“The Star Spangled Radio Hour” PROGRAMS by ARTIST
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FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
“White Christmas”—Bing Crosby (1942) Added to the National Registry: 2002 Essay by Cary O’Dell
“White Christmas”—Bing Crosby (1942) Added to the National Registry: 2002 Essay by Cary O’Dell Crosby’s 1945 holiday album Original release label “Holiday Inn” movie poster With the possible exception of “Silent Night,” no other song is more identified with the holiday season than “White Christmas.” And no singer is more identified with it than its originator, Bing Crosby. And, perhaps, rightfully so. Surely no other Christmas tune has ever had the commercial or cultural impact as this song or sold as many copies--50 million by most estimates, making it the best-selling record in history. Irving Berlin wrote “White Christmas” in 1940. Legends differ as to where and how though. Some say he wrote it poolside at the Biltmore Hotel in Phoenix, Arizona, a reasonable theory considering the song’s wishing for wintery weather. Some though say that’s just a good story. Furthermore, some histories say Berlin knew from the beginning that the song was going to be a massive hit but another account says when he brought it to producer-director Mark Sandrich, Berlin unassumingly described it as only “an amusing little number.” Likewise, Bing Crosby himself is said to have found the song only merely adequate at first. Regardless, everyone agrees that it was in 1942, when Sandrich was readying a Christmas- themed motion picture “Holiday Inn,” that the song made its debut. The film starred Fred Astaire and Bing Crosby and it needed a holiday song to be sung by Crosby and his leading lady, Marjorie Reynolds (whose vocals were dubbed). Enter “White Christmas.” Though the film would not be seen for many months, millions of Americans got to hear it on Christmas night, 1941, when Crosby sang it alone on his top-rated radio show “The Kraft Music Hall.” On May 29, 1942, he recorded it during the sessions for the “Holiday Inn” album issued that year. -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
The Maine Broadcaster Local History Collections
Portland Public Library Portland Public Library Digital Commons The Maine Broadcaster Local History Collections 3-1947 The Maine Broadcaster : March 1947 (Vol. 3, No. 3) Maine Broadcasting System (WCSH Portland, ME) Follow this and additional works at: https://digitalcommons.portlandlibrary.com/mainebroadcaster TBE MAINE BROADCASTER Affiliate PUBLISHED AS AN AID TO BETTER RADIO LISTENING Vol. I I I , No. 3 Por tland, Maine, March, 1947 Price, Five Cents .MeBS TO AIR HIGH SCHOOL HOOP FINALS Former Lewiston Girl 'Featured East And West Playoffs, Championship Tilt Booked On NBC's Borge-Goodman Progran1 Thousands of M uinc basket.):,a!I de~ 'l'his game will be aired by \ VLBZ, votccs urrnblc• to attend the scctionu I l3nngor and WHDO. Aug11sta. Hal play.offs and finals nf the State ln Dyl'r, WCSII sportscaster, will ossist Jeannie Mcl(eon tcrsc:holastic Basketball tournament, J\fornn in Portland, while Eddie Owen M,m.:h 8 and 15 respectively, will be of the WLBZ stall' will work with Mc In Great Demand nhle to IH'or piny-by-piny accounts of Keroun nt Orono. As i.n years past, the contests over the three stations of the broadca.sts will ,be sponsored by On West Coast tbe Maine Broadcasting System. This Cole Express of Bangor and l'ortland. year, for the first time, Eastern and Take a pretty girl-preferably a Moran will have the ussip:nment on Western play-offs or scmi-linnl con March 15 in the State championship Maine girl-add a lovely voice, a won tests, will he hrondcast on the same derfu.l disposiition, ,enthusiasm and gmne when the East<'rn and "\Vestern evening. -
Cadets the Lexington Gazette J. ED. DEAVER & SONS
John PMCO, '00, la Agency Man- JoBhua C. West, '28, and Miss Bible Of V. M. I. Graduate ager for the Equitable Life Assur- Frances Hutchins were married on Presented To Sigma Nu Military Group ance Society at Raleigh, having February 28, 1935. The couple are recently moved from Monticello, residing in Suffolk, Va. March 21.—The Bible presented Florida. His address is P. 0. Box To Meet Soon 471, Raleigh, N. C. by General Francis H. Smith, Su- W. L. Renn, Jr., '28, is a lieuten- perintendent of V. M. I. for fifty ant with the Civilian Conservation years, to James F. Hopkins, found- Alumni Are Active In Asso- Corps. He is at present located March 26th To March 31st 9:00 Glen Gray CBS er of Sigma Nu National frater- ciation At Mayflower Inn at Camp No. 10, Snowden, Va. Monday 9:30 Fred Waring CBS nity, upon his graduation in 1870, Duke University P. M. 10:30 Paul Whiteman WEAF has been presented to the frater- March 23.—The twenty-second SCHOOL OF MEDICINE James H. Trousdale, '81, and 7:45 Boarke Carter CBS 11:00 Little Jack Little CBS nity by Benjamin W. Hopkins, the annual meeting of The Association DURHAM, N. C. Miss Lucille M^ngham, of Rayville, 8:00 Richard Himber WTAF 12:00 iHerbie Kay CBS founder's grandson. It is now a of Military Colleges and Schools Louisiana, were recently married. Four terms of eleven weeks are 8:00 Jan Garber WJZ Friday part of the fraternity's historical of the United States, which will given each year. -
La Cultura Italiana
LA CULTURA ITALIANA PERRY COMO (1912-2001) This month’s essay looks at the life of another Italian-American popular music artist of the post-World War II era. Famous for his relaxed vocals, cardigan sweaters, and television Christ- mas specials, he was the charming Italian-American whose name became synonymous with “mellow” as he performed through seven decades, starting in the 1930s. His idol, Bing Crosby, once called him “the man who invented casual.” PIERINO RONALD “PERRY” COMO was born on May 12, 1912 in Canonsburg, Pennsylvania. (This month would have been his 107th birthday, and, coincidentally, the 18th anniversary of his death). He was the seventh of 13 children and the first Ameri- can-born child of Pietro Como and Lucia Travaglini, who had both immigrated to the United States in 1910 from Palena, a small town in the Province of Chieti in the Abruzzo region of Italy. (He used to point out to people that he was the seventh son of a seventh son and that this was a good omen in Italian culture). Like many children of Italian immigrants (including my own father), Perry did not begin speaking English until he entered school, since the Comos spoke only Italian at home. Pietro had bought a second-hand organ for $3 soon after they had arrived in America. As soon as Perry was able to toddle, he would head to the instrument, pump the bellows, and play by ear music he had heard. Pietro worked in the Standard Tin Plate factory in Canonsburg, a small town in the coal-mining region that was located 18 miles southwest of Pittsburgh. -
Nat King Cole
Nat King Cole Background information Birth name Nathaniel Adams Coles Also known as Nat Cole Born March 17, 1919 Montgomery, Alabama, U.S. Died February 15, 1965 (aged 45) Santa Monica, California, U.S. Genres Vocal jazz, swing, traditional pop Occupation(s) Vocalist, pianist Instruments Piano, vocals, organ Years active 1935–1965 Labels Capitol Associated acts Natalie Cole, Frank Sinatra, Dean Martin Nathaniel Adams Coles (March 17, 1919 – February 15, 1965), known professionally as Nat King Cole, was an American singer who first came to prominence as a leading jazz pianist. He was widely noted for his soft, baritone voice, which he used to perform in big band and jazz genres and which he used to become a major force in popular music for 3 decades producing many hit songs for Cole. Cole was one of the first African Americans to host a national television variety show, The Nat King Cole Show, and has maintained worldwide popularity since his death from lung cancer in February 1965. Early life Nathaniel Adams Coles was born in Montgomery, Alabama, on March 17, 1919. Cole had three brothers: Eddie, Ike, and Freddy, and a half-sister, Joyce Coles. Ike and Freddy would later pursue careers in music as well. When Cole was four years old, he and his family moved to Chicago, Illinois, where his father, Edward Coles, became a Baptist minister. Cole learned to play the organ from his mother, Perlina Coles, the church organist. His first performance was of "Yes! We Have No Bananas" at age four. He began formal lessons at 12, eventually learning not only jazz and gospel music, but also Western classical music, performing, as he said, "from Johann Sebastian Bach to Sergei Rachmaninoff". -
Guide to the Kraft Television Theatre Oral History Project
Guide to the Kraft Television Theatre Oral History Project NMAH.AC.0464 Mimi L. Minnick 1992 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 4 Scope and Contents........................................................................................................ 4 Names and Subjects ...................................................................................................... 5 Container Listing ............................................................................................................. 6 Series 1: Research Files, 1947-1992....................................................................... 6 Series 2: Interviewee Files, 1992............................................................................. 8 Series 3: Oral History Interviews, 1992................................................................. 10 Series 4: Television Commercials, circa 1950s.................................................... -
Radio Recordings
RADIO RECORDINGS "Uncle Sam Presents" March 25, 1944 (NBC Disc) AAFTC Orchestra Directed by Capt. Glenn Miller Dennis M. Spragg October 2013 1 Preserving Broadcasting and Musical History Many individuals and organizations have possession of the surviving recordings of radio programs. There were several methods by which radio programs circa 1935- 1950 containing musical content were recorded and preserved. Following is a general summary of the types of recordings that were made and how many of them survive at the Glenn Miller Archive and elsewhere. 1. Radio Networks The national radio networks in the United States as of 1941 consisted of the National Broadcasting Company (NBC) with its Red and Blue Networks, the Columbia Broadcasting System (CBS) and the Mutual Broadcasting System (Mutual). In addition, several regional networks existed with member stations that were also affiliated with the national services. Mutual was a cooperative effort led by several large local station owners in Chicago (WGN), Los Angeles (KHJ) and New York (WOR). NBC also operated an International Division or its White Network, which broadcast shortwave signals overseas from transmitters on both coasts operated by the General Electric Company. NBC and CBS each owned the federally regulated maximum of local stations, including: NBC Red – WEAF, New York; WMAQ, Chicago and KPO, San Francisco; NBC Blue – WJZ New York; WENR, Chicago and KGO, San Francisco. NBC did not own stations at this time in Los Angeles. Its powerful Southern California affiliate was the Earle C. Anthony Company, owner of KFI (Red) and KECA (Blue). CBS-owned stations included WABC, New York, WBBM, Chicago and KNX, Los Angeles. -
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Long Wavc ~- ShortWa,'c C::en's Nen-s Spots .he C::opy A Pictllrcs 81.50 Y('ur ;Volume III, No. 47 OVEMBER 30, 1934 " Published W'eekly This and That = 'Trust-Buster' Wheeler Radio Overlo d Byltforri3 Ha3ting3 THE OPINIO S of BRl:CE Erskine Opposes Air Education He Succeeds BUVEr\, editor of The New ,. Republic. concerning "the failure" of American radio that recently "Boxy· Cf!It!brE.tes His To Place Of were reprinted in The MICRO Radio Too PHOl'E have attracted the indig nant attention of FRANK 1. RAND, 12th AnniversE,ry As Senator Dill d ire C tor of Hurried for publicity for A SI"ow.nEU' 01 BEulio By The ,\llCROPllOf\TS Special the Yankee 117mbingloJ1 COtTtSpOl1dtl1l Network. Full Success Senator Be RTON K. WHEELER, In a letter His Radio Career addressed t 0 When JOHN ERSKINE, noted au· Passes By In Democrat, of Montana, is slated to me, Mr. RAND thor, teacher and president of the Ibe chairman of the Senate lntustate lakes BRUCE ]UJLLARD Music Foundation, ap Review Commerce Committee which has peared before the Fede[al Com BLIVEN to task jurisdiction over radio lesislatioo. for his state munications Commission in \Xfash Senator CLARH';LE C. DILL, ment t hat ington, he opposed the proposal what radio that at least 25 per cent of radio IDemocrat, of \'i'ashmgron, will end does in the broadcasting time should be given his career in Ihe Sena e January 3. field of educa to educational programs. He \, as not candidate for re tion is pitiful "I cold [he boa-rd [hac if clection. -
Herbert Baker Papers, 1939-1978
http://oac.cdlib.org/findaid/ark:/13030/kt1779q0j5 No online items Finding Aid for the Herbert Baker Papers, 1939-1978 Processed by Performing Arts Special Collections staff; machine-readable finding aid created by Cheryl E. Clayton, May 2004 University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm © 2004 The Regents of the University of California. All rights reserved. Finding Aid for the Herbert Baker 108 1 Papers, 1939-1978 Finding Aid for the Herbert Baker Papers, 1939-1978 Collection number: 108 Note This online finding aid is not edited. (Check this website for updates.) The complete, edited paper copy of the finding aid, with container list, is available at the UCLA Performing Arts Special Collections for in-house consultation and may be obtained for a fee. See Contact Information below. UCLA Library, Performing Arts Special Collections Los Angeles, CA Processed by: UCLA Library, Performing Arts Special Collections staff Encoded by: Cheryl E. Clayton, May 2004 © 2004 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Herbert Baker Papers, Date (inclusive): 1939-1978 Collection number: 108 Creator: Baker, Herbert Extent: 116 boxes (49.0 linear ft.) Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Abstract: Herbert Baker was a comedy writer for radio, television, stage and motion pictures. The collection consists primarily of material related to his career.