Tea Council's Giant New Sound Search
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JAMU 20160316-1 – DUKE ELLINGTON 2 (Výběr Z Nahrávek)
JAMU 20160316-1 – DUKE ELLINGTON 2 (výběr z nahrávek) C D 2 – 1 9 4 0 – 1 9 6 9 12. Take the ‘A’ Train (Billy Strayhorn) 2:55 Duke Ellington and his Orchestra: Wallace Jones-tp; Ray Nance-tp, vio; Rex Stewart-co; Joe Nanton, Lawrence Brown-tb; Juan Tizol-vtb; Barney Bigard-cl; Johnny Hodges-cl, ss, as; Otto Hardwick-as, bsx; Harry Carney-cl, as, bs; Ben Webster-ts; Billy Strayhorn-p; Fred Guy-g; Jimmy Blanton-b; Sonny Greer-dr. Hollywood, February 15, 1941. Victor 27380/055283-1. CD Giants of Jazz 53046. 11. Pitter Panther Patter (Duke Ellington) 3:01 Duke Ellington-p; Jimmy Blanton-b. Chicago, October 1, 1940. Victor 27221/053504-2. CD Giants of Jazz 53048. 13. I Got It Bad (And That Ain’t Good) (Duke Ellington-Paul Francis Webster) 3:21 Duke Ellington and his Orchestra (same personnel); Ivie Anderson-voc. Hollywood, June 26, 1941. Victor 17531 /061319-1. CD Giants of Jazz 53046. 14. The Star Spangled Banner (Francis Scott Key) 1:16 15. Black [from Black, Brown and Beige] (Duke Ellington) 3:57 Duke Ellington and his Orchestra: Rex Stewart, Harold Baker, Wallace Jones-tp; Ray Nance-tp, vio; Tricky Sam Nanton, Lawrence Brown-tb; Juan Tizol-vtb; Johnny Hodges, Ben Webster, Harry Carney, Otto Hardwicke, Chauncey Haughton-reeds; Duke Ellington-p; Fred Guy-g; Junior Raglin-b; Sonny Greer-dr. Carnegie Hall, NY, January 23, 1943. LP Prestige P 34004/CD Prestige 2PCD-34004-2. Black, Brown and Beige [four selections] (Duke Ellington) 16. Work Song 4:35 17. -
Ellington-Lambert-Richards) 3
1. The Stevedore’s Serenade (Edelstein-Gordon-Ellington) 2. La Dee Doody Doo (Ellington-Lambert-Richards) 3. A Blues Serenade (Parish-Signorelli-Grande-Lytell) 4. Love In Swingtime (Lambert-Richards-Mills) 5. Please Forgive Me (Ellington-Gordon-Mills) 6. Lambeth Walk (Furber-Gay) 7. Prelude To A Kiss (Mills-Gordon-Ellington) 8. Hip Chic (Ellington) 9. Buffet Flat (Ellington) 10. Prelude To A Kiss (Mills-Gordon-Ellington) 11. There’s Something About An Old Love (Mills-Fien-Hudson) 12. The Jeep Is Jumpin’ (Ellington-Hodges) 13. Krum Elbow Blues (Ellington-Hodges) 14. Twits And Twerps (Ellington-Stewart) 15. Mighty Like The Blues (Feather) 16. Jazz Potpourri (Ellington) 17. T. T. On Toast lEllington-Mills) 18. Battle Of Swing (Ellington) 19. Portrait Of The Lion (Ellington) 20. (I Want) Something To Live For (Ellington-Strayhorn) 21. Solid Old Man (Ellington) 22. Cotton Club Stomp (Carney-Hodges-Ellington) 23. Doin’The Voom Voom (Miley-Ellington) 24. Way Low (Ellington) 25. Serenade To Sweden (Ellington) 26. In A Mizz (Johnson-Barnet) 27. I’m Checkin’ Out, Goo’m Bye (Ellington) 28. A Lonely Co-Ed (Ellington) 29. You Can Count On Me (Maxwell-Myrow) 30. Bouncing Buoyancy (Ellington) 31. The Sergeant Was Shy (Ellington) 32. Grievin’ (Strayhorn-Ellington) 33. Little Posey (Ellington) 34. I Never Felt This Way Before (Ellington) 35. Grievin’ (Strayhorn-Ellington) 36. Tootin Through The Roof (Ellington) 37. Weely (A Portrait Of Billy Strayhorn) (Ellington) 38. Killin’ Myself (Ellington) 39. Your Love Has Faded (Ellington) 40. Country Gal (Ellington) 41. Solitude (Ellington-De Lange-Mills) 42. Stormy Weather (Arlen-Köhler) 43. -
Issues of Image and Performance in the Beatles' Films
“All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image. -
Minimal Music And
SE Volker Straebel: Minimal Music and Art | TU Berlin – Fachgebiet Audiokommunikation WiSe 2012/13 | 3135 L 350 | E-N 324 | Donnerstag 12-14 | [email protected] Ausgehend von den klassischen Positionen der Minimal Music der 1960er und 70er Jahr (Philip Glass, Steve Reich, Terry Riley, La Monte Young) sollen zunächst charakteristische Kompositionsverfahren analysiert werden. Deren Wirkung wird sowohl wahrnehmungspsychologisch wie rezeptionsästhetisch betrachtet. Die vergleichende Lektüre von Schlüsseltexten zur Minimal Art soll schließlich zur Diskussion der Interdependenz der beiden Kunstformen führen. 18.10. Einführung 25.10. Wiederholungen, Pattern, Serien Andreas Stahl: "Kriterien der Wiederholung: Zum Umgang mit einem Phänomen", in: Dissonanz , Nr. 84 (Dez. 2003), S. 10-17 [UdK Bibliothek] Sol LeWitt . New York: The Museum of Modern Art 1978, S. 56-85 [SeAp] 01.11. Steve Reichs Tape Music Steve Reich: It's Gonna Rain [Audio] Steve Reich: Come Out [Audio] Keith Potter: Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass . Cambridge - New York: Cambridge University Press 2000, S. 160-170, 176-180 [SeAp] 08.11. Steve Reich: Music as a gradual process Steve Reich: Piano Phase [Audio/SeAp] Steve Reich: Four Organs [Audio/SeAp] Steve Reich: Writings on Music, 1965-2000 , hrsg. v. Paul Hiller. New York: Oxford University Press 2000, S. 22- 36, 38-50 [SeAp] 15.11. Steve Reich: Drumming und Music for 18 Musicians Steve Reich: Drumming [Audio/SeAp] Steve Reich: Music for 18 Musicians [Audio/SeAp] Steve Reich: Writings on Music, 1965-2000 , hrsg. v. Paul Hiller. New York: Oxford University Press 2000, S. 63- 67, 87-90 [SeAp] 22.11. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17. -
'Take Zone Protest to Court'
.m.m OF 3 R >N 3343:2 BOCA RATON NEWS /ol, 15, No. 82 Wednesdoy, April 1, 1970 20 Pages 10 Cents YOUR DAY County attorneys rule out 197D APRIL 197Q rehearlngs on trailer objections S M T W T F 2 3 4 5 6 7X9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 'Take zone protest to court' ByKATHIEKEIM commissioners that because of commission decisions even though "Those are the only two cases in zoning commission Tuesday voicing Boca Raton has no other course of legislation setting up the zoning Ruff and Danciu contended it would which the board of adjustment has any objection to it. appeal on a county zoning decision commission it could not honor the have such powers. power. They are specifically not The County Zoning Commission had Census than to file a suit in circuit court, the request. "In its list of duties it is charged with empowered to deal with questions of granted a permit to Milton Greenberg county commission was advised Wolfe said that although Ruff and hearing appeals of decisions of ad- land use." to use a 635-acre tract of land west of Tuesday afternoon. Daneiu said no board of adjustment ministrative officials when it is felt The City Council has filed two Boca Raton as a trailer park, but Boca forms Earlier in the day deputy mayor had been created in spite of a they are in error — for instance, the petitions with the County Commission Raton officials and residents have Emil Danciu and city attorney John requirement that one be set up, a zoning director," Wolfe said. -
Ull History Centre: Papers of Alan Plater
Hull History Centre: Papers of Alan Plater U DPR Papers of Alan Plater 1936-2012 Accession number: 1999/16, 2004/23, 2013/07, 2013/08, 2015/13 Biographical Background: Alan Frederick Plater was born in Jarrow in April 1935, the son of Herbert and Isabella Plater. He grew up in the Hull area, and was educated at Pickering Road Junior School and Kingston High School, Hull. He then studied architecture at King's College, Newcastle upon Tyne, becoming an Associate of the Royal Institute of British Architects in 1959 (since lapsed). He worked for a short time in the profession, before becoming a full-time writer in 1960. His subsequent career has been extremely wide-ranging and remarkably successful, both in terms of his own original work, and his adaptations of literary works. He has written extensively for radio, television, films and the theatre, and for the daily and weekly press, including The Guardian, Punch, Listener, and New Statesman. His writing credits exceed 250 in number, and include: - Theatre: 'A Smashing Day'; 'Close the Coalhouse Door'; 'Trinity Tales'; 'The Fosdyke Saga' - Film: 'The Virgin and the Gypsy'; 'It Shouldn't Happen to a Vet'; 'Priest of Love' - Television: 'Z Cars'; 'The Beiderbecke Affair'; 'Barchester Chronicles'; 'The Fortunes of War'; 'A Very British Coup'; and, 'Campion' - Radio: 'Ted's Cathedral'; 'Tolpuddle'; 'The Journal of Vasilije Bogdanovic' - Books: 'The Beiderbecke Trilogy'; 'Misterioso'; 'Doggin' Around' He received numerous awards, most notably the BAFTA Writer's Award in 1988. He was made an Honorary D.Litt. of the University of Hull in 1985, and was made a Fellow of the Royal Society of Literature in 1985. -
Alchemy of Seeing Much Spoken About Following Her Graduate Exhibition, Sean O’Toole Catches up with Young Cape Town Artist Daniella Mooney to Ask About an Oil Spill
BYT/02/2010 DANIELLA MOONEY Alchemy of seeing Much spoken about following her graduate exhibition, Sean O’Toole catches up with young Cape Town artist Daniella Mooney to ask about an oil spill TOP LEFT Daniella Mooney, Your Sky, 2009, mixed media, used engine oil, 244 x 244 x 25cm TOP RIGHT Warning note installed after ‘accident’ in studio BOTTOM Daniella Mooney, If the Doors of Perception were cleansed, 2009, Mahogany Sapele, airbrushed perspex, 35.5 x 35.5cm BYT/02/2010 The context: a graduate exhibition at the Michaelis School She mentions the Danish artist Olafur Eliasson, also James Turrell. Obvious of Fine Art. The time: early afternoon, December 2009. The venue: an references, once you think about it, unobvious when you consider how their artist’s studio on a first floor. The text on the wall explains that the sculptural ideas are engaged locally. Since we’re charting influences, I ask about her ex- objects on display belong to Daniella Mooney. One work in particular partner, the young Cape Town sculptor Rowan Smith: “I admire his skill. dominates the space. Entitled Your Sky, it is not easily described. Here It was great because we both love working with wood. He really opened my goes. Suspended in space by cable rigging, a square-shaped object hovers eyes to wood carving and assembling.” over two wooden ladders. The ladders are an invitation to poke your head Previously an assistant to Paul Edmunds and hard at work helping Julia through the bottom of the floating object. Naturally you do. It’s then that Rose Clark when we meet, I ask about the title to her graduate show. -
Experimental
Experimental Discussão de alguns exemplos Earle Brown ● Earle Brown (December 26, 1926 – July 2, 2002) was an American composer who established his own formal and notational systems. Brown was the creator of open form,[1] a style of musical construction that has influenced many composers since—notably the downtown New York scene of the 1980s (see John Zorn) and generations of younger composers. ● ● Among his most famous works are December 1952, an entirely graphic score, and the open form pieces Available Forms I & II, Centering, and Cross Sections and Color Fields. He was awarded a Foundation for Contemporary Arts John Cage Award (1998). Terry Riley ● Terrence Mitchell "Terry" Riley (born June 24, 1935) is an American composer and performing musician associated with the minimalist school of Western classical music, of which he was a pioneer. His work is deeply influenced by both jazz and Indian classical music, and has utilized innovative tape music techniques and delay systems. He is best known for works such as his 1964 composition In C and 1969 album A Rainbow in Curved Air, both considered landmarks of minimalist music. La Monte Young ● La Monte Thornton Young (born October 14, 1935) is an American avant-garde composer, musician, and artist generally recognized as the first minimalist composer.[1][2][3] His works are cited as prominent examples of post-war experimental and contemporary music, and were tied to New York's downtown music and Fluxus art scenes.[4] Young is perhaps best known for his pioneering work in Western drone music (originally referred to as "dream music"), prominently explored in the 1960s with the experimental music collective the Theatre of Eternal Music. -
SAN JUAN BAUTISTA1 -.:Legislatura Municipal De San Juan
MUNICIPIO DE LA CIUDAD CAPITAL SAN JUAN BAUTISTA1 RESOLUCIÓN NUM. 113 SERIE 2003-2004 (P. de R. Núm. 118, Serie 2003-2004) APROBADA: 2 DE ABRIL DE 2004 RESOLUCION PARA APROBAR UN CONTRATO DE CESION ENTRE EL MUNICIPIO DE SAN JUAN Y MB SPORTS, INC., A FIN DE PERMITIR LA CELEBRACION DE VARIOS JUEGOS DE BÉISBOL DE LAS LIGAS MAYORES EN LAS FACILIDADES DEL ESTADIO HIRAM BITHORN; APROBAR UN AUSPICIO PARA EL REFERIDO EVENTO; Y PARA OTROS FINES. POR CUANTO: El Municipio de San Juan es dueño en pleno dominio del Complejo Deportivo, localizado en Hato Rey, Puerto Rico, compuesto por las instalaciones deportivas del Coliseo Roberto Clemente y del Estadio Hiram Bithorn, y sus áreas adyacentes. Instalaciones operadas y administradas por la Oficina de Empresas Municipales del Departamento de Desarrollo Económico, Turismo y Vivienda del Municipio de San Juan, en el que se llevan a cabo un sinnúmero de actividades y eventos de índole, cultural, deportivos, artísticos, cívicos, entre otros, durante toda época del año. Dichas facilidades constituyen el centro de actividades múltiples más importante y visitado en Puerto Rico; POR CUANTO: El Deporte representa un medio de confraternización, desarrollo y crecimiento tanto para jóvenes, adultos y el pueblo en general; POR CUANTO: La Administración actual del Municipio de San Juan está comprometida con el desarrollo del deporte y con facilitar la celebración de actividades que fomenten la confraternización entre todos los puertorriqueños. Además, es importante fomentar la participación de la juventud en el deporte y proveer a la Ciudad Capital y a toda su ciudadanía de espectáculos de sano entretenimiento y de calidad; POR CUANTO: El deporte de Béisbol es uno de los deportes más vistos en todo el mundo y el deporte que más espectadores atrae en toda la Nación, especialmente cuando se trata de las Ligas Mayores. -
Ne W Burysprin G Fe Stival
www.newburyspringfestival.org.uk 34th international newburyspringfestival 12 – 26 may 2012 Royal Philharmonic Sat Welcome Orchestra 12th This year, when London hosts the Owain Arwel Hughes conductor Olympic Games and welcomes the Freddy Kempf piano world’s finest young athletes to the Walton Crown Imperial capital, I am delighted that we will Beethoven Piano Concerto No 5 “Emperor” welcome to Newbury so many Brahms Symphony No 4 outstanding musicians from around the world. Among them are important young musicians who are already building A welcome return to the Festival by the RPO, and conductor careers in Britain: this year’s John Lewis Young Stars , Owain Arwel Hughes in his 70th birthday year, in a and our Festival artist Johan Andersson, one of the world’s celebratory concert that opens with Walton’s Crown Imperial in honour of HM The Queen’s Diamond Jubilee. finest young painters, who is also based in this country. The current season sees dynamic British pianist Freddy This national celebration of international youthful excellence Kempf perform the complete cycle of piano concertos in sport and culture is balanced by another important by his favourite composer, Beethoven, in many of the UK’s national celebration: the Queen’s Diamond Jubilee, an most important venues and tonight he joins the orchestra opportunity to honour a monarch who has been on the for the majestic Piano Concerto No 5, popularly known as throne for sixty years and who represents all that is constant the “Emperor Concerto”. The concert ends with Brahms’ and traditional in our country. You will find in this year’s final and best loved Symphony No 4. -
PROFESSIONAL SPORT 100Campeones Text.Qxp 8/31/10 8:12 PM Page 12 100Campeones Text.Qxp 8/31/10 8:12 PM Page 13
100Campeones_Text.qxp 8/31/10 8:12 PM Page 11 PROFESSIONAL SPORT 100Campeones_Text.qxp 8/31/10 8:12 PM Page 12 100Campeones_Text.qxp 8/31/10 8:12 PM Page 13 2 LATINOS IN MAJOR LEAGUE BASEBALL by Richard Lapchick A few years ago, Jayson Stark wrote, “Baseball isn’t just America’s sport anymore” for ESPN.com. He concluded that, “What is actu- ally being invaded here is America and its hold on its theoretical na- tional pastime. We’re not sure exactly when this happened—possi- bly while you were busy watching a Yankees-Red Sox game—but this isn’t just America’s sport anymore. It is Latin America’s sport.” While it may not have gone that far yet, the presence of Latino players in baseball, especially in Major League Baseball, has grown enormously. In 1990, the Racial and Gender Report Card recorded that 13 percent of MLB players were Latino. In the 2009 MLB Racial and Gender Report Card, 27 percent of the players were La- tino. The all-time high was 29.4 percent in 2006. Teams from South America, Mexico, and the Caribbean enter the World Baseball Classic with superstar MLB players on their ros- ters. Stark wrote, “The term, ‘baseball game,’ won’t be adequate to describe it. These games will be practically a cultural symposium— where we provide the greatest Latino players of our time a monstrous stage to demonstrate what baseball means to them, versus what baseball now means to us.” American youth have an array of sports to play besides base- ball, including soccer, basketball, football, and hockey.