YOU LIKE IT": PROBLEMATIZING THE LOCUS AMOENUS NAMRATA DEY ROY Lecturer of English Literature Susil Kar College, West Bengal M.Phil scholar : Rabindra Bharati University ABSTRACT A major part of Shakespeare’s As You Like It takes place in the forest of Arden. Arden – the green haven, replica of arcadia and blissful refuge for the exiles - bears all the promises of ‘locus amoenus’ being an idyllic paradise and setting the mode for pastoral play. Arden serves not just as peaceful ‘landscape of mind’ rather fulfils the features of mythical ‘locus amoenus’ with all the flora and fauna. The peaceful façade (of locus amoenus) breaks when interactions among the denizens become complicated. The constant threat of hunger, wild beast, bitter cold and allusions to hunting and wounding do not make Arden a utopian ‘locus amoenus’, where ‘man’s dreams of a better world’ comes true rather it at the same time turns out to be a ‘locus horridus’ where man’s nightmares become reality. But this verdant ‘locus amoenus’ rather seems a ‘utopian republic’ challenging the existing power structure. This locus amoenus conceives itself as an alternative to the destruction of familial bonds and disruption of polity. Here “supreme power is vested in the people” - in their cross-dressing, choosing their own lifestyles and even partners. It is a place without a monarch or duke where they are free enough to do anything they like and also can voice their own opinions. -
“What We Need Is Here”: Food, Sustainability, and American Myths
Série Alimentopia Works Cited Atwood, Margaret (2003), Oryx and Crake, London, Bloomsbury. Bulwer-Lytton, Edward (1871), The Coming Race, Edinburgh and London, William Blackwood and Sons. Clute, John, et al. (ed.), The Encyclopedia of Science Fiction (third edition), http://www.sf-encyclopedia.com “What we need is here”: Food, (last accessed 21 September 2019). Dodd, Anna Bowman (1887), The Republic of the Future, or Socialism a Reality, New York, Cassell & Company. Sustainability, and American Haldeman, Joe and Gay (2012) “Foxhole Pizza and Interstellar Quail: Cooking the Books with Joe and Gay Haldeman”, Fran Wilde, Dreaming Of New Worlds, https://franwilde.wordpress. Myths and Projects com/2012/08/21/foxhole-pizza-and-interstellar-quail-cooking-the-books-with-joe-and-gay-halde- Maria Teresa Castilho & Sofia de Melo Araújo man/ (last accessed 21 September 2019). Lease, Mary Elizabeth (1895), The Problem of Civilization Solved, Chicago, Laird & Lee. Lem, Stanisław (1974), The Cyberiad (translation Michael Kandel), New York, Harcourt Brace. Magan, Iggo (2017) “The Dangers of Zero Gravity”, Davidson Institute of Science Education, I https://davidson.weizmann.ac.il/en/online/sciencepanorama/dangers-zero-gravity (last accessed 21 September 2019). In his introduction to Berry’s Bringing It to the Table: On Farming and Food, Michael Pollan, one Mizokami, Kyle (2018), “Everything You Wanted to Know About Food on a U.S. Submarine”, Popular of the most active proponents of food reform in the United States, stresses the great relevance Mechanics https://www.popularmechanics.com/military/navy-ships/a14764350/everything-you- of Wendell Berry, who, in spite of not being directly committed to a particular food movement, wanted-to-know-about-food-on-a-us-submarine/ (last accessed 20 September 2019). -
Creating Identity and Uniting a Nation
“For I could tell how Natures store Of Majestie appeareth more In waters, then in all the rest Of Elements.” (William Browne, Britannia’s Pastorals, Book I, Song II) Creating Identity and Uniting a Nation - The Development of the Water Motif from Ancient Greek Bucolic to Early Modern English Pastoral Poetry Inauguraldissertation zur Erlangung der Doktorwürde der Neuphilologischen Fakultät der Ruprecht-Karls-Universität Heidelberg Institut für Anglistik vorgelegt von Jule F. Pölzer-Nawroth Abgabe: 20.05.2019 Disputation: 22.11.2019 Erster Gutachter: Prof. Dr. Peter Paul Schnierer Zweiter Gutachter: Prof. Dr. Athanassios Vergados Dedication This thesis is dedicated to my beloved parents and sister whose love and support have inspired me to follow my dreams; to my wonderful husband who always understood and whose exceptional encouragement and endless patience allowed me to focus on my research; to Phaeton, Klio and Eos who reminded me to leave the books every so often to find my own Arcadia; and finally, to Benedict, who always believed in me but did not live to see the thesis finished. My project was supported by scholarships from the DAAD and the Graduiertenakademie of Heidelberg Universität for which I am very grateful. “I'm off the deep end, watch as I dive in. I'll never meet the ground. Crash through the surface, where they can't hurt us. We're far from the shallow now.” “Shallow” (OST “A Star is Born”, 2018) by Lady Gaga, Mark Ronson, Andrew Wyatt and Anthony Rossomando Index of Abbreviations Ap. Hymn to Apollo BP Britannia’s Pastorals Callim. Callimachus Cf. -
The Future of Work LessonsFromTheHistoryOf UtopianThought
SIMONMAIR ANGELADRUCKMAN TIMJACKSON JUNE2018 THE FUTURE OF WORK LESSONSFROMTHEHISTORYOF UTOPIANTHOUGHT CUSPWORKINGPAPER|NO13|CUSP.AC.UK The Centre for the Understanding of Sustainable Prosperity is funded by the Economic and Social Research Council (ESRC). The overall aim of CUSP is to explore the economic, ecological, social and governance dimensions of sustainable prosperity and to make concrete recommendations to government, business and civil society in pursuit of it. For more information about the research programme, please visit: cusp.ac.uk. Publication Mair, S, Druckman, A and T Jackson 2018: The Future of Work — Lessons from the History of Utopian Thought. CUSP Working Paper No 13. Guildford: University of Surrey. Online at: www.cusp.ac.uk/publications. Acknowledgements The financial support of the Economic and Social Research Council for the Centre for the Understanding of Sustainable Prosperity (ESRC grant no: ES/M010163/1) is gratefully acknowledged. Contact details Simon Mair, Email: [email protected] Angela Druckman, Email: [email protected] Tim Jackson, Email: [email protected] Centre for the Understanding of SustainaBle Prosperity, University of Surrey, Guildford GU2 7XH, UK © CUSP 2018 The views expressed in this document are those of the authors and not of the ESRC or the University of Surrey. This puBlication and its contents may Be reproduced as long as the reference source is cited. 1 | CUSP WORKING PAPER No.13 Abstract This paper aims to contribute towards the development of a political economy of work fit for purpose in a world of social and environmental limits. In order to get beyond today’s dominant conceptions of work in a growth-based capitalism, it explores the role of work in historical utopias.