RIGHTS BROCHURE London Book Fair 2017
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UNIVERSITY of Southern CALIFORNIA 11 Jan
UNIVERSAL CITY STUDIOS. INC. AN MCA INC. COMPANY r November 15, 1971 Dr. Bernard _R. Kantor, Chairman Division of Cinema University <;:>f S.outhern California University Park Los Angeles, Calif. 90007 Dear Dr. Kantor: Forgive my delay in answering your nice letter and I want to assure you I am very thrilled about being so honored by the Delta Kappa Al ha, and I most certainly will be present at the . anquet on February 6th. Cordia ~ l I ' Edi ~'h EH:mp 100 UNIVERSAL CITY PLAZA • UNIVERSAL CITY, CALIFORNIA 91608 • 985-4321 CONSOLIDATED FILM I DU TRIES 959 North Seward Street • Hollywood, California 90038 I (213) 462 3161 telu 06 74257 1 ubte eddr n CONSOLFILM SIDNEY P SOLOW February 15, 1972 President 1r. David Fertik President, DKA Uni ersity of Southern California Cinema Department Los Angels, California 90007 Dear Dave: This is to let you know how grateful I am to K for electing me to honorary membership. This is an honor, I must confess, that I ha e for many years dar d to hope that I would someday receive. So ;ou have made a dre m c me true. 'I he award and he widespread publici : th· t it achieved brought me many letters and phone calls of congra ulations . I have enjoyel teaching thee last twent, -four years in the Cinema Department. It is a boost to one's self-rep ct to be accepted b: youn , intelligent people --e peciall, those who are intere.ted in film-m·king . Please e t nJ my thanks to all t e ho ~ere responsible for selec ing me for honor ry~ m er_hip. -
Frons Launches Soap Sensation
et al.: SU Variety II SPECIAL 'GOIN' HOLLYWOOD' EDITION II NEWSPAPER Second Class P.O. Entry Supplement to Syracuse University Magazine CURTIS: IN MINIS Role Credits! "War" Series Is All-Time Screen Dream Syracuse- We couldn't pos sibly get 'em all, but in these 8 By RENEE LEVY series "Winds of War," based on to air in late spring and the entire pages find another 40-plus SU Hollywood- The longest. The Herman Wouk 's epic World War II package will air in Europe next year. alumni getting billboards on most demanding. The hardest. The novels, "War and Remembrance" Curtis, exec producer, director the boulevard. In our research, most expensive. That's the story was shot in 757 locations in 10 and co-scribe of the teleplay, spent we discovered a staggering net behind Dan Curtis 'SO's block countries, using more than 44,000 two years filming and a year and a work of Syracusans in the busi buster miniseries " War and Re actors and extras and nearly 800 half editing "War and Remem ness-producers, directors, membrance," which aired the first sets. The production- the longest brance," a project he originally actors, editors, and more! We 18 of its 30 hours in November on in television history--cost an es considered undoable-particular soon realized that all of them ABC-TV. timated $ 105 million to make. The ly because of the naval battles and would not fit, and to those left A sequel to Curtis's 1983 maxi- concluding 12 hours are expected the depiction of the Holocaust. -
The Audiences and Fan Memories of I Love Lucy, the Dick Van Dyke Show, and All in the Family
Viewers Like You: The Audiences and Fan Memories of I Love Lucy, The Dick Van Dyke Show, and All in the Family Mollie Galchus Department of History, Barnard College April 22, 2015 Professor Thai Jones Senior Thesis Seminar 1 Table of Contents Acknowledgements..........................................................................................................................3 Introduction......................................................................................................................................4 Chapter 1: I Love Lucy: Widespread Hysteria and the Uniform Audience...................................20 Chapter 2: The Dick Van Dyke Show: Intelligent Comedy for the Sophisticated Audience.........45 Chapter 3: All in the Family: The Season of Relevance and Targeted Audiences........................68 Conclusion: Fan Memories of the Sitcoms Since Their Original Runs.........................................85 Bibliography................................................................................................................................109 2 Acknowledgments First, I’d like to thank my thesis advisor, Thai Jones, for guiding me through the process of writing this thesis, starting with his list of suggestions, back in September, of the first few secondary sources I ended up reading for this project, and for suggesting the angle of the relationship between the audience and the sitcoms. I’d also like to thank my fellow classmates in the senior thesis seminar for their input throughout the year. Thanks also -
Applying a Rhizomatic Lens to Television Genres
A THOUSAND TV SHOWS: APPLYING A RHIZOMATIC LENS TO TELEVISION GENRES _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by NETTIE BROCK Dr. Ben Warner, Dissertation Supervisor May 2018 The undersigned, appointed by the dean of the Graduate School, have examined the Dissertation entitled A Thousand TV Shows: Applying A Rhizomatic Lens To Television Genres presented by Nettie Brock A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. ________________________________________________________ Ben Warner ________________________________________________________ Elizabeth Behm-Morawitz ________________________________________________________ Stephen Klien ________________________________________________________ Cristina Mislan ________________________________________________________ Julie Elman ACKNOWLEDGEMENTS Someone recently asked me what High School Nettie would think about having written a 300+ page document about television shows. I responded quite honestly: “High School Nettie wouldn’t have been surprised. She knew where we were heading.” She absolutely did. I have always been pretty sure I would end up with an advanced degree and I have always known what that would involve. The only question was one of how I was going to get here, but my favorite thing has always been watching television and movies. Once I learned that a job existed where I could watch television and, more or less, get paid for it, I threw myself wholeheartedly into pursuing that job. I get to watch television and talk to other people about it. That’s simply heaven for me. A lot of people helped me get here. -
A Show of One's Own: the History of Television and the Single Girl in America from 1960
A Show of One's Own: The History of Television and the Single Girl in America from 1960. by Erin Kimberly Brown A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Master of Arts in History Waterloo, Ontario, Canada, 2015 © Erin Kimberly Brown 2015 Author's Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This thesis analyzes the image of the single girl in American history from 1960. The changes made to her lifestyle through technology, politics, education and the workforce are discussed, as is the impact made by the second-wave feminist movement. The evolution seen is traced in detail through five pivotal television series (That Girl, The Mary Tyler Moore Show, Murphy Brown, Ally McBeal and Sex and the City) that displayed to millions of viewers across the nation how unmarried women were building their lives and the challenges that they experienced. These programs were an important part of their female audience's life, highlighting what was possible to achieve, yet they were not always greeted with the highest regard. Judgment of the single women's lifestyle was seen from writers and politicians who commented on their unmarried status, their sexuality and pregnancies outside of marriage. Even television networks and producers would, at times, be unconvinced of the single female's choices. -
Dishing on Comedic Genius
WEDNESDAY, APRIL 2, 2014 | WWW.PGCITIZEN.CA News 19 Dishing on comedic genius Trying to control friendships can backfire Frazier MOORE The Associated Press NEW YORK — Like any Dick Van Dyke Show fan, Dear Annie: My husband and I he’s happy to catch an occasional rerun of the show were great friends with my sister while flipping channels. and her husband. When we sepa- Annie’s “If there’s nothing new to watch, I’ll let the episode rated, my ex continued to hang Mailbox play out,” says Carl Reiner. out with them because they liked “I’m always pleased to see how well those episodes to drink and do drugs together. KATHY MITCHELL & MARCY SUGAR have aged.” After the divorce, they stopped Reiner, of course, holds special status as a DVD seeing him. confederate. He created this timeless half-century- I just found out that they rekin- or a sprinkling of oregano. old comedy, which premiered on CBS in October dled the friendship when my sister Drenching food in hot sauce says 1961, fueled by his real-life experiences as a TV met his new wife at a party for one that your husband likes the taste comedy writer-performer and devoted family man in of my grandchildren. That was a of hot sauce and likely cannot New Rochelle, N.Y. year ago. I feel betrayed, hurt, an- taste much of anything else. Among all Reiner’s projects as an actor, stand-up gry and very disappointed. When If he doesn’t put hot sauce on comedian, writer, director and producer, The Dick I spoke to my sister, she said, it, it has no flavour at all. -
Unlockingthe Opportunity for College Success Today
FFall/Winterall/Winter 22012012 Unlockingthe opportunity for college success today Access to education | Global leadership at Saint Mary’s | One alumna’s fi nancial journey volume 87, number 3 | fall/winter 2012 TABLE OFCONTENTS 61016 Unlocking the Door: Then and Now Global Leadership Access to education today A look at the hidden costs of SUSI program brings future college, past and present world leaders to campus more features Her Financial Journey, an Alumna Profi le . 7 Making Sense of the Headlines . 8 Navigating the Financial Aid Process . .9 Parent’s Perspective: What I’ve Learned About the Financial Aid Process . .12 Access Does Not Equal Success . .14 depa rtments 2 Inside Saint Mary’s / 3 Heard on Campus / 4 Avenue News / 19 Belles Athletics 20 For the Record / 22 Club News / 24 Class News / 44 Excelsior Visit saintmarys.edu/courier to view the Courier online. The Saint Mary’s College Courier Shari Rodriguez Courier Staff Class News The Mission (USPS 135-340) is published three Vice President for Shannon E. Brewer Rooney ’03 Send alumnae class news to: Saint Mary’s College is a Catholic, Alumnae News Editor times a year by Saint Mary’s College, College Relations Editor residential, women’s college in the Notre Dame, IN 46556-5001. [email protected] [email protected] 110 Le Mans Hall Saint Mary’s College liberal arts tradition. A pioneer in the Periodicals postage paid at the Post Karen Zagrocki McDonald ’76 Gwen O’Brien Notre Dame, IN 46556-5001 or education of women, the College is an Offi ce at Notre Dame, IN 46556 Director of Media Relations Acting Assistant Vice President email [email protected] academic community where women and at additional mailing offi ces. -
7000 West Third Street, Los Angeles, Ca 90048 Website
NEWS RELEASE WGAW Contact: WGAE Contact: Gregg Mitchell Jay Strell 323.782.4574 212.691.2800 [email protected] [email protected] FOR IMMEDIATE RELEASE June 2, 2013 WRITERS CHOOSE THE 101 BEST WRITTEN TV SERIES OF ALL TIME The Sopranos tops the list followed by Seinfeld, The Twilight Zone, All in the Family, and M*A*S*H* Los Angeles and New York – Recognizing the essential role that writers have played in creating and elevating the medium of television since its inception, the Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) tonight announced the list of the 101 Best Written TV Series, honoring seven decades of outstanding television programming and the writers who brought it all to life. The list was determined through online voting by WGAW and WGAE members. A follow-up to the WGA’s 101 Greatest Screenplays (2006), the “TV 101” list honors classic, trailblazing series and miniseries, as well as current and critically acclaimed programs, from comedies and dramas to variety/talk and children’s programming. “At their core, all of these wonderful series began with the words of the writers who created them and were sustained by the writers who joined their staffs or worked on individual episodes,” said WGAW President Chris Keyser and WGAE President Michael Winship in a joint statement. “This list is not only a tribute to great TV, it is a dedication to all writers who devote their hearts and minds to advancing their craft.” -more- WGAW-WGAE Release: 101 Best Written TV Series Announced – Page 2 of 8 Rank Series Title Network Writer(s)* 1 The Sopranos HBO Created by David Chase 2 Seinfeld NBC Created by Larry David & Jerry Seinfeld The Twilight Zone Season One writers: Charles Beaumont, Richard 3 CBS (1959) Matheson, Robert Presnell, Jr., Rod Serling Developed for Television by Norman Lear, Based on Till 4 All in the Family CBS Death Do Us Part, Created by Johnny Speight 5 M*A*S*H CBS Developed for Television by Larry Gelbart The Mary Tyler 6 CBS Created by James L. -
La Configuración Del Deseo Femenino En La Serie De Televisión "Ally Mcbeal"
Universidad CEU Cardenal Herrera CEINDO – CEU Escuela Internacional de Doctorado PROGRAMA en COMUNICACIÓN SOCIAL La configuración del deseo femenino en la serie de televisión Ally McBeal TESIS DOCTORAL Presentada por: Carolina Hermida Bellot Dirigida por: Dra. Dña. Begoña Siles Ojeda VALENCIA 2019 A mis padres A Carles y a Quim AGRADECIMIENTOS «Lo siento, perdóname, te quiero, gracias», es una de las frases utilizadas en el arte hawaiano del Ho'oponopono para resolver problemas. Y son estas cuatro sencillas palabras las que quiero dedicar a las personas que, a pesar de las dificultades que entraña el proceso de elaboración de una tesis, se han mantenido firmes a mi lado. A mis padres y a mi hermana he de agradecerles las largas tardes y fines de semana que se han quedado haciéndose cargo de mi hijo, igual que la familia Claver durante los veranos. A Carles y a mi pequeño Quim sólo puedo pedirles perdón una y mil veces por todo el tiempo robado. Os quiero. Vosotros sois mi aliento y la fuerza para continuar cada día. También quiero agradecer a Begoña Siles la dedicación a este trabajo, que tantas horas de sueño nos ha quitado a las dos. Begoña es mi directora, pero también mi maestra, compañera y amiga. Me abrió los ojos a una nueva forma de ver el mundo hace más de 15 años y sigue sorprendiéndome cada día con su saber y su integridad. Gracias a ella conocí el trabajo que realizan los analistas de Trama y Fondo, en especial el de Jesús González Requena, a quien agradezco que me invitara a la UCM para integrarme durante un mes en el grupo de investigación ATAD, donde fui amablemente acogida por sus miembros. -
Evolución De La Comedia De Situación
UNIVERSIDAD DE SEVILLA FACULTAD DE COMUNICACIÓN ESTUDIO DE LA COMEDIA DE SITUACIÓN Y SU EVOLUCIÓN ANÁLISIS DE ROCKEFELLER PLAZA YTHE BIG BANG THEORY TRABAJO DE SAIDA HERRERO MORALES | [email protected] DIRIGIDO POR Dra. INMACULADA GORDILLO ÁLVAREZ Septiembre 2016 MÁSTER EN GUION, NARRATIVA Y CREACIÓN AUDIOVISUAL DEPARTAMENTO DE COMUNICACIÓN AUDIOVISUAL y PUBLICIDAD En memoria de Garry Shandling, creador y protagonista de The Larry Sanders Show (1949-2016). Y de mi tío Mario. Cincuenta y tres años de anécdotas que van más allá de lo que cualquier sitcom podría recoger. Nuestros momentos contigo han quedado enlatados como aquellas risas de estudio, pudiendo recordarlos una y otra vez. Inolvidables cuál gran éxito de la pequeña pantalla. Descansa en paz. ÍNDICE Resumen ............................................................................................................... 4 Palabras Clave ...................................................................................................... 4 Agradecimientos ................................................................................................... 4 1. INTRODUCCIÓN .................................................................................................. 5 2. PLANTEAMIENTO DE LA INVESTIGACIÓN .................................................. 6 Justificación ........................................................................................................ 6 La ‘sitcom clásica’ frente a la ‘sitcom televisiva’ ............................................... -
Academy of Television Arts & Sciences
68 YEARS OF EMMY® 1948 The Emmy Awards are conceived. The Television Academy’s founding fathers struggle to name the award: Television Academy founder Syd Cassyd suggests “Ike,” the nickname for the television iconoscope tube. Pioneer television engineer and future (1949) Academy president Harry Lubcke suggests “Immy,” a nickname for the image-orthicon camera tube instrumental in the technical development of television. “Immy” is feminized as “Emmy” because the statuette, designed by engineer Louis McManus (who enlisted his wife Dorothy to model for it) depicts the winged “muse of art uplifting the electron of science.” 1949 First Emmy Awards – given to Los Angeles area programming – take place at the Hollywood Athletic Club on January 25. Tickets are $5.00. It is broadcast on local station KTSL. There are less than a million television sets in the U.S. The master of ceremonies was popular TV host Walter O’Keefe. Six awards are given: • Most Outstanding Television Personality: Twenty-year-old Shirley Dinsdale and her puppet sidekick Judy Splinters for “The Judy Splinters Show.” • The Station Award for Outstanding Overall Achievement: KTLA (the first commercial television station west of the Mississippi River). • Technical Award: Engineer Charles Mesak of Don Lee Television for the introduction of TV camera technology. • The Best Film Made for Television: “The Necklace” (a half hour adaptation of Guy de Maupassant's classic short story). • Most Popular Television Program: “Pantomime Quiz.” • A special Emmy is presented to Louis McManus for designing the statuette. 1950 Second Emmy Awards (January 27, Ambassador Hotel) • KFI-TV broadcasts, the six other Los Angeles area stations share expense of the telecast. -
Ashley Elaine York
Making Feminism Popular: Audience Interpellation in Late Post-Network Era Television (a Case Study of TNT’s The Closer) by Ashley Elaine York A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Sociology University of Alberta © Ashley Elaine York, 2016 Abstract This dissertation explores the serial design model of The Closer. It answers the following question: How does The Closer offer multiple entry points along a spectrum of views on gender and feminism, appeal to a range of viewers, and thus secure popularity? To generate metadata of how The Closer is designed for popularity by offering what film scholar Christine Gledhill calls “a range of positions of identification” with the text, using a Fiskean method of textual analysis, I examine the television codes of the transgender figure and the gaze in Chapters Three and Four (Gledhill 1988, 73). Each chapter offers a detailed analysis of a single episode of The Closer and theorizes how television codes of one episode are designed to take advantage of the coexistence of many possible interpretations of the theme under review. As counterpoint to my readings, in Chapter Two I analyze a focus group study conducted with forty-two sample viewers in Tucson, Arizona in 2013. Combining textual, industrial, and ethnographic audience analyses, I find that The Closer’s historic popularity is due to the ways its television codes broaden hegemonic discourses, break gender binaries, and relieve the dominant male gaze—that is, temporarily, subtly, and anachronistically. This smart serial design offers characterizations and content that chip away at hegemonic ideologies of gender over the series run.