The Club Dumas PDF Book
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Ninth Gate Diable Boiteux La Neuvième Porte, France / Espagne, 1999, 133 Minutes Claire Valade
Document generated on 09/30/2021 12:53 p.m. Séquences La revue de cinéma The Ninth Gate Diable boiteux La Neuvième Porte, France / Espagne, 1999, 133 minutes Claire Valade Buster Keaton, héros des temps modernes! Number 208, May–August 2000 URI: https://id.erudit.org/iderudit/59248ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Valade, C. (2000). Review of [The Ninth Gate : diable boiteux / La Neuvième Porte, France / Espagne, 1999, 133 minutes]. Séquences, (208), 47–48. Tous droits réservés © La revue Séquences Inc., 2000 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ CRITIQUES LES FILMS fragilité que suggèrent avec finesse les gestes, les regards et les recherche du sens de la vie, en une femme volontaire et sûre d'elle- silences de Winslet), intensifie le climat de confrontation entre les même, porte-parole invétérée des réflexions idéologiques et deux personnages ainsi que la complexité psychologique et la féministes de la cinéaste) et repose sur la récurrence d'un symbo profondeur émotive qu'elle suppose, tandis que l'omniprésence lisme qui souligne, non seulement à grands traits mais à répéti étouffante du désert australien, surtout communiquée par l'utili tion, les présupposés sous-tendant le film. -
Retrospektive Roman Polanski the PIANIST Roman Polanski
Retrospektive Roman Polanski THE PIANIST Roman Polanski 31 Roman Polanski bei den Dreharbeiten zu Kino der Heimsuchung kennen. Und doch wird der Zuschauer augenblicklich Als die Cinémathèque française im Oktober letzten in den Bann des Films gezogen, in dessen Verlauf die Jahres eine große Ausstellung über die Geschichte der mulmige Enge nachbarschaftlichen Zusammenwoh- Filmtechnik eröffnete, fungierte er als Pate. Eine klü- nens nach und nach in einen Albtraum umschlägt. gere Wahl hätte die Pariser Kinemathek nicht treffen können, denn Roman Polanski hat immer wieder be- Ein Treibhauseffekt tont, wie unverzichtbar für ihn das Handwerk ist, das er Als LE LOCATAIRE 1976 herauskam, fügte er sich in an der Filmhochschule erlernt hat. Darin unterscheide einen Zyklus der klaustrophobisch-pathologischen Er- er sich, bemerkte der Regisseur mit maliziösem Stolz, zählungen, den der Regisseur ein Jahrzehnt zuvor mit doch ganz erheblich von seinen Freunden von der Nou- REPULSION (EKEL) und ROSEMARY'S BABY begonnen velle Vague, die als Filmkritiker angefangen hatten. hatte. Ihr erzählerischer Radius beschränkt sich weitge- Zur Eröffnung der Ausstellung präsentierte er LE hend auf einen Schauplatz. Der filmische Raum ist für LOCATAIRE (DER MIETER), der seinen virtuosen Um- diesen Regisseur eine Sphäre der Heimsuchung, an- gang mit der Technik spektakulär unter Beweis stellt. fangs auch der Halluzinationen und surrealen Verwand- 1976 war er der erste Filmemacher, der den Kamera- lungen. Sich auf einen Handlungsort zu konzentrieren, kran Louma einsetzte. Die Exposition des Films ist eine ist für ihn keine Begrenzung, sondern eine Herausfor- überaus akrobatische Kameraoperation, eine Kombi- derung an seine visuelle und dramaturgische Vorstel- nation aus Fahrten und Schwenks, der die Fassaden lungskraft. -
Occult Is Other: What, Where, Who, Why
Occult is Other: What, Where, Who, Why, How Occultus (the occult), according to Occultus: the hidden and macabre in literature and film, is "that which is hidden, secret, mysterious, inexplicable, magic, alchemy, not readily illuminated and not easily ascertained or understood" (Tobienne, “Occultus” 2). The occult, by nature, is not evil, but its practitioners are imbibed with a certain level of power that the mundane are not afforded, which makes their actions more subject to scrutiny. As Tobienne describes, “there is more to the occult than things that go ‘bump’ in the night” (Occultus, 2). Temptation, manipulation, and rejection of accepted mores are themes that prevail among the practitioners of the occult, simply because the occult itself falls outside the boundaries of society and all of its conventions. The presence of the occult weaves an intellectual underworld beneath the curtain of the common quotidian dimension. The occult is a mechanism of deceit--therefore, it can only be undone by knowledge. However, this presents a dichotomous conundrum: one may only become a part of the occult by gaining sight of it, but with this knowledge, the occult--that which is secret--becomes a candid facet of one’s reality. The occult, then, must be transitive: unique to every individual and ultimately forever changing as the fabric of their reality metamorphoses. This comprehensive essay seeks to understand the occult as the creator, guardian, and mentor of another realm which exists outside of the physical and spiritual peripheries of the familiar one as well as why it exists and how it is destroyed. -
Sony Pictures Classics to Release Roman Polanski's Carnage in North
SONY PICTURES CLASSICS TO RELEASE ROMAN POLANSKI’S CARNAGE IN NORTH AMERICA NEW YORK (April 14, 2011) – Sony Pictures Classics announced today that they will release Roman Polanski’s new film, CARNAGE, in North America. Polanski penned the script with Yasmina Reza, which is adapted from Reza’s 2009 Tony Award® winning play God of Carnage. CARNAGE is produced by Said Ben Said (THE WITNESSES, THE GIRL ON THE TRAIN) and stars Jodie Foster, Kate Winslet, Christoph Waltz and John C. Reilly. SPC expects an end of year release. Sony Pictures Classics acquired the film from Said Ben Said and ICM’s Jeff Berg. Polanski assembled an all-star crew to work on CARNAGE, director of photographer Pawel Edelman (THE GHOST WRITER, RAY, THE PIANIST), production designer Dean Tavoularis (THE NINTH GATE, THE GODFATHER, THE OUTSIDERS), editor Herve de Luze (THE GHOST WRITER, WILD GRASS, TELL NO ONE), costume designer Milena Canonero (DARJEELING LIMITED, MARIE ANTOINETTE, A CLOCKWORK ORANGE) and composer Alberto Iglesias (TALK TO HER, VOLVER, THE CONSTANT GARDENER, THE KITE RUNNER). Set in contemporary Brooklyn, New York, CARNAGE centers on two pairs of parents one of whose child has hurt the other at a public park, who meet to discuss the matter in a civilized manner. However, as the evening goes on, the parents become increasingly childish, resulting in the evening devolving into chaos. “In today’s world of moviemaking, Roman Polanski, his screenwriting partner Yasmina Reza, his cast, his crew, and his producer Said Ben Said represent the best of the best. We are so fortunate and pleased to bring CARNAGE, which promises to be an experience of intense emotion and hilarity, to the American audiences,” states Sony Pictures Classics. -
Book Discussion Kit Book Summaries
New titles! Webster Public Library Book Discussion Kits These kits comprised of 8 books and discussion guides are all ready for your reading group. The kits may be borrowed for up to 6 weeks at a time, just ask when you check out. The Age of Miracles by Karen Thompson Walker her father has brought to the city to decorate the family's Imagines the coming-of-age story of young Julia, whose world Florentine palazzo. is thrown into upheaval when it is discovered that the Earth's rotation has suddenly begun to slow, posing a catastrophic Black and Blue by Anna Quindlen threat to all life. Fran Benedetto tells a spellbinding story: how at 19 she fell in love with Bobby Benedetto; how their passionate marriage The Alchemist by Paulo Coelho became a nightmare; why she stayed and then what happened A fable about undauntingly following one's dreams, listening to on the night she finally decided to run away with her son and one's heart, and reading life's omens features dialogue start a new life under a new name. between a boy and an unnamed being. Blind Assassin by Margaret Atwood Angels & Demons by Dan Brown Iris Chase Griffen, married at eighteen to a wealthy industrialist The murder of a world-famous physicist raises fears that the but now poor and eighty-two, recalls her far from exemplary Illuminati are operating again after centuries of silence, and life, and the events leading up to her sister’s death, who drove religion professor Robert Langdon is called in to assist with the a car off a bridge ten days after the war ended, gradually case. -
Cult Adaptations: a One-Day Symposium
Cult Adaptations: A one-day symposium Wednesday 25 November 2009 10.00 am – 6.00 pm Centre for Adaptations Campus Centre 2.01, De Montfort University, Leicester Cult Adaptations Symposium Programme Wednesday 25 November 2009 10.00am – 6.00pm Campus Centre 2.01 / 2.02 Registration from 9.30 in CC 2.01 10.00 – 11.30: Panel one (CC 2.01) ‘Rosemary’s Baby: an artistic dynasty’ Alexandre Tylski (University of Toulouse) ‘Fanpires: the utilization of the fan culture in the translation of Twilight from text to screen and beyond’ Maggie Parke (Bangor University) ‘All her inside is out!’: the female monster in film adaptations of Mary Shelley’s Frankenstein’ Devon Sherman (Rutgers University) 11.30 – 12.00: Coffee (CC 2.02) 12.00 – 1.00: Panel two (CC 2.01) ‘Bringing day to Night: the resurrection of The Night of the Hunter’ Thomas A. Schwenn (New York University) ‘Myths of sacrifice: 300, Sparta and the ‘cult’ of democracy’ Stuart Price (De Montfort University) ‘“We’re trying to get back to normal here’: a case-study of David Cronenberg’s A History of Violence’ David Bishop (Edinburgh Napier University) 1.00 – 2.00: lunch (CC 2.02) 2.00 – 3.30: Panel three (CC 2.01) ‘Who will watch The Watchmen: towards a sequential hermeneutic chain analysis’ John Quinn (University of the West of Scotland) ‘Spectacle fantastique: audio-visual technologies and early adaptations of Verne’s De la terre a la lune’ Brooke McCorkle (University of Pennsylviania) ‘The Quatermass Transformation: Monstrous Hybrids and National Identity in the Quatermass Films of the 1950s’ -
Počet Uvedenechy SK
prehled nÁVŠTĚVNOST 45 40 35 Number of admissions 30 (millions) Polish films 25 European films US films 20 15 10 5 0 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 Návštevnost ČR 20 000 000 16 000 000 12 000 000 diváků celkem 8 000 000 4 000 000 0 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 počet uvedených titulů PL Počet uvedenechy SK 350 250 300 200 250 Polish films European films 200 US films 150 premiér 150 ostatní 100 StránkaNumber 1 of films 100 released 50 50 0 0 20 20 20 20 20 20 20 20 20 20 20 20 20 00 01 02 03 04 05 06 07 08 09 10 11 12 2004 2005 2006 2007 2008 2009 počet uvedených titulů PL Počet uvedenechy SK 350 250 300 200 250 Polish films European films 200 prehled US films 150 premiér 150 ostatní Number of films 100 100 released 50 50 0 0 20 20 20 20 20 20 20 20 20 20 20 20 20 00 01 02 03 04 05 06 07 08 09 10 11 12 2004 2005 2006 2007 2008 2009 Stránka 2 prehled Návštěvnost SK 12 10 8 Madagaskar 6 4 2 0 9 8 7 6 5 4 3 Návštevnost ČR 20 000 000 16 000 000 12 000 000 diváků celkem 8 000 000 4 000 000 0 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 Premiér ČR Počet uvedenechy SK 400 250 350 200 300 250 150 premiér 200 100 150 Stránka 3 50 100 0 50 2004 2005 2006 2007 2008 2009 0 1998 2000 2002 2004 2006 2008 2010 2012 Premiér ČR Počet uvedenechy SK 400 250 350 200 300 250 prehled 150 premiér 200 100 150 50 100 0 50 2004 2005 2006 2007 2008 2009 0 1998 2000 2002 2004 2006 -
VENUS in FUR a Roman Polanski Film
Alain Sarde and Robert Benmussa present VENUS IN FUR A Roman Polanski film Emmanuelle Seigner Mathieu Amalric Running time: 1:35 Written by David Ives and Roman Polanski Based on Venus in Fur a play by David Ives A France/Polish / RP Productions / Monolith Films Co-production International Sales - Lionsgate Melissa Martinez / [email protected] +1 (310) 213 1418 Asmeeta Narayan / [email protected] +1 (310) 428 3627 Sabrina Lamb / [email protected] +1 (310) 310 4628 International Press in Cannes: Jonathan Rutter, Premier +44 7802 252 591 [email protected] In Cannes: +33 4 93 99 92 45 In London: +44 20 7292 8330 1 SYNOPSIS Alone in a Parisian theatre after a day of auditioning actresses for the play he is preparing to direct, Thomas is complaining over the phone about the low standard of the auditionees. Not one has the poise to play the leading role. He is getting ready to leave when Vanda appears: an unbridled and brazen whirlwind of energy. Vanda embodies everything Thomas hates. She is crude, idiotic, and will stop at nothing to get the part. But when Thomas finds himself backed into a corner and lets her try her luck, he is amazed to see Vanda transformed. Not only has she found the right props and costumes, but she understands the character (whose name she shares) intimately, and knows all her lines by heart. The "audition" lengthens and intensifies, and Thomas’s attraction starts to develop into an obsession… 3 INTERVIEW WITH ROMAN POLANSKI / DIRECTOR, CO-WRITER AND PRODUCER How did you come across David Ives’ play, inspired by Sacher-Masoch’s novel? It was thanks to my agent, Jeff Berg. -
El Club Dumas De Arturo Pérez-Reverte Como Paradigma De
View metadata, citation and similar papers at core.ac.uk brought to you by CORE Dirāsāt Hispānicas n.º 2 - 2015: 121-136 e-ISSN: 2286-5977 dh El Club Dumas de Arturo Pérez-Reverte como paradigma de la narrativa posmoderna española The Club Dumas by Arturo Pérez-Reverte as paradigm of the Spanish postmodern narrative Isaac GÓMEZ LAGUNA Aristotle University of Thessaloniki, Grecia Resumen: El presente artículo ofrece un Abstract: The present article offers an análisis de los diferentes rasgos posmo- analysis of the different postmodern dernistas que aparecen de manera explí- features that explicitly appear in El Club cita en El Club Dumas, novela insignia de Dumas [The Club Dumas], novel-flag of la narrativa posmoderna en España, en the postmodern narrative in Spain, fo- torno a tres ejes centrales: a) género de cusing in three main points: a) gender of la obra e intertextualidad, b) indetermi- the book and intertextuality, b) indeter- nación e irrealidad, y c) individuo y mination and unreality, c) individuals sociedad. Mediante esta reflexión pre- and society. Through this research, we tendemos evidenciar que su autor, Artu- wish to prove that the author, Arturo ro Pérez-Reverte, no solo crea una nove- Pérez-Reverte, not only creates a pure la puramente posmoderna, sino que su postmodern novel, but through his crea- obra le sirve para teorizar acerca del tion he also theorizes about postmod- posmodernismo. ernism. Palabras clave: narrativa española; siglo Keywords: Spanish Narrative; 20th Cen- XX; posmodernismo; El Club Dumas; tury; Postmodernism; The Club Dumas; Arturo Pérez-Reverte. Arturo Pérez-Reverte. Este trabajo se encuentra bajo una Licencia Creative Commons Atribución- NoComercial 4.0 Internacional. -
Roman Polanski Pathé Présente / Presents
UN FILM DE / A FILM BY ROMAN POLANSKI PATHÉ PRÉSENTE / PRESENTS UN FILM DE / A FILM BY ROMAN POLANSKI AVEC / WITH NASTASSJA KINSKI PETER FIRTH LEIGH LAWSON ET / AND JOHN COLLIN DAVID MARKHAM ROSEMARY MARTIN RICHARD PEARSON CAROLYN PICKLES PASCALE DE BOYSSON INTERNATIONAL SALES PATHÉ ARIELLE DOMBASLE PARIS OFFICE SCÉNARIO / SCREENPLAY BY 2, rue Lamennais - 75008 Paris - France Tel: +33 1 71 72 33 05 GÉRARD BRACH ROMAN POLANSKI JOHN BROWNJOHN DISTRIBUTION PATHÉ LONDON OFFICE D’APRÈS LE ROMAN «TESS D’URBERVILLE» DE THOMAS HARDY 2, rue Lamennais 6 Ramillies Street - London W1F 7TY - UK 75008 Paris Tel: +44 207 462 4429 BASED ON THE NOVEL “TESS OF THE D’URBERVILLES” BY THOMAS HARDY France Tél. : 01 71 72 30 00 www.patheinternational.com PRODUIT PAR / PRODUCED BY www.pathefilms.com [email protected] CLAUDE BERRI SYNOPSIS THE STORY ans l’Angleterre du XIXe siècle, un paysan du Dorset, John Durbeyfield, découvre par hasard D qu’il est le dernier descendant d’une grande famille d’aristocrates. Motivé par le profit qu’il pourrait tirer de cette noblesse perdue, Durbeyfield envoie sa fille aînée, Tess, se réclamer de cette parenté chez la riche famille des d’Urberville. Le jeune Alec d’Urberville, charmé par la beauté de sa «délicieuse cousine», accepte de l’employer et met tout en œuvre pour la séduire. Tess finit par céder aux avances d’Alec et, enceinte, retourne chez ses parents où elle donne naissance à un enfant qui meurt peu de temps après. Fuyant son destin, Tess s’enfuit de son village et trouve un emploi dans une ferme où personne ne connaît son malheur. -
San Diego Public Library New Additions April 2007
San Diego Public Library New Additions April 2007 Adult Materials 000 - Computer Science and Generalities Audiovisual Materials 100 - Philosophy & Psychology Biographies 200 - Religion California Room 300 - Social Sciences CD-ROMs 400 - Language Compact Discs 500 - Science DVD Videos/Videocassettes 600 - Technology eBooks 700 - Art Fiction 800 - Literature Foreign Languages 900 - Geography & History Genealogy Room Audiocassettes Large Print Fiction Call # Author Title [MYST] FIC/ABBOTT Abbott, Megan E., The song is you [MYST] FIC/ALLEN Allen, Conrad, Murder on the Celtic [MYST] FIC/ATHERTON Atherton, Nancy. Aunt Dimity beats the Devil [MYST] FIC/ATHERTON Atherton, Nancy. Aunt Dimity goes West [MYST] FIC/ATHERTON Atherton, Nancy. Aunt Dimity, detective [MYST] FIC/BARTOY Bartoy, Mitchell. The devil's only friend [MYST] FIC/BASS Bass, Jefferson. Flesh and bone [MYST] FIC/BENOIT Benoit, Charles. Out of order [MYST] FIC/BILLHEIMER Billheimer, John W. Stonewall Jackson's elbow [MYST] FIC/BOUTON Bouton, Mark. Max unlocks the universe [MYST] FIC/BRAUN Braun, Lilian Jackson. The cat who had 14 tales [MYST] FIC/BROWN Brown, Rita Mae. Puss 'n cahoots [MYST] FIC/CARL Carl, JoAnna. The chocolate bridal bash [MYST] FIC/CARL Carl, JoAnna. The chocolate puppy puzzle [MYST] FIC/CAVANAGH Cavanagh, Thomas B. Head games [MYST] FIC/CHAN Chan, Cassandra. Village affairs [MYST] FIC/CHANG Chang, Henry, Chinatown beat [MYST] FIC/CHRISTIE Christie, Agatha, A murder is announced [MYST] FIC/CHRISTIE Christie, Agatha, Murder on the Orient Express [MYST] FIC/CHRISTIE Christie, Agatha, The A.B.C. murders [MYST] FIC/CLEMENT Clement, Blaize. Duplicity dogged the dachshund [MYST] FIC/COGGINS Coggins, Mark, Candy from strangers [MYST] FIC/COLLEY Colley, Barbara. -
The Dumas Club Free
FREE THE DUMAS CLUB PDF Arturo Perez-Reverte | 336 pages | 02 Jun 2011 | Vintage Publishing | 9780099448594 | English | London, United Kingdom THE CLUB DUMAS | Kirkus Reviews Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to experience all the features of our site. Learn how to enable JavaScript The Dumas Club your browser. NOOK Book. A provocative literary thriller that playfully pays tribute to classic tales of mystery and adventure. Home 1 Books 2. Read an excerpt of this book! Add to Wishlist. Sign in to Purchase Instantly. Members save with free shipping everyday! See details. When a well-known bibliophile is found dead, leaving behind part of the original manuscript of Alexandre Dumas's The Three MusketeersCorso is brought in to authenticate the fragment. He is soon drawn into a swirling plot involving devil worship, occult practices, and swashbuckling derring-do among a cast of characters bearing a suspicious resemblance to those of Dumas's masterpiece. Aided by a mysterious beauty named for a Conan Doyle heroine, Corso travels from Madrid to Toledo The Dumas Club Paris on the killer's trail in this twisty intellectual The Dumas Club through the book world. About the Author. A retired war journalist, he lives in Madrid and is The Dumas Club member of the Royal Spanish Academy. Table of Contents I. The Man with the Scar 69 26 V. Remember 95 18 VI. Postuma Necat 24 IX.