One Main Place Landmark Nomination Form
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Pritzker Architecture Prize Laureate
For publication on or after Monday, March 29, 2010 Media Kit announcing the 2010 PritzKer architecture Prize Laureate This media kit consists of two booklets: one with text providing details of the laureate announcement, and a second booklet of photographs that are linked to downloadable high resolution images that may be used for printing in connection with the announcement of the Pritzker Architecture Prize. The photos of the Laureates and their works provided do not rep- resent a complete catalogue of their work, but rather a small sampling. Contents Previous Laureates of the Pritzker Prize ....................................................2 Media Release Announcing the 2010 Laureate ......................................3-5 Citation from Pritzker Jury ........................................................................6 Members of the Pritzker Jury ....................................................................7 About the Works of SANAA ...............................................................8-10 Fact Summary .....................................................................................11-17 About the Pritzker Medal ........................................................................18 2010 Ceremony Venue ......................................................................19-21 History of the Pritzker Prize ...............................................................22-24 Media contact The Hyatt Foundation phone: 310-273-8696 or Media Information Office 310-278-7372 Attn: Keith H. Walker fax: 310-273-6134 8802 Ashcroft Avenue e-mail: [email protected] Los Angeles, CA 90048-2402 http:/www.pritzkerprize.com 1 P r e v i o u s L a u r e a t e s 1979 1995 Philip Johnson of the United States of America Tadao Ando of Japan presented at Dumbarton Oaks, Washington, D.C. presented at the Grand Trianon and the Palace of Versailles, France 1996 1980 Luis Barragán of Mexico Rafael Moneo of Spain presented at the construction site of The Getty Center, presented at Dumbarton Oaks, Washington, D.C. -
Pritzker Prize to Doshi, Designer for Humanity in Search of a Win-Win
03.19.18 GIVING VOICE TO THOSE WHO CREATE WORKPLACE DESIGN & FURNISHINGS Pritzker Prize to Doshi, Designer for Humanity The 2018 Pritzker Prize, universally considered the highest honor for an architect, will be conferred this year on the 90-year- old Balkrishna Doshi, the first Indian so honored. The citation from the Pritzker jury recognizes his particular strengths by stating that he “has always created architecture that is serious, never flashy or a follower of trends.” The never-flashy-or-trendy message is another indication from these arbiters of design that our infatuation with exotic three-dimensional configurations initiated by Frank Gehry and Zaha Hadid – and emulated by numerous others – may have run its course. FULL STORY ON PAGE 3… In Search of a Win-Win: The Value Engineering Process When most design professionals hear the term value engineering, a dreaded sinking feeling deep in the pit of their stomach ensues. Both the design firm and the contractor are at a disadvantage in preserving the look and design intent of the project, keeping construction costs to a minimum, and delivering the entire package on time. officeinsight contributorPeter Carey searches for solutions that make it all possible. FULL STORY ON PAGE 14… Concurrents – Environmental Psychology: Swedish Death Cleaning First, Chunking Second Swedish death cleaning has replaced hygge as the hottest Scandinavian life management tool in the U.S. Margareta CITED: Magnussen’s system for de-cluttering, detailed in her book, The “OUR FATE ONLY SEEMS Gentle Art of Swedish Death Cleaning: How to Make Your Loved HORRIBLE WHEN WE PLACE Ines’ Lives Easier and Your Own Life More Pleasant, is a little IT IN CONTRAST WITH more straightforward than Marie Kondo’s more sentimental tact, SOMETHING THAT WOULD SEEM PREFERABLE.” described in The Life-Changing Magic of Tidying Up. -
6 PREMIOS PRITZKER 1988 Los Premios Pritzker Han
6 por la fami lia Pritzker, con la intención de ALEJANDRO DE LA SOTA Y ALVARO SIZA, recompensar una labor creativa, no reconocida MEDALLAS DE ORO DE LA ARQUITEC por los premios Nobel. TURA 1988 Los galardonados en anteriores ediciones han sido: Philip Johnson (1979), Luis Barragán En la Real Academia de Bellas Artes de San (1980), James Stirling (1981 ), Kevin Roche Fernando de Madrid, tuvo lugar la entrega de (1982), leoh Ming Peí (1983), Richard Meier las Medallas de Oro de la Arquitectura, conce (1984), Hans Hol lein (1985), Gottfri ed Boehm didas por el Consejo Superior de Colegios de (1986) y Kenzo Tange en 1987. Arquitectos de España. Los premios de este año serán presentados En esta ocasión , las medallas fueron conce el 23 de mayo en el Instituto de Arte de Chi didas a Alejandro de la Sota y a Alvaro Siza cago, lllinois. Vieira. El acto fue presidido por el Ministro de Obras Públicas y Urbanismo, Sáenz de Cosculluela, a PRIMER PREMIO EUROPEO DE ARQUI quien acompañaban el Presidente de la Aca TECTURA MIES VAN DER ROHE demia, Federico Sopeña, del Consejo Superior de Colegios de Arquitectos de España, Rafael El pasado mes de Diciembre, fue hecho de la Hoz, el Embajador de Portugal en España, público, por el Ayuntamiento de Barcelona y la Paulouro Neves y numerosas personalidades. PREMIOS PRITZKER 1988 Comisión de Cultura de la Comunidad Europea, Alejandro de la Sota viene a sumar este el nombre del ganador del primer Premio Euro galardón a otros ya recibidos, como son el Pre Los Premios Pritzker han conmemorado su peo de Arquitectura Mies van der Rohe, que mio Nacional de Arquitectura, Premio Nacional décimo aniversario concediendo dos galardo recayó en el arquitecto portugués Alvaro Siza de Artes Plásticas, Medalla de Oro al mérito en nes en su convocatoria de 1988. -
DALLAS + ARCHITECTURE + CULTURE Winter 2018 Vol. 35 No. 1
DALLAS + ARCHITECTURE + CULTURE Winter 2018 Vol. 35 No. 1 strip COLUMNS // aiadallas.org 1 ARCHITECTURAL LIGHTING IS COMPLICATED NOW. Our professional lighting consultants know the latest in lighting and can make it simple for you. P LIGHTS R FANTASTIC O P LIGHTS R FANTASTIC O LIGHTSFANTASTICPRO.COM P 2525 E. STATE HWY. 121LIGHTS • BLDG. B, SUITE 200 • LEWISVILLE,R TX 75056 • 469.568.1111 FANTASTIC O 2 COLUMNS // aiadallas.org P LIGHTS R FANTASTIC O AIA Dallas Columns Winter 2018 + Vol. 35, No. 1 strip “Doing more with less” seems to be a mantra for the 21st Century. Design work, however, doesn’t need to be either prudish or garish to be smart. Are we slowly stripping away history, meaning, and character in our community? STRIP EXPLORATION 14 The Evolution of Place What does “character” refer to when describing Dallas architecture? 18 Fixing “Strip-urbia” Are the commercial byproducts of sprawl outdated? 22 At Our Wit’s End Can a sense of humor in strip malls be the recipe for success? 28 A Strip of Pavement that Changed Texas Forever How did our nation’s first highway system transform the Dallas–Fort Worth metroplex? 33 The Politics of Stripping Should public art be stripped of its historic and political meaning? Cover Illustration: Frances Yllana COLUMNS // aiadallas.org 1 Prairie View A&M University Agriculture & Business Multipurpose Building architect Overland Partners, San Antonio general contractor Linbeck, Houston Building Connections In Brick masonry contractor Camarata Masonry Systems, Houston At Prairie View A&M University’s historical gathering “We worked with Prairie View place, a clock tower now marks a center of academic A&M to design a central campus as well as social convergence. -
Oral History of Edward Charles Bassett
ORAL HISTORY OF EDWARD CHARLES BASSETT Interviewed by Betty J. Blum Compiled under the auspices of the Chicago Architects Oral History Project The Ernest R. Graham Study Center for Architectural Drawings Department of Architecture The Art Institute of Chicago Copyright © 1992 Revised Edition Copyright © 2006 The Art Institute of Chicago This manuscript is hereby made available to the public for research purposes only. All literary rights in the manuscript, including the right to publication, are reserved to the Ryerson and Burnham Libraries of The Art Institute of Chicago. No part of this manuscript may be quoted for publication without the written permission of The Art Institute of Chicago. ii TABLE OF CONTENTS Preface iv Preface to Revised Edition v Outline of Topics vi Oral History 1 Selected References 149 Curriculum Vitae 150 Index of Names and Buildings 151 iii PREFACE On January 30, 31, and February 1, 1989, I met with Edward Charles Bassett in his home in Mill Valley, California, to record his memoirs. Retired now, "Chuck" has been the head of design of Skidmore, Owings and Merrill's San Francisco office from 1955-1981. Those twenty-six years were a time of unprecedented growth and change to which Chuck not only bore witness but helped shape. Chuck Bassett was one of the SOM triumvirate of the postwar years: he was the West Coast counterpart of Gordon Bunshaft in New York and William Hartmann in Chicago. In 1988 the California Council of the American Institute of Architects awarded SOM, San Francisco, a 42-year award for "...the genuine commitment that the firm has had to its city, to the profession and to both art and the business of architecture." Although Chuck prefers to be known as a team player, his personal contribution to this achievement is unmistakable in the context of urban San Francisco since 1955. -
The Louis I. Kahn Collection
Solomon’s Success: Trenton Bath House to be Saved On Friday, August 11th at 2:54 PM EST, news flashed across the internet and around the world that the Bath House and Day Camp pavilions designed by Louis Kahn in the mid 1950s for the Jewish Community Center (JCC) in Ewing, New Jersey, would be preserved. The message was sent from architectural historian, DOCOMOMO US member, and Kahn scholar Susan Solomon. She is the leader of a ten-year struggle to preserve Kahn’s work in Ewing and literally wrote the book on Kahn and the Bath House (Louis I. Kahn’s Trenton Jewish Community Center, Princeton Architectural Press, 2000). Design of the JCC was the first major project of Kahn’s private practice. He acknowledged this work as inspiring a fundamental and profound shift in his architectural thinking. Kahn “discovered himself” after designing this project, considering the Trenton Bath House as his first opportunity to work out the concept of served and serving spaces. The archi- tectural fundamentals he discovered is Exterior, Trenton Bath House, recognizable in every building he designed subsequently. Trenton, NJ Kahn’s Bath House and pool (1955) and four Day Camp pavilions (photo: Susan Solomon) (1957) have been listed on the National Register of Historic Places and protected by a Ewing preservation ordinance since 1984. Due to extensive deterioration of the Day Camp pavilions, the JCC sought approval for the demolition of two of the four pavilions in 1966 but withdrew the request when the preservation community strongly objected. Although the Day Camp pavilions were not demolished, wooden barricades and wire fencing were erected to prevent access; deterioration accelerated. -
5. the Nine-Square Diagram and Its Contradictions Robert Venturi, Vanna Venturi House, 1959-64
Lecture 6: Robert Venturi, Vanna Venturi House, 1959-64 5. The Nine-Square Diagram and its Contradictions Robert Venturi, Vanna Venturi House, 1959-64 S. Hambright Drawing Canonical Ideas in Architecture UofA Lecture 6: Robert Venturi, Vanna Venturi House, 1959-64 1968 “…it is clear that the period around 1968 represents a generational if not a paradigm shift. These books begin to question the internal conditions of the discipline of architecture, particularly in America, which had, until 1968, been a relatively nontheoretical and professional one, focused primarily on the pragmatics of the architectural practice.“ S. Hambright Drawing Canonical Ideas in Architecture UofA Lecture 6: Robert Venturi, Vanna Venturi House, 1959-64 “…questioned architecture’s capacity for social reform, a thematic of mainstream modern architecture.” “Le Corbusier had stated that the plan is the generator…then these texts initiated a profound critique of the part-to-whole relationship.” “…these books were didactic in their reevaluation of modernist principles.” “No longer was the ethos of CIAM (which held that modern architecture was a vehicle toward a better society), nor its rebirth later in Team Ten, thought to have much currency.” Didactic: designed or intended to teach CIAM – Congres International d’Architecture Moderne (International Congress of Modern Architecture – One of many 20th Century manifestos meant to advance the cause of ‘architecture as a social art’ - Organized by Corbusier and Sigfried Giedion S. Hambright Drawing Canonical Ideas in Architecture UofA Lecture 6: Robert Venturi, Vanna Venturi House, 1959-64 Le Corbusier, Plan Voison, Paris, 1925 “…questioned architecture’s capacity for social reform, a thematic of mainstream modern architecture.” S. -
Newsletter the Society of Architectural Historians
VOL. XXXIII NO. 2 APRIL 1989 liTJ(JTAS RRmrrns UEDU51BS - NEWSLETTER THE SOCIETY OF ARCHITECTURAL HISTORIANS SAH NOTICES the National Council on Public History Special Announcement in cooperation with the Society for 1990 Annual Meeting-Boston, Industrial Archeology, June 23 -30, 1989, Massachusetts (March 28-April 1 ). At the Annual Meeting in Montreal this month, the SAH will Loyola University, Chicago, Illinois. Elisabeth Blair MacDougall, Harvard Industrial history has become an in University (retired), will be general chair kick off its 50th Anniversary Fund Raising Campaign. The Board of creasingly important concern for cultural of the meeting. Keith Morgan, Boston resource professionals. Thirty-eight na University, will serve as local chairman. Directors has approved as a con cept and slogan for this campaign, tional parks and numerous state facilities Headquarters for the meeting will be the are already involved in interpreting tech Park Plaza Hotel. A Call for Papers for "$50 FOR THE 50th." It is our goal that every member (Active catego nological and industrial history to the the Boston meeting appears as a four public. In the wake of Lowell National page insert in this issue. Those who wish ry and higher) contribute at least $50 to one of the campaign pro Historical Park, industrial heritage initia to submit papers for the Boston meeting tives all across the country are being are urged to do so promptly, and in any grams to be announced at the Annual Meeting in Montreal. All linked to economic development and case before the deadline of August 31, tourism projects. The assessment, inter 1989. -
AC Nov2012.Indd
Arts Council of Greater New Haven www.newhavenarts.org november 2012 Arts Council of Greater New Haven newhavenarts.org The Arts Council is pleased to recognize The Arts Paper. the generous contributions of our business, In this Issue November 2012 corporate and institutional members. Executive Patrons Business Members 3 Artists Next Door The Arts Paper is published by the Arts Council of The United Illuminating Beers, Hamerman & Company 7 Yale Art Gallery completes project Greater New Haven, and is available by direct mail through Company/Southern P.C. membership with the Arts Council. Connecticut Gas Cheney & Company 9 November calendar For membership information call 203-772-2788. Yale University Duble & O’Hearn, Inc. 10 New Haven Architecture Giampietro Gallery Senior Partners 18 Bulletin Board To advertise in The Arts Paper, call Bobbi Griffi th Griswold Special Care First Niagara Bank at the Arts Council. 19 Member Organizations Knights of Columbus Thank you, also, to 20 Arts Council Programs Arts Council of Greater New Haven L. Suzio York Hill Companies our foundations and 70 Audubon Street, 2nd Floor Odonnell Company government agencies. Webster Bank New Haven, CT 06510 The Community Foundation Phone: 203-772-2788 Corporate Members for Greater New Haven Fax: 203-772-2262 Anthem Blue Cross and Blue Connecticut Arts Endowment Shield Email address: [email protected] Fund Firehouse 12 On the web: www.newhavenarts.org DECD/CT Offi ce of the Arts Fusco Management Company Emily Hall Tremaine The Lighting Quotient Foundation STAFF Director of Development People’s United Bank The Ethel & Abe Lapides & Marketing Executive Director Wiggin and Dana Foundation Julie Trachtenberg Cynthia Clair Yale-New Haven Hospital The George A. -
Dallas-Fort Worth Guide
FACULTY: SEDEF DOGANER, PhD STUDENTS: MICHAEL BRADEN MICHAEL LOCKWOOD LEVI SANCIUC hE/sZ^/dzK&dy^^EEdKE/K COLLEGE OF ARCHITECTURE ARCHITOURISM CONTENTS CHAPTER 1 p. 04 /ŶƚƌŽĚƵĐƟŽŶ CHAPTER 2 p. 11 The Architourist City: Dallas / Ft. Worth History 2.1.1 Importance 2.1.2 DFW Economy Related to Tourism 2.1.3 &t^ƚĂƟƐƟĐƐZĞůĂƚĞĚƚŽdŽƵƌŝƐŵϮ͘ϭ͘ϰ dƌĂŶƐĨŽƌŵĂƟŽŶŽĨ^ŝƚĞƐZĞůĂƚĞĚƚŽdŽƵƌŝƐŵϮ͘ϭ͘ϱ DFW Current Problems 2.1.6 The Architourist 2.2.1 Importance of Architourism 2.2.2 DFW Economy 2.2.3 &t^ƚĂƟƐƟĐƐZĞůĂƚĞĚƚŽdŽƵƌŝƐŵϮ͘Ϯ͘ϰ &tdŽƵƌŝƐƚWƌŽĮůĞƐϮ͘Ϯ͘ϱ &tƌĐŚŝƚŽƵƌŝƐƚ^ŝƚĞϮ͘Ϯ͘ϲ CHAPTER 3 p. 27 Analysis of Tourism in DFW CHAPTER 4 p. 87 Architourist Guide to DFW ARCHITOURISM CHAPTER 1 IntroducƟ on Introduc on: The focus of this analysis is to look at the eff ects of Architourism in the Dallas/Ft Worth area. What kind of culture if any has been created by Architourism and is it authen c or inauthen c. What kinds of developments have occurred there recently and what has this done to boost or change the local community. In the 2010 census the city of Dallas saw less than a one percent increase in its total popula on while Ft Worth increased by more than 38%. Did Architourism play a role in this? If so, what? Our analysis will begin with researching the demographics of the local users and types of tourists, their income level, race, educa on and loca on of residency. We will also include looking into the histories of selected sites with respect to their economies, culture, tourist ac vi es, and rela onship to the built environment. -
Public Masterworks the Standard Oil Commission
Public Masterworks The Standard Oil Commission Working with the greatest architects of the 20th century, such early large-scale forms were Multi-Plane screens, by the 1960s he feet in height. Architectural in size and energized by sunlight and as Eero Saarinen, Gordon Bunshaft, I.M. Pei, Minoru Yamasaki was exploring other ideas for public sculpture which paralleled the the open air, the alternately arranged slender rods whispered tonal and Edward Durell Stone, Harry Bertoia created more than fifty techniques of his smaller scaled works. Significant projects such melodies while veiling and diffusing the view of the building and sur- large-scale sculptures in prominent public spaces located in cit- as his Dandelion fountain for the Joslyn Art Museum in Omaha, rounding landscape—the overall experience is both mesmerizing ies throughout the United States and around the world (Norway, Nebraska (Stone 1963), a molten bronze mural for the Dulles Inter- and stimulating. Venezuela). Like his private works, Bertoia’s commissioned sculp- national Airport in Chantilly, Virginia (Saarinen 1963) and a Welded tures are aesthetic objects that explore natural phenomena such Form fountain for the Civic Center in Philadelphia, Pennsylvania No other works in Bertoia’s extensive oeuvre match the impres- as light, motion and sound. Much larger in scale, these works func- (Stone 1967) illustrate the depth and variety of Bertoia’s unique sive scale of the Sonambients for the Standard Oil Commission. Sonambients at this scale have a visceral effect, multiplying and tion within the broader constraints of architecture, transforming artistic vision. A select bibliography for Bertoia’s Standard Oil Commission and interacting within the spaces in which they reside. -
A Sports Center for Dallas Design Program
A Sports Center for Dallas Design Program Presented to Texas Tech University Lubbock, Texas In Fulifillment of the Requirements: For Architecture 422 By Henry D'Elena December 9,1975 TABLE OF CONTENTS PAGE A. Concepts/Nature of Project 1. Concepts 1 2. Nature of Project 1 3. Client/Finance 3 4. Downtown Da lias 3 5. Sports & Culture 10 B. Site Analysis 1. Criteria for Site Selection 24 2. Topography 24 3. Climatology 27 4. Geology and Soils 27 5. Hydrology 30 6. Ecology 30 7. * Existing Landscape 30 8. Utilities 30 9. Sun Angles, Surrounding Buildings 36 10. Easements 36 11. Zoning and Ordinances 36 C. Site Circulation and Transportation Systems 1. Bus Tra ns it 41 2. Regional Rail System 42 3. Local Rail Transit 49 I. PAGE 4. Pedestrian Facilities Network 53 5. Road and Parking Network 56 D. Building Code Analysis 1. Building Code 63 2. General 63 3. Exits 64 4. Doors 6i 5. Exit Corridors 65 6. Stairs 65 7. Ramps 66 8. Exit Enclosures 66 9. Exit Signs and Illumination 66 10. Aisles 67 11. Seats 67 12. Lighting and Ventilation 67 E. Activity Relationships/Functions 1. Concession Areas and Restroom Facilities .. 68 2. The Seating 68 3. The Floor 70 4. Ticket Booths and Offices 70 5. Administrative Offices 74 6. Public/Private Club 74 7. Control Room 77 8. Locker Facilities 77 PAGE 9. Press Facilities 78 10. Receiving and Storage Areas 78 11. Employee Lockers Mechanical and Janitorial Facilities 79 12. Graphics 79 13. Handicapped Facilities 79 14. Maintenance Considerations 80 F.