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[Directory] parent nodes: Merge Merges Merge Chain Setting Jumps Notes Trigun [Across the Sands, Dune Hot sands, hot lead, hot blood. Have the hearts of men have shrivled under this alien sun? Thunder] Red Dead Redemption Generic Western Infamous [Appropriate X-Men Metahumans are rare, discriminated against, and pressed into service if they aren't lynched. Measures] Shadow Ops Marvel DC Incredibles City of Heroes [Capes & Spandex] Teen Titans Super heroes are real, but so are villains, and so are monsters. Young Justice Hero Academia PS238 Heroes Path of Exile [Cast Out] You're an outcast, exile, abandoned child of civilization. Welcome to life outside the Golden Empire. Avernum Last Exile Ring of Red [Conflict Long in Wolfenstein Two peoples, united in war against one another. Coming] Killzone Red Faction Naruto Basilisk Kamigawa [Court of War] Kami and Humans both embroiled in complex webs of conflict. Mononokehime Samurai Deeper Kyo Inuyasha Drakengard It's grim, it's dark, it's got magic, demons, monsters, and corrupt nobles and shit. [Darker Fantasy] Berserk I wish there was a Black Company Jump. Diablo 1&2 Nechronica BLAME [Elan Vital] Everything falls apart, even people. But people can sometimes be put back together. Neir: Automata Biomega WoD Mortals Hellgate: London [Extranormal GURPS Monster Hunter Go hunt these things that would prey upon mankind. Forces] Hellboy F.E.A.R. Princess Bride [Fabled Disney Princess Your classic Princess and Prince Charming. Sort of. Coronation] Shrek Love is a Battlefield Platoon Generation Kill War is hell. There is little honor, little glory to be won on the stinking fields of death between the [Fog of War] WW2 (WIP) trenches. -
Japanese Animation Guide: the History of Robot Anime
Commissioned by Japan's Agency for Cultural Affairs Manga, Animation, Games, and Media Art Information Bureau Japanese Animation Guide: The History of Robot Anime Compiled by Mori Building Co., Ltd. 2013 Commissioned by Japan's Agency for Cultural Affairs Manga, Animation, Games, and Media Art Information Bureau Japanese Animation Guide: The History of Robot Anime Compiled by Mori Building Co., Ltd. 2013 Addition to the Release of this Report This report on robot anime was prepared based on information available through 2012, and at that time, with the exception of a handful of long-running series (Gundam, Macross, Evangelion, etc.) and some kiddie fare, no original new robot anime shows debuted at all. But as of today that situation has changed, and so I feel the need to add two points to this document. At the start of the anime season in April of 2013, three all-new robot anime series debuted. These were Production I.G.'s “Gargantia on the Verdurous Planet," Sunrise's “Valvrave the Liberator," and Dogakobo and Orange's “Majestic Prince of the Galactic Fleet." Each was broadcast in a late-night timeslot and succeeded in building fanbases. The second new development is the debut of the director Guillermo Del Toro's film “Pacific Rim," which was released in Japan on August 9, 2013. The plot involves humanity using giant robots controlled by human pilots to defend Earth’s cities from gigantic “kaiju.” At the end of the credits, the director dedicates the film to the memory of “monster masters” Ishiro Honda (who oversaw many of the “Godzilla” films) and Ray Harryhausen (who pioneered stop-motion animation techniques.) The film clearly took a great deal of inspiration from Japanese robot anime shows. -
The Ninth Gate Diable Boiteux La Neuvième Porte, France / Espagne, 1999, 133 Minutes Claire Valade
Document generated on 09/30/2021 12:53 p.m. Séquences La revue de cinéma The Ninth Gate Diable boiteux La Neuvième Porte, France / Espagne, 1999, 133 minutes Claire Valade Buster Keaton, héros des temps modernes! Number 208, May–August 2000 URI: https://id.erudit.org/iderudit/59248ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Valade, C. (2000). Review of [The Ninth Gate : diable boiteux / La Neuvième Porte, France / Espagne, 1999, 133 minutes]. Séquences, (208), 47–48. Tous droits réservés © La revue Séquences Inc., 2000 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ CRITIQUES LES FILMS fragilité que suggèrent avec finesse les gestes, les regards et les recherche du sens de la vie, en une femme volontaire et sûre d'elle- silences de Winslet), intensifie le climat de confrontation entre les même, porte-parole invétérée des réflexions idéologiques et deux personnages ainsi que la complexité psychologique et la féministes de la cinéaste) et repose sur la récurrence d'un symbo profondeur émotive qu'elle suppose, tandis que l'omniprésence lisme qui souligne, non seulement à grands traits mais à répéti étouffante du désert australien, surtout communiquée par l'utili tion, les présupposés sous-tendant le film. -
International Reinterpretations
International Reinterpretations 1 Remakes know no borders… 2 … naturally, this applies to anime and manga as well. 3 Shogun Warriors 4 Stock-footage series 5 Non-US stock-footage shows Super Riders with the Devil Hanuman and the 5 Riders 6 OEL manga 7 OEL manga 8 OEL manga 9 Holy cow, more OEL manga! 10 Crossovers 11 Ghost Rider? 12 The Lion King? 13 Godzilla 14 Guyver 15 Crying Freeman 16 Fist of the North Star 17 G-Saviour 18 Blood: the Last Vampire 19 Speed Racer 20 Imagi Studios 21 Ultraman 6 Brothers vs. the Monster Army (Thailand) The Adventure Begins (USA) Towards the Future (Australia) The Ultimate Hero (USA) Tiga manhwa 22 Dragonball 23 Wicked City 24 City Hunter 25 Initial D 26 Riki-Oh 27 Asian TV Dramas Honey and Clover Peach Girl (Taiwan) Prince of Tennis (Taiwan) (China) 28 Boys Over Flowers Marmalade Boy (Taiwan) (South Korea) Oldboy 29 Taekwon V 30 Super Batman and Mazinger V 31 Space Gundam? Astro Plan? 32 Journey to the West (Saiyuki) Alakazam the Great Gensomaden Saiyuki Monkey Typhoon Patalliro Saiyuki Starzinger Dragonball 33 More “Goku”s 34 The Water Margin (Suikoden) Giant Robo Outlaw Star Suikoden Demon Century Akaboshi 35 Romance of the Three Kingdoms (Sangokushi) Mitsuteru Yokoyama’s Sangokushi Kotetsu Sangokushi BB Senshi Sangokuden Koihime Musou Ikkitousen 36 World Masterpiece Theater (23 seasons since 1969) Moomin Heidi A Dog of Flanders 3000 Leagues in Search of Mother Anne of Green Gables Adventures of Tom Sawyer Swiss Family Robinson Little Women Little Lord Fauntleroy Peter -
Retrospektive Roman Polanski the PIANIST Roman Polanski
Retrospektive Roman Polanski THE PIANIST Roman Polanski 31 Roman Polanski bei den Dreharbeiten zu Kino der Heimsuchung kennen. Und doch wird der Zuschauer augenblicklich Als die Cinémathèque française im Oktober letzten in den Bann des Films gezogen, in dessen Verlauf die Jahres eine große Ausstellung über die Geschichte der mulmige Enge nachbarschaftlichen Zusammenwoh- Filmtechnik eröffnete, fungierte er als Pate. Eine klü- nens nach und nach in einen Albtraum umschlägt. gere Wahl hätte die Pariser Kinemathek nicht treffen können, denn Roman Polanski hat immer wieder be- Ein Treibhauseffekt tont, wie unverzichtbar für ihn das Handwerk ist, das er Als LE LOCATAIRE 1976 herauskam, fügte er sich in an der Filmhochschule erlernt hat. Darin unterscheide einen Zyklus der klaustrophobisch-pathologischen Er- er sich, bemerkte der Regisseur mit maliziösem Stolz, zählungen, den der Regisseur ein Jahrzehnt zuvor mit doch ganz erheblich von seinen Freunden von der Nou- REPULSION (EKEL) und ROSEMARY'S BABY begonnen velle Vague, die als Filmkritiker angefangen hatten. hatte. Ihr erzählerischer Radius beschränkt sich weitge- Zur Eröffnung der Ausstellung präsentierte er LE hend auf einen Schauplatz. Der filmische Raum ist für LOCATAIRE (DER MIETER), der seinen virtuosen Um- diesen Regisseur eine Sphäre der Heimsuchung, an- gang mit der Technik spektakulär unter Beweis stellt. fangs auch der Halluzinationen und surrealen Verwand- 1976 war er der erste Filmemacher, der den Kamera- lungen. Sich auf einen Handlungsort zu konzentrieren, kran Louma einsetzte. Die Exposition des Films ist eine ist für ihn keine Begrenzung, sondern eine Herausfor- überaus akrobatische Kameraoperation, eine Kombi- derung an seine visuelle und dramaturgische Vorstel- nation aus Fahrten und Schwenks, der die Fassaden lungskraft. -
Occult Is Other: What, Where, Who, Why
Occult is Other: What, Where, Who, Why, How Occultus (the occult), according to Occultus: the hidden and macabre in literature and film, is "that which is hidden, secret, mysterious, inexplicable, magic, alchemy, not readily illuminated and not easily ascertained or understood" (Tobienne, “Occultus” 2). The occult, by nature, is not evil, but its practitioners are imbibed with a certain level of power that the mundane are not afforded, which makes their actions more subject to scrutiny. As Tobienne describes, “there is more to the occult than things that go ‘bump’ in the night” (Occultus, 2). Temptation, manipulation, and rejection of accepted mores are themes that prevail among the practitioners of the occult, simply because the occult itself falls outside the boundaries of society and all of its conventions. The presence of the occult weaves an intellectual underworld beneath the curtain of the common quotidian dimension. The occult is a mechanism of deceit--therefore, it can only be undone by knowledge. However, this presents a dichotomous conundrum: one may only become a part of the occult by gaining sight of it, but with this knowledge, the occult--that which is secret--becomes a candid facet of one’s reality. The occult, then, must be transitive: unique to every individual and ultimately forever changing as the fabric of their reality metamorphoses. This comprehensive essay seeks to understand the occult as the creator, guardian, and mentor of another realm which exists outside of the physical and spiritual peripheries of the familiar one as well as why it exists and how it is destroyed. -
The Mobile Suit Gundam Franchise
The Mobile Suit Gundam Franchise: a Case Study of Transmedia Storytelling Practices and the Role of Digital Games in Japan Akinori (Aki) Nakamura College of Image Arts and Sciences, Ritsumeikan University 56-1 Toji-in Kitamachi, Kita-ku, Kyoto 603-8577 [email protected] Susana Tosca Department of Arts and Communication, Roskilde University Universitetsvej 1, P.O. Box 260 DK-4000 Roskildess line 1 [email protected] ABSTRACT The present study looks at the Mobile Suit Gundam franchise and the role of digital games from the conceptual frameworks of transmedia storytelling and the Japanese media mix. We offer a historical account of the development of “the Mobile Suit Gundam” series from a producer´s perspective and show how a combination of convergent and divergent strategies contributed to the success of the series, with a special focus on games. Our case can show some insight into underdeveloped aspects of the theory of transmedial storytelling and the Japanese media mix. Keywords Transmedia Storytelling, Media mix, Intellectual Property, Business Strategy INTRODUCTION The idea of transmediality is now more relevant than ever in the context of media production. Strong recognizable IPs take for example more and more space in the movie box office, and even the Producers Guild of America ratified a new title “transmedia producer” in 2010 1. This trend is by no means unique to the movie industry, as we also detect similar patterns in other media like television, documentaries, comics, games, publishing, music, journalism or sports, in diverse national and transnational contexts (Freeman & Gambarato, 2018). However, transmedia strategies do not always manage to successfully engage their intended audiences; as the problematic reception of a number of works can demonstrate. -
Atlantic News
This Page © 2004 Connelly Communications, LLC, PO Box 592 Hampton, NH 03843- Contributed items and logos are © and ™ their respective owners Unauthorized reproduction 30 of this page or its contents for republication in whole or in part is strictly prohibited • For permission, call (603) 926-4557 • AN-Mark 9A-EVEN- Rev 12-16-2004 PAGE 4 SEA | ATLANTIC NEWS | JUNE 16, 2006 | VOL 32, NO 23 ATLANTICNEWS.COM . Brentwood | East Kingston | Exeter | Greenland | Hampton | Hampton Beach | Hampton Falls | Kensington | Newfields | North Hampton | Rye | Rye Beach | Seabrook | South Hampton | Stratham MAILED WEEKLY TO NEARLY 23,000 HOMES!! POSITIVE COMMUNITY AND SCHOOL NEWS FROM 15 TOWNS ATLANTIC LOCALLY OWNED WITH AN INDEPENDENT VOICE 5 TIMES THE REACH AT LESS THAN HALF THE COMPETITORS’ RATE! NEWS To Advertise Call PRICELESS! MIchelle or Sheri at (603) 926-4557 6/17/06 5 PM 5:30 6 PM 6:30 7 PM 7:30 8 PM 8:30 9 PM 9:30 10 PM 10:30 11 PM 11:30 12 AM 12:30 WBZ-4 Intercontinental Pok- News CBS Entertainment CSI: NY “Super Men” 48 Hours Mystery “Written in Blood” ’ News (:35) The (12:05) Da Vinci’s In- (CBS) er Champ. (CC) News Tonight (N) ’ (CC) ’ (HD) (CC) (CC) Insider quest (CC) WCVB-5 Explo- Ebert & News ABC Wld 24 “Day 2: 9:00 - ››› Lady and the Tramp (1955) (HD) Voic- The Evidence “Wine News (:35) Star Trek: En- Home- (ABC) ration Roeper (CC) News 10:00PM” ’ (CC) es of Peggy Lee. ’ (CC) and Die” (N) (CC) terprise “Home” ’ Team (N) WCSH-6 Golf U.S. -
Sony Pictures Classics to Release Roman Polanski's Carnage in North
SONY PICTURES CLASSICS TO RELEASE ROMAN POLANSKI’S CARNAGE IN NORTH AMERICA NEW YORK (April 14, 2011) – Sony Pictures Classics announced today that they will release Roman Polanski’s new film, CARNAGE, in North America. Polanski penned the script with Yasmina Reza, which is adapted from Reza’s 2009 Tony Award® winning play God of Carnage. CARNAGE is produced by Said Ben Said (THE WITNESSES, THE GIRL ON THE TRAIN) and stars Jodie Foster, Kate Winslet, Christoph Waltz and John C. Reilly. SPC expects an end of year release. Sony Pictures Classics acquired the film from Said Ben Said and ICM’s Jeff Berg. Polanski assembled an all-star crew to work on CARNAGE, director of photographer Pawel Edelman (THE GHOST WRITER, RAY, THE PIANIST), production designer Dean Tavoularis (THE NINTH GATE, THE GODFATHER, THE OUTSIDERS), editor Herve de Luze (THE GHOST WRITER, WILD GRASS, TELL NO ONE), costume designer Milena Canonero (DARJEELING LIMITED, MARIE ANTOINETTE, A CLOCKWORK ORANGE) and composer Alberto Iglesias (TALK TO HER, VOLVER, THE CONSTANT GARDENER, THE KITE RUNNER). Set in contemporary Brooklyn, New York, CARNAGE centers on two pairs of parents one of whose child has hurt the other at a public park, who meet to discuss the matter in a civilized manner. However, as the evening goes on, the parents become increasingly childish, resulting in the evening devolving into chaos. “In today’s world of moviemaking, Roman Polanski, his screenwriting partner Yasmina Reza, his cast, his crew, and his producer Said Ben Said represent the best of the best. We are so fortunate and pleased to bring CARNAGE, which promises to be an experience of intense emotion and hilarity, to the American audiences,” states Sony Pictures Classics. -
The Club Dumas PDF Book
THE CLUB DUMAS PDF, EPUB, EBOOK Arturo Perez-Reverte | 362 pages | 03 Jan 2017 | Mariner Books | 9780156032834 | English | United States The Club Dumas PDF Book Balkan tells Corso that "games are the only universally serious activity" [p. New Quantity available: 1. Fill in your details below or click an icon to log in:. Here is my haul from Saturday. Corso and Richelieu. We got four kinds of cookies, and I can definitely recommend the Double Chocolate Mint. Then, you'll need to look for space to play. To what extent are Balkan and Corso responsible for the violence that occurs in the story? He was no longer sure he wanted the job" [p. This damage is Travel teams are considerably more competitive than recreational soccer and require a larger commitment from team members. Rights: Howard Morhaim. Learn More. Last night for dinner, we had some excellent Italian food at Pasta e Basta. I really need to do some reading! Book has moderate edge wear, bumped on spine ends, spine is slightly tilted; overall, pages are tight, bright, and clean. He is a former war photographer, and the painting is his attempt to capture the photo he was never able to take; to encapsulate, in an instant, the meaning of war. Next, you'll want to put a budget together to figure out what your costs will be to run the league. While each essay in itself is a valuable addition to existing criticism on the genre, all the chapters mutually inform and complement each other in fascinating and often unexpected ways. -
MOBILE SUIT GUNDAM and INTERIORITY By
INSIDE THE BOY INSIDE THE ROBOT: MOBILE SUIT GUNDAM AND INTERIORITY by JOHN D. MOORE A THESIS Presented to the Department of East Asian Languages and Literatures and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts September 2017 THESIS APPROVAL PAGE Student: John D. Moore Title: Inside the Boy Inside the Robot: Mobile Suit Gundam and Interiority This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Department of East Asian Languages and Literatures by: Alisa Freedman Chair Glynne Walley Member and Sara D. Hodges Interim Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2017. ii © 2017 John D. Moore iii THESIS ABSTRACT John D. Moore Master of Arts Department of East Asian Languages and Literatures September 2017 Title: Inside the Boy Inside the Robot: Mobile Suit Gundam and Interiority Mobile Suit Gundam (1979-1980) is an iconic series in the genre of television anime featuring giant fighting robots, embedded in a system of conventions developed across decades of media aimed at boys that emphasizes action and combat. In this thesis, I argue that Gundam foregrounds the interiority of its main character Amuro, challenging conventions governing the boy protagonist. Using Peter Verstraten's principles of film narratology and Thomas Lamarre’s theory of limited animation, I find in Gundam's narrative strategies sophisticated techniques developed to portray his inner life. -
Cult Adaptations: a One-Day Symposium
Cult Adaptations: A one-day symposium Wednesday 25 November 2009 10.00 am – 6.00 pm Centre for Adaptations Campus Centre 2.01, De Montfort University, Leicester Cult Adaptations Symposium Programme Wednesday 25 November 2009 10.00am – 6.00pm Campus Centre 2.01 / 2.02 Registration from 9.30 in CC 2.01 10.00 – 11.30: Panel one (CC 2.01) ‘Rosemary’s Baby: an artistic dynasty’ Alexandre Tylski (University of Toulouse) ‘Fanpires: the utilization of the fan culture in the translation of Twilight from text to screen and beyond’ Maggie Parke (Bangor University) ‘All her inside is out!’: the female monster in film adaptations of Mary Shelley’s Frankenstein’ Devon Sherman (Rutgers University) 11.30 – 12.00: Coffee (CC 2.02) 12.00 – 1.00: Panel two (CC 2.01) ‘Bringing day to Night: the resurrection of The Night of the Hunter’ Thomas A. Schwenn (New York University) ‘Myths of sacrifice: 300, Sparta and the ‘cult’ of democracy’ Stuart Price (De Montfort University) ‘“We’re trying to get back to normal here’: a case-study of David Cronenberg’s A History of Violence’ David Bishop (Edinburgh Napier University) 1.00 – 2.00: lunch (CC 2.02) 2.00 – 3.30: Panel three (CC 2.01) ‘Who will watch The Watchmen: towards a sequential hermeneutic chain analysis’ John Quinn (University of the West of Scotland) ‘Spectacle fantastique: audio-visual technologies and early adaptations of Verne’s De la terre a la lune’ Brooke McCorkle (University of Pennsylviania) ‘The Quatermass Transformation: Monstrous Hybrids and National Identity in the Quatermass Films of the 1950s’