DIVISIONISM ゴッホ、スーラからモンドリアンまで from Van Gogh and Seurat to Mondrian
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VU Research Portal
VU Research Portal Willem van Konijnenburg Rijnders, M.L.J. 2007 document version Publisher's PDF, also known as Version of record Link to publication in VU Research Portal citation for published version (APA) Rijnders, M. L. J. (2007). Willem van Konijnenburg: Leonardo van de Lage Landen. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. E-mail address: [email protected] Download date: 01. Oct. 2021 Summary Willem van Konijnenburg. The Leonardo of the Low Countries During the interbellum the Hague artist Willem van Konijnenburg (1868-1943) was one of the standard-bearers of Dutch modern art. After the Second World War, he disappeared from sight. Why? Closely related to this question are such issues as the nature of his art and his role as an artist, and the way they have been portrayed. What was Van Konijnenburg’s place in the Dutch art world, and was the position accorded him what he himself had hoped for? My research is intended to provide an answer to these questions. -
出品作品リスト| List of Works
主 催:東京都美術館(公益財団法人東京都歴史文化財団)、東京新聞、TBS 後 援:オ ラ ン ダ 王 国 大 使 館 、 TBSラ ジ オ、 BS - TBS 協 賛:三井住友銀行、日本写真印刷、三井物産、損保ジャパン日本興亜 協 力:エールフランス航 空 / K L M オランダ航 空、日本航 空、オランダ 政 府観 光 局 Organized by:Tokyo Metropolitan Art Museum (Tokyo Metropolitan Foundation for History and Culture)/The Tokyo Shimbun/TBS With the support of:Embassy of the Kingdom of the Netherlands/ TBS RADIO, Inc./BS - TBS With the sponsorship of:Sumitomo Mitsui Banking Corporation/Nissha Printing Co., Ltd./MITSUI & CO., LTD. /Sompo Japan Nipponkoa Insurance Inc. With the cooperation of:Air France / KLM Royal Dutch Airlines/JAPAN AIRLINES/ Netherlands Board of Tourism & Conventions 本展は、政府による美術品補償制度の適用を受けています。 This exhibition is covered by the Japanese Act on the Indemnification of Damage to Works of Art in Exhibitions (Act No.17 of 2011) 出品 作 品リスト | List of Works ・本リストの掲載順と作品展示順は必ずしも一致しません。 ・ 展示室内の温度・湿度、照明は、作品保護に関する所蔵者の貸出条件に従い管理しております。ご来場の皆様にとって理想的と感じられない場合もあるかと存じますが、 ご容赦ください。 ・作品番号 10、11、27、29、53、62 は東京会場に出品されないため、本リストには掲載しておりません。 ・The order of the work in this list may not necessarily correspond to that in the exhibition. ・Temperature, humidity and brightness of the exhibition room are controlled under the lender's condition of loan and international standard for preservation of work. We apologize any inconvenience this may cause. ・Work nos. 10, 11, 27, 29, 53, 62 will not be displayed in Tokyo. 番号 作家名 作品名 制作年 技法・材質 所蔵 No. Artist Title Year Technique / Material Collection 第1章 近代絵画のパイオニア誕生 The Making of the Two Fathers of Modern Art 1 フィン セ ント ・ファン ・ゴッホ 泥炭船と二人の人物 1883 油彩、 ドレント美 術 館 板 に -
Online Bekijken
SIMONIS &BUUNK KUNSTHANDEL Wintersalon 2003 20e eeuw 1 Julius Müller-Massdorf Tearoom Tango Leendert ‘Leo’ Gestel Woerden 1881-1941 Hilversum Bloemstilleven met tijgerlelies, doek 33,3 x 25,3 cm, gesigneerd en te dateren 1912-1913. Herkomst: Douwe Komter, Amsterdam. Wordt opgenomen in de catalogue critique van het werk van de schilder, in voorbereiding door het Leo Gestel Comité. SIMONIS &BUUNK Klassiek-Modernen EEN KEUR AAN KUNST Neo-Impressionisten Bergense School Groninger Ploeg Nieuwe Realisten Wintersalon 2003 Abstracten 20e eeuw donderdag 20 november t/m zaterdag 6 december SIMONIS&BUUNK KUNSTHANDEL BV SIMONIS&BUUNK COLLECTIE BV SIMONIS&BUUNK COLLECTIE DE PLOEG CV RESTAURATIEATELIER J.M. SIMONIS – SINDS 1927 BEËDIGD TAXATEUR SCHILDERIJEN Een collectie schilderijen, aquarellen en tekeningen, voornamelijk uit de eerste helft van de 20e eeuw: klassiek-modernen, waar- onder neo-impressionisten, luministen, en vertegenwoordigers van expressionistische stromingen als Bergense School en Groninger Ploeg, nieuwe realisten en abstracten Voor prijzen: zie www.simonis-buunk.nl Openingstijden expositie: dinsdag t/m zaterdag van 11-17 uur zondag 23 november en zondag 30 november van 12-17 uur Gesloten op maandagen en tevens op 11 en 12, 18 en 19 november Notaris Fischerstraat 19, 6711 BB Ede telefoon: 0318 652888 fax: 0318 611130 Buiten exposities om geopend dinsdag t/m zaterdag van 11-17 uur en op afspraak www.simonis-buunk.nl [email protected] 3 Ter inleiding omgeving en het kantoor en de archiefruimte uit te breiden hebben we in korte tijd en met veel plezier kunnen verwezenlijken. Voor gelijkgestemde zielen is het gemakkelijk samenwerken, en eigenwijs als we zijn waren we bovendien onze eigen binnenhuis- architect. -
Wyndham Lewis and Nihilism
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Groningen University of Groningen Theo van Doesburg and Wyndham Lewis Renders, Hans; van Faassen, Sjoerd Published in: The Journal of Wyndham Lewis Studies IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2018 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Renders, H., & van Faassen, S. (2018). Theo van Doesburg and Wyndham Lewis: An Aborted Attempt at Collaboration’. The Journal of Wyndham Lewis Studies, 8, 30-56. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 13-11-2019 The Journal of Wyndham Lewis Studies Wyndham Lewis Society Volume 8 (2017) ISSN 2052-5168 THE JOURNAL OF WYNDHAM LEWIS STUDIES PUBLISHED BY THE WYNDHAM LEWIS SOCIETY EDITORIAL ADDRESS The Journal of Wyndham Lewis Studies c/o Dr Nathan Waddell Department of English Literature, Arts Building University of Birmingham, Edgbaston Birmingham, B13 2TT EDITORS Zoe Gosling, Louise Kane, Michael Shallcross, Nathan Waddell REVIEWS EDITOR James Hirst EDITORIAL BOARD Rebecca Beasley, Peter Brooker, Peter Caracciolo, Edward Chaney, Paul Edwards, C. -
Van Gogh Museum Journal 1995
Van Gogh Museum Journal 1995 bron Van Gogh Museum Journal 1995. Waanders, Zwolle 1995 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012199501_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 6 Director's Foreword The Van Gogh Museum shortly after its opening in 1973 For those of us who experienced the foundation of the Van Gogh Museum at first hand, it may come as a shock to discover that over 20 years have passed since Her Majesty Queen Juliana officially opened the Museum on 2 June 1973. For a younger generation, it is perhaps surprising to discover that the institution is in fact so young. Indeed, it is remarkable that in such a short period of time the Museum has been able to create its own specific niche in both the Dutch and international art worlds. This first issue of the Van Gogh Museum Journal marks the passage of the Rijksmuseum (National Museum) Vincent van Gogh to its new status as Stichting Van Gogh Museum (Foundation Van Gogh Museum). The publication is designed to both report on the Museum's activities and, more particularly, to be a motor and repository for the scholarship on the work of Van Gogh and aspects of the permanent collection in broader context. Besides articles on individual works or groups of objects from both the Van Gogh Museum's collection and the collection of the Museum Mesdag, the Journal will publish the acquisitions of the previous year. Scholars not only from the Museum but from all over the world are and will be invited to submit their contributions. -
Gestel, Portrait of Jan Wiegman Seated on a Chair Woerden 1881 – 1941 Hilversum
Leo Gestel, Portrait of Jan Wiegman seated on a Chair Woerden 1881 – 1941 Hilversum charcoal and crayon on paper 38 ¾ by 28 5/8 inches (985 by 727 mm.) signed and dated upper right: ‘Bergen 1921’ provenance: Private collection, Belgium exhibited: Museum Kranenburgh, Bergen, Gestel in Bergen, May 18 – October 6, 2002 note: Leo Gestel was one of the leading artists of Dutch Modernism. He first studied with his father, Willem Gestel, the director of an art school, and his uncle, Dimmen Gestel, who had painted with Vincent van Gogh. Later, the young artist was a pupil at the Amsterdam Academy. During his career Gestel experimented with Cubism, Expressionism, Futurism and Postimpressionism. His early work follows the style of the late 19th century, for example, the Postimpressionist Still Life with Fruit (fig.1). By 1913, he was painting simplified Cubist landscapes and figures such as Mallorca Harbour, 1914 (fig. 2). In the same year Herwarth Walden offered Gestel the chance to exhibit his work in the “Erster Deutscher Herbstsalon” in Berlin. Walden, a German Expressionist artist, was one of the most important promoters of German avant-garde art in the early twentieth century. By the 1920’s, Gestel’s subjects show the clear influence of Expressionism. As in the present work, his compositions are strongly stylized and tightly composed. Gestel’s Portrait of Jan Wiegman displays the aesthetics and spirit of contemporary European Expressionsim during the crisis years following World War I. The bold handling of line in charcoal and crayon and the subjects striking emotional form depict an essential reality and human personality hidden behind the world of surface appearance. -
Masterscriptie September 2019 Scriptiebegeleider: Dr
MASTER'S THESIS De reputatie van Leo Gestel Een kunstkritische waarderingsgeschiedenis van zijn werk Langstraat, E. Award date: 2019 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us at: [email protected] providing details and we will investigate your claim. Downloaded from https://research.ou.nl/ on date: 05. Oct. 2021 Open Universiteit www.ou.nl De reputatie van Leo Gestel Een kunstkritische waarderingsgeschiedenis van zijn werk The reputation of Leo Gestel A study into the art critical reception of his work Elisabeth Langstraat ‘Ik zal in mijn werk blijven voortleven’ De reputatie van Leo Gestel Een kunstkritische waarderingsgeschiedenis van zijn werk The reputation of Leo Gestel A study into the art critical reception of his work Elisabeth Langstraat Zuideinde 223 2627 CE Delft tel: 015-2610035 email: [email protected] Studentnummer 830316054 Open Universiteit Nederland Kunst en Cultuurwetenschappen Masterscriptie september 2019 Scriptiebegeleider: dr. A. Schulenberg Examinator: dr. J. Pouls INHOUDSOPGAVE 5 Inleiding 10 Hoofdstuk 1 De weg naar succes 10 1.1 Het theoretisch model van Alan Bowness 14 1.2 Eric Moody 16 1.3 Art worlds van Howard S. -
Annual Report 2004
mma BOARD OF TRUSTEES Richard C. Hedreen (as of 30 September 2004) Eric H. Holder Jr. Victoria P. Sant Raymond J. Horowitz Chairman Robert J. Hurst Earl A. Powell III Alberto Ibarguen Robert F. Erburu Betsy K. Karel Julian Ganz, Jr. Lmda H. Kaufman David 0. Maxwell James V. Kimsey John C. Fontaine Mark J. Kington Robert L. Kirk Leonard A. Lauder & Alexander M. Laughlin Robert F. Erburu Victoria P. Sant Victoria P. Sant Joyce Menschel Chairman President Chairman Harvey S. Shipley Miller John W. Snow Secretary of the Treasury John G. Pappajohn Robert F. Erburu Sally Engelhard Pingree Julian Ganz, Jr. Diana Prince David 0. Maxwell Mitchell P. Rales John C. Fontaine Catherine B. Reynolds KW,< Sharon Percy Rockefeller Robert M. Rosenthal B. Francis Saul II if Robert F. Erburu Thomas A. Saunders III Julian Ganz, Jr. David 0. Maxwell Chairman I Albert H. Small John W. Snow Secretary of the Treasury James S. Smith Julian Ganz, Jr. Michelle Smith Ruth Carter Stevenson David 0. Maxwell Roselyne C. Swig Victoria P. Sant Luther M. Stovall John C. Fontaine Joseph G. Tompkins Ladislaus von Hoffmann John C. Whitehead Ruth Carter Stevenson IJohn Wilmerding John C. Fontaine J William H. Rehnquist Alexander M. Laughlin Dian Woodner ,id Chief Justice of the Robert H. Smith ,w United States Victoria P. Sant John C. Fontaine President Chair Earl A. Powell III Frederick W. Beinecke Director Heidi L. Berry Alan Shestack W. Russell G. Byers Jr. Deputy Director Elizabeth Cropper Melvin S. Cohen Dean, Center for Advanced Edwin L. Cox Colin L. Powell John W. -
News Release ATZ200730-E E
News Release ATZ200730-E_E July 30, 2020 Artizon Museum, Ishibashi Foundation Rimpa and Impressionism: Arts Produced by Urban Cultures, East and West November 14 (Saturday), 2020 ‒ January 24 (Sunday), 2021 The Artizon Museum of the Ishibashi Foundation (Director: Ishibashi Hiroshi) is delighted to announce its upcoming exhibition, Rimpa and Impressionism: Arts Produced by Urban Cultures, East and West. The Rimpa school of painting was initiated by Tawaraya Sotatsu in the early seventeenth century. It evolved through the work of Ogata Korin in the early eighteenth century and Sotatsu’s and Korin’s colleagues in context of the townsman culture of Kyoto, then Japan’s imperial capital. In the early nineteenth century, Rimpa was carried on by artists such as Sakai Hoitsu and Suzuki Kiitsu, in Edo (today’s Tokyo), the shogun’s headquarters. In Edo, the evolving Rimpa school became an urban genre with a decorative aesthetic at its core. Impressionism was an innovative, modern school of art that emerged in Europe in the latter half of the nineteenth century. Centered on Paris, the Impressionists included artists such as Édouard Manet, Claude Monet, Edgar Degas, Pierre-Auguste Renoir, and Paul Cézanne who candidly expressed their impressions of their everyday experiences and the delights of urban lifestyles. This exhibition is an innovative attempt to compare and survey, through works by artistic geniuses nurtured by urban cultures in Japan and Europe, East and West, what the sophisticated aesthetics characteristic of major metropolises achieved. The exhibition includes the Impressionist masterpieces that are the core of our collection and Rimpa works from our collection being shown for the first time, plus masterworks from temples and museums in Japan. -
Archives Des Musées Nationaux Direction Des Musées De France (Série AA)
Archives des musées nationaux direction des musées de France (série AA) Répertoire numérique n° 20150333 Hélène Brossier, Audrey Clergeau, Camille Fimbel, Guillaume Monnot, archivistes sous la direction de la mission des archives du ministère de la Culture et de la communication à partir des inventaires rédigés par les agents des Archives des musées nationaux Première édition électronique Archives nationales (France) Pierrefitte-sur-Seine 2015 1 Mention de note éventuelle https://www.siv.archives-nationales.culture.gouv.fr/siv/IR/FRAN_IR_054219 Cet instrument de recherche a été rédigé avec un logiciel de traitement de texte. Ce document est écrit en ilestenfrançais.. Conforme à la norme ISAD(G) et aux règles d'application de la DTD EAD (version 2002) aux Archives nationales, il a reçu le visa du Service interministériel des Archives de France le ..... 2 Archives nationales (France) Sommaire Archives des musées nationaux-Direction des musées de France (série AA) 10 Courrier départ 13 Juin-Décembre 1928 13 Janvier-Juin 1929 13 Juillet-Décembre 1929 13 Janvier-Mai 1930 13 Juin-Septembre 1930 13 Octobre-Décembre 1930 13 Janvier-Avril 1931 13 Mai-Août 1931 13 Septembre-Décembre 1931 13 Janvier-Avril 1932 13 Mai-Juillet 1932 13 Août-Novembre 1932 13 Décembre 1932-Janvier 1933 14 Février-Avril 1933 14 Mai-Juin 1933 14 Juillet-Septembre 1933 14 Octobre-Novembre 1933 14 Décembre 1933-Janvier 1934 14 Février-Mars 1934 14 Avril-Mai 1934 14 Juin-Juillet 1934 14 Août-Septembre 1934 14 Octobre-Novembre 1934 14 Décembre 1934-Janvier 1935 14 Février-Mars -
Japan's Love for Impressionism
JAPAN’S LOVE FOR IMPRESSIONISM 5493_Japan_Impressionismus_Umbruch7_final.indd 1 07.09.15 08:55 O Moon! –if we Should put a handle to you, What a fan you’d be! Yamazaki Sōkan 5493_Japan_Impressionismus_Umbruch7_final.indd 2 07.09.15 08:55 JAPAN’S LOVE FOR IMPRESSIONISM From Monet to Renoir Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn 8 October 2015 – 21 February 2016 PRESTEL Munich · London · New York 5493_Japan_Impressionismus_Umbruch7_final.indd 3 07.09.15 08:55 5493_Japan_Impressionismus_Umbruch7_final.indd 4 07.09.15 08:55 5493_Japan_Impressionismus_Umbruch7_final.indd 5 07.09.15 08:55 page 2 Édouard Manet Chrysanthemums, 1881 (cat. no. 1) page 4 Shintaro Yamashita Woman Reading, 1908 (cat. no. 2) page 5 Édouard Manet The Walk, ca. 1880 (cat. no. 3) REIN WOLFS BEATE MARKS-HANSSEN 9 Foreword 92 … first a colour and a light … Julius Meier-Graefe, Richard Muther Contents and the Reception of Impressionism SHŪJI TAKASHINA in Germany and Japan 11 Words of Greeting BEATE MARKS-HANSSEN 100 Manet and Impressionism ATSUSHI MIURA Exhibits 59 – 72 12 Japan and the Impressionists: The Collections of French MARIANNE MATHIEU Paintings and the Interrelation 120 Tadamasa Hayashi, between French and Japanese Art Kōjirō Matsukata and the Western Collectors and Collections BEATE MARKS-HANSSEN 28 Japan Encounters Europe BEATE MARKS-HANSSEN A historic sketch 128 Renoir, Cézanne and Rodin Exhibits 73 – 91 BEATE MARKS-HANSSEN 34 Tadamasa Hayashi MASATO SATSUMA 150 The Reception of Western Oil Painting BEATE MARKS-HANSSEN in Modern Japan: -
PDF Catalogue
AMSTERDAM Lekstraat 63, 1079 EM Tel. +31 20 301 29 50 Fax +31 20 301 29 60 Email: [email protected] Website: www.aagauctioneers.com GENEVA Rue du Rhône 59-I CH-1204 Tel. +41 22 310 33 32 Fax +41 22 312 02 03 MODERN & CONTEMPORARY ART & SOLO EXHIBITION WANG YIGANG JAKARTA 513 Jl. Pasuruan no. 9 Amsterdam 10310 Tel. +62 21 315 86 36 Fax +62 21 398 99 533 Auction: Monday 16 December 2019, 2 p.m. Viewing: Friday 13 - Sunday 15 December, 10 a.m. - 5 p.m. Please note: Faults or imperfections are not recorded in the lot description. We encourage you to inspect the lots during our viewing days. Condition reports are available upon request. 9Õ>ÀiÀiµÕiÃÌi`ÌViVÌÌ i>VµÕÀi`ÌiîÜÌ wÛi`>ÞÃ>vÌiÀÌ i>ÕV̰ ƂvÌiÀwÛi`>ÞÃÌ ÃV>Li`iLÞ>««ÌiÌÞ° SINGAPORE 30 Bideford Road #03-02 Thong Sia Building, 229922 Tel. +65 67 372 130 Fax +65 67 371 859 INDEX Adolfs, G.P. 30, 32 Festa, T. 136 Mr. Brainwash 193-195 Altink, J. 24 Filarski. D. 17, 19, 20, 21 Mulders, M. 214 DROIT DE SUITE Amadio, G. 138, 139 Freijmuth, A. 84 Nanninga, J. 97 Appel, K. 51-57, 69 Gestel, L. 10, 14 Nijland, D.H. 43 The applicability of Droit de Suite (The Artist’s Resale Right) has taken Araki, N. 206-209 Götz, K.O. 162 Pallandt, C. van 2 effect on 1 April 2006 and applies to: Artschwager, R. 168 Guiette, R. 104 Pander, P. 215 Aubertin, B. 133 Hart Nibbrig F. 11 Pedersen, F.