WISCONSIN's ART HISTORY the Art Museum Celebrates 100 Years of Wisconsin Art

Total Page:16

File Type:pdf, Size:1020Kb

WISCONSIN's ART HISTORY the Art Museum Celebrates 100 Years of Wisconsin Art Editor-in-Chief Debra Brehmer Associate Editor Calendar Editor Business Manager Therese Gantz Associate Editor-Music From the Editor BobbyDuPah Associate Editor Nathan Guequierre With this issue, Art Muscle celebrates its 2nd 2nd anniversary and we've only begun tapping Photo Editor anniversary. And no, I won't say anything about into its intriguing, yet still mysterious design ca­ Francis Ford growing pains and two year olds and all that. I'll pabilities. just say that I hope the magazine will continue to grow so we can expand the depth and detail of We invite you to help celebrate the anniversary Art Direction our coverage. by attending the A rf Muscle exhibition and party Barb Paulini from 7 p.m. to ? on Friday, October 7. The celebra­ We hope that in the past two years, Art Muscle tion will take place in the Art Muscle Ballroom at has helped define Milwaukee's art community 909 W. National Avenue, with live music and Sales Representatives and put us all closer in touch with one another. It short performances by Foothold Dance Collec­ is important for artists to feel a sense of commu­ tive, Wild Space Dance Company and Rip Tenor. Lisa Mohan, Sam Woodburn &Kathy Corbin nity and it's important for the public to feel tuned in to the thoughts and motivations of artists. Thanks to all our advertisers for two great years. Printing by Citizen Publishing Also thanks to our freelancers, families, friends So what's ahead? In the upcoming year, we plan and our subscribers. If you enjoy Art Muscle, FRIENDS OF ART MUSCLE to rearrange our format somewhat and add some there's one little thing that you could do that has new features, expand the "opportunities" sec­ a far greater impact than you could ever imagine: Perry & Bobbie Dinkin Ellen Checota tion, which provides artists with exhibition and Subscribe. A growing body of subscribers dem­ Barbara & Jack Recht Barbara Kohl-Spiro Jim Newhouse Thelma Friedman competition information, enlarge the Madison onstrates a willingness to participate in and sup­ Peter Goldberg Mary & Mark Timpany and Chicago calendars and possibly give each a port the magazine and the arts in Wisconsin. Theo Kitsch Dr. Clarence E. Kusik page of reviews and previews, distribute the Also, it makes us feel good when we get the Gerald Pelrine Tina Peterman magazine statewide and possibly nationally, make morning mail. Jay Brown Babcock Mechanical Christine Prevetti Katie Minahan more money to pay a real staff and attract new Richard & Marilyn Radke talent (writers, photographers, designers). The Dennis Hajewsky look of the magazine also may change. We gave Debra Brehmer Harvey & Lynn Goldstein Editor-in-Chief Robert Johnston ourselves a Macintosh and laserprinter for our Polly & Giles Daeger Judith Kuhn Dorothy Brehmer Karen Johnson Boyd Tim Holte/Debra Vest Jack & Ellen Welier Arthur & Flora Cohen Sandra Butler Jimmy G. Scharnek Sidney & Elaine Friedman To become a FRIEND OF ART MUSCLE, send a check for $50 which entitles you to receive Art Muscle for 5 years. Art Muscle is published bi-monthly by Art Muscle-Milwaukee, Inc., 909 W. National Ave., P.O. Box 93219, Milwaukee, Wl 53203. Third Class postage paid at Milwaukee, Wl 53202 and additional mailing offices. Postmaster: Send address changes to Art Muscle, P.O. Box 93219, Milwaukee, Wl 53203. Entire contents copyright © Art Muscle- Milwaukee, Inc. All rights reserved, except in reviews. Reproduction in whole or part without permission is prohibited. Art Muscle ON THE COVER: is a trademark of Art Muscle-Milwaukee, Inc. Hilary Goldblatt, detail from His Master's Voice, 1988. Subscriptions rates in continental U.S.: $12 Hilary Goldblatt is a Milwaukee artist. one year; elsewhere, $16 one year. 2 Art Muscle Art Musde O N N T LOFTS 19 Debra Brehmer & Cynthia Crigler ALICIA CZECHOWSKI 26 Jerome Schultz THEATRE X 30 Debra Vest WISCONSIN ART 32 KitBasquin DEPARTMENTS AGOG 6 LETTERS TO THE EDITOR 7 POST FACTO - REVIEWS 10 BEYOND VIDEO CLONE 14 EAR MUSCLE 15 PERFORMANCE FUTURES 16 LINEAR B 17 CALENDAR 35 U//l± / \UA ADVERTISE! call (414)672-8485 BACK THROUGH MILWAUKEE ART THE DISTANCE MUSEUM P.S. 122 FIELD TRIP )RMANCE ART^ - .E ":5 :;AT?v e~";:If r:::;: • re"o e: ";:;,:'W>Ml,)f.-Ill-e.;::• :ll|fi-||;: at the current wor sprawls and lunge ISHMAEL HOU beautiful and movement; pL choreogr •mSlKi f'-i- jseum Shop jrs) Doks 8 PM Downer Ave. :ets: UMCE DANCE FACTORY FACTORY inia Ave. $7, $ um members 1 W. Virginia Ave. PERF /ART 1988 is Friday, September 23rd at 8:00 pm m funded by the National Saturday, September 24th at 8:00 pm Endowm the Arts Performing Arts Center, Vogel Hall INFORM* 414,271.9508 sMywlSelii" Art Museum 51) Main floor - $8.00 / Balcony - $5.00 (PAC Box Office 273-7206) Made possible through grants from The National Endowment for the Arts, Wisconsin Arts Board, 750 N. Lincoln Memorial Dr., Milwaukee, Wl 53202 414:271.9508 Milwaukee County, The Kohier Foundation, and The Bradley Foundation 4 Art Muscle Milwaukee Chamber Theatre presents AGOG A rts seum of Art in San Jose, Calif. Individual artists' John Waters Mini-Retrospective and Classics. Admission is $2 at the door.) fellowships proposed bringing Waters here to lecture at 7 p.m. Malcolm Morrison, director of the Na­ Artists are encouraged to attend a meet­ Friday, Oct. 14. Waters is the bad-boy Art tours tional Theatre Conservatory and the ing at 3 p.m. Sept. 20 in room 201 of the director of Desperate Living, Mondo Tours D-Art will offer trips to the Art Denver Center Theatre Company in County Courthouse to voice support for Trasho, Pink Flamingos, and most Institute of Chicago's The Art of Paul Colorado, has been hired as director of county funding of individual artists' fel­ recently, Hair Spray. He made Divine Gauguin exhibition on Saturday, Sept. UWM's professional theater training lowships. In last year's budget, all fund­ famous. Waters' films will be shown Oct. 24 and Saturday, Dec. 10. Cost is $48 program. The program's former director, ing for individual artists ($30,000) was 14 through 16. Then, the new Primal which includes transportation, exhibi­ Sanford Robbins vacated the position cut. This year, a group of administrators Screen series initiated last April by Great tion admission with an audio tour and due to monetary squabbles and now and artists including Tom Bamberger, Jill Lakes Film and Video presents a Bergman lunch. Call Karen Kane at 332-3346 for heads a training program in Delaware. Sebastian and Susan Engberg have de­ series, including Smiles of a Summer reservations and departure times, etc. Morrison will join the UWM faculty full- veloped a proposal calling for $50,000 to Night on Oct. 9, The Seventh Seal on Oct. time in January. A new Professional be awarded a ten $5,000 fellowships to 23, Wild Strawberries on Nov. 6, The Theater Training Program class is sched­ individual artists in all media, including Virgin Spring on Nov. 20 and The Devil's Architecture lecture uled to start in the fall 1989 semester. performance. The fellowships would be Eye on Dec. 11. If this isn't good enough, The Architecture of Desire, a free lecture based solely on quality of current work, there's also a European Community Film by Professor Don Hanlon of the UWM and would be decided on by a panel of Festival with one current feature length School of Architecture and Urban Plan­ Art auction artists. During the September 20 meet­ film from each of 12 countries to be ning, will be at 4 p.m. Oct. 20 in UWM's The Milwaukee Art Museum's Contem­ ing, CAMP AC (the Cultural, Artistic, Music shown nightly Sept. 17 through Sept. 28. Golda Meir Library, 4th floor conference porary Art Society will hold its 2nd an­ Programming Advisory Committee), For ticket prices and more information center. Hanlon will discuss why Mod­ nual Art Auction fund-raiser on Satur­ which makes budget recommendations call the Union Cinema at 229-4070 or ernism and Post-Modernism have failed day, Oct. 15. Tickets are $150 (you heard to the county, will approve or reject the Great Lakes Film and Video at 229-3906. in achieving a truly humanist architec­ right). Up for bidding will be works by proposal. By attending the meeting, (Also of interest: The Gallery Cinema, ture. Jennifer Bartlett, Georg Baselitz, Joseph artists will reflect their support of the 2901 S. Delaware Ave., will be showing Beuys, Borofsky, Dubuffet, Fischl, Frank- proposal. Thin Man films at 1:15 p.m. Sunday and 7:30 p.m. Tuesday and Wednesday the Personnel news enthaler, Katz, Jasper Johns, Annie Leibo- vitz and many, many more. The work John Waters coming month of October. An Asta look-alike I. Michael Danoff, former director of the will be on view to preview Oct. 7 through to Milwaukee and more contest will be at 7:30 p.m. Tuesday, Oct. Milwaukee Art Museum, and most re­ Oct. 15 in the South Entrance Gallery The University of Milwaukee's Union 4. All wire-haired terriers are invited. cently director of Chicago's Museum of (and that's free). Call 271-9508 for infor­ Cinema program has really done it this Screenings will be introduced by Dale Contemporary Art, has taken a new mation about the auction. year. First of all, they are sponsoring a Kunt2, president of Milwaukee Film position as director of the San Jose Mu­ Grant s Brozek gets fellowship include Susan Ginalick Maakestad of Art Matters Inc. dation, 342 Madison Ave., Suite 1702, Jim Brozek, a Milwaukee photographer, Ladysmith (represented locally by Dean Art Matters funds visual artists projects New York, NY 10173 212-949-6360.
Recommended publications
  • Berliner Jazztage the Philharmonie, Berlin, Germany November 7, 1981
    Berliner Jazztage The Philharmonie, Berlin, Germany November 7, 1981 The Lounge Lizards was an eclectic musical group founded by saxophonist John Lurie and his brother, pianist Evan Lurie, in 1978. Initially known for their ironic, tongue-in- cheek take on jazz, The Lounge Lizards eventually became a showcase for John Lurie’s sophisticated compositions straddling jazz and many other genres. They were active until about 1998 with the Lurie brothers as the only constant members, though many leading New York City based musicians were members of the group. The group’s name was borrowed from American slang. A lounge lizard is typically depicted as a well-dressed man who frequents the establishments in which the rich gather with the intention of seducing a wealthy woman with his flattery and deceptive charm. - wikipedia + + + + + Thanks to unclewolfi for sharing the show at Dime. Lineage: dvb-s > techno trend tt-premium s2-6400 twin hd > hdd > nero wave editor > flac (mpeg1 layer 2/320 kbps) [radio station - rbb kulturradio] MP3 Version 01. Announcement Gudrun Endress 0:25 02. Incident On South Street 2:17 03. Stompimg At Corona 2:16 04. Announcement John Lurie 0:12 Lounge Lizards Berlin 1981 The 05. The Dancing Gangster 2:58 06. Announcement John Lurie 0:09 07. Sumerian High Life 2:41 08. Announcement John Lurie 0:09 09. Epistrophy 4:40 10. Announcement John Lurie 0:15 11. Ballad 3:12 12. Announcement John Lurie 0:11 13. Conquest Of Rar 2:42 14. Announcement John Lurie 0:21 15. Wangling 2:39 The Lounge Lizards Berlin 1981 The 16.
    [Show full text]
  • Introduction to Screenwriting 1: the 5 Elements
    Introduction to screenwriting 1: The 5 elements by Allen Palmer Session 1 Introduction www.crackingyarns.com.au 1 Can we find a movie we all love? •Avatar? •Lord of the Rings? •Star Wars? •Groundhog Day? •Raiders of the Lost Ark? •When Harry Met Sally? 2 Why do people love movies? •Entertained •Escape •Educated •Provoked •Affirmed •Transported •Inspired •Moved - laugh, cry 3 Why did Aristotle think people loved movies? •Catharsis •Emotional cleansing or purging •What delivers catharsis? •Seeing hero undertake journey that transforms 4 5 “I think that what we’re seeking is an experience of being alive ... ... so that we can actually feel the rapture being alive.” Joseph Campbell “The Power of Myth” 6 What are audiences looking for? • Expand emotional bandwidth • Reminder of higher self • Universal connection • In summary ... • Cracking yarns 7 8 Me 9 You (in 1 min or less) •Name •Day job •Done any courses? Read any books? Written any screenplays? •Have a concept? •Which film would you like to have written? 10 What’s the hardest part of writing a cracking screenplay? •Concept? •Characters? •Story? •Scenes? •Dialogue? 11 Typical script report Excellent Good Fair Poor Concept X Character X Dialogue X Structure X Emotional Engagement X 12 Story without emotional engagement isn’t story. It’s just plot. 13 Plot isn’t the end. It’s just the means. 14 Stories don’t happen in the head. They grab us by the heart. 15 What is structure? •The craft of storytelling •How we engage emotions •How we generate catharsis •How we deliver what audiences crave 16
    [Show full text]
  • 'Take Zone Protest to Court'
    .m.m OF 3 R >N 3343:2 BOCA RATON NEWS /ol, 15, No. 82 Wednesdoy, April 1, 1970 20 Pages 10 Cents YOUR DAY County attorneys rule out 197D APRIL 197Q rehearlngs on trailer objections S M T W T F 2 3 4 5 6 7X9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 'Take zone protest to court' ByKATHIEKEIM commissioners that because of commission decisions even though "Those are the only two cases in zoning commission Tuesday voicing Boca Raton has no other course of legislation setting up the zoning Ruff and Danciu contended it would which the board of adjustment has any objection to it. appeal on a county zoning decision commission it could not honor the have such powers. power. They are specifically not The County Zoning Commission had Census than to file a suit in circuit court, the request. "In its list of duties it is charged with empowered to deal with questions of granted a permit to Milton Greenberg county commission was advised Wolfe said that although Ruff and hearing appeals of decisions of ad- land use." to use a 635-acre tract of land west of Tuesday afternoon. Daneiu said no board of adjustment ministrative officials when it is felt The City Council has filed two Boca Raton as a trailer park, but Boca forms Earlier in the day deputy mayor had been created in spite of a they are in error — for instance, the petitions with the County Commission Raton officials and residents have Emil Danciu and city attorney John requirement that one be set up, a zoning director," Wolfe said.
    [Show full text]
  • Durham: City of Champions
    TWO DAY ITINERARY Where great things happen Durham: City of Champions Durham is home to national championships, hall of fame coaches, and the backdrop for the movie Bull Durham. While visitors do not go wanting for teams to root for or sporting events to attend, they also have opportunity to get active in Durham’s many recreation DAY 1 Located in Downtown Durham at Durham Central Park (501 Foster St), the skatepark is on the Rigsbee St side Durham Central Park Skatepark 501 Foster St, Durham, NC 27701 | (919) 682-2800 | www.durhamcentralpark.org/park-info/skate-park 1 markschuelerphoto.com 1 Start downtown with a visit to the Durham Central Park Skatepark. This 10,000-sq-ft. state-of- the-art park features a fl oating quarter pipe, three stairwells with handrails and an eight-foot trog bowl among other skater favorites. Helmets and pads are required! (Allow one hour) From Downtown Rigsbee St head south to W Chapel Hill St, turn left; follow and turn left onto 15-501 N Roxboro St; take the next right onto Hwy 98 E Holloway St (10 mins) (N) Wheels Fun Park 2 715 N Hoover Rd, Durham, NC 27712 | (919) 598-1944 | www.wheelsfunparkdurham.com Kids will go nuts for the attractions at Wheels Fun Park. From go-karts and mini golf to 4 1 (DT) batting cages and a roller skating rink, there are plenty of activities to keep the whole family 2 entertained. Open M-F 10am-9pm, F-Sa 10am-10pm, Su 1pm-7pm. (Allow 1-2 hours) (WC) (E) 3 Return to Hwy 98 and take Hwy 70 S to S Miami Blvd; take a right onto Ellis Rd, then first right onto (SE) Cash/Stage Rd (10 mins) (SW) DPR Ropes Course 1814 Stage Rd, Durham, NC 27703 DCVB Planning Assistance 3 (919) 560-4405 | www.durhamnc.gov The Durham Convention & Visitors Bureau sales and services staff are ready to help make The Discovery High Ropes Course pushes your visit to Durham a success.
    [Show full text]
  • EDITORIAL Screenwriters James Schamus, Michael France and John Turman CA 90049 (310) 447-2080 Were Thinking Is Unclear
    screenwritersmonthly.com | Screenwriter’s Monthly Give ‘em some credit! Johnny Depp's performance as Captain Jack Sparrow in Pirates of the Caribbean: The Curse of the Black Pearl is amazing. As film critic after film critic stumbled over Screenwriter’s Monthly can be found themselves to call his performance everything from "original" to at the following fine locations: "eccentric," they forgot one thing: the screenwriters, Ted Elliott and Terry Rossio, who did one heck of a job creating Sparrow on paper first. Sure, some critics mentioned the writers when they declared the film "cliché" and attacked it. Since the previous Walt Disney Los Angeles film based on one of its theme park attractions was the unbear- able The Country Bears, Pirates of the Caribbean is surprisingly Above The Fold 370 N. Fairfax Ave. Los Angeles, CA 90036 entertaining. But let’s face it. This wasn't intended to be serious (323) 935-8525 filmmaking. Not much is anymore in Hollywood. Recently the USA Today ran an article asking, basically, “What’s wrong with Hollywood?” Blockbusters are failing because Above The Fold 1257 3rd St. Promenade Santa Monica, CA attendance is down 3.3% from last year. It’s anyone’s guess why 90401 (310) 393-2690 this is happening, and frankly, it doesn’t matter, because next year the industry will be back in full force with the same schlep of Above The Fold 226 N. Larchmont Blvd. Los Angeles, CA 90004 sequels, comic book heroes and mindless action-adventure (323) 464-NEWS extravaganzas. But maybe if we turn our backs to Hollywood’s fast food service, they will serve us something different.
    [Show full text]
  • Downbeat.Com March 2014 U.K. £3.50
    £3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene
    [Show full text]
  • 1,000 Films to See Before You Die Published in the Guardian, June 2007
    1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation.
    [Show full text]
  • Program Features Don Byron's Spin for Violin and Piano Commissioned by the Mckim Fund in the Library of Congress
    Concert on LOCation The Elizabeth Sprague Coolidge Foundation The McKim Fund in the Library of Congress "" .f~~°<\f /f"^ TI—IT A TT^v rir^'irnr "ir i I O M QUARTET URI CAINE TRIO Saturday, April 24, 2010 Saturday, May 8, 2010 Saturday, May 22, 2010 8 o'clock in the evening Atlas Performing Arts Center 1333 H Street, NE In 1925 ELIZABETH SPRAGUE COOLIDGE established the foundation bearing her name in the Library of Congress for the promotion and advancement of chamber music through commissions, public concerts, and festivals; to purchase music manuscripts; and to support musical scholarship. With an additional gift, Mrs. Coolidge financed the construction of the Coolidge Auditorium which has become world famous for its magnificent acoustics and for the caliber of artists and ensembles who have played there. The McKiM FUND in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson, to support the commissioning and performance of chamber music for violin and piano. The audiovisual recording equipment in the Coolidge Auditorium was endowed in part by the Ira and Leonore Gershwin Fund in the Library of Congress. Request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 [email protected]. Due to the Library's security procedures, patrons are strongly urged to arrive thirty min- utes before the start of the concert. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the chamber music con- certs.
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • John Lurie/Samuel Delany/Vladimir Mayakovsky/James Romberger Fred Frith/Marty Thau/ Larissa Shmailo/Darius James/Doug Rice/ and Much, Much More
    The World’s Greatest Comic Magazine of Art, Literature and Music! Number 9 $5.95 John Lurie/Samuel Delany/Vladimir Mayakovsky/James Romberger Fred Frith/Marty Thau/ Larissa Shmailo/Darius James/Doug Rice/ and much, much more . SENSITIVE SKIN MAGAZINE is also available online at www.sensitiveskinmagazine.com. Publisher/Managing Editor: Bernard Meisler Associate Editors: Rob Hardin, Mike DeCapite & B. Kold Music Editor: Steve Horowitz Contributing Editors: Ron Kolm & Tim Beckett This issue is dedicated to Chris Bava. Front cover: Prime Directive, by J.D. King Back cover: James Romberger You can find us at: Facebook—www.facebook.com/sensitiveskin Twitter—www.twitter.com/sensitivemag YouTube—www.youtube.com/sensitiveskintv We also publish in various electronic formats (Kindle, iOS, etc.), and have our own line of books. For more info about SENSITIVE SKIN in other formats, SENSITIVE SKIN BOOKS, and books, films and music by our contributors, please go to www.sensitiveskinmagazine.com/store. To purchase back issues in print format, go to www.sensitiveskinmagazine.com/back-issues. You can contact us at [email protected]. Submissions: www.sensitiveskinmagazine.com/submissions. All work copyright the authors 2012. No part of this book may be used or reproduced in any manner whatsoever without the prior written permission of both the publisher and the copyright owner. All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental. ISBN-10: 0-9839271-6-2 Contents The Forgetting
    [Show full text]
  • May 2021 NICHOLS’ NOTES It Is Hard to Believe That I Have Been Here at Bay Village for Four Years Now
    8400 Vamo Road • Sarasota, FL 34231 • (941) 966-5611 May 2021 NICHOLS’ NOTES It is hard to believe that I have been here at Bay Village for four years now. I believe life’s challenges always prepare a person for other challenges in the years ahead. Four years ago, moving from Maryland, I was experienced with blizzards. Within months of me starting at Bay Village, we experienced Hurricane Irma, one the strongest hurricanes ever to be in the Atlantic. Fortunately, for the campus, the hurricane moved to the center of the state and spared us its harshest winds. Then three years later came the Covid-19 pandemic. This pandemic changed the operations of our country and those at Bay Village. The pandemic was not Bay Village a few days event like Irma, but has lasted over a year. With both Eric Nichols................................................ President/CEO of these tremendous challenges, I have seen the tremendous Jennifer Grimes......................... Chief Operating Officer eorts and teamwork of the sta at Bay Village. During the Christina Wizba......................... Chief Financial Officer hurricane, 250 sta and family of sta hunkered down at Bay Ron Simon...................................... Dir. of Dining Services Village to provide service and care to the residents. The pandemic Marvin Lunsford............................... Dir. of Maintenance saw the sta changing operations rapidly and sometimes daily, Laura Pitcher........................................... Dir. of Marketing to ensure residents and sta were safe from the virus. Two major Shirley Laurence.......................... Dir. of Health Service events in my four years here on the campus and each one Ann Aldrich............................ Dir. of Human Resources presented its own challenges that were met head on by the Larry Buczkowski..........................
    [Show full text]
  • Download This Issue As A
    ROY BRAEGER ‘86 Erica Woda ’04 FORUM: JOHN W. CELEBRATES Tries TO LEVel KLUGE ’37 TELLS GOOD TIMES THE FIELD STORIES TO HIS SON Page 59 Page 22 Page 24 Columbia College September/October 2010 TODAY Student Life A new spirit of community is building on Morningside Heights ’ll meet you for a I drink at the club...” Meet. Dine. Play. Take a seat at the newly renovated bar grill or fine dining room. See how membership in the Columbia Club could fit into your life. For more information or to apply, visit www.columbiaclub.org or call (212) 719-0380. The Columbia University Club of New York 15 West 43 St. New York, N Y 10036 Columbia’s SocialIntellectualCulturalRecreationalProfessional Resource in Midtown. Columbia College Today Contents 24 14 68 31 12 22 COVER STORY ALUMNI NEWS DEPARTMENTS 30 2 S TUDENT LIFE : A NEW B OOK sh E L F LETTER S TO T H E 14 Featured: David Rakoff ’86 EDITOR S PIRIT OF COMMUNITY ON defends pessimism but avoids 3 WIT H IN T H E FA MI L Y M ORNING S IDE HEIG H T S memoirism in his new collec- tion of humorous short stories, 4 AROUND T H E QU A D S Satisfaction with campus life is on the rise, and here Half Empty: WARNING!!! No 4 are some of the reasons why. Inspirational Life Lessons Will Be Homecoming 2010 Found In These Pages. 5 By David McKay Wilson Michael B. Rothfeld ’69 To Receive 32 O BITU A RIE S Hamilton Medal 34 Dr.
    [Show full text]