Helsinki Festival Tent Artists 1995-2010
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Kimmo Pohjonen Bio 2015
KIMMO POHJONEN BIO 2015 Finnish accordion adventurist Kimmo Pohjonen is internationally known for revolutionizing accordion music, sound and performance. His custom-made, electrified and MIDI-fied instrument plus voice, effects, samples, surround sound and light show combine to make a unique and captivating performance experience. A visionary of boundless energy, Pohjonen’s roots go back forty years in all forms of accordion music including folk, dance, classical, rock, experimental, theatre music and more. His studies in the progressive and innovative Sibelius Academy Folk Music Department were a critical factor in Pohjonen’s transition to the boldly creative and versatile, internationally successful musician/performer he is today. Pohjonen activities: -Pohjonen celebrated his fiftieth year on Earth with anniversary concerts at Helsinki Festival on Aug 26th with Kronos Quartet and in Tamperetalo, Tampere, Finland on Sept 26 with a two hour extravaganza of various projects from his entire career. Pohjonen is now recording a new album for 2015 release. -Pohjonen and Finland’s top ballet dancer Minna Tervamäki present the project Bright Shadow. Tervamäki (previously with the Finnish National Ballet) has performed in all of the important classical ballets’ main roles and has worked with the most interesting contemporary choreographers, such as Ohad Naharin and Mats Ek. She also works actively as a choreographer. The artists' co-operation began on the stage of the Finnish National Opera in 2011 and has evolved conceptually throughout 2012. Bright Shadow has been performed in Finland and Germany. -A full length documentary film about Pohjonen, entitled Soundbreaker premiered in early 2012 in New Zealand, Australia and Finland and has since been shown in over thirty countries. -
The Race of Sound: Listening, Timbre, and Vocality in African American Music
UCLA Recent Work Title The Race of Sound: Listening, Timbre, and Vocality in African American Music Permalink https://escholarship.org/uc/item/9sn4k8dr ISBN 9780822372646 Author Eidsheim, Nina Sun Publication Date 2018-01-11 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Race of Sound Refiguring American Music A series edited by Ronald Radano, Josh Kun, and Nina Sun Eidsheim Charles McGovern, contributing editor The Race of Sound Listening, Timbre, and Vocality in African American Music Nina Sun Eidsheim Duke University Press Durham and London 2019 © 2019 Nina Sun Eidsheim All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by Courtney Leigh Baker and typeset in Garamond Premier Pro by Copperline Book Services Library of Congress Cataloging-in-Publication Data Title: The race of sound : listening, timbre, and vocality in African American music / Nina Sun Eidsheim. Description: Durham : Duke University Press, 2018. | Series: Refiguring American music | Includes bibliographical references and index. Identifiers:lccn 2018022952 (print) | lccn 2018035119 (ebook) | isbn 9780822372646 (ebook) | isbn 9780822368564 (hardcover : alk. paper) | isbn 9780822368687 (pbk. : alk. paper) Subjects: lcsh: African Americans—Music—Social aspects. | Music and race—United States. | Voice culture—Social aspects— United States. | Tone color (Music)—Social aspects—United States. | Music—Social aspects—United States. | Singing—Social aspects— United States. | Anderson, Marian, 1897–1993. | Holiday, Billie, 1915–1959. | Scott, Jimmy, 1925–2014. | Vocaloid (Computer file) Classification:lcc ml3917.u6 (ebook) | lcc ml3917.u6 e35 2018 (print) | ddc 781.2/308996073—dc23 lc record available at https://lccn.loc.gov/2018022952 Cover art: Nick Cave, Soundsuit, 2017. -
Timo Alakotila Curriculum Vitae
Timo Alakotila Curriculum Vitae Syntymäaika : 15.7 1959 Gsm: 050-5116112 Osoite: Vesalantie 46 A 00940 Helsinki Sähköposti:, [email protected] , [email protected] Yleisopinnot 1978 Ylioppilastutkinto (Nurmijärven yhteiskoulu) Musiikkiopinnot 1992 Musiikinteorian opettajan tutkinto (Oulunkylän Pop/Jazz-konservatorio), piano-opinnot Heikki Heinosen, Markku Suoknuutin ja Vladimir Shafranovin johdolla, teoriaopinnot Rolf Grefvebergin, Eino Virtasen ja Kaj Backlundin johdolla, sävellysopinnot Kaj Backlundin johdolla 1989- Osallistunut useille sävellys/sovitus-kursseille, 1990 opettajina mm. Georg Russell, Herb Pomeroy, Bob Mintzer ja Muhal Richard Abrams (USA) 1978 Musiikki koulun päästötodistus (Nurmijärvi) Piano-opinnot Lauri Vuorelan, Salla Koivurannan, Kari Pettisen ja Maija Riipan johdolla, teoriaopinnot Kari Pettisen johdolla Työkokemus 1983- Säveltänyt ja sovittanut laajasti musiikkia yli genrerajojen 2000-2016 Improvisaatiodemonstraatioita Johanna Juholan kanssa 2008 Demonstraatio Carita Holmstömin kosketinsoitintapahtumassa (Sibelius-Akatemia) 2006 Sovituskurssi Luoteis-Helsingin musiikkiopistossa 2004-2005 Improvisaatiodemonstraatioita ja opetusta Lanarkissa Skotlannissa ja Bristolissa Englannissa (Distil) 2004 Säveltäjä oppilaitoksessa -projektissa Hyvinkään musiikkiopistossa säveltäjänä opettaen mm. sävellystä, improvisointia ja sovitusta 1995-2016 Opettanut Rääkkylän musiikkikoulussa / Joensuun konservatoriossa/ Joensuun ammattikorkeakoulussa 1994-2016 Opettanut Kokkolan konservatoriossa / ammattikorkeakoulussa useita -
THE GARY MOORE DISCOGRAPHY (The GM Bible)
THE GARY MOORE DISCOGRAPHY (The GM Bible) THE COMPLETE RECORDING SESSIONS 1969 - 1994 Compiled by DDGMS 1995 1 IDEX ABOUT GARY MOORE’s CAREER Page 4 ABOUT THE BOOK Page 8 THE GARY MOORE BAND INDEX Page 10 GARY MOORE IN THE CHARTS Page 20 THE COMPLETE RECORDING SESSIONS - THE BEGINNING Page 23 1969 Page 27 1970 Page 29 1971 Page 33 1973 Page 35 1974 Page 37 1975 Page 41 1976 Page 43 1977 Page 45 1978 Page 49 1979 Page 60 1980 Page 70 1981 Page 74 1982 Page 79 1983 Page 85 1984 Page 97 1985 Page 107 1986 Page 118 1987 Page 125 1988 Page 138 1989 Page 141 1990 Page 152 1991 Page 168 1992 Page 172 1993 Page 182 1994 Page 185 1995 Page 189 THE RECORDS Page 192 1969 Page 193 1970 Page 194 1971 Page 196 1973 Page 197 1974 Page 198 1975 Page 199 1976 Page 200 1977 Page 201 1978 Page 202 1979 Page 205 1980 Page 209 1981 Page 211 1982 Page 214 1983 Page 216 1984 Page 221 1985 Page 226 2 1986 Page 231 1987 Page 234 1988 Page 242 1989 Page 245 1990 Page 250 1991 Page 257 1992 Page 261 1993 Page 272 1994 Page 278 1995 Page 284 INDEX OF SONGS Page 287 INDEX OF TOUR DATES Page 336 INDEX OF MUSICIANS Page 357 INDEX TO DISCOGRAPHY – Record “types” in alfabethically order Page 370 3 ABOUT GARY MOORE’s CAREER Full name: Robert William Gary Moore. Born: April 4, 1952 in Belfast, Northern Ireland and sadly died Feb. -
Struktur Und Logik Der Transnationalen Popmusikindustrie
Andreas Gebesmair Die Fabrikation globaler Vielfalt texte zur populären musik 5 Herausgegeben von Winfried Pape und Mechthild von Schoenebeck Andreas Gebesmair (Dr. phil.) leitet das Institut Mediacult und lehrt Medien- und Kultursoziologie in Linz und Wien. Im Zentrum seiner For- schung stehen die Strukturen der Produktion und Rezeption von Kultur. Andreas Gebesmair Die Fabrikation globaler Vielfalt. Struktur und Logik der transnationalen Popmusikindustrie Für Bettina Die Arbeit wurde durch ein Stipendium im Rahmen des Austrian Programme for Advanced Research and Technology (APART) der Österreichischen Akademie der Wissenschaften ermöglicht. Gedruckt mit Unterstützung des Bundesministeriums für Wissenschaft und Forschung in Wien. Bibliografische Information der Deutschen Bibliothek Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Angaben sind im Internet über http://dnb.ddb.de abrufbar. © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Umschlaggestaltung: Kordula Röckenhaus, Bielefeld Umschlagabbildung: »The booth«, © Rudolf Struzyna 2007, photocase.com Lektorat: Claudia Mazanek Satz: Harald Wendelin Druck: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-850-6 Gedruckt auf alterungsbeständigem Papier mit chlorfrei gebleichtem Zellstoff. Besuchen Sie uns im Internet: http://www.transcript-verlag.de Bitte fordern Sie unser Gesamtverzeichnis und andere Broschüren an unter: [email protected] INHALT VORWORT 9 DANK 11 1. EINLEITUNG 15 1.1 Die Geburt einer transnationalen Industrie 15 1.2 Aporien der Kulturindustriekritik 18 1.3 Gegenstand, Fragestellungen und Ansätze 21 1.4 Zum Aufbau der Arbeit 35 TEIL I: BEGRIFFE 39 2. DIMENSIONEN DER POPMUSIK 41 2.1 Popmusik, Kunstmusik, Volksmusik 41 2.2 Dimensionen der Produktion 44 2.3 Dimensionen der Rezeption 48 2.4 Ästhetik des Populären 53 2.5 Zur Institutionalisierung der Popularmusik in der Musikindustrie 56 3. -
Ladyslipper Catalog Table of Contents
LADYSLIPPER CATALOG TABLE OF CONTENTS Ordering Information 2 Women's Spirituality * New Age 39 Ladyslipper On-Line! * Ladyslipper Listen Line 3 Women's Music * Feminist * Lesbian 46 Readers' Comments 4 Alternative 54 Free Gifts 5 Rock/Pop 56 Gift Orders * Gift Certificates 6 Folk/Singer-Songwriter 58 Musical Month Club * Donor Discount Club 7 Country 64 Ladyslipper's Top 100 8 Jazz 65 Mailing List Info * Buy a Brick, Build Our Future 9 Gospel 66 Ladyslipper's "Baby Pictures" 11 Blues * R&B/Rap 67 Cassette Madness Sale 12 Cabaret 68 Holiday 13 Acappella 69 Cards * Posters * Grabbags 16 Choral 70 Calendars 17 Dance 72 Classical 18 "Mehn's Music" 73 Global * Celtic/British Isles 21 Comedy 76 European 27 Spoken * Babyslipper Catalog 77 Latin American 28 Videos 79 Asian/Pacific 30 Songbooks * T-Shirts 83 Arabic/ Middle Eastern * Jewish 31 Books 84 African 32 Dedication * Credits * Join Our E-Mail List * Come Visit .... 85 African Heritage 34 Order Blank 86 Native American 35 Artist Index 87 Drumming/Percussion 37 MAIL: Ladyslipper, 3205 Hillsborough Road, Durham NC 27705 USA PHONE ORDERS: 800-634-6044 (Mon-Fri 9-9, Sat 10-6 Eastern Time) FAX ORDERS: 800-577-7892 INFORMATION: 919-383-8773 ORDERING INFO E-MAIL: [email protected] WEB SITE: www.ladyslipper.org PAYMENT: Orders can be prepaid or charged (we BACK-ORDERS AND ALTERNATIVES: If we are FORMAT: Each description states which formats are don't bill or ship C.O.D. except to stores, libraries and temporarily out of stock on a title, we will automati available: CD = compact disc, CS = cassette. -
Music by Women TABLE of CONTENTS
Music by Women TABLE OF CONTENTS Ordering Information 2 Folk/Singer-Songwriter 58 Ladyslipper On-Line! * Ladyslipper Listen Line 4 Country 64 New & Recent Additions 5 Jazz 65 Cassette Madness Sale 17 Gospel 66 Cards * Posters * Grabbags 17 Blues 67 Classical 18 R&B 67 Global 21 Cabaret 68 Celtic * British Isles 21 Soundtracks 68 European 27 Acappella 69 Latin American 28 Choral 70 Asian/Pacific 30 Dance 72 Arabic/Middle Eastern 31 "Mehn's Music" 73 Jewish 31 Comedy 76 African 32 Spoken 77 African Heritage 34 Babyslipper Catalog 77 Native American 35 Videos 79 Drumming/Percussion 37 Songbooks * T-Shirts 83 Women's Spirituality * New Age 39 Books 84 Women's Music * Feminist * Lesbian 46 Free Gifts * Credits * Mailing List * E-Mail List 85 Alternative 54 Order Blank 86 Rock/Pop 56 Artist Index 87 MAIL: Ladyslipper, 3205 Hillsborough Road. Durham NC 27705 USA PHONE ORDERS: 800-634-6044 (Mon-Fri 9-8, Sat 10-6 Eastern Time) ORDERING INFO FAX ORDERS: 800-577-7892 INFORMATION: 919-383-8773 E-MAIL: [email protected] WEB SITE: www.ladyslipper.org PAYMENT: Orders can be prepaid or charged (we BACK-ORDERS AND ALTERNATIVES: If we are FORMAT: Each description states which formats are don't bill or ship C.O.D. except to stores, libraries and temporarily out of stock on a title, we will automati available: CD = compact disc, CS = cassette. Some schools). Make check or money order payable to cally back-order it unless you include alternatives recordings are available only on CD or only on cassette, Ladyslipper, Inc. -
Alla Biblioteca Astense Giorgio Faletti Torna Passepartout En Hiver
Dopo il tutto esaurito del primo appuntamento, alla Biblioteca Astense Giorgio Faletti continua Passepartout en hiver – Conversazioni d’inverno, il ciclo di incontri promossi dalla Biblioteca e dalla CNA di Asti, che si terrà fino al 15 marzo tutte le domeniche alle 17 in Sala Colonne. Domenica 19 gennaio alle 17 pomeriggio dedicato al rock con Antonio Pellegrini e Alexander Macinante, protagonisti dell’incontro “Italian Rhapsody: l’avventura dei Queen in Italia”, incentrato sull’omonimo libro di Pellegrini pubblicato da Chinaski Edizioni. “Italian Rhapsody” racconta la storia dei Queen dagli esordi, approfondendo lo straordinario rapporto di amore reciproco tra la band e l’Italia, che nel 1984 regala ai fan nostrani due esibizioni di “Radio Ga Ga” al Festival di Sanremo e i concerti milanesi del 14 e 15 settembre. Il volume riporta aneddoti, curiosità, interviste, testimonianze inedite, foto rare o mai pubblicate, e una preziosa raccolta di articoli tratti da riviste italiane che – a partire dagli anni ’70 e fino all’uscita del disco postumo “Made In Heaven” del 1995 – recensiscono gli album e raccontano gli straordinari show che il gruppo tiene in giro per il mondo. Non mancano i vari progetti portati avanti negli anni da Brian May e Roger Taylor, i nuovi concerti a nome “Queen +”, prima con lo storico cantante rock blues Paul Rodgers e poi con il giovane Adam Lambert, fino all’uscita di “Bohemian Rhapsody”, il film dedicato alla figura del compianto Freddie Mercury, che ha fatto incetta di statuette agli Oscar 2019 . Antonio Pellegrini, genovese, lavora presso l’Ufficio Comunicazione e Marketing del Comune di Genova. -
Great Albums
Last Update: 14/4/13 – Changes & additions since the December 2010 version highlighted thusly 1936 Robert Johnson The Complete Recordings 1937 By universal acknowledgment, the greatest of the Old Masters of acoustic blues. It’s said that Eric Clapton wouldn’t even talk to you in the 1960s if you were not au fait with Robert Johnson. This is one of the exceptions in which I’ve allowed a “best of” compilation. I just had to in this case. There weren’t any albums in the 30s. 1959 Miles Davis Kind Of Blue He could play the trumpet a bit. This is arguably the best known full-on jazz album of all time. It had just enjoyed its 40 th anniversary on first compilation of this list. I’m not qualified to write about Miles Davis, but this I know. Despite his tetchy character, especially in defence of blacks against the white establishment (understandably), he did not come from a typical poor black background. His family were quite affluent and middle class, in as far as it was possible for blacks to be middle class in the US at that time. 1964 John Coltrane A Love Supreme He could play the sax a bit. The album was the result of Coltrane’s sudden religious awakening in 1957. Brilliant – apart from the embarrassing vocals. You're getting jazz and old-time blues up to '64 because The Great Musical Reinvention had not yet happened - but it was just around the corner... 1965 Jackson C Frank Jackson C Frank Aficionados know that this is the best folk album of all time. -
Redalyc.Synthesizing Race: Towards an Analysis of the Performativity Of
Trans. Revista Transcultural de Música E-ISSN: 1697-0101 [email protected] Sociedad de Etnomusicología España Eidsheim, Nina Synthesizing Race: Towards an Analysis of the Performativity of Vocal Timbre Trans. Revista Transcultural de Música, núm. 13, 2009, pp. 1-9 Sociedad de Etnomusicología Barcelona, España Available in: http://www.redalyc.org/articulo.oa?id=82220946009 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative TRANS - Revista Transcultural de Música - Transcultural Music Revie... http://www.sibetrans.com/trans/a57/synthesizing-race-towards-an-analy... Home PRESENTACIÓN EQUIPO EDITORIAL INFORMACIÓN PARA LOS AUTORES CÓMO CITAR TRANS INDEXACIÓN CONTACTO Última publicación Números publicados < Volver TRANS 13 (2009) Convocatoria para artículos: Synthesizing Race: Towards an Analysis of the Performativity of Vocal Timbre Explorar TRANS: Por Número > Nina Eidsheim Por Artículo > Por Autor > Abstract Vocaloid is a vocal synthesis software package that "sings back" any pitch and word combination entered by a user, impersonating a singer with a designated sex, age and race. Lola and Leon, the first pair of "singers" designed, were introduced as "generic soul-singing voices." Investigating vocal timbre as a cultural artifact, I look at the processes by which audience connect specific vocal sounds with particular ideas such as race and gender. Such reification of notions of race through vocal timbre is circular: audiences join sounds with concepts; (live or digital) performers respond to these sound/concept compounds, and in turn confirm the Share | listeners' linkages. -
Queen at the Freddie Mercury Tribute Concert - Special 10Th Anniversary Edition Mp3, Flac, Wma
Queen At The Freddie Mercury Tribute Concert - Special 10th Anniversary Edition mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: At The Freddie Mercury Tribute Concert - Special 10th Anniversary Edition Country: Argentina Released: 2002 Style: Arena Rock, Classic Rock MP3 version RAR size: 1443 mb FLAC version RAR size: 1834 mb WMA version RAR size: 1186 mb Rating: 4.8 Votes: 884 Other Formats: MP3 WAV DMF MOD VOX ASF FLAC Tracklist 1-1 –Queen + Joe Elliott and Slash Tie Your Mother Down 1-2 –Queen + Roger Daltrey and Tony Iommi I Want It All 1-3 –Queen + Zucchero Las Palabras De Amor 1-4 –Queen + Gary Cherone and Tony Iommi Hammer To Fall 1-5 –Queen + James Hetfield and Tony Iommi Stone Cold Crazy 1-6 –Queen + Robert Plant Crazy Little Thing Called Love 1-7 –Brian May Too Much Love Will Kill You 1-8 –Queen + Paul Young Radio Ga Ga 1-9 –Queen + Seal Who Wants To Live Forever 1-10 –Queen + Lisa Stansfield I Want To Break Free 1-11 –Queen + David Bowie and Annie Lennox Under Pressure 1-12 –Queen + Ian Hunter, David Bowie and Mick Ronson All The Young Dudes 1-13 –Queen + George Michael '39 1-14 –Queen + George Michael and Lisa Stansfield These Are The Days Of Our Lives 1-15 –Queen + George Michael Somebody To Love 1-16 –Queen + Elton John and Axl Rose Bohemian Rhapsody 1-17 –Queen + Elton John and Tony Iommi The Show Must Go On 1-18 –Queen + Axl Rose We Will Rock You 1-19 –Queen + Liza Minnelli and Various We Are The Champions 2-1 –No Artist Tv Documentary 2-2 –No Artist Freddie Mercury Inserts 2-3 –No Artist Photo Gallery Companies, etc. -
By Kimmo Pohjonen and ”Konela” by Samuli Kosminen & Jukka Perko
Motor+Music+Festival+August+16-17_INFO+RELEASE-2.rtf 11.4.2008 11.24 MOTOR MUSIC FESTIVAL August 16-17, 2008, in Rämsöö, Finland Featuring ”Stationary Engine Symphony” by Kimmo Pohjonen and ”Konela” by Samuli Kosminen & Jukka Perko A unique music event featuring two commissioned works from some of Europe’s most inventive and critically acclaimed artists, in collaboration with ancient stationary engines, agricultural machinery and metal-workshop tools, performed in the splendid setting of an outdoor summer theatre and in a machine workshop in the idyllic Finnish village of Rämsöö. “Nothing can quite prepare you for Finnish accordionist Kimmo Pohjonen” The Wire “The saxophonist Jukka Perko is a brilliant performer; as an instrumentalist he is sensitive to his collaborators and able to unfold an immense repertoire with the improviser’s superb understanding, feeling and ability to adapt.” Aftenposten "By putting a finger on a computer key, Mr. Kosminen, elsewhere a deft percussionist, could rattle the Harvey Theater with sound." New York Times - ”The tremendously inspiring rhythms and soundscape from the machines gets a hefty extra kick from the fact that, during the performances, the machines are operated by true professionals who know the extended capabilities of these machines. This is a truly mouth-watering setting for an improviser!” Jukka Perko - ”The milieu in Rämsöö fine-tuned by the presence of the local people and the stationary engines is without doubt one of the most wonderful performance settings in Finland, if not the world. Even my most humble self gets a bit boisterous when the old lady turns the mangle and the stationary engines sing along with my accordion.” Kimmo Pohjonen - "Both the historical stationary engines and the more recent machines in the metal workshop are like gigantic mechanical rhythm generators.