Dishing on Comedic Genius
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UNIVERSITY of Southern CALIFORNIA 11 Jan
UNIVERSAL CITY STUDIOS. INC. AN MCA INC. COMPANY r November 15, 1971 Dr. Bernard _R. Kantor, Chairman Division of Cinema University <;:>f S.outhern California University Park Los Angeles, Calif. 90007 Dear Dr. Kantor: Forgive my delay in answering your nice letter and I want to assure you I am very thrilled about being so honored by the Delta Kappa Al ha, and I most certainly will be present at the . anquet on February 6th. Cordia ~ l I ' Edi ~'h EH:mp 100 UNIVERSAL CITY PLAZA • UNIVERSAL CITY, CALIFORNIA 91608 • 985-4321 CONSOLIDATED FILM I DU TRIES 959 North Seward Street • Hollywood, California 90038 I (213) 462 3161 telu 06 74257 1 ubte eddr n CONSOLFILM SIDNEY P SOLOW February 15, 1972 President 1r. David Fertik President, DKA Uni ersity of Southern California Cinema Department Los Angels, California 90007 Dear Dave: This is to let you know how grateful I am to K for electing me to honorary membership. This is an honor, I must confess, that I ha e for many years dar d to hope that I would someday receive. So ;ou have made a dre m c me true. 'I he award and he widespread publici : th· t it achieved brought me many letters and phone calls of congra ulations . I have enjoyel teaching thee last twent, -four years in the Cinema Department. It is a boost to one's self-rep ct to be accepted b: youn , intelligent people --e peciall, those who are intere.ted in film-m·king . Please e t nJ my thanks to all t e ho ~ere responsible for selec ing me for honor ry~ m er_hip. -
Frons Launches Soap Sensation
et al.: SU Variety II SPECIAL 'GOIN' HOLLYWOOD' EDITION II NEWSPAPER Second Class P.O. Entry Supplement to Syracuse University Magazine CURTIS: IN MINIS Role Credits! "War" Series Is All-Time Screen Dream Syracuse- We couldn't pos sibly get 'em all, but in these 8 By RENEE LEVY series "Winds of War," based on to air in late spring and the entire pages find another 40-plus SU Hollywood- The longest. The Herman Wouk 's epic World War II package will air in Europe next year. alumni getting billboards on most demanding. The hardest. The novels, "War and Remembrance" Curtis, exec producer, director the boulevard. In our research, most expensive. That's the story was shot in 757 locations in 10 and co-scribe of the teleplay, spent we discovered a staggering net behind Dan Curtis 'SO's block countries, using more than 44,000 two years filming and a year and a work of Syracusans in the busi buster miniseries " War and Re actors and extras and nearly 800 half editing "War and Remem ness-producers, directors, membrance," which aired the first sets. The production- the longest brance," a project he originally actors, editors, and more! We 18 of its 30 hours in November on in television history--cost an es considered undoable-particular soon realized that all of them ABC-TV. timated $ 105 million to make. The ly because of the naval battles and would not fit, and to those left A sequel to Curtis's 1983 maxi- concluding 12 hours are expected the depiction of the Holocaust. -
CBS, Rural Sitcoms, and the Image of the South, 1957-1971 Sara K
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971 Sara K. Eskridge Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Eskridge, Sara K., "Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971" (2013). LSU Doctoral Dissertations. 3154. https://digitalcommons.lsu.edu/gradschool_dissertations/3154 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. RUBE TUBE: CBS, RURAL SITCOMS, AND THE IMAGE OF THE SOUTH, 1957-1971 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Sara K. Eskridge B.A., Mary Washington College, 2003 M.A., Virginia Commonwealth University, 2006 May 2013 Acknowledgements Many thanks to all of those who helped me envision, research, and complete this project. First of all, a thank you to the Middleton Library at Louisiana State University, where I found most of the secondary source materials for this dissertation, as well as some of the primary sources. I especially thank Joseph Nicholson, the LSU history subject librarian, who helped me with a number of specific inquiries. -
The Audiences and Fan Memories of I Love Lucy, the Dick Van Dyke Show, and All in the Family
Viewers Like You: The Audiences and Fan Memories of I Love Lucy, The Dick Van Dyke Show, and All in the Family Mollie Galchus Department of History, Barnard College April 22, 2015 Professor Thai Jones Senior Thesis Seminar 1 Table of Contents Acknowledgements..........................................................................................................................3 Introduction......................................................................................................................................4 Chapter 1: I Love Lucy: Widespread Hysteria and the Uniform Audience...................................20 Chapter 2: The Dick Van Dyke Show: Intelligent Comedy for the Sophisticated Audience.........45 Chapter 3: All in the Family: The Season of Relevance and Targeted Audiences........................68 Conclusion: Fan Memories of the Sitcoms Since Their Original Runs.........................................85 Bibliography................................................................................................................................109 2 Acknowledgments First, I’d like to thank my thesis advisor, Thai Jones, for guiding me through the process of writing this thesis, starting with his list of suggestions, back in September, of the first few secondary sources I ended up reading for this project, and for suggesting the angle of the relationship between the audience and the sitcoms. I’d also like to thank my fellow classmates in the senior thesis seminar for their input throughout the year. Thanks also -
LOOKING for a Marks College Graduation Youth Patrol
VC*'’-r * .-r % ••» •<' r 1-^v A vei^e Daily Net Frees Run ■ ?. JbV The Week Ended The Weather FRIDAY, JUNE 16, W67 Hot humtd today with scat Mlay 20. 19B7 tered thundershowers, high PAGE TWENTY-FOUR near 90, fair,, wlorm tonight, lian tljifiatfr lEoifntttg ll^ ralb low 66-70; fair a Mttle cooler 15,210 tomorrow. Oratty, 48 PMUp Rd., or Edward Manchester— City of Village^ Charm The executive conuniibtee Fund Forming Group Collects Vdilga, 618 WethereH St. V^miTlie Oecoslon Calls for Flowars. About Town Nutmeig Forest, TaM OedaiS ot 1 Think of Th« VOL. LXXXVl, NO. 219 (FOURTEEN PAGIBS— TV SECTION) MANCHESTER, CONN., SATURDAY, JUNE 17, 1967 (Claeslfled Advertising on Page 11) PRICE SEVEN CENTS Leihamon, w4U nveet Monday at For Memorial On Sunday £or K BaccaJaurate Service will '?'30 pjm.- at the Masontc Tem- Measles Cases Reduced Parkhill-Joyce be held Sunday at Center Con- ple- To Miss Taylor Genovesi Fund CHICAGO—Only seven cases gregatlonal Church fw: the 57 ------ of hospitalization due to meas graduating seniora of Atanches- The Association of American The parents find children of Funds for the Vincent Geno les was reported In Chicago Flower Shop ter High School attending the Dance Oompaniee is having a Nathan Hale School have es- vesi Memorial Library Fund from Nov. 1, 1966, to mid-Feb riANCHESTER church. The service is especial- four-day conference tx)day , ^ ^ .u ■ end books for Grades 6, 7 and ruary, 1967. This is attributed IM. ly prepared for the studenU and through Monday in New York^ tatolished a fund to honor the to 121,600 inoculations against 8 wiM be CoHected ^Sunday from fNext to Hartford National Kosygin JJere for Talk, their parents, th e Rev. -
Applying a Rhizomatic Lens to Television Genres
A THOUSAND TV SHOWS: APPLYING A RHIZOMATIC LENS TO TELEVISION GENRES _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by NETTIE BROCK Dr. Ben Warner, Dissertation Supervisor May 2018 The undersigned, appointed by the dean of the Graduate School, have examined the Dissertation entitled A Thousand TV Shows: Applying A Rhizomatic Lens To Television Genres presented by Nettie Brock A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. ________________________________________________________ Ben Warner ________________________________________________________ Elizabeth Behm-Morawitz ________________________________________________________ Stephen Klien ________________________________________________________ Cristina Mislan ________________________________________________________ Julie Elman ACKNOWLEDGEMENTS Someone recently asked me what High School Nettie would think about having written a 300+ page document about television shows. I responded quite honestly: “High School Nettie wouldn’t have been surprised. She knew where we were heading.” She absolutely did. I have always been pretty sure I would end up with an advanced degree and I have always known what that would involve. The only question was one of how I was going to get here, but my favorite thing has always been watching television and movies. Once I learned that a job existed where I could watch television and, more or less, get paid for it, I threw myself wholeheartedly into pursuing that job. I get to watch television and talk to other people about it. That’s simply heaven for me. A lot of people helped me get here. -
Academy of Television Arts & Sciences
67 YEARS OF EMMY® 1948 The Emmy Awards are conceived. The Television Academy’s founding fathers struggle to name the award: Television Academy founder Syd Cassyd suggests “Ike,” the nickname for the television iconoscope tube. Pioneer television engineer and future (1949) Academy president Harry Lubcke suggests “Immy,” a nickname for the image-orthicon camera tube instrumental in the technical development of television. “Immy” is feminized as “Emmy” because the statuette, designed by engineer Louis McManus (who enlisted his wife Dorothy to model for it) depicts the winged “muse of art uplifting the electron of science.” 1949 First Emmy Awards – given to Los Angeles area programming – take place at the Hollywood Athletic Club on January 25. Tickets are $5.00. It is broadcast on local station KTSL. There are less than a million television sets in the U.S. The master of ceremonies was popular TV host Walter O’Keefe. Six awards are given: Most Outstanding Television Personality: Twenty-year-old Shirley Dinsdale and her puppet sidekick Judy Splinters for “The Judy Splinters Show.” The Station Award for Outstanding Overall Achievement: KTLA (the first commercial television station west of the Mississippi River). Technical Award: Engineer Charles Mesak of Don Lee Television for the introduction of TV camera technology. The Best Film Made for Television: “The Necklace” (a half hour adaptation of Guy de Maupassant's classic short story). Most Popular Television Program: “Pantomime Quiz.” A special Emmy is presented to Louis McManus for designing the statuette. 1950 Second Emmy Awards (January 27, Ambassador Hotel) KFI-TV broadcasts, the six other Los Angeles area stations share expense of the telecast. -
ANDREW SMITH 220 East 72ND Street #7F New York, NY 10021 (917) 747-8248(Cell) [email protected] Williams College
ANDREW SMITH 220 East 72ND Street #7F New York, NY 10021 (917) 747-8248(cell) [email protected] Williams College FEATURES Main Event (with Gail Parent) Stir Crazy (original treatment & script) Who's That Girl? ("Slammer") (With Ken Finkelman) Harlem Nights (re-write) Look Who's Talking Now (treatment draft) TELEVISION MOVIES Maid For Each Other (NBC) TELEVISION (hour episodes) Touched By An Angel (2) Chicago Hope (1) The Practice (1) (with Ed Redlich) New York Undercover (1) (Story) TELEVISION (half-hour staff) On Our Own (Supervising Producer) The New Love American Style (Story Editor) TELEVISION (half-hour pilots) That Show Starring Joan Rivers Sheila! (with Gail Parent) (CBS) The Sid Caesar Show (with Sam Denoff)(CBS) STAT (ABC) Politically Incorrect (HBO) (with Chris Kelly) Love, Hate, & Joy (ABC) Head Writer TELEVISION (half hour episodes) On Our Own (4) Bob Newhart Show (3) The New Love American Style (2) STAT (3) Married.....With Children (1) TELEVISION (variety & talk staff) The Tonight Show That Show Starring Joan Rivers (Pilot and Launch) Public Broadcast Laboratory The David Frost Show The Merv Griffin Show (Head Writer) Saturday Night Live With Howard Cosell (ABC) (pilot and staff)) Saturday Night Live (NBC) (Head Writer) (3 Emmy Nominations) The News Is The News The New Love American Style (Story Editor) Friday Night Videos SAJAK (talk show pilot) (Writer/Producer) Politically Incorrect (Writer/Creative Consultant) El Barrio USA (Writer/Co/Director) Live From Queens NY-GO The View (10 Emmy Nominations, 2 Emmy Awards) (15 years) Love, Hate, And Joy (Head Writer) Topic A - With Tina Brown (Pilot) Primetime View Special The View Oscar Special SPECIALS Take Me Home Again The Playboy Roller Disco and Pajama Party The 43rd Annual Emmy Awards The Daytime Emmy Awards Roseanne's Hanukkah Special Disney Channel 25th Anniversary Celebration (3 half Hours) The 25th Annual Daytime Emmy Awards Disney World Twenty-Fifth Anniversary Special Tyson Vs. -
USC School of Cinema-Television
USC School of Cinema-Television he USC School of Cinema-Television offers undergraduate and graduate-level programs in production, critical studies, animation, writing for screen and television and producing. TThe school educates students in the aesthetic and technical values of the medium through course work, production activities and research. All members of the full-time cinema-television faculty have been or are working professionals in their respective fields; most have years of full-time professional experience. Each year a number of adjunct faculty from the Los Angeles film and television industries participate in all programs. Students at the USC School of Cinema-Television produce over 234 hours of motion pictures each year and complete approximately 100 full-length screenplays. USC films made by students receive 150 awards annually from festivals around the world. USC cinema-television alumni are among the most successful filmmakers and scholars working today. Since 1951, there have been only two years when no members of the Trojan Family were nominated for Academy Awards for their work USC’s School of Cinema-Television is number one according to the rankings published in America’s in documentary or fiction film. Best Graduate Schools issue of U.S. News and World Report (1998). The Cinema-Television Library offers a comprehensive collection of books in English and substantial holdings in other languages. The vast collection of journals, unpublished screenplays and manu- script materials includes personal papers of industry figures from the silent years to the present and studio records from Warner Bros., MGM, Universal and other producing companies. The study cen- ter also provides student access to the school’s large collection of film and television materials in all film and video formats as well as to several thousand recent screenplays. -
A Show of One's Own: the History of Television and the Single Girl in America from 1960
A Show of One's Own: The History of Television and the Single Girl in America from 1960. by Erin Kimberly Brown A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Master of Arts in History Waterloo, Ontario, Canada, 2015 © Erin Kimberly Brown 2015 Author's Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This thesis analyzes the image of the single girl in American history from 1960. The changes made to her lifestyle through technology, politics, education and the workforce are discussed, as is the impact made by the second-wave feminist movement. The evolution seen is traced in detail through five pivotal television series (That Girl, The Mary Tyler Moore Show, Murphy Brown, Ally McBeal and Sex and the City) that displayed to millions of viewers across the nation how unmarried women were building their lives and the challenges that they experienced. These programs were an important part of their female audience's life, highlighting what was possible to achieve, yet they were not always greeted with the highest regard. Judgment of the single women's lifestyle was seen from writers and politicians who commented on their unmarried status, their sexuality and pregnancies outside of marriage. Even television networks and producers would, at times, be unconvinced of the single female's choices. -
RIGHTS BROCHURE London Book Fair 2017
Robert G Diforio 7 Indian Valley Road Weston, CT 06883 [email protected] O: (203) 544-7180 C: (203) 545-7180 F: (203) 544-7160 RIGHTS BROCHURE London Book Fair 2017 Lieutenant Colonel John Mangan is a decorated combat rescue pilot, novelist who graduated fromf the United States Air Force Academy, was an instructor at the Survival Escape Resistance & Evasion (SERE) school, and is currently an HH-60G, Pave Hawk instructor pilot. He has deployed to the Middle East eight times and has commanded the 33rd Expeditionary Rescue Squadron in Kandahar, Afghanistan. His actions in combat have been documented in the books Not a Good Day to Die, None Braver, and Zero Six Bravo. He has flown combat missions with PJ’s, SEALs, Delta, Rangers, and the SAS. John has been awarded the Distinguished Flying Cross with Valor, twice. The Air Medal, twelve times, and the 2009 Cheney Award. "A riveting imagined what-if so real you wonder if it might even be possible. Tense, intelligent, harsh, and surprising, this thrill ride is drum tight in its execution.” -- Steve Berry, New York Times bestselling author of The 14th Colony “Its relentless opening chase sets the tone for INTO A DARK FRONTIER, a winner for fans of techno-action novels. After eight deployments as a combat rescue pilot, its author knows what he’s writing about and does so with speed and insider details.” -- David Morrell, New York Times bestselling author of First Blood "Into a Dark Frontier is an international thriller of rare depth and complexity that would make the likes of John Le Carre and Robert Ludlum proud. -
Unlockingthe Opportunity for College Success Today
FFall/Winterall/Winter 22012012 Unlockingthe opportunity for college success today Access to education | Global leadership at Saint Mary’s | One alumna’s fi nancial journey volume 87, number 3 | fall/winter 2012 TABLE OFCONTENTS 61016 Unlocking the Door: Then and Now Global Leadership Access to education today A look at the hidden costs of SUSI program brings future college, past and present world leaders to campus more features Her Financial Journey, an Alumna Profi le . 7 Making Sense of the Headlines . 8 Navigating the Financial Aid Process . .9 Parent’s Perspective: What I’ve Learned About the Financial Aid Process . .12 Access Does Not Equal Success . .14 depa rtments 2 Inside Saint Mary’s / 3 Heard on Campus / 4 Avenue News / 19 Belles Athletics 20 For the Record / 22 Club News / 24 Class News / 44 Excelsior Visit saintmarys.edu/courier to view the Courier online. The Saint Mary’s College Courier Shari Rodriguez Courier Staff Class News The Mission (USPS 135-340) is published three Vice President for Shannon E. Brewer Rooney ’03 Send alumnae class news to: Saint Mary’s College is a Catholic, Alumnae News Editor times a year by Saint Mary’s College, College Relations Editor residential, women’s college in the Notre Dame, IN 46556-5001. [email protected] [email protected] 110 Le Mans Hall Saint Mary’s College liberal arts tradition. A pioneer in the Periodicals postage paid at the Post Karen Zagrocki McDonald ’76 Gwen O’Brien Notre Dame, IN 46556-5001 or education of women, the College is an Offi ce at Notre Dame, IN 46556 Director of Media Relations Acting Assistant Vice President email [email protected] academic community where women and at additional mailing offi ces.