On the Other Side of the Camera
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FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
“White Christmas”—Bing Crosby (1942) Added to the National Registry: 2002 Essay by Cary O’Dell
“White Christmas”—Bing Crosby (1942) Added to the National Registry: 2002 Essay by Cary O’Dell Crosby’s 1945 holiday album Original release label “Holiday Inn” movie poster With the possible exception of “Silent Night,” no other song is more identified with the holiday season than “White Christmas.” And no singer is more identified with it than its originator, Bing Crosby. And, perhaps, rightfully so. Surely no other Christmas tune has ever had the commercial or cultural impact as this song or sold as many copies--50 million by most estimates, making it the best-selling record in history. Irving Berlin wrote “White Christmas” in 1940. Legends differ as to where and how though. Some say he wrote it poolside at the Biltmore Hotel in Phoenix, Arizona, a reasonable theory considering the song’s wishing for wintery weather. Some though say that’s just a good story. Furthermore, some histories say Berlin knew from the beginning that the song was going to be a massive hit but another account says when he brought it to producer-director Mark Sandrich, Berlin unassumingly described it as only “an amusing little number.” Likewise, Bing Crosby himself is said to have found the song only merely adequate at first. Regardless, everyone agrees that it was in 1942, when Sandrich was readying a Christmas- themed motion picture “Holiday Inn,” that the song made its debut. The film starred Fred Astaire and Bing Crosby and it needed a holiday song to be sung by Crosby and his leading lady, Marjorie Reynolds (whose vocals were dubbed). Enter “White Christmas.” Though the film would not be seen for many months, millions of Americans got to hear it on Christmas night, 1941, when Crosby sang it alone on his top-rated radio show “The Kraft Music Hall.” On May 29, 1942, he recorded it during the sessions for the “Holiday Inn” album issued that year. -
Further Discoveries About Big Jon and Sparkie, Pt. 1
September-October 2020 www.otrr.org Groups.io No. 110 Contents Further Discoveries About Big Jon Big Jon and and Sparkie, Pt. 1 Sparkie 1 Stay Tuned for Gavin Callaghan Terror 7 Who Said That? 16 Since this publication is strictly devoted to OTR, one can forego the usual Purchasing Groups 20 preambles and explanations and delve directly into the heart of the matter: the Wistful Vistas 20 current state of Big Jon and Sparkie Remembering Ken studies. Piletic 21 In a sense, it is both the best of times The Joe Hehn and the worst of times. Worst, in the Collection 22 sense that although there is a great deal Maupin’s Musings of information out there, most of it is 23 uncodified, unformed, unsorted, and Four Star incorrect. And best, in the sense that Productions 25 there is a wide open and largely Remembering Don unexplored field for examination and Frey 26 endeavor – despite the fact that No Radio 100 Years School Today went off the air back in Ago 27 1982 and was on the air for three decades Acquisitions 30 before that. Contributors: In a sense, this is to be expected. One And thus, aside from a few devoted enthusiasts, studies have languished. Gavin Callaghan sees the same situation in the comic book But in the ignored also lies opportunity. Jim Cox field, in which superhero comics remain the fixed center of attention, while (so- Ryan Ellett Facebook called) “children’s comics” from Archie, Martin Grams Back in 2018, I founded the Big Jon and Larry Maupin Harvey, Gold Key and Dell remain Sparkie Fans page on Facebook. -
Volume 65, Number 08 (August 1947) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 8-1-1947 Volume 65, Number 08 (August 1947) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 65, Number 08 (August 1947)." , (1947). https://digitalcommons.gardner-webb.edu/etude/181 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. XUQfr JNftr o 10 I s vation Army Band, has retired, after an AARON COPLAND’S Third Symphony unbroken record of sixty-four years’ serv- and Ernest Bloch’s Second Quartet have ice as Bandmaster in the Salvation Army. won the Award of the Music Critics Cir- cle of New York as the outstanding music American orchestral and chamber THE SALZBURG FESTI- BEGINNERS heard for the first time in New York VAL, which opened on PIANO during the past season. YOUNG July 31, witnessed an im- FOB portant break with tra- JOHN ALDEN CARPEN- dition when on August TER, widely known con- 6 the world premiere of KEYBOARD TOWN temporary American Gottfried von Einem’s composer, has been opera, “Danton’s Tod,” By Louise Robyn awarded the 1947 Gold was produced. -
The Maine Broadcaster Local History Collections
Portland Public Library Portland Public Library Digital Commons The Maine Broadcaster Local History Collections 3-1947 The Maine Broadcaster : March 1947 (Vol. 3, No. 3) Maine Broadcasting System (WCSH Portland, ME) Follow this and additional works at: https://digitalcommons.portlandlibrary.com/mainebroadcaster TBE MAINE BROADCASTER Affiliate PUBLISHED AS AN AID TO BETTER RADIO LISTENING Vol. I I I , No. 3 Por tland, Maine, March, 1947 Price, Five Cents .MeBS TO AIR HIGH SCHOOL HOOP FINALS Former Lewiston Girl 'Featured East And West Playoffs, Championship Tilt Booked On NBC's Borge-Goodman Progran1 Thousands of M uinc basket.):,a!I de~ 'l'his game will be aired by \ VLBZ, votccs urrnblc• to attend the scctionu I l3nngor and WHDO. Aug11sta. Hal play.offs and finals nf the State ln Dyl'r, WCSII sportscaster, will ossist Jeannie Mcl(eon tcrsc:holastic Basketball tournament, J\fornn in Portland, while Eddie Owen M,m.:h 8 and 15 respectively, will be of the WLBZ stall' will work with Mc In Great Demand nhle to IH'or piny-by-piny accounts of Keroun nt Orono. As i.n years past, the contests over the three stations of the broadca.sts will ,be sponsored by On West Coast tbe Maine Broadcasting System. This Cole Express of Bangor and l'ortland. year, for the first time, Eastern and Take a pretty girl-preferably a Moran will have the ussip:nment on Western play-offs or scmi-linnl con March 15 in the State championship Maine girl-add a lovely voice, a won tests, will he hrondcast on the same derfu.l disposiition, ,enthusiasm and gmne when the East<'rn and "\Vestern evening. -
WDAM Radio Presents the Rest of the Story
WDAM Radio Presents The Rest Of The Story # Artist Title Chart Comments Position/Year 0000 Mr. Announcer & The “Introduction/Station WDAM Radio Singers Identification” 0001 Big Mama Thornton “Hound Dog” #1-R&B/1953 0001A Rufus Thomas "Bear Cat" #3-R&B/1953 0001A_ Charlie Gore & Louis “You Ain't Nothin' But A –/1953 Innes Female Hound Dog” 0001AA Romancers “House Cat” –/1955 0001B Elvis Presley “Hound Dog” #1/1956 0001BA Frank (Dual Trumpet) “New Hound Dog” –/1956 Motley & His Crew 0001C Homer & Jethro “Houn’ Dog (Take 2)” –/1956 0001D Pati Palin “Alley Cat” –/1956 0001E Cliff Johnson “Go ‘Way Hound Dog” –/1958 0002 Gary Lewis & The "Count Me In" #2/1965 Playboys 0002A Little Jonna Jaye "I'll Count You In" –/1965 0003 Joanie Sommers "One Boy" #54/1960 0003A Ritchie Dean "One Girl" –/1960 0004 Angels "My Boyfriend's Back" #1/1963 0004A Bobby Comstock & "Your Boyfriend's Back" #98/1963 The Counts 0004AA Denny Rendell “I’m Back Baby” –/1963 0004B Angels "The Guy With The Black Eye" –/1963 0004C Alice Donut "My Boyfriend's Back" –/1990 adult content 0005 Beatles [with Tony "My Bonnie" #26/1964 Sheridan] 0005A Bonnie Brooks "Bring Back My Beatles (To –/1964 Me)" 0006 Beach Boys "California Girls" #3/1965 0006A Cagle & Klender "Ocean City Girls" –/1985 0006B Thomas & Turpin "Marietta Girls" –/1985 0007 Mike Douglas "The Men In My Little Girl's #8/1965 Life" 0007A Fran Allison "The Girls In My Little Boy's –/1965 Life" 0007B Cousin Fescue "The Hoods In My Little Girl's –/1965 Life" 0008 Dawn "Tie A Yellow Ribbon Round #1/1973 the Ole Oak Tree" -
Hot Charts – 1958
JANUARY HOT CHART JANUARY 31 OH JULIE (95) 48 FASCINATION (31) Cresccndos Jane Morgan w-tro (Hasco €005) (Kapp 191) JANUARY 32 OEDE DINAH (—) 49 ANGEL SHILE (—) Frankie Avalon a-pd Nat "King" Cole a-nr (Chancellor 1011) (Capitol 3860} 33 TEAR DROPS (28) 50 A VERY SPECIAL LOVE (49) 1 AT IKE HOP (I) 16 JAILHOUSE ROCK (4) Lee Andrews/Hearts Johnny Nash a/arr-dc Danny and the Juniors a-as Elvis Presley (Chess 1675/Argo 1000) (ABC-Paramount 9874) (Singular 711/ABC-Par. 9871) (RCA Victor 47-7035) 34 ROCK & ROLL MUSIC (13) 51 FOR SENTIMENTAL REASONS (59) 2 GREAT BALIS OF f IRE (5) 1? SHORT SHORTS (—) Chuck Berry Sam Cooke Jerry Lee Lewis Royal Teens (Chess 1671) (Keen 34002) (Sun 281) (Power 215/A0C-Par. 9BB2) 35 MAYBE (—) 52 I'M AVAILABLE (25) 3 PEGGY SUE (7) 18 WHY DON'T THEY UNDERSTAND (17) Chantels Margie Rayburn Buddy Holly George Hamilton IV a/arr-dc (End 1005) (Liberty 55102) (Coral 61885) (ABC-Paramount 9862) 36 8E-BOP BABY (16) S3 YELLOW DOG BLUES (xxx) 4 GET A JOB (KXK) 19 ALL THE WAY (10) Ricky Kelson Joe Darensbourg Si Ihouettes Frank Sinatra a-nr (Imperial 5463) (Lark 452) (Junior 391/Ember 1029) (Capitol 3793} 37 MY SPECIAL ANGEL (15) 54 TELt HER YOU LOVE HER (—) 5 APRIL LOVE (3) 20 OH. 60Y! (23) Bobby Helms o-aks Frank Sinatra a-nr Pat Boone a-bv Crickets (Decca 30423) (Capitol 3859) (Dot 15660) (Brunswick 55035) 38 YOU ARE HY OESTIMY (—) 55 HONEYCOMB (29) 6 THE STROLL (53) 21 BUZZ-BUZZ-BUZZ (27) Paul Anka orr/c-dc Jlmmle Rodgers e-hp Diamonds ts-kc Hollywood Flames (ABC-Paramount 9880) (Roulette 401S) (Mercury 71242) (Ebb 119) -
La Cultura Italiana
LA CULTURA ITALIANA PERRY COMO (1912-2001) This month’s essay looks at the life of another Italian-American popular music artist of the post-World War II era. Famous for his relaxed vocals, cardigan sweaters, and television Christ- mas specials, he was the charming Italian-American whose name became synonymous with “mellow” as he performed through seven decades, starting in the 1930s. His idol, Bing Crosby, once called him “the man who invented casual.” PIERINO RONALD “PERRY” COMO was born on May 12, 1912 in Canonsburg, Pennsylvania. (This month would have been his 107th birthday, and, coincidentally, the 18th anniversary of his death). He was the seventh of 13 children and the first Ameri- can-born child of Pietro Como and Lucia Travaglini, who had both immigrated to the United States in 1910 from Palena, a small town in the Province of Chieti in the Abruzzo region of Italy. (He used to point out to people that he was the seventh son of a seventh son and that this was a good omen in Italian culture). Like many children of Italian immigrants (including my own father), Perry did not begin speaking English until he entered school, since the Comos spoke only Italian at home. Pietro had bought a second-hand organ for $3 soon after they had arrived in America. As soon as Perry was able to toddle, he would head to the instrument, pump the bellows, and play by ear music he had heard. Pietro worked in the Standard Tin Plate factory in Canonsburg, a small town in the coal-mining region that was located 18 miles southwest of Pittsburgh. -
Nat King Cole
Nat King Cole Background information Birth name Nathaniel Adams Coles Also known as Nat Cole Born March 17, 1919 Montgomery, Alabama, U.S. Died February 15, 1965 (aged 45) Santa Monica, California, U.S. Genres Vocal jazz, swing, traditional pop Occupation(s) Vocalist, pianist Instruments Piano, vocals, organ Years active 1935–1965 Labels Capitol Associated acts Natalie Cole, Frank Sinatra, Dean Martin Nathaniel Adams Coles (March 17, 1919 – February 15, 1965), known professionally as Nat King Cole, was an American singer who first came to prominence as a leading jazz pianist. He was widely noted for his soft, baritone voice, which he used to perform in big band and jazz genres and which he used to become a major force in popular music for 3 decades producing many hit songs for Cole. Cole was one of the first African Americans to host a national television variety show, The Nat King Cole Show, and has maintained worldwide popularity since his death from lung cancer in February 1965. Early life Nathaniel Adams Coles was born in Montgomery, Alabama, on March 17, 1919. Cole had three brothers: Eddie, Ike, and Freddy, and a half-sister, Joyce Coles. Ike and Freddy would later pursue careers in music as well. When Cole was four years old, he and his family moved to Chicago, Illinois, where his father, Edward Coles, became a Baptist minister. Cole learned to play the organ from his mother, Perlina Coles, the church organist. His first performance was of "Yes! We Have No Bananas" at age four. He began formal lessons at 12, eventually learning not only jazz and gospel music, but also Western classical music, performing, as he said, "from Johann Sebastian Bach to Sergei Rachmaninoff". -
Music for the Microphone: Network Broadcasts and the Creation of American Compositions in the Golden Age of Radio Akihiro Taniguchi
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2003 Music for the Microphone: Network Broadcasts and the Creation of American Compositions in the Golden Age of Radio Akihiro Taniguchi Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF MUSIC Music for the Microphone: Network Broadcasts and the Creation of American Compositions in the Golden Age of Radio By AKIHIRO TANIGUCHI A Dissertation submitted to the School of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2003 Copyright ©2003 Akihiro Taniguchi All Rights Reserved The members of the Committee approve the dissertation of Akihiro Taniguchi defended on 15 May 2003. ______________________________ Charles E. Brewer Professor Directing Dissertation ______________________________ Jane Piper Clendinning Outside Committee Member ______________________________ Denise Von Glahn Committee Member ______________________________ Michael B. Bakan Committee Member Approved: ________________________________________________________ Jon Piersol, Dean, School of Music The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables ........................................................................................................................ v List of Music Examples........................................................................................................ -
Guide to the Kraft Television Theatre Oral History Project
Guide to the Kraft Television Theatre Oral History Project NMAH.AC.0464 Mimi L. Minnick 1992 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 4 Scope and Contents........................................................................................................ 4 Names and Subjects ...................................................................................................... 5 Container Listing ............................................................................................................. 6 Series 1: Research Files, 1947-1992....................................................................... 6 Series 2: Interviewee Files, 1992............................................................................. 8 Series 3: Oral History Interviews, 1992................................................................. 10 Series 4: Television Commercials, circa 1950s....................................................