Sunset Beach Party 2009 -Festival
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Open'er Festival
SHORTLISTED NOMINEES FOR THE EUROPEAN FESTIVAL AWARDS 2019 UNVEILED GET YOUR TICKET NOW With the 11th edition of the European Festival Awards set to take place on January 15th in Groningen, The Netherlands, we’re announcing the shortlists for 14 of the ceremony’s categories. Over 350’000 votes have been cast for the 2019 European Festival Awards in the main public categories. We’d like to extend a huge thank you to all of those who applied, voted, and otherwise participated in the Awards this year. Tickets for the Award Ceremony at De Oosterpoort in Groningen, The Netherlands are already going fast. There are two different ticket options: Premium tickets are priced at €100, and include: • Access to the cocktail hour with drinks from 06.00pm – 06.45pm • Three-course sit down Dinner with drinks at 07.00pm – 09.00pm • A seat at a table at the EFA awards show at 09.30pm – 11.15pm • Access to the after-show party at 00.00am – 02.00am – Venue TBD Tribune tickets are priced at €30 and include access to the EFA awards show at 09.30pm – 11.15pm (no meal or extras included). Buy Tickets Now without further ado, here are the shortlists: The Brand Activation Award Presented by: EMAC Lowlands (The Netherlands) & Rabobank (Brasserie 2050) Open’er Festival (Poland) & Netflix (Stranger Things) Øya Festivalen (Norway) & Fortum (The Green Rider) Sziget Festival (Hungary) & IBIS (IBIS Music) Untold (Romania) & KFC (Haunted Camping) We Love Green (France) & Back Market (Back Market x We Love Green Circular) European Festival Awards, c/o YOUROPE, Heiligkreuzstr. -
Discoursing Finnish Rock. Articulations of Identities in the Saimaa-Ilmiö Rock Documentary Jyväskylä: University of Jyväskylä, 2010, 229 P
JYVÄSKYLÄ STUDIES IN HUMANITIES 140 Terhi Skaniakos Discoursing Finnish Rock Articulations of Identities in the Saimaa-ilmiö Rock Documentary JYVÄSKYLÄ STUDIES IN HUMANITIES 140 Terhi Skaniakos Discoursing Finnish Rock Articulations of Identities in the Saimaa-ilmiö Rock Documentary Esitetään Jyväskylän yliopiston humanistisen tiedekunnan suostumuksella julkisesti tarkastettavaksi yliopiston vanhassa juhlasalissa S210 toukokuun 14. päivänä 2010 kello 12. Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities of the University of Jyväskylä, in Auditorium S210, on May 14, 2010 at 12 o'clock noon. UNIVERSITY OF JYVÄSKYLÄ JYVÄSKYLÄ 2010 Discoursing Finnish Rock Articulations of Identities in the Saimaa-ilmiö Rock Documentary JYVÄSKYLÄ STUDIES IN HUMANITIES 140 Terhi Skaniakos Discoursing Finnish Rock Articulations of Identities in the Saimaa-ilmiö Rock Documentary UNIVERSITY OF JYVÄSKYLÄ JYVÄSKYLÄ 2010 Editor Erkki Vainikkala Department of Art and Culture Studies, University of Jyväskylä Pekka Olsbo Publishing Unit, University Library of Jyväskylä Jyväskylä Studies in Humanities Editorial Board Editor in Chief Heikki Hanka, Department of Art and Culture Studies, University of Jyväskylä Petri Karonen, Department of History and Ethnology, University of Jyväskylä Paula Kalaja, Department of Languages, University of Jyväskylä Petri Toiviainen, Department of Music, University of Jyväskylä Tarja Nikula, Centre for Applied Language Studies, University of Jyväskylä Raimo Salokangas, Department of Communication, University of Jyväskylä Cover picture by Marika Tamminen, Museum Centre Vapriikki collections URN:ISBN:978-951-39-3887-1 ISBN 978-951-39-3887-1 (PDF) ISBN 978-951-39-3877-2 (nid.) ISSN 1459-4331 Copyright © 2010 , by University of Jyväskylä Jyväskylä University Printing House, Jyväskylä 2010 ABSTRACT Skaniakos, Terhi Discoursing Finnish Rock. -
The Clash and Mass Media Messages from the Only Band That Matters
THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people. -
Deconstructing Popular Afrikaans Music In
Music, Dance, and Identity: Deconstructing Popular Afrikaans Music in Pretoria, South Africa by Cornelius A. Holtzhausen A dissertation submitted in fulfilment of the requirements for a degree M.Soc.Sci: Social Anthropology in the Department Anthropology and Archaeology University of Pretoria Faculty of Humanities Supervisors: Dr. Fraser McNeill & Mr. Jimmy Pieterse © University of Pretoria Table of Contents Introduction ................................................................................................................................ 1 Chapter Outline ...................................................................................................................... 3 Chapter 1 - Methods, Theories and Tools .................................................................................. 7 Dual-sited Ethnography.......................................................................................................... 7 Musical Biographies ............................................................................................................... 9 Music Theory and Identity ................................................................................................... 10 Space and Place .................................................................................................................... 15 Conclusion ............................................................................................................................ 17 Chapter 2 - History, Music, and Industry ............................................................................... -
1990 Summer Festival Tour of Europe
1990 SUMMER FESTIVAL TOUR OF EUROPE JUNE 27 Reykjavik, Iceland Laugardalshöll 29 Roskilde, Denmark Roskilde Rock Festival, Dyrskuepladsen 30 Kalvøya, Sandvika, Norway Kalvøya-Festivalen JULY 1 Turku, Finland Ruisrock, Ruissalon Kansanpuisto 3 Hamburg, Germany Stadtpark 5 Berlin, Germany Internationales Congress Centrum 7 Torhout, Belgium Torhout-Werchter Rock Festival 8 Werchter, Belgium Torhout-Werchter Rock Festival 9 Montreux, Switzerland Montreux Jazz Festival, Casino de Montreuz Bob Dylan 1990: Summer Festival Tour of Europe 11210 Laugardalshöll Reykjavik, Iceland 27 June 1990 1. Subterranean Homesick Blues 2. Ballad Of A Thin Man 3. Stuck Inside Of Mobile With The Memphis Blues Again 4. Just Like A Woman 5. Masters Of War 6. Gotta Serve Somebody 7. It's Alright, Ma (I'm Only Bleeding) 8. It's All Over Now, Baby Blue 9. Girl From The North Country 10. A Hard Rain's A-Gonna Fall 11. Don't Think Twice, It's All Right 12. Everything Is Broken 13. Political World 14. All Along The Watchtower 15. Shooting Star 16. I Shall Be Released 17. Like A Rolling Stone — 18. Blowin' In The Wind 19. Highway 61 Revisited Concert # 202 of The Never-Ending Tour. First concert of the 1990 Summer Festival Tour Of Europe. 1990 concert # 32. Concert # 124 with the second Never-Ending Tour band: Bob Dylan (vocal & guitar), G. E. Smith (guitar), Tony Garnier (bass), Christopher Parker (drums). 7-11, 18 acoustic with the band. 2, 4, 8, 9, 11, 15, 18 Bob Dylan harmonica. 19 G.E. Smith (electric slide guitar). Note. First acoustic Hard Rain with the band. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
BB-1971-12-25-II-Tal
0000000000000000000000000000 000000.00W M0( 4'' .................111111111111 .............1111111111 0 0 o 041111%.* I I www.americanradiohistory.com TOP Cartridge TV ifape FCC Extends Radiation Cartridges Limits Discussion Time (Based on Best Selling LP's) By MILDRED HALL Eke Last Week Week Title, Artist, Label (Dgllcater) (a-Tr. B Cassette Nos.) WASHINGTON-More requests for extension of because some of the home video tuners will utilize time to comment on the government's rulemaking on unused TV channels, and CATV people fear conflict 1 1 THERE'S A RIOT GOIN' ON cartridge tv radiation limits may bring another two- with their own increasing channel capacities, from 12 Sly & the Family Stone, Epic (EA 30986; ET 30986) month delay in comment deadline. Also, the Federal to 20 and more. 2 2 LED ZEPPELIN Communications Commission is considering a spin- Cable TV says the situation is "further complicated Atlantic (Ampex M87208; MS57208) off of the radiated -signal CTV devices for separate by the fact that there is a direct connection to the 3 8 MUSIC consideration. subscriber's TV set from the cable system to other Carole King, Ode (MM) (8T 77013; CS 77013) In response to a request by Dell-Star Corp., which subscribers." Any interference factor would be mul- 4 4 TEASER & THE FIRECAT roposes a "wireless" or "radiated signal" type system, tiplied over a whole network of CATV homes wired Cat Stevens, ABM (8T 4313; CS 4313) the FCC granted an extension to Dec. 17 for com- to a master antenna. was 5 5 AT CARNEGIE HALL ments, and to Dec. -
FINLAND FESTIVALS KÄYNTITILASTOT 2015 27 24 Finland
FINLAND FESTIVALS KÄYNTITILASTOT 2015 Ajankohta 2015 2015 2014 M u u t o s 2014-15 (%) Esitysten Esitysten Tapahtuman nimi lukumäärä Kokonais- lukumäärä Kokonais- Kokonais- Alku- Loppu- Kesto Maksul- Ilmai- Myydyt käynti- Maksul-Ilmai- Myydyt käynti- Myydyt käynti- pvm pvm (pvää) liset set Yht. liput määrä liset set Yht. liput määrä liput määrä April Jazz Festivaali 21.4. 26.4. 6 17 22 39 4 891 10 638 36 28 64 7 069 13 833 -31 % -23 % Avantin Suvisoitto 24.6. 28.6. 5 13 5 18 1 643 3 163 15 9 24 1 494 2 777 10 % 14 % Baltic Jazz 3.7. 5.7. 3 28 9 37 3 927 7 800 14 5 5 4 192 6 000 -6 % 30 % BRQ Vantaa Festival 2.8. 9.8. 8 15 9 24 2 164 3 050 11 6 17 1 487 1 617 46 % 89 % Crusell-viikko 25.7. 2.8. 9 17 10 27 2 879 8 671 14 10 24 2 627 7 876 10 % 10 % Eteläpohjalaiset Spelit 7.8. 9.8. 3 30 8 38 901 2 311 45 5 50 712 2 012 27 % 15 % Folklandia-risteily 8.1. 10.1. 3 151 10 161 2 600 3 000 186 10 196 3 300 3 600 -21 % -17 % Haapavesi Folk Music Festival 22.6. 27.6. 6 53 4 57 1 540 11 822 48 3 51 1 296 9 442 19 % 25 % Harmonikkaristeily 1.3. 2.3. 2 23 40 63 1 800 1 800 Helsingin juhlaviikot 14.8. 30.8. 17 159 877 1036 61 649 295 970 119 825 944 85 667 271 858 -28 % 9 % Iitin musiikkijuhlat 10.6. -
“Rory Played the Greens, Not the Blues”: Expressions of Irishness on the Rory Gallagher Youtube Channel
This is a repository copy of “Rory played the greens, not the blues”: expressions of Irishness on the Rory Gallagher YouTube channel. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/175392/ Version: Published Version Article: O'Hagan, L. orcid.org/0000-0001-5554-4492 (2021) “Rory played the greens, not the blues”: expressions of Irishness on the Rory Gallagher YouTube channel. Irish Studies Review. ISSN 0967-0882 https://doi.org/10.1080/09670882.2021.1946919 Reuse This article is distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivs (CC BY-NC-ND) licence. This licence only allows you to download this work and share it with others as long as you credit the authors, but you can’t change the article in any way or use it commercially. More information and the full terms of the licence here: https://creativecommons.org/licenses/ Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Irish Studies Review ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/cisr20 “Rory played the greens, not the blues”: expressions of Irishness on the Rory Gallagher YouTube channel Lauren Alex O’Hagan To cite this article: Lauren Alex O’Hagan (2021): “Rory played the greens, not the blues”: expressions of Irishness on the Rory Gallagher YouTube channel, Irish Studies Review, DOI: 10.1080/09670882.2021.1946919 To link to this article: https://doi.org/10.1080/09670882.2021.1946919 © 2021 The Author(s). -
Download Bid Book to Your Device
Culture changes everything Saimaa is a place and a state of mind. On its shores we have found our own way of doing things, living, and thinking. We have found creativity in both beautiful and harsh conditions. That’s why our culture is unique − and worth discovering. We are the droplets that set in motion the power to change culture. When we hit the surface of the water together, we cause a vibration that resonates throughout the world. Culture doesn’t just change the story. It changes everything. The easternmost point of the continental EU is located in the municipality Facts 173 Vekara-Varkaus of Ilomantsi. 127,298 museums Children’s Summer FINL (19 state subsidy) summer cottages/ Festival week AN villas/second homes 26,000 Art Centre D 50 visitors Salmela steamships (Saimaa, ca. 280 in Europe) 6,000 45,000 km of shoreline St. Michel visitors in Savonlinna Trotting Race 116 23,000 Ilosaarirock libraries visitors 64,000 671,586 visitors residents 35,000 bed-places in Kuopio accommodation Dance Festival companies 53 municipalities 37,000 138,596 visitors seasonal residents Savonlinna Imatranajo Opera Festival (The Imatra road race) 40,000 65,000 124 visitors visitors theatres Lappeenranta (8 state subsidy) Sandcastle 600 150,000 km of border visitors Examples shared with North Savo (19 municipalities) Russia of events North Karelia Kuopio (13 municipalities) Municipalities with additional funding: Enonkoski, Heinävesi, Hirvensalmi, Iisalmi, Imatra, Joroinen, Kitee, Kiuruvesi, Kontiolahti, Lemi, Liperi, Luumäki, Mäntyharju, Joensuu Nurmes, -
THE GARY MOORE DISCOGRAPHY (The GM Bible)
THE GARY MOORE DISCOGRAPHY (The GM Bible) THE COMPLETE RECORDING SESSIONS 1969 - 1994 Compiled by DDGMS 1995 1 IDEX ABOUT GARY MOORE’s CAREER Page 4 ABOUT THE BOOK Page 8 THE GARY MOORE BAND INDEX Page 10 GARY MOORE IN THE CHARTS Page 20 THE COMPLETE RECORDING SESSIONS - THE BEGINNING Page 23 1969 Page 27 1970 Page 29 1971 Page 33 1973 Page 35 1974 Page 37 1975 Page 41 1976 Page 43 1977 Page 45 1978 Page 49 1979 Page 60 1980 Page 70 1981 Page 74 1982 Page 79 1983 Page 85 1984 Page 97 1985 Page 107 1986 Page 118 1987 Page 125 1988 Page 138 1989 Page 141 1990 Page 152 1991 Page 168 1992 Page 172 1993 Page 182 1994 Page 185 1995 Page 189 THE RECORDS Page 192 1969 Page 193 1970 Page 194 1971 Page 196 1973 Page 197 1974 Page 198 1975 Page 199 1976 Page 200 1977 Page 201 1978 Page 202 1979 Page 205 1980 Page 209 1981 Page 211 1982 Page 214 1983 Page 216 1984 Page 221 1985 Page 226 2 1986 Page 231 1987 Page 234 1988 Page 242 1989 Page 245 1990 Page 250 1991 Page 257 1992 Page 261 1993 Page 272 1994 Page 278 1995 Page 284 INDEX OF SONGS Page 287 INDEX OF TOUR DATES Page 336 INDEX OF MUSICIANS Page 357 INDEX TO DISCOGRAPHY – Record “types” in alfabethically order Page 370 3 ABOUT GARY MOORE’s CAREER Full name: Robert William Gary Moore. Born: April 4, 1952 in Belfast, Northern Ireland and sadly died Feb. -
Wevoteforeurope Is Supported By
#WeVoteForEurope is supported by: A Greener Festival (UK) Mosaïque Festival (GER) A38 (HUN) Music Drives Change (intl.) Aarhus Festuge (DK) Nature One (GER) allbuyone (GER) Nouvelle Prague (CZ) Arbeitskreis Festival Kombinat der LiveKomm (GER) Nova Rock (A) Artlake Festival (GER) Off Festival (POL) Artmania Festival (ROM) OpenAir St.Gallen (CH) Awake (ROM) Open Flair (GER) Azimuth Productions (FRA) Open'er Festival (POL) Balaton Sound (HUN) Orange Warsaw Festival (POL) Beatpatrol Festival (A) Pfingst Open Air Werden (GER) Bergfestival (A) Pinkpop (NL) Blaj Alive (ROM) Pohoda Festival (SLK) Colours Of Ostrawa (CZ) Pol’and’Rock (POL) Conrad Sohm Kultursommer-Festival (A) Positivus Festival (LVA) Continental Drifts (UK) Printemps de Bourges (FRA) Contra Promotion (GER) Provinssi (FIN) Das Fest (GER) Pukkelpop (BE) Deichbrand Festival (GER) Puls Open Air (GER) East European Music Conference (ROM) Queer Festival Heidelberg (GER) Electro Magnetic (GER) Reeperbahn Festival (GER) ESNS – Eurosonic Noorderslag (NL) Revolution Festival (ROM) EXIT Festival (SER) Rocco Del Schlacko (GER) Fête de la Musique Berlin (GER) Rock En Seine (FRA) Feel Festival (GER) Rock For People (CZ) FM4 Frequency Festival (A) Rocken Am Brocken (GER) Fuchsbau Festival (GER) Roskilde Festival (DK) Full Force Festival (GER) Ruhr In Love (GER) Full Metal Cruise (GER) Ruisrock (FIN) Full Metal Holiday (GER) Sideways Helsinki (FIN) The Green Gathering Festival (UK) Splash! Festival (GER) Green Music Initiative (intl.) SoundCzech (CZ) GO Group (intl.) Sounds For Nature Foundation