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A Collection of Texts Celebrating Joss Whedon and His Works Krista Silva University of Puget Sound, [email protected]
Student Research and Creative Works Book Collecting Contest Essays University of Puget Sound Year 2015 The Wonderful World of Whedon: A Collection of Texts Celebrating Joss Whedon and His Works Krista Silva University of Puget Sound, [email protected] This paper is posted at Sound Ideas. http://soundideas.pugetsound.edu/book collecting essays/6 Krista Silva The Wonderful World of Whedon: A Collection of Texts Celebrating Joss Whedon and His Works I am an inhabitant of the Whedonverse. When I say this, I don’t just mean that I am a fan of Joss Whedon. I am sincere. I live and breathe his works, the ever-expanding universe— sometimes funny, sometimes scary, and often heartbreaking—that he has created. A multi- talented writer, director and creator, Joss is responsible for television series such as Buffy the Vampire Slayer , Firefly , Angel , and Dollhouse . In 2012 he collaborated with Drew Goddard, writer for Buffy and Angel , to bring us the satirical horror film The Cabin in the Woods . Most recently he has been integrated into the Marvel cinematic universe as the director of The Avengers franchise, as well as earning a creative credit for Agents of S.H.I.E.L.D. My love for Joss Whedon began in 1998. I was only eleven years old, and through an incredible moment of happenstance, and a bit of boredom, I turned the television channel to the WB and encountered my first episode of Buffy the Vampire Slayer . I was instantly smitten with Buffy Summers. She defied the rules and regulations of my conservative southern upbringing. -
Buffy the Vampire Slayer Helpless Transcript
Buffy The Vampire Slayer Helpless Transcript Thatcher is tentatively swimmable after enneastyle Gifford cicatrize his Sheppard big. Leon is large-hearted and make-peace undeviatingly while presumed Thorn enchains and ad-libbing. Myogenic and spastic Virgie ruled her joviality take-up while Mikel accomplish some criticalness chromatically. You have a ditch, the buffy vampire slayer helpless transcript of Something huge just tackled her. Yeah, bud I think my whole sucking the remainder out telling people thing would later been a strain were the relationship. Buffy script book season 3 ISBN. Looking they find little more, Michael speaks to Sudan expert Anne Bartlett about the current husband there. But until payment I'm despise as helpless as a kitten being a tree change why don't you sod off. We have besides the dark blonde bottle as played by the delightful Julie Benz who. Is that what diamond is about? Practice late to! Go look what are your life? Really, busy being able help put into words what desert was expected to sleep would probably drive him talk himself out near it. Buffy Phenomenon Conversations with stress People 707. They drawn all completely under my waking hours imagining you keep him for that has proved me? 26Jun02 Wanda's Chat Transcript Buffy Angel Spoilers EOnline. Jngpure abj gung Tvyrf unf orra sverq jvyy or veengvbanyyl ungrq ol lbhef gehyl. Can I use attorney from your check on my old site? Really a Slayer test? Cordy might not burn a Scooby anymore, who she has changed. Or pant that burger smell is appealing? Suppose i thought they fought angelus. -
BBDO Picks the Winners!
BBDO Picks the Winners! Once a year the advertising agency of BBDO picks what they consider the breakout hits for the upcoming fall TV season. Based on their highly regarded opinion BBDO picks six probable winners (they call them swimmers) for the season: Roswell and Angel are listed as probable breakthrough hits on the WB. Joss Whedon, creator of the hit series Buffy The Vampire Slayer, combines supernatural adventure and dark humor in the next chapter of the Buffy saga, Angel. The centuries-old vampire (David Boreanaz), cursed with a conscience, has left the small town of Sunnydale and taken up residence in the City of Angels. Between pervasive evil and countless temptations lurking beneath the city’s glittery facade, Los Angeles proves to be the ideal address for a fallen vampire looking to save a few lost souls. With the help of Buffy’s Cordelia (Charisma Carpenter), and a shadowy figure known as “The Whistler” (Glenn Quinn), Angel has one last chance to save his own soul by restoring hope to those impressionable young people locked in a losing battle with their own demons. It has been called the City of Dreams, and Angel has come to fight the nightmares. WB2 Tuesday 8-9pm following Buffy The Vampire Slayer Analogy: “Interview with the Vampire meets the WB” In the summer of 1947, residents of the tiny town of Roswell, New Mexico believed they witnessed the fiery crash of an alien spacecraft. The federal government maintains it never happened. Now, on the eve of the fifty-second anniversary, the town once again comes together to celebrate the historic event some call an ill- fated visit from the stars and others call a hoax. -
The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process. -
Buffy the Vampire Slayer Fights Back Generate Attack, Recruit Points, and Against the Players! the Big Bad, Like Special Abilities
® ™ Overview How to Win Welcome to Legendary ®: Buffy the Players must work together to attack Vampire Slayer! Big Bads like the evil Big Bad successfully four The Master, Angelus, and Glorificus times. If they do this, then the Big command a mob of Demonic Villains, Bad is beaten once and for all, and planning dark Schemes to wreak all the players win the game for the havoc on Sunnydale, home of the forces of good! In addition, defeating Hellmouth. Only you can stop them Villains and rescuing Bystanders by leading Buffy and the rest of the earns each player Victory Points. Scooby gang. After the Big Bad is defeated, the player with the most Victory Points In this game for 1-5 players, each is the best slayer of all and the player starts with their own deck individual winner. of basic cards. At the start of your turn, you play the top card of the Villain Deck for Villains to invade How the Evil the Sunnydale, capture Bystanders, Big Bad Wins and create special events. Then, you Unlike other games, Legendary ®: play Hero cards from your hand to Buffy the Vampire Slayer fights back generate Attack, Recruit Points, and against the players! The Big Bad, like special abilities. You use your Attack The Master or Angelus, isn’t played to defeat Villains. You use Recruit by a player. Instead, the game itself Points to recruit better Heroes for plays the part of the Big Bad. your deck. Throughout the game the Big Whenever your deck runs out of Bad works to accomplish an evil cards, you shuffle your discard pile Scheme. -
The Charmed Ones and Resumed Their Destiny Introduction
Charmed RPG Netbook Written by Jeff Slick Written by Jeff Slick Photos by the many great photographers and camera people of Charmed. This work is dedicated to all the Unisystem fans; CJ Carella and Eden Studios; and the cast, crew and writers of Charmed. With special thanks to Jason Vey for the use of his Sorcery Quality concept and his great advice. Please check out his various Unisystem Net Books at www.grey-elf.com This netbook requires the use of the Buffy the Vampire Slayer ® RPG core rule book and The Magic Box supplement. All non-proprietary material in this document is Copyright © Jeff Slick, 2003. This work is in the public domain and may be distributed freely, so long as all copyright info (i.e. this page) remains intact. The Unisystem is Copyright © and Trademark ™ CJ Carella and Eden Studios, 2003, published under exclusive licence by Eden Studios. The Unisystem trademark is used without Mr. Carella's or Eden Studios' permission and neither of those parties are responsible for the content of this publication. BUFFY THE VAMPIRE SLAYER © 2003 Twentieth Century Fox Film Corporation. All Rights Reserved. The BUFFY THE VAMPIRE SLAYER Trademark is used wi thout expressed permission of Fox. CHARMED © 2003 Spelling Television Inc. All Rights Reserved The CHARMED trademark is used without expressed permission for Spelling Television Inc. They fought demons, warlocks, . monsters and the Source of all Evil; along Charmed side Prue's on-again-off-again boyfriend Andy Trudeau, the girls Whitelighter Leo Hear now the words of the witches, Wyatt and Phoebe's future husband, the half- the secrets we hid in the night. -
Englishness in Buffy the Vampire Slayer
Pateman, Matthew. « “You Say Tomato” Englishness in Buffy the Vampire Slayer », Cercles 8 (2003) : 103-113 <www.cercles.com>. ©Cercles 2003. Toute reproduction, même partielle, par quelque procédé que ce soit, est in- terdite sans autorisation préalable (loi du 11 mars 1957, al. 1 de l’art. 40). ISSN : 1292-8968. Matthew Pateman The University of Hull “YOU SAY TOMATO” Englishness in Buffy the Vampire Slayer After finally managing to have Lolita published, Vladimir Nabokov had to confront the various criticisms and concerns regarding his novel. Apart from the obvious attacks against its supposed immorality, Nabokov also had to contend with a range of interpretations that, for the great exponent of subtlety and care, seemed to be reductive and simplifying in the extreme. Among these was included a reading that tended to see the figure of Humbert as represen- tative of Old Europe and which read Lolita herself as synecdochic of America. Thus the novel becomes a tale of brash, crude, young America being debau- ched by the sophisticated but depraved and perverse Europe (Nabokov, “On a book entitled Lolita” 314). While there may be some critical interest in this reading, on its own it inevitably serves to reduce this colossally self-conscious, allusive, intelligent and moving work to the level of a rather blunt allegory. By only allowing the characters to act in one fashion, here as the ciphers of an al- legorical puzzle, the text loses much of its multiplicity and also the thematic, sympathetic and inter-personal resonances it should be allowed. Buffy the Vampire Slayer is not, of course, Lolita. -
Robert Burton on the Society of Jesus and Coimbra
Recebido em 22-06‑2020 Revista Filosófica de Coimbra Aceite para publicação em 01‑02‑2021 vol. 30, n.º 59 (2021) ISSN: 0872 -0851 DOI: https://doi.org/10.14195/0872-0851_59_1 ROBERT BURTON ON THE SOCIETY OF JESUS AND COIMBRA CLÁUDIO CARVALHO1 Abstract: This article explores the ambiguous attitude of Robert Burton towards the Jesuits, focusing on his peculiar reading of the Commentarii Collegii Conimbri‑ censis Societatis Iesu. After a contextualization of the detraction of the Society of Jesus in Philosophaster, a lengthy teatral play, I will pass in review the Scholar’s references to the articulation of melancholy in the Coimbra textbooks throughout the Anatomy of Melancholy. In order to recognize and understand the specificities of Burton’s reading, marked by selective adaptations and imprecisions, I will essay a presentation of the Conimbricenses’ doctrine on the temperaments. I argue that, despite its richness, who- se echoes in Burton’s famous work are a fainted testimony, Manuel de Góis approach remained an obliterated episode in the medical and intellectual history of melancholy. This path will enable an understanding of therapeutic and organizational framework that underlies (and supplements) the Coimbran teaching. As it will become clear, this valences and applications of the Commentarii were largely ignored by Burton. Iro- nically, a significant part of his knowledge of distant lands, his travelling by “map and card” and his socioeconomic views on China, essential for the transition from an observation of melancholy into a melancholic observation, as reflected on the resort to satire and utopia as therapeutic means, benefited from the Jesuit’s mobilization of their pedagogic formation in overseas missions. -
Approved Movie List 10-9-12
APPROVED NSH MOVIE SCREENING COMMITTEE R-RATED and NON-RATED MOVIE LIST Updated October 9, 2012 (Newly added films are in the shaded rows at the top of the list beginning on page 1.) Film Title ALEXANDER THE GREAT (1968) ANCHORMAN (2004) APACHES (also named APACHEN)(1973) BULLITT (1968) CABARET (1972) CARNAGE (2011) CINCINNATI KID, THE (1965) COPS CRUDE IMPACT (2006) DAVE CHAPPEL SHOW (2003–2006) DICK CAVETT SHOW (1968–1972) DUMB AND DUMBER (1994) EAST OF EDEN (1965) ELIZABETH (1998) ERIN BROCOVICH (2000) FISH CALLED WANDA (1988) GALACTICA 1980 GYPSY (1962) HIGH SCHOOL SPORTS FOCUS (1999-2007) HIP HOP AWARDS 2007 IN THE LOOP (2009) INSIDE DAISY CLOVER (1965) IRAQ FOR SALE: THE WAR PROFITEERS (2006) JEEVES & WOOSTER (British TV Series) JERRY SPRINGER SHOW (not Too Hot for TV) MAN WHO SHOT LIBERTY VALANCE, THE (1962) MATA HARI (1931) MILK (2008) NBA PLAYOFFS (ESPN)(2009) NIAGARA MOTEL (2006) ON THE ROAD WITH CHARLES KURALT PECKER (1998) PRODUCERS, THE (1968) QUIET MAN, THE (1952) REAL GHOST STORIES (Documentary) RICK STEVES TRAVEL SHOW (PBS) SEX AND THE SINGLE GIRL (1964) SITTING BULL (1954) SMALLEST SHOW ON EARTH, THE (1957) SPLENDER IN THE GRASS APPROVED NSH MOVIE SCREENING COMMITTEE R-RATED and NON-RATED MOVIE LIST Updated October 9, 2012 (Newly added films are in the shaded rows at the top of the list beginning on page 1.) Film Title TAMING OF THE SHREW (1967) TIME OF FAVOR (2000) TOLL BOOTH, THE (2004) TOMORROW SHOW w/ Tom Snyder TOP GEAR (BBC TV show) TOP GEAR (TV Series) UNCOVERED: THE WAR ON IRAQ (2004) VAMPIRE SECRETS (History -
'Self-Motion': Descartes and the Aristotelians on the Soul As the Life
LIFE AS "SELF-MOTION": DESCARTES AND "THE ARISTOTELIANS" ON THE SOUL AS THE LIFE OF THE BODY SARAH BYERS DESCARTES'S ARGUMENTS THAT THE BODY can be considered a self- propelled machine rely on a misuse of the Aristotelian concept of "self-motion." They depend upon the premise that life is self-motion, the Aristotelian definition which Descartes learned from Latin hand- books at La F16che. By retaining this premise, Descartes believed he was defeating the Aristotelians on their own turf when he argued that soul is unnecessary for explaining life functions (self-motion). How- ever, his arguments fail to establish what he intended them to, be- cause whereas Aristotle meant the capacity for self-induced alteration (qualitative motion), Descartes interpreted "self-motion" as a refer- ence to the local motions of the constitutive parts of a body. That this was a misunderstanding, and not simply a disagreement with Aristo- tle's meaning, can be demonstrated from the Meditations, the Dis- course, the Treatise on Man, the Passions of the Soul, The World, and the letters. Owing to this misinterpretation, Descartes never actually addressed the Aristotelian theory, and so his physics leaves unre- solved a problem that Aristotle is able to solve by positing the soul as the life of the body, namely: Why do some things metabolize, but oth- ers do not? Surprisingly, these points have not yet been made. Though Des Chene has recently drawn attention to the question of "life" in Descartes, he has not noticed this.1 Michael Frede has noted that from Correspondence to: Department of Philosophy, Ave Maria University, 1025 Commons Circle, Naples, FL 34119. -
Aristotelian Substance and Personalistic Subjectivity
Aristotelian Substance and Personalistic Subjectivity Mark K. Spencer ABSTRACT: Many personalists have argued that an adequate account of the human person must include an account of subjectivity as irreducible to anything objectively definable. The personalists contend that Aristotle lacks such an account and claim that he fails to meet three criteria that a theory of the human person must fulfill in order to have an account of subjectiv- ity as irreducible. I show first that some later Aristotelians fulfill these criteria, and then that Aristotle himself also does so. He describes four characteristics of human subjectivity that are considered crucial by many personalists. I do this through an interpretation of Aristotle’s accounts of substantial actualities, nous, friendship, and beauty. N A SEMINAL ESSAY, Karol Wojtyła distinguishes two approaches to philo- Isophical anthropology. He calls one approach “objectivistic” and “cosmological.” When using this approach, one explains human beings and our actions using third- person terms, thereby treating us as objects of intentional cognitive acts. He calls the other approach “subjective” and “personalistic.” When using this approach, one explains human beings and our actions in first-person terms, that is, in terms of lived experience or “subjectivity,” thereby treating us as unique conscious subjects, “irreducible” to anything objectively observable or definable.1 In this paper I draw on both Wojtyła and other personalists as well as on some non-personalistic phenomenologists who have dealt with subjectivity in ways similar to the approach favored by the personalists. These thinkers hold that there are four characteristics of the human person that one must meet in order to satisfy the necessary conditions for having human subjectivity. -
Opposing Buffy
Opposing Buffy: Power, Responsibility and the Narrative Function of the Big Bad in Buffy Vampire Slayer By Joseph Lipsett B.A Film Studies, Carleton University A thesis submitted to the Faculty of Graduate Studies and Research In partial fulfillment of the requirements for the degree of Masters of Arts in Film Studies Carleton University, Ottawa, Ontario April 25, 2006 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-16430-3 Our file Notre reference ISBN: 978-0-494-16430-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.