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UNIVERSITY of Southern CALIFORNIA 11 Jan
UNIVERSAL CITY STUDIOS. INC. AN MCA INC. COMPANY r November 15, 1971 Dr. Bernard _R. Kantor, Chairman Division of Cinema University <;:>f S.outhern California University Park Los Angeles, Calif. 90007 Dear Dr. Kantor: Forgive my delay in answering your nice letter and I want to assure you I am very thrilled about being so honored by the Delta Kappa Al ha, and I most certainly will be present at the . anquet on February 6th. Cordia ~ l I ' Edi ~'h EH:mp 100 UNIVERSAL CITY PLAZA • UNIVERSAL CITY, CALIFORNIA 91608 • 985-4321 CONSOLIDATED FILM I DU TRIES 959 North Seward Street • Hollywood, California 90038 I (213) 462 3161 telu 06 74257 1 ubte eddr n CONSOLFILM SIDNEY P SOLOW February 15, 1972 President 1r. David Fertik President, DKA Uni ersity of Southern California Cinema Department Los Angels, California 90007 Dear Dave: This is to let you know how grateful I am to K for electing me to honorary membership. This is an honor, I must confess, that I ha e for many years dar d to hope that I would someday receive. So ;ou have made a dre m c me true. 'I he award and he widespread publici : th· t it achieved brought me many letters and phone calls of congra ulations . I have enjoyel teaching thee last twent, -four years in the Cinema Department. It is a boost to one's self-rep ct to be accepted b: youn , intelligent people --e peciall, those who are intere.ted in film-m·king . Please e t nJ my thanks to all t e ho ~ere responsible for selec ing me for honor ry~ m er_hip. -
Incandescent: Light Bulbs and Conspiracies1
Dr Grace Halden recently completed her PhD at Birkbeck, University of London. Her doctoral research on science fiction brings together her interest in philosophy, technology and literature. She has a range of diverse VOLUME 5 NUMBER 2 SPRING 2015 publications including an edited book Concerning Evil and articles on Derrida and Doctor Who. [email protected] Article Incandescent: 1 Light Bulbs and Conspiracies Grace Halden / __________________________________________ Light bulbs are with us every day, illuminating the darkness or supplementing natural light. Light bulbs are common objects with a long history; they seem innocuous and easily terminated with the flick of a switch. The light bulb is an important invention that, as Roger Fouquet notes, was transformational with regard to industry, economy and the revolutionary ability to ‘live and work in a well-illuminated environment’.2 Wiebe Bijker, in Of Bicycles, Bakelites and Bulbs (1997), explains that light bulbs show an integration between technology and society and how these interconnected advancements have led to a sociotechnical evolution.3 However, in certain texts the light bulb has been portrayed as insidious, controlling, and dehumanising. How this everyday object has been curiously demonised will be explored here. Through looking at popular cultural conceptions of light and popular conspiracy theory, I will examine how the incandescent bulb has been portrayed in dystopian ways.4 By using the representative texts of The Light Bulb Conspiracy (2010), The X-Files (1993-2002), and Thomas Pynchon’s Gravity’s Rainbow (1973), I will explore how this commonplace object has been used to symbolise the malevolence of individuals and groups, and the very essence of technological development itself. -
Frons Launches Soap Sensation
et al.: SU Variety II SPECIAL 'GOIN' HOLLYWOOD' EDITION II NEWSPAPER Second Class P.O. Entry Supplement to Syracuse University Magazine CURTIS: IN MINIS Role Credits! "War" Series Is All-Time Screen Dream Syracuse- We couldn't pos sibly get 'em all, but in these 8 By RENEE LEVY series "Winds of War," based on to air in late spring and the entire pages find another 40-plus SU Hollywood- The longest. The Herman Wouk 's epic World War II package will air in Europe next year. alumni getting billboards on most demanding. The hardest. The novels, "War and Remembrance" Curtis, exec producer, director the boulevard. In our research, most expensive. That's the story was shot in 757 locations in 10 and co-scribe of the teleplay, spent we discovered a staggering net behind Dan Curtis 'SO's block countries, using more than 44,000 two years filming and a year and a work of Syracusans in the busi buster miniseries " War and Re actors and extras and nearly 800 half editing "War and Remem ness-producers, directors, membrance," which aired the first sets. The production- the longest brance," a project he originally actors, editors, and more! We 18 of its 30 hours in November on in television history--cost an es considered undoable-particular soon realized that all of them ABC-TV. timated $ 105 million to make. The ly because of the naval battles and would not fit, and to those left A sequel to Curtis's 1983 maxi- concluding 12 hours are expected the depiction of the Holocaust. -
FRCH 339.01A: Survey of African Cinema Michel R
University of Montana ScholarWorks at University of Montana Syllabi Course Syllabi 9-2013 FRCH 339.01A: Survey of African Cinema Michel R. Valentin University of Montana - Missoula, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/syllabi Recommended Citation Valentin, Michel R., "FRCH 339.01A: Survey of African Cinema" (2013). Syllabi. 1758. https://scholarworks.umt.edu/syllabi/1758 This Syllabus is brought to you for free and open access by the Course Syllabi at ScholarWorks at University of Montana. It has been accepted for inclusion in Syllabi by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. 1. 1 SURVEY OF WESTERN AFRICAN CINEMA— SEMESTER Fall 2013UNIVERSITY OF MONTANA MCLG 339—01-B/ FILM 381-01/ FRCH 339-01-B/ LSH. 391.01/ 3 credits// L.A. BLDG. 308 INSTRUCTOR: Dr. Michel VALENTIN-Professor of French.—. Contact Hours: MONDAY AND WEDNESDAY-Time: 15:10 to 18:00-Aug 26 to Dec. 13 2013. Office: U.M. MCLL Dept. L.A. 322—Office phone: 243-2301—e-mail: michel.valentin(g>umontana.edu Office Hours: By appointment or Tuesday/Thursday-12:10 to 13:00, or Monday/Wednesday- 14: to 15:00. COURSE GOAL and OUtCOMES: Absorption of materials and information (diachronic survey of African cinema) accompanied by interpretation and evaluation of textual dimension of films (i.e., film as text) through the use of filmic critical theory (basically Lacanian inspired and Deleuzian filmic critical theory—for Deleuze, cinema is first and foremost a pre-verbal intelligible content—pure semiotics, while for a Lacanian-based critical reading, cinema deals with the sign as the signifier/symptom engaged by and engaging the three dimensions which constitute us as humans: the Real/ the Imaginary and the Symbolic). -
An Imprint of Harpercollinspublishers US I X 1 406 MC 100.Pdf 4 of 416 9/8/14
US_i_x_1_406_MC_100.pdf 3 of 416 9/8/14 HARPER An Imprint of HarperCollinsPublishers US_i_x_1_406_MC_100.pdf 4 of 416 9/8/14 This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resem- blance to actual events or persons, living or dead, is entirely coincidental. US. Copyright © 2014 by David Nicholls. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any man- ner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information, address HarperCollins Publishers, 195 Broadway, New York, NY 10007. HarperCollins books may be purchased for educational, business, or sales pro- motional use. For information, please e-mail the Special Markets Department at [email protected]. “Home is so Sad” from The Complete Poems of Philip Larkin by Philip Larkin, edited by Archie Burnett. Copyright © 2012 by The Estate of Philip Larkin. Re- printed by permission of Farrar, Straus and Giroux, LLC. Originally published in the United Kingdom in 2014 by Hodder & Stoughton Pub- lishers Ltd., an Hachette UK company FIRST U.S. EDITION Library of Congress Cataloging-in-Publication Data Nicholls, David, 1966– Us : a novel / David Nicholls. pages cm ISBN 978-0-06-236558-3 (hardback)—ISBN 978-0-06-236559-0 (paperback)— ISBN 978-0-06-236560-6 (ebook) 1. Middle-aged men—Fiction. 2. Husband and wife)—Fiction. 3. Fathers and sons)—Fiction. 4. Life change events)—Fiction. -
The Friendship News
The Friendship News May 2012 Vol. 33, No. 107 Our National Headquarters Prepares for Season Opening Nathaniel and Christina (Shahan) Friend Genealogy Friend Family Bible Record The Friend Family Gathering is Coming Soon A publication of The Friend Family Association of America since 1978 www.friendfamilyassociation.com About Us Index Miscellany Welcome to the second edition of our digital Friend Family Association Newsletter/ page 3 Magazine. Registration form for Gathering of Friends The organization was started 30 years ago by Colonel Lester Friend with the purpose to page 5 collect, record, preserve, and share the historical and genealogical history of all family groups and to strengthen family relationships, and to deepen appreciation for those who From Our National Headquarters came before us and the values they cherished. page 6 We do this by: Did You Know? Promoting historical and genealogical research. article one Providing a strong and purposeful organization to be a resource for the local school page 7 system, libraries, interested students, historians and the general public. Did You Know? Providing a National Heritage Museum as an educational institution. article one page 8 Creating an educational environment to assist in making the public aware of their lines of descent from those patriots who came to the American shores in search of freedom and a Storytelling Guest better way of life. page 9 The Friend Family Association of America is now a national organization, with member- Historical Information from an old ships in Europe, as well as the United States. Friend Bible page10 The headquarters building is located in Friendsville, Maryland, which houses the museum and library. -
Study of Victim Experiences of Wrongful Conviction
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Study of Victim Experiences of Wrongful Conviction Author(s): Seri Irazola, Ph.D., Erin Williamson, Julie Stricker, Emily Niedzwiecki Document No.: 244084 Date Received: November 2013 Award Number: GS-23F-8182H This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant report available electronically. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Final Report Study of Victim Experiences of Wrongful Conviction Contract No. GS-23F-8182H September, 2013 Submitted to: National Institute of Justice Office of Justice Programs U.S. Department of Justice Submitted by: ICF Incorporated 9300 Lee Highway Fairfax, VA 22031 Final Report Study of Victim Experiences of Wrongful Conviction Contract No. GS-23F-8182H September, 2013 Submitted to: National Institute of Justice Office of Justice Programs U.S. Department of Justice Submitted by: ICF Incorporated 9300 Lee Highway Fairfax, VA 22031 Study of Victim Experiences of Wrongful Conviction Study of Victim Experiences of Wrongful Conviction Seri Irazola, Ph.D. Erin Williamson Julie Stricker Emily Niedzwiecki ICF International 9300 Lee Highway Fairfax, VA 22031-1207 This project was supported by Contract No. GS-23F-8182H, awarded by the National Institute of Justice, Office of Justice Programs, U.S. Department of Justice. The opinions, findings, and conclusions or recommendations expressed in this publication are those of the authors and do not necessarily reflect those of the U.S. -
Cómo Citar El Artículo Número Completo Más Información Del
Anagramas -Rumbos y sentidos de la comunicación- ISSN: 1692-2522 Sello Editorial - Universidad de Medellín Nitrihual-Valdebenito, Luis; Fierro-Bustos, Juan Manuel; Reyes-Velásquez, Carlos; Henríquez-Morales, Francisco Conspiración y nuda vida ¿The X-Files, I want to believe: mundo posible o mundo presente?* Anagramas -Rumbos y sentidos de la comunicación-, vol. 16, núm. 31, 2017, Septiembre-Diciembre, pp. 91-112 Sello Editorial - Universidad de Medellín DOI: https://doi.org/10.22395/angr.v16n31a3 Disponible en: https://www.redalyc.org/articulo.oa?id=491555087004 Cómo citar el artículo Número completo Sistema de Información Científica Redalyc Más información del artículo Red de Revistas Científicas de América Latina y el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Universidad de Medellín Conspiración y nuda vida ¿The X-Files, I want to believe: mundo posible o mundo presente?* Luis Nitrihual Valdebenito** Juan Manuel Fierro Bustos*** Carlos Reyes Velásquez**** Francisco Henríquez Morales***** Recibido: 2017-04-22 Enviado a pares: 2017-05-25 Aprobado por pares: 2017-07-18 Aceptado: 2017-07-25 DOI: 10.22395/angr.v16n31a3 Resumen El presente artículo problematiza, en general, la conspiración como una estructura política y narrativa fundamental de la Modernidad. A través de un análisis fílmico de la serie The X-Files, I want to believe, planteamos como objetivo revelar como el tópico de la conspiración, en un nivel superficial, es un articulador de la trama de la serie, pero en un nivel profundo y amplio entendemos la conspiración como una estrategia articuladora de la vida moderna y, en este marco, del control biopolítico. -
Benjamin Franklin Autobiography (Part One)
Benjamin Franklin Autobiography (Part One) 1706-1757 Twyford, at the Bishop of St. Asaph's, 1771. Dear Son: I have ever had pleasure in obtaining any little anecdotes of my ancestors. You may remember the inquiries I made among the remains of my relations when you were with me in England, and the journey I undertook for that purpose. Imagining it may be equally agreeable to you to know the circumstances of my life, many of which you are yet unacquainted with, and expecting the enjoyment of a week's uninterrupted leisure in my present country retirement, I sit down to write them for you. To which I have besides some other inducements. Having emerged from the poverty and obscurity in which I was born and bred, to a state of affluence and some degree of reputation in the world, and having gone so far through life with a considerable share of felicity, the conducing means I made use of, which with the blessing of God so well succeeded, my posterity may like to know, as they may find some of them suitable to their own situations, and therefore fit to be imitated. That felicity, when I reflected on it, has induced me sometimes to say, that were it offered to my choice, I should have no objection to a repetition of the same life from its beginning, only asking the advantages authors have in a second edition to correct some faults of the first. So I might, 6besides correcting the faults, change some sinister accidents and events of it for others more favorable. -
The Audiences and Fan Memories of I Love Lucy, the Dick Van Dyke Show, and All in the Family
Viewers Like You: The Audiences and Fan Memories of I Love Lucy, The Dick Van Dyke Show, and All in the Family Mollie Galchus Department of History, Barnard College April 22, 2015 Professor Thai Jones Senior Thesis Seminar 1 Table of Contents Acknowledgements..........................................................................................................................3 Introduction......................................................................................................................................4 Chapter 1: I Love Lucy: Widespread Hysteria and the Uniform Audience...................................20 Chapter 2: The Dick Van Dyke Show: Intelligent Comedy for the Sophisticated Audience.........45 Chapter 3: All in the Family: The Season of Relevance and Targeted Audiences........................68 Conclusion: Fan Memories of the Sitcoms Since Their Original Runs.........................................85 Bibliography................................................................................................................................109 2 Acknowledgments First, I’d like to thank my thesis advisor, Thai Jones, for guiding me through the process of writing this thesis, starting with his list of suggestions, back in September, of the first few secondary sources I ended up reading for this project, and for suggesting the angle of the relationship between the audience and the sitcoms. I’d also like to thank my fellow classmates in the senior thesis seminar for their input throughout the year. Thanks also -
London 2020 Rights Guide Fiction & Non-Fiction Contents
LONDON 2020 RIGHTS GUIDE FICTION & NON-FICTION CONTENTS FICTION General Fiction Literary Fiction Harlequin Fiction Crime & Thriller Sci-Fi & Fantasy NON-FICTION General Non-fiction Cookery & Lifestyle True Crime Biography & Autobiography Sport History & Popular Science Health & Wellbeing SUB-AGENTS GENERAL ENQUIRIES If you are interested in any of the titles in this Rights Guide or would like further information, please contact us: Elizabeth O’Donnell International Rights Manager HarperCollins Publishers (ANZ) t: +61 2 9952 5475 e: [email protected] HarperCollins Publishers Australia Level 13, 201 Elizabeth Street, Sydney NSW 2000 PO Box A565, Sydney South NSW 1235 AUSTRALIA FICTION TITLES GENERAL FICTION GENERAL FICTION It’s New Year’s Eve. Three thirty-something women – Aimee, JOY. MAGIC. WONDER. FATE. Every lost soul can be NOT BAD Melinda and Lou - best friends for decades, let off illegal BOY found again. Fates can be changed. Bad can become good. PEOPLE Chinese lanterns filled with resolutions: for meaning, for SWALLOWS True love conquers all. There is a fine line between magic and freedom, for money. As the glowing paper bags float away, madness and all should be encouraged in moderation. Home BRANDY there’s a bright flare in the distance. It could be a sign of luck UNIVERSE is always the first and final poem. SCOTT – or the start of a complete nightmare that will upend their TRENT Brisbane, 1983: A lost father, a mute brother, a mum in jail, friendships, families and careers. Three friends, thirty years DALTON a heroin dealer for a stepfather and a notorious crim for a of shared secrets, one The day after their ceremony, the newspapers report a small babysitter. -
Applying a Rhizomatic Lens to Television Genres
A THOUSAND TV SHOWS: APPLYING A RHIZOMATIC LENS TO TELEVISION GENRES _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by NETTIE BROCK Dr. Ben Warner, Dissertation Supervisor May 2018 The undersigned, appointed by the dean of the Graduate School, have examined the Dissertation entitled A Thousand TV Shows: Applying A Rhizomatic Lens To Television Genres presented by Nettie Brock A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. ________________________________________________________ Ben Warner ________________________________________________________ Elizabeth Behm-Morawitz ________________________________________________________ Stephen Klien ________________________________________________________ Cristina Mislan ________________________________________________________ Julie Elman ACKNOWLEDGEMENTS Someone recently asked me what High School Nettie would think about having written a 300+ page document about television shows. I responded quite honestly: “High School Nettie wouldn’t have been surprised. She knew where we were heading.” She absolutely did. I have always been pretty sure I would end up with an advanced degree and I have always known what that would involve. The only question was one of how I was going to get here, but my favorite thing has always been watching television and movies. Once I learned that a job existed where I could watch television and, more or less, get paid for it, I threw myself wholeheartedly into pursuing that job. I get to watch television and talk to other people about it. That’s simply heaven for me. A lot of people helped me get here.