Rookwood" Which Was Published in 1834 and Was an Immediate Success
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Patrick Mcgahern Books, Inc. Mcgahernbooks.Ca Order Line 613-230-2277 1
1. Patrick McGahern Books, Inc. mcgahernbooks.ca order line 613-230-2277 1. BROADSIDE. (Handbill). - Riel Rebellion. Citizen Extra. - Ottawa, Saturday, May 6th. [1885]. Riel Captured. - A Prisoner in Middleton’s Camp. - He Makes a Dash for Freedom. - But is Caught by the Scouts.- Special to The Citizen. Clarke.s (sic) Crossing, May 16th - It was ascertained that Riel and some of his followers after leaving Batoche made toward the river, intending to join those who had previously crossed over to the over side. ... Ottawa. The Citizen. [1885]. 8vo, 21x 12cm, single sheet, on newsprint, the trim is not square which is fairly common for the period, fragile but sound, fine, very rare 5,000.00 A special news release, supplement handbill, issued shortly after Riel’s capture by Boulton’s Scouts on May 15, 1885. No references located. Not in Amicus, WorldCat, LC, BM, Peel, Lande, TPL, UT, A&E, no Auction records, etc. etc. Includes: Related Rebellion Ephemera. Newspaper clipping: “Interesting Letter From a Young Quebecer in the North-West”. N.p. 1885. A letter from an unnamed newspaper giving an eyewitness report of the Battle of Batoche, dated Batoche Crossing, May 12, 1885. The clipping is signed "Willie"and is in a torn envelope with handwritten note: "Willie Chaloner's Letter". Patrick McGahern Books, Inc. mcgahernbooks.ca order line 613-230-2277 With a T.L.s., by Wilfrid Laurier 2. [AUTOGRAPH ALBUM]. PRESCOTT, Ontario An autograph book with contents dating from 1901 to 1929 belonging to Frank Egerton Smith of Prescott Ontario, an entrepreneur associated with the Silver Mining Company of eastern Ontario. -
English Legal Histories
English Legal Histories Ian Ward HART PUBLISHING Bloomsbury Publishing Plc Kemp House , Chawley Park, Cumnor Hill, Oxford , OX2 9PH , UK 1385 Broadway, New York, NY 10018, USA HART PUBLISHING, the Hart/Stag logo, BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2019 Copyright © Ian Ward , 2019 Ian Ward has asserted his right under the Copyright, Designs and Patents Act 1988 to be identifi ed as Author of this work. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. While every care has been taken to ensure the accuracy of this work, no responsibility for loss or damage occasioned to any person acting or refraining from action as a result of any statement in it can be accepted by the authors, editors or publishers. All UK Government legislation and other public sector information used in the work is Crown Copyright © . All House of Lords and House of Commons information used in the work is Parliamentary Copyright © . This information is reused under the terms of the Open Government Licence v3.0 ( http://www.nationalarchives.gov.uk/doc/ open-government-licence/version/3 ) except where otherwise stated. All Eur-lex material used in the work is © European Union, http://eur-lex.europa.eu/ , 1998–2019. A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Names: Ward, Ian, author. -
Sporting Rambles
Hi AN D 8ET8.0F N0VEL8 AND 8TANDARD W0RK8. £ s. ã. AINSWORTH'S (W. H.), in 8 vols., fcap. 8vo, ha T roan . I s o ' in .17 vols., fcap. 8vo, cloth I 5 6 AUSTEN'S (JANE), in 5 vols., fine edition, with plates, fcap 8vo, cloth . in a box o 10 o BANCROFT'S HISTORY OF UNITED STATES, 7 vols., hf. rn 0 8 o BARNES'S NOTES ON THE NEW TESTAMENT, 6 vols., hf. rn 1 10 o COOPER'S (J. F.), in 18 vols., fcap. 8vo, with steel plates, bound in cloth 250 • in 7 vols.,double columns, half roan I I o in 7 vols., double columns, cloth 0 17 6 DUMAS (ALEXANDRE), in 10 vols., fcap. 8vo, half roan 1 10 o EDGEWORTH'S TALES OF FASHIONABLE LIFE, 4 vols., fcap 8vo, cloth 080 FiELDiNG (HENRY), in 3 vols., fcap. 8vo, lif roan, in a box 076 GRANT'S (JAMES), in 26 vols., fcap. 8vo, half roan 3 5 o HALL'S (REV. ROBERT), WORKS, 6 vols., fcap. 8vo, cloth , o 15 o LOVER'S (SAMUEL), in 4 vols., half roan , in a box 0 10 o LYTTON'S (LORD), in 22 vols., crown 8vo, well illustrated, bound in glazed cloth 4 10 o in II vols.,cr. 8vo, well illust.,hf roan 430 in 22 vols., fcap.8vo,with plates, brov/n cl. 2 15 o MARRYAT'S (CAPTAIN), in 13 vols., with steel plates, blue cl. 126 in 8 vols., illustrated, half roan 1 st o in 16 vols., bound in cloth 140 MOTLEY'S RISE AND FALL OF THE DUTCH REPUBLIC, 3 vols., cloth. -
Sensationalism of Bulwer Lytton
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1946 Sensationalism of Bulwer Lytton Mary Bernice McGrath Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation McGrath, Mary Bernice, "Sensationalism of Bulwer Lytton" (1946). Master's Theses. 279. https://ecommons.luc.edu/luc_theses/279 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1946 Mary Bernice McGrath THE SENSATIONALISM OF BULWER LYTTON by Sister Mary Bernice McGrath. S•. C.. A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master or Arts in Loyola University J.une 1946 TABLE OF CONTENTS CHAPTER PAGE I. LITERARY TASTES OF THE AGE ••••.••••••••••••••••••••••••••••• 1 Eighteenth oentury romantioism, realism, and propagandism still prevalent--Effeot of demooraoy, soienoe, and imperialism on literature--Bulwer's oontemporaries- Literary trends of the time refleoted in Lytton's own works--The influenoe of Mrs. Radoliffe, Byron, Godwin, the oooult, Soott and the historioal romanoe, the .fashionable, domestio and realistio novel. II. DEVELOPMENT OF SENSATIONALISM ••••••••••••••••••••••••••••••• 27 Romantio Movement gave rise to imaginative produotions- The Gothio tradition through Mrs. Radoliffe and Byron to Bulwer Lytton--Fashionable baokground - a basis for sensation novel of later date--The appeal of the oooult, the mysterious, and the fantastio. -
THE NEWGATE NOVELS and DRAMA of TIIE 1830S ADRIAN PHILLIPS Phd the UNIVERSITY of YORK JULY 2001
THE NEWGATE NOVELS AND DRAMA OF TIIE 1830s ADRIAN PHILLIPS PhD THE UNIVERSITY OF YORK DEPARTMENT OF ENGLISH AND RELATED LITERATURE JULY 2001 TABLE OF CONTENTS Page Acknowledgements IV Abstract `' Note on the 'Texts VI INTRODUCTION I CHAPTER I Ruiwer's Newgate Novels and the Reformatory Spirit 23 i Respectability, Truth, and the Workings of Justice: Paul Clifford and Caleb Williams 30 ii Natural Law versus Human Law: Eugene Aram and Utilitarianism 60 iii Working-Class Defiance, Victorian Gentility, and Regency Dandyism: Paul Clifford and Pelham 74 iv Corruption or Correction: Romantic Love and the Shaping of Self 93 CHAPTER 2 Thieves and Thief-Takers: the Newgate Novel, Literary Self-Consciousness, and the Field of Cultural Production 99 i The Newgate Novels and Literary Controversy 104 ii Pelham, the 1820s, and the Privileged Control of Culture 1>; iii hie Criminal as Author: Paul Clifford, Rookw'ood, and the Changing Literary Order I39 iv faul Clifford and the Literary Critic 155 v 'l lie Newgate Novelists and a very Personal Struggle 160 CHAPTER 3 Theatre, Politics, and the Jack Sheppard Adaptations 185 1 The 'Jack Sheppard' Controversy 188 II ii Deceptions and Disguises: Radical Rhetoric and Early 19th-Century 71ieatrc 197 iii Buckstone's'Jack Sheppard' and Other Dramatic Adaptations 221 CONCLUSION 262 BIBLIOGRAPHY 274 A_(-KNOWLE GEN N'I S I would like to thank Dr Jane Moody for her invaluable comments upon two of the chapters in this thesis, and especially her expert advice on 19th-century theatre research. I am most grateful to Rebecca Edwards for her thorough and very helpful reading of the text at short notice. -
Rookwood, by William Harrison Ainsworth 1
Rookwood, by William Harrison Ainsworth 1 Rookwood, by William Harrison Ainsworth The Project Gutenberg EBook of Rookwood, by William Harrison Ainsworth This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Rookwood Author: William Harrison Ainsworth Release Date: November 20, 2007 [EBook #23564] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK ROOKWOOD *** Produced by Afra Ullah, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net "The immortal Ainsworth." Thackeray. NOVELS BY Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. Rookwood, by William Harrison Ainsworth 2 WILLIAM HARRISON AINSWORTH ROOKWOOD "Gives a vivid picture of the times and places with which he dealt." The New York Herald. THE RITTENHOUSE PRESS PHILADELPHIA [Illustration: DICK TURPIN CLEARS HORNSEY TOLL-GATE] PRINTED IN U.S.A. BY ARRANGEMENT WITH GEORGE BARRIE'S SONS Transcriber's Note: Minor typographical errors have been corrected without note. Archaic and dialect spellings have been retained. Greek text has been transliterated and is shown between {braces}. The oe ligature has been transcribed as [oe]. A table of contents, though not present in the original publication, has been provided below: MEMOIR TO MY MOTHER PREFACE BOOK I. THE WEDDING RING I. The Vault II. The Skeleton Hand III. The Park IV. The Hall V. Sir Reginald Rookwood VI. -
Criminal Masculinities and the Newgate Novel
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 3-28-2019 11:00 AM Criminal Masculinities and the Newgate Novel Taylor R. Richardson The University of Western Ontario Supervisor Bruhm, Steven The University of Western Ontario Graduate Program in English A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Taylor R. Richardson 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Literature in English, British Isles Commons Recommended Citation Richardson, Taylor R., "Criminal Masculinities and the Newgate Novel" (2019). Electronic Thesis and Dissertation Repository. 6076. https://ir.lib.uwo.ca/etd/6076 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This dissertation builds upon the seminal work of Keith Hollingsworth in his The Newgate Novel, 1830-1847 and expands analysis of the contentious Victorian subgenre into the realm of studies in masculinities. Outside of critical opinion that the novels were defined by the reactionary and conservative reception of Victorian reviewers who saw the novels as morally outrageous and socially dangerous, the genre, as this dissertation argues, was markedly concerned with specifically male readerships. Victorian critics were concerned about the effects reading criminal literature had on boys becoming men, and, accordingly, this dissertation argues that the reformative political and social climate of the 1830s and 40s was also a great period of examination and literary reflection upon the growth of the boy into the man. -
Special Issue: Gender in Victorian Popular Fiction, Art, and Culture
NINETEENTH-CENTURY GENDER STUDIES ISSUE 12.3 (WINTER 2016) Special Issue: Gender in Victorian Popular Fiction, Art, and Culture Guest Edited by Janine Hatter and Helena Ifill Popular Fictions of Gender in the Newgate Novels By Philippa Abbott, University of Sunderland <1>The Newgate Novel was a popular genre during the 1830s and 1840s. It gained its name from hostile critics who believed the authors’ focus on criminals would corrupt impressionable contemporary readers, especially the young. Among the criminals who are portrayed in the Newgate novels, female criminals are under-represented compared to women’s prosecutions for actual crimes during the period. Keith Hollingsworth’s The Newgate Novel, 1830-1847 (1963) remains the most comprehensive available survey of the genre, yet omits the important role played by female characters, especially the ways in which they ground the novels in nineteenth-century cultural ideals of femininity. Many Newgate novels do not represent female criminals at all, but their omission in itself is significant, and highlights the way that the novels are informed by and reflect the gender ideology of their authors’ contemporary society for which “proper” femininity was especially associated with innocent passivity. The surprising lack of female criminals in Newgate novels is most notable at the beginning of the 1830s, and this absence is linked to the ascendancy of a bourgeois domestic ideal for women. Over the course of the decade the authors of the Newgate novels begin to relinquish their focus on idealized women and begin to include more abject female characters. Where women, and particularly female criminals, are represented in these novels, they remain bound to middle-class conventions of femininity, which are unsettled by the agency and energy of the criminal female who is independent, transgressive and active in a world where morally upstanding women are expected to be obedient, subservient and passive. -
The Gothic in Children's Literature
THE GOTHIC IN CHILDREN’S LITERATURE The Creation of the Adolescent in Crossover Fiction Duncan Burnes A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield School of English February 2016 1 ABSTRACT This thesis traces the literary course of gothic narrative elements as they appear within children’s fiction, beginning from the late eighteenth century and concluding at the close of the nineteenth century. The thesis presents evidence and potentialities for children’s appropriation of gothic fiction written for adults, and links them to the contemporaneous development of gothic devices in fiction written for children. These are argued to reflect a single phenomenon: The burgeoning relevance, literary and social, of the adolescent, in whom gothic and children’s fictions find a natural point of crossover. This thesis contextualises critical negativity towards the gothic and particularly to potential adolescent audiences, highlighting how contentious and therefore radical their relationship was. Nonetheless, the thesis introduces two hitherto obscure examples of early gothic children’s fiction from the end of the eighteenth century which provide initial evidence of this trend, alongside readings of parodic representations of adolescent gothic consumption. This is developed in an analysis of twelve early nineteenth-century gothic bluebooks, examples of short, cheap gothic fiction, for their relevance and, more significantly, accessibility to potential adolescent readers. This point suggests mechanisms by which the very means used to acquire fiction can foster the development of the adolescent social unit. The adolescent, or maturing child, is then considered as a specifically literary figure, with the character-type’s role, both in major canonical works of fiction and more esoteric texts aimed at narrower and often younger audiences, scrutinised for continuing gothic resonance particular to their immature age and experience. -
Thomas Hardy's Victorian Gothic: Reassessing Hardy's Fiction and His Gothic Sensibility
DOCUMENT RESUME ED 305 660 CS 211 '85 AUTHOR Goldstein, Norma Walrath TITLE Thomas Hardy's Victorian Gothic: Reassessing Hardy's Fiction and His Gothic Sensibility. PUB DATE 89 NOTE 171p.; Ph.D. Dissertation, University of Rhode Island. PUB TYPE Dissertations/Theses - Doctoral Dissertations (041) -- Reports Evaluative/Feasibility (142) EDRS PRICE MF01/PC07 Plus Postage. DESCRIPTORS *English Literature; *Fiction; Literary Criticism; Literary Devices; *Literary Styles; Literature Appreciation; *Victorian Literature IDENTIFIERS *Gothic; *Hardy (Thomas) ABSTRACT Proposing that Thomas Hardy's fiction exhibits strong Gothic sensibilities which offer insight into his artistic vision and add to the power of his fiction, creating a new form of the Gothic, a Victorian Gothic, this dissertation reassesses the Gothic strains in Hardy's fiction. The dissertation is in eight chapters: (1) Introduction to Hardy's Gothic Sensibility and His Unique Achievement; (2) The Gothic Tradition; (3) Hardy's Direct Connection with Things Gothic: Sources for His Gct!,:- Sensibility; (4) Hardy's Minor Fiction: His Short Stories; (5) Hardy's Minor Novels: Beginning His Victorian Gothic;(6) Hardy's Major Fiction: Development of His Gothic Aesthetic; (7) Hardy's Major Fiction: Gothic Tones of "Tess" and "Jude"; and (8) Conclusion--Hardy's Victorian Gothic, and the Modern Tradition. One hundred and fifty-two footnotes are attached, and a 75-item bibliography concludes the work. (SR) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. ****x****************************************************************** THOMAS HARDY'S VICTORIAN GOTHIC: REASSESSING HARDY'S FICTION AND HIS GOTHIC SENSIBILITY BY NORMA WALRATH GOLDSTEIN A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH LITERATURE "PERMISSION TO REPRODUCE THIS U.S. -
The 25Th Anniversary of the Borowitz Collection at Kent State University
FROM CULTURE The 25th Anniversary of the Borowitz Collection to at Kent State University Exhibition Catalogue Kent, Ohio | Kent State University Libraries | 2013 FROM CRIME TO CULTURE The 25th Anniversary of the Borowitz Collection at Kent State University Exhibition Catalogue An Exhibition of the Department of Special Collections and Archives Curated by Kathleen Siebert Medicus, Elizabeth Traina, Samantha Kapp, and Cara Gilgenbach Kent, Ohio | Kent State University Libraries | 2013 CONTENTS Acknowledgments .................................................................................... ii Foreword by Laura James ...................................................................iii Introduction by Cara Gilgenbach .................................................vii Exhibition Catalogue Historical Survey of Popular True Crime Literature .................................................2 Crime Related Broadsides, Prints, and Artifacts .......................................................................16 Prison Postcards ............................................................................. 23 The Wild West Collection: From Outlaws to Icons ................................................................ 25 Albert and Helen Borowitz .......................................................29 Bibliography of Works Consulted ................................................34 Appendix 1: Exhibitions Featuring the Borowitz Collection, 1990-2013 .............................................. 35 Appendix 2: The Borowitz Lecture, 1993-2013 -
John Macrone: Victorian Publisher
DIVISION OF THE HUMANITIES AND SOCIAL SCIENCES CALIFORNIA INSTITUTE OF TECHNOLOGY PASADENA, CALIFORNIA 91125 JOHN MACRONE: VICTORIAN PUBLISHER John A. Sutherland Dickens' Studies Annual forthcoming HUMANITIES WORKING PAPER 93 © John A. Sutherland December 1983 FORHARD I do not delude myself that even colleagues in English literature will be ezcited by the detailed chronicle of the fall of a minor Victorian publisher. But I shall be grateful for any general reaction to the larger project of which the following essay is part. It is widely agreed that we know too little about the publishers who were partners (if sometimes sleeping partners) in the production of nineteenth century literature. He need, as one Dickensian critic recently put it, a "magisterial" book on the subject. There isn't any such work in prospect. Nor is there any comprehensive history of British publishing (even more urgently needed) under way. Either of these tasks would exceed the power of any single critic, in my opinion. But it is possible to make some contribution -- even at this preliminary stage -- to what will eventually be (as I expect) a collaborative venture. ~!hat I intend is to publish a series of articles which will profile the fiction-publishing activities of leading Victorian houses. What follows, on John Nacrone, is the first in the series. I am writing another at the moment on Henry Colburn (the principal purveyor of "silver fork" romance to early and mid- Victorian circulating libraries). After that, have sketched out a study of Chapman and Hall's fiction-publishing policy 1836-64 (when the feeble Fred Chapman took over); a piece on Bradbury and Evans and the production of serialized fiction; a short house history of Tinsley Eros.