Introduction the Following Article Presents One of the Threads Which

Total Page:16

File Type:pdf, Size:1020Kb

Introduction the Following Article Presents One of the Threads Which SPATIAL LAYOUT AND ARCHITECTURE OF INTER-WAR VILLAS OF THE FORMER POGORZEL MANOR, NOW PART OF THE TOWN OF OTWOCK ANNA DYMEK EWA POP AWSKA-BUKA O Introduction The parcel plan of the Pogorzel manor The following article presents one of the threads Important period of building development in the which were undertaken along years of research town and health-resort was enlargement of the Ot- about Otwock’s spatial development and buildings wock’s boundaries in the 1932, which included es- by its authors. 1 It considers couple of forgotten villas tates belonged to different rural districts: Wi =zowna, from inter-war period which these days are located Glinianka and Karczew. In those territory were ad- in South-West part of Otwock placed on the territory joined inter alia The Of [ cial’s Housing Estate “So- of the Pogorzel manor, which are incorrectly called plicowo” (created between 1921-1922 on estate of “Soplicowo” (il.1) 2. They were presented on the his- Wawrzy Lców Glinianka, district Glinianka and torical spatial layout, incorporated into the boundar- neighboyring parts of parcelled lots of the Anielin ies of the town of Otwock in 1932, kept in geodetic and Pogorzel manors, district Karczew. Planning division of this grounds. The point of reference to and existing boundaries of the town of Otwock at the research were archival materials assembled in that time was shown on General map of the Town the Otwock Division of The State Archive of the of Otwock situated in Warsaw district and voivode- Capital City of Warsaw, The Central Archives of ship with marked lands which were planned to in- Modern Records in Warsaw and the Land and Mort- corporate into its boundaries 3. drawn in January in gage Register Department of the Regional Court 1929 by certi [ ed surveyor eng. Marceli Je bowski. of Otwock. Those [ les let look at preserved villas On this plan were put lines which are dividing par- among pine wood as extraordinary original buildings ticular parts of craved up estates with given surface with surprising architectural style, interior decor and area and drawn out sanitary protection zone of the reference to capital’s villas.Unfortunately, periph- health resort( il.2) 4. Description of the boundaries eral location and former lack of recognition of their together with register of new lands was placed in architectonic and landscape values have led to sub- “05.09.1932 in Ministers Council Regulation about stantial transformations and therefore degradation or Otwock’s boundaries change in district and voivode- - in radical situations- complete dismantling of the ship of Warsaw” 5. buildings.Article hereby continues previous research The Pogorzel manor was owned by count inspired by Professor Jadwiga Roguska. The authors Wadys aw Jezierski. According to foregoing Plan are grateful to Professor Joseph Rykwert, without his 97 ha 5529 square meters of forest lands were ex- kindness and unpublished reminiscences about his cluded from this territory. Unfortunately there is no family house and autobiography this piece wouldn’t saved the plan of parcelling out Pogorzel’s grounds have been written. in the property’s Registration 6. The author and the 1 E. Pop awska-Buka o, Abram Gurewicz’s Spa in Otwock 3 The Central Archives of Modern Records in Warsaw (ANN) w: „Mazovia”, 1994, nr 2, p. 39-42, B. Chmielarska- oV, Records Ministry of Interior (MSW), folder The widing the town E. Pop awska-Buka o, Unknown Buildings of Modern Otwock’s borders, syg.9.This Plan is preserved to in the Otwock Architekture of the 1920s and 1930s in Uródborów ,“Architectural Division of The State Archive of the Capital City of Warsaw and Town Planning Quarterly”, t. LVI, 2011, z. 1, p. 82-102. (APW Otwock Division), Records of the town of Otwock(AmO), 2 In the literature and the titles archival Design of buildings on sig.4386. this territory often is used incorrect locations’ name. One part of 4 The Report on 29.07.1923th, of Komision of Spa. objects is called “Osada Soplicowo”, another “ Uródborów” or 5 Journal of Laws of the Republic of Poland nr 79, on 24.09.1932 “Anielin” it depend on the neighbourhood of property. Historic th, poz.701. area of the housing estate Soplicowo was bordered on former 6 The Land and Mortgage Register Department of the Regional manor of Pogorzel in the West, it was sorounded by Streets: Armii Court of Otwock. Land Registry”Folwark Pogorzel”, t.1-4, sig. Krajowej, Narutowicza, Poniatowskiego i Skrzyneckiego. 130,131. 77 date of its creation remains unknown as well. Like- The Rykwerts’ villa “Arcy” designed by Lucjan lihood we can assume that the plan was made be- Korngold tween 1931-1935 7. Its redrawn fragments appeared in subsequent indicative sketches concocted by in- In 1935 Mrs. Eli bbieta Rykwert and Mr. Szymon corporate surveyor W adys aw Bem between years Rykwert 9 bought the biggest parcel of land of the 1933-1935 8 and placed in plans of separation sev- former Pogorzel manor (surface area 4,7 ha). This eral lots. They present road system, numeration of corner parcel included nine plots and was located contiguous lots and planned function of the terrain. on con \ uence of Hrabiego and My Vliwska Streets On their bases we can say that parcells had varied (todays it’s address is 2 My Vliwska Street). It was creage from 4000 to 6000 square meters.Borders of extending along borders of adjoining part of land of parcelling out lands of Pogorzel manor incorporated Anielin manor (called The Soplicowo Settelment). it the town of Otwock area were running through Maybe it was the size of the real estate located on a today’s Skrzyneckiego Street (from the North side) small hill and its domination in the area inspired the Hrabiego Street (from the South side) and in par- owners to call the “Arcy” Villa. The errand for the allel to Jastrz Bbia Street (from the East side) and project of the villa was given to Lucjan Korngold Bernardy Lska Street (from the West side – il.3). well-respected architect from Warsaw. Together Settlement of the streets had a character of the for- with Piotr Maria Lubi Lski or Henryk Blum 10 he de- est roads. Up to present the least clear is the western signed many residential houses: villas and apartment border, running parallel to Bernardy Lska Street (the houses. last street of the former Anielin manor) and east- To his achievements adhere projects of residential ern parallel to Jastrz Bbia Street. The axis of the old house on 10 Koszykowa Street, 12 Marsza kowska parcel plan is Redutowa Street perpendicularly run- Street and the villa on 2 Fracuska Street as well as ning from Skrzyneckiego Street and dividing it on interior arrangement and furniture design. Accord- two parts. From the East side lots were parcelled out ing to information gained from the professor of ar- perpendicularly to Redutowa Street. From the West chitecture Joseph Rykwert 11 , Korngold designed side of the same street there is a cuneiform set of inter alia living and dining room in Rykwerts’ War- big irregular lots which were probably typed under saw \ at on 9 Kaliska Street. In the living room there public usage and park. Redutowa Street is perpen- were “ottoman and armchairs with beige upholstery dicularly crossed by four others My Vliwska, Lipowa. and rococo-chippendale wooden framing (more or Litewska, Bukowa Streets they don’t have continu- less)”[…], in the dining room were “table, chairs ation in neighbouring grounds of the Anielin manor. and glass cupboard all made of light yellow wood Between Hrabiego and Litewska Street is a group of (sycamore?) with black details […] rather neoclas- building plots and the land between Litewska and sical, ‘empire’ style” 12 . Professor mentions that it’s Bukowa Street includes local hill. thanks to Korngold- who was an often guest at his 7 The layout of parceling was showed on The programme’s 11 Joseph Rykwert was born in Warsaw 1926, son of Elisabeth sketch of the common building of Otwock by A. Paprocki, W. and Simon Rykwert. In 1939 Rykwerts’family emigrated from Brzozowski, on 14.12.1935 th. ( APW KII sig.201). Poland to England and lived in London. Joseph Rykwert is 8 The Plans preserved in Register of Pogorzel property, t. IV, Paul Philippe Cret Professor of Architecture Emeritus at the Department of the Regional Court of Otwock. University of Pensilvania. He has lectured or taught at the 9 Simon M. Rykwert was born in Warsaw in 1895, he was most major schools of architecture throughout the word and an engineer of electro-mechanic. His project the electro- has held visiting appointments at Princeton, the Cooper Union, locomotive’s brake was patent (PKP) in 1932, http:pubserv. New York, Harvard Graduate School of Design, the University uprp.pl of Sydney, Louvain, the Institut d’Urbanisme[…]. His major 10 The Works of L.Korngold is broadly described in doctoral publications include: The DancingColumn (1996), The Seduction dissertation of dr in b. arch. G.Rytel Polish Architects of XX of Place (2000), The Judicious Eye (2008). century.Lucjan Korngold 1897-1963 ,Faculty of Architecture Information by Sketches and eseys for twenty Years of ICC Warsaw University of Technology, Warsaw 2008 and his article 50/20 , Kraków 2011, p. 220. Creative continuation-the rules of polish school of architecture 12 According to prof. J.Rykwert’s correspondence. in works of polish architects -immigrants in Brasil, during 13 The State Archive of the Capital City of Warsaw, the two post-war decade , Bia ystok 2011, p.151-173. Secondarily Otwock Division ( APW Division Otwock) Archival Records attention diserves Anat Falbel’s doctoral dissertation Lucjan Korngold: the trajectory of an immigrant architect Sao Paulo 2003.
Recommended publications
  • Warsaw Wanderings
    Warsaw Wanderings • WARSAW THEATRES FROM STUDIOS TO PALACES BY GLENN LONEY From 27 September to 1October1989, the series of operas which were regarded as a Polish branch ofOISTAT, the Interna­ testament to Polish patriotism and culture tional Organisation of Scenographers, during a period of subjugation. During Theatre Architects and Technicians, will the beginning of the 20th century, this host the 1989 OISTAT Congress in Warsaw stage boasted such names as Warsaw. The theme of this congress is singers Jan Kiepura and Enrico Caruso. "The Preservation of the Arts and Crafts During the siege of Warsaw in 1939 of the Theatre." Among the activities of the building was severely damaged and the colloquium will be exhibitions and was completely destroyed during the demonstrations of specialists in various Warsaw uprising. The classical fac;:ade theatrical arts and crafts - costume alone survived. After the liberation, the makers, tailors; shoemakers, scenic artists, government of the People's Republic of prop makers, armourers, and milliners. Poland began rebuilding the Wielki. The The five-day conference will include a first stage of the reconstruction was series of visits to Warsaw theatres. With completed in 1949, and comprised the this in mind, Cue International presents a rebuilding of the Right Wing. tour of the theatres of Warsaw. -Editor During the remaining 16 years of re­ construction, every attempt was made by n a country where recent political architect Bohdan Pniewski and technical [1] events read like grand drama - with designer Arnold Szyfman to make the the daring challenge of the worker's Wielki the most advanced theatre of its rebellion in 1980, the imposition of martial time for its reopening in 1965.
    [Show full text]
  • Gdynia, a Polish Modern Movement City Built from Scratch Architecture
    Gdynia, a Polish modern movement city built from scratch Gabriela Kaja Kuleczko Thesis to obtain the Master of Science Degree in Architecture Supervisor Prof. Ana Cristina Dos Santos Tostões Examination Committee Chairperson: Prof. João Rosa Vieira Caldas Supervisor: Prof. Ana Cristina Dos Santos Tostões Member of the Committee: Prof. Francisco Manuel Caldeira Pinto Teixeira Bastos October 2019 ii I declare that this document is an original work of my own authorship and that it fulfills all the requirements of the Code of Conduct and Good Practices of the Universidade de Lisboa. iii iv Acknowledgments The work developed in this thesis could not have been achieved without the support of many people to whom I want to acknowledge and express my gratitude. Firstly, I would like to thank my supervisor, Prof. Ana Cristina Dos Santos Tostões , for proposing such a challenging topic and for introducing me to the study of modern movement in Poland. I would also like to thank her for enriching conversations and for her help, patience and guidance throughout this work. A special thanks go to the employees of the Gdynia City Museum, who provided me with the archives of the museum, which are an essential element needed to create this thesis, and shared their knowledge, giving me valuable tips. Last but not least, I wish to deeply thank my parents for the support and encouragement they have provided throughout the process of researching and writing this thesis. v vi Abstract Gdynia, a Polish city, founded in the 1920s, was designed from scratch in accordance with the modernist trends prevailing at that time.
    [Show full text]
  • Katarzyna Uchowicz, Reading Muranów. Memory of a Place
    RIHA Journal 0108 | 31 December 2014 | Special Issue "Contemporary art and memory" Reading Muranów. Memory of a place / memory of an architect Commentary on the postwar work of Bohdan Lachert Katarzyna Uchowicz Editing and peer review managed by: Katarzyna Jagodzińska, Międzynarodowe Centrum Kultury, Kraków / International Cultural Centre, Krakow Reviewers: Marta Leśniakowska, Joanna Sosnowska Wersja polska dostępna pod adresem / Polish version available at: http://www.riha-journal.org/articles/2014/2014-oct-dec/special-issue-contemporary-art-and-memory- part-1/uchowicz-muranow-pl (RIHA Journal 0107) Abstract The text concentrates on the concept of South Muranów – a residential quarter / monument realised in the area of the Warsaw ghetto by the architect Bohdan Lachert. It attempts to show this work as an artistic myth created by the artist. An analysis of the architect's texts and a reconstruction of the circumstances in which the project was realised, as well as the details of Lachert's biography reveal new layers of this architectonic palimpsest. Clear references to the bold visions of Śródmieście (City Centre) by Maciej Nowicki and an adaptation for the purposes of residential quarter / place of memory experiments at transforming rubble, popular in the 1940s, provoke questions about the originality of the concept of Muranów, whose unquestionable value is the spatial composition stemming from pioneering experiments by Katarzyna Kobro, organic architecture of Frank Lloyd Wright, and Nowicki'c new functionalism. The history of the quarter is at the same time a microcosm of the initial years of rebuilding Warsaw and of the socialist realist chaos after 1949, as well as a record of the search for artistic subjectivity of a Modernist architect in a new reality.
    [Show full text]
  • Z Zagadnień Koincydencji Art Déco I Ekspresjonizmu on the Issue of Coincidence of Art Déco and Expressionism
    NAUKA SCIENCE Zdzisława Tołłoczko Z zagadnień koincydencji Art Déco i ekspresjonizmu Część II On the issue of coincidence of Art Déco and expressionism Part II Głównym animatorem architektury ‘Czerwonego The main animator of the architecture of ‘Red Vien- Wiednia’ był architekt Karl Ehn, który zgromadził wokół na’ was Karl Ehn, an architect who assembled a team of siebie zespół doskonałych architektów, a nawet zaprosił excellent architects and even invited to cooperate the do współpracy politycznie indyferentnego skądinąd Pete- politically indifferent Peter Behrens who designed Wi- ra Behrensa, który zaprojektował zbudowany między ro- narsky-Hof built between 1924 and 1926. The names of kiem 1924 a 1926 Winarsky-Hof. Nazwy poszczególnych particular residential areas were derived from the names osiedli poświęcone były nazwiskom wybitnych teorety- of eminent theoreticians of socialism, fallen heroes of ków socjalizmu, poległym bohaterom ruchu robotnicze- workers’ movement, as well as personages associated with go, a także postaciom kojarzonym z postępem, jak np. Je- progress e.g. George Washington. Designers were given rzy Waszyngton. Projektantom udzielono jednocześnie much freedom as far as façade modeling and object dec- sporej swobody w zakresie modelunku fasad i dekoracji oration were concerned. For example in the Karl Marx- obiektów. Przykładowo w ukończonym w 1927 roku Karl Hof, designed by Karl Ehn and completed in 1927, deep Marx-Hof, zaprojektowanym przez Karla Ehna, można risalits in the form of ziggurat can be observed from the zaobserwować od strony dziedzińca głębokie ryzality courtyard, while in Matteotti-Hof (architects: Schmid w formie zigguratów, zaś w Matteotti-Hof (arch. Schmid & Aichinger, 1925–1927) sharp, triangular finials, pro- & Aichinger, 1925–1927) w obramieniach portali trójkąt- filed and offset were set in portal frames.
    [Show full text]
  • Ikonotheka 2018/28
    IKONOTHEKA IKONO THEKA 28 28 2018 www.wuw.pl Ikonotheka 28 grzb 14.indd 3 13/06/19 13:20 IKONO THEKA 28 The Journal Founded by Jan białosTocki (1921–1988) EDITED BY Gabriela Świtek EDITORIAL BOARD Barbara Arciszewska (University of Warsaw), Sergiusz Michalski (Universität Tübingen) Andrzej Pieńkos (University of Warsaw), Antoni Ziemba (University of Warsaw) EdiTorial secreTary Dariusz Żyto PROOFREADING Steven Jones (English) Marek Gładysz (German) Institute of Art History of University of Warsaw 00-927 Warszawa, Krakowskie Przedmieście 26/28 phone: +48 (22) 552 04 06, fax: +48 (22) 552 04 07 e-mail: [email protected] www.ikonotheka.ihs.uw.edu.pl It is the authors’ responsibility to obtain appropriate permission for the reproduction of any copyrighted material, including images © Copyright by Wydawnictwa Uniwersytetu Warszawskiego, Warszawa 2018 Wydawnictwa Uniwersytetu Warszawskiego 00-497 Warszawa, ul. Nowy Świat 4 http://www.wuw.pl; e-mail: [email protected] Dział Handlowy WUW: phone: +48 22 55 31 333 e-mail: dz. [email protected] http://www.wuw.pl/ksiegarnia ISSN 0860-5769 e-ISSN 2657-6015 LAYOUT: Beata Stelęgowska IKONOTHEKA 28, 2018 Table of Contents arTicles ArTur kamczycki The Kabbalistic Alphabet of Libeskind: The Motif of Letter-shaped Windows in the Design of the Jewish Museum in Berlin / 7 Jan nowicki A Church for the Polish People: On the Contest for the Parochial Church in the Warsaw District of Praga / 41 agaTa wóJcik Edward Trojanowski: The Search for Style in Early 20th-century Furniture Design in Poland / 67 Jakub FreJTag Turning “Polish Boxes into German Houses”: On the Transformations of Architecture in Poland during the Second World War as Exemplified by the Changing Design of the Zajdensznir Tenement in Radom / 97 adam Przywara Rubble Warsaw, 1945–1946: Urban Landscaping and Architectural Remains / 121 marek czaPelski The Memory of Opulence and the Freedom of a Pauper: The Construction- material Discourse in the Polish Construction Industry in the Period of the Thaw / 139 woJciech m.
    [Show full text]
  • A Triumphant Gate of the Polish Narrative
    A Triumphant Gate of the Polish Narrative The Symbolic Reconstruction of the Bridge over Chłodna Street in Warsaw vis-à-vis the Crisis of the Dominant Polish Narrative of the Holocaust Elżbieta Janicka Abstract: The article is a study of the symbolic topography of Warsaw’s Chłodna Street. In 1940–1942, Chłodna Street was an “Aryan” border strip, dividing the small and large ghettos. For the past quarter-century, the symbo- lic dominance of this space has been made manifest by the subsequent commemorations of the ghetto’s wooden footbridge that existed here between January and August 1942. These commemorative artefacts evolved from a counter-commemoration (1996), into a commemoration through the use of painting (2007) and photography (2008), into a symbolic reconstruction of the bridge (2011). The analysis of this dynamic, from representation of an object to its materialization, is complemented by a reconstruction of the patterns and stakes of narratives that make up the subsequent layers of the Chłodna Street narrative palimpsest. An important context for the analysis, apart from the history of the site, is the fact that today, the means of control over the space of the for- mer Ghetto are in the exclusive possession of the non-Jewish majority. A turning point in the commemoration process was Roman Polański’s film The Pianist (2002). The bridge over Chłodna was reconstructed “one to one” – in Warsaw but outside the space of the former Warsaw ghetto. The film was shot in the midst of a nationwide debate taking place in Poland about Jan Tomasz Gross’ book Neighbors (2000).
    [Show full text]
  • Public Diplomacy 12 20Public Diplomacy 12
    MINISTRY OF FOREIGN AFFAIRS OF 20THE REPUBLIC OF POLAND PUBLIC DIPLOMACY 12 20PUBLIC DIPLOMACY 12 5 Letter from the Minister of Foreign Affairs 6 Public diplomacy Key instruments and activities of public diplomacy 11 12 Cultural diplomacy 15 Economic diplomacy 19 Language and education as tools of public diplomacy 21 Historical diplomacy 23 Polish-Jewish dialogue 27 Development cooperation 30 Joint measures with Polish diaspora in the area of public diplomacy 32 Cooperation with local government and Non-Governmental Organisations 41 Poland up close – study visits 43 Working with the media 46 New image of Polish diplomacy on the Internet Priorities for 2012 49 50 Poland for children’s rights – Janusz Korczak Year 55 Eastern Partnership 57 Support for democratic transition in North Africa and the Middle East 59 European Football Championship Euro 2012 62 Foreign Service Day Selected projects 67 Ladies and Gentlemen, The contemporary world poses new challenges for the Ministry of Foreign Affairs. It requires modern methods of communication and promotion. Public diplomacy, which helps create an atmosphere of understanding even where political interests are at odds, is growing in importance. Every measure in the field of public diplomacy is aimed at furthering the national interest. We reinforce the positive image of Poland by cooperating with global media, maintaining a presence on the Internet and in social media, as well as by undertaking activities in the area of economic diplomacy and deve- lopment assistance. We promote Polish culture in many different ways, using various means of communication. We share the Polish experience of democratic transition. We encourage others to respect civil rights, in particular children’s rights, as exemplified by our participation in the 2012 celebrations to mark the Janusz Korczak Year.
    [Show full text]
  • Ikonotheka 2016/26
    IKONO THEKA 26 IKONO THEKA 26 tyt_Ikonotheka_26.indd 1 18/05/17 10:41 THE JOURNAL FOUNDED BY JAN BIAŁOSTOCKI (1921–1988) EDITED BY Gabriela Świtek EDITORIAL BOARD Barbara Arciszewska (University of Warsaw), Sergiusz Michalski (Universität Tübingen), Andrzej Pieńkos (University of Warsaw), Antoni Ziemba (University of Warsaw) EDITORIAL SECRETARY Dariusz Żyto PROOFREADING Marta Turek et al. Institute of Art History of University of Warsaw 00-927 Warszawa, Krakowskie Przedmieście 26/28 phone: +48 (22) 55 20 406, fax: +48 (22) 55 20 407 e-mail: [email protected] www.ikonotheka.ihs.uw.edu.pl It is the authors’ responsibility to obtain appropriate permission for the reproduction of any copyrighted material, including images © Copyright by Wydawnictwa Uniwersytetu Warszawskiego, Warszawa 2016 Wydawnictwa Uniwersytetu Warszawskiego 00-497 Warszawa, ul. Nowy Świat 4 www.wuw.pl; e-mail: [email protected] Dział Handlowy WUW: phone: +48 (22) 55 31 333 e-mail: [email protected] ISSN 0860-5769 Layout: Dariusz Górski Table of Contents GABRIELA ŚWITEK Introduction / 5 KATARZYNA ADAMSKA An Apartment as a National Issue: On the Exhibitions of the Polish Applied Art Society at the Zachęta Gallery in 1902 and 1908 / 7 MAREK CZAPELSKI Towards Socialist Architecture: Architectural Exhibitions at the Zachęta in the Years 1950–1955 / 31 KAROLINA ZYCHOWICZ The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions
    [Show full text]
  • Acta 102-2 Próba.Indd
    SHORT NOTES GENERAL WORKS Beata Możejko and Anna Paner (eds.), Miłość w czasach dawnych [Love in Former Times], Gdańsk, 2009, Wydawnictwo Uniwer- sytetu Gdańskiego, 261 + 18 pp., 49 ills., one table The book contains the papers read at Gdańsk University in 2008 at a con- ference which dealt with miscellaneous subjects and various times from late antiquity to the early modern period. The two articles devoted to late antiquity discuss celestial love and how it was transferred into the realities of life on earth by John Chrysostom (Jan Iluk), as well as the accusations by lower-level priests that bishops had sexual contacts with prostitutes and that they used Church money to maintain mistresses (Ireneusz Milewski). The problem of love in the Middle Ages is treated in its several aspects: love literature in Scandinavia (‘The Viking Age’ by Jakub Morawiec), the troubadours’ poetry (Wojciech Iwańczak), as well as the relationship between politics and love in the monarchic marriages of both small, local Silesian and Pomeranian princes (Marek Smoliński, Błażej Śliwiński) and powerful rulers, like Charles IV of Luxembourg (Anna Paner) or Ladislas Jagiello (Jerzy Sperka, Bożena Czwojdrak). The role of love in marriage is also discussed by Sobiesław Szybkowski who analyzes the late medieval marriages of the knights’ elite in Kuyavia, and by Gabriela Majewska who writes about the Polish magnate Jan Tęczyński’s hopeless love for the Swedish princess Cecilia Vasa. This is a story which belongs already to the early modern period. Researchers into that period deal with such questions as the use of aphro- disiacs in Poland (Józef Włodarski) and the Gdańsk laws which stipulated that citizens awarded municipal rights should quickly get married (Edmund Kizik).
    [Show full text]
  • Poland — a Country of Folklore?
    Poland — a Country of Folklore? Poland — a Country of Folklore? edited by Joanna Kordjak Zachęta — National Gallery of Art, Warsaw 2016 Contents 5 Introduction 8 Poland — a Country of Folklore? Joanna Kordjak 16 Did Folklore Come to Downtown? On Folk Motifs in the People’s Republic of Poland Błażej Brzostek 28 The Peasant in the City David Crowley 36 Folklorism in Big City. On Several Exhibitions at the CBWA ‘Zachęta’ Piotr Korduba 46 Folk Culture Without Rusticity Antoni Beksiak 54 Lasting Images of Folk Things Ewa Klekot 66 ‘I Want to Go to the Country’ Monika Weychert Waluszko 72 ‘Others’ in the Canon of Modernity Gabriela Świtek 80 Folksy, Childish, Primitive, Modern. The Ceramics of Antoni Kenar Piotr Juszkiewicz 90 The Smolna Street Studio. Leon Kudła’s Travelling Wardrobe Joanna Kordjak Zespół pieśni i tańca przy spółdzielni Kamionka w Łysej Górze podczas tournée, Egipt, lata 60, fot. archiwum Bolesława Książka Po ska l Zachęta — Narodowa Galeria Sztuki pl. Małachowskiego 3, Warszawa --kraj zacheta.art.pl folkloru? wystawa czynna do 15 stycznia 2017 partnerzy wystawy patroni medialni graphic design: Błażej Pindor Introduction Poland — a Country of Folklore? is the latest in a series of Zachęta historical exhibitions that revisit, including from the perspective of visual culture, the early decades of living in post-war Poland. Art and history, culture and politics, sociology and anthropology mix here, forming a vivid, multi-threaded story about a longing for things familiar and native, for social advancement, but also about the repression from consciousness of certain phenomena and facts. It is also a story about the temptation to centrally foster a folk (i.e.
    [Show full text]
  • The Exhibition Title Eternity and a Moment Was In- Spired by a Speech
    Eternity and a Moment 1918–1939 — Architecture As a Tool in Constructing Polish National Identity The exhibition title Eternity and a Moment was in- sums up the ways in which the country — revived af- spired by a speech delivered by Lech Niemojewski ter 123 years of captivity — was represented by means (1894-1952), a distinguished Polish architect, exponent of modernist architecture. It is impossible to discuss of modernity and insightful researcher of the history Polish interwar architectural design without its pho- of old Polish architecture. His words aptly convey the tographic documentation produced by leading Polish potential and stability of the independent Second Pol- photographers. The art of buildings is nothing without ish Republic and the short period of time when am- urban planning, and good urban planning depends bitious visions of a modern, dynamically developing on innovative economy. Examples of the Second Re- state were being put into place. The position of Polish public’s architectural topography selected for the architecture in the years 1918-1939 was secured by an exhibition are mere dots on the densely populated innovative, technologically advanced building indus- archi-map, an overture to the symphony of pioneer- try, but also by a unique promotional strategy that ing ideas and long-term plans that were being real- employed architectural models, photographs and ised with great success. photomontages. The selection of objects on display Architectural Topography of the Second Polish Republic 1918–1939 Selection of
    [Show full text]
  • Architecture & Finance
    bulletin Architecture & Finance 2016 eabh (The European Association for Banking and Financial History e.V.) bulletin newsletter from the eabh 2016 WEBSITE www.bankinghistory.org ISSN 2219-0643 1 bulletin | 2016 CONTENTS contents Headquarters building of Norges Bank 89 Contents The Central Bank of Norway 89 From Florence to Foster. Historical quarters of Bank Handlowy w Warszawie SA 91 The financial services and their buildings 8 Polish central banks. An architectural overview 95 Bank Austria’s historic headquarters in Vienna 14 The headquarters of Banco de Portugal. Space adventure. Moving to new headquarters A long way 97 is a test for Erste Group’s corporate culture 16 Caixa Geral de Depósitos 101 Oesterreichische Nationalbank Sustainable architecture 101 200 years of architecture 18 The headquarters of the National Bank of Romania. 105 The architectural history of the National Bank of Belgium 22 History and architecture 105 The Croatian National Bank in the Zagreb Stock Exchange building 26 The Central Bank of the Russian Federation 12 Neglinnaya Street, Moscow 110 The Bank of Cyprus building within the medieval walls of Lefkosia 29 Edifice of the National Bank of Serbia 112 From the late sixties to the 21st century. The two central buildings of the Buildings of central banks in Slovakia in historical perspective 115 Limassol Co-operative Savings Bank 31 Architecture of BBVA. The unique buildings of San Nicolás and Gran Vía 12 The Živnostenská Banka building 34 in Bilbao 119 Bank of Finland head office 36 A history of the headquarters of Banco Santander 123 The three lives of Hôtel Gaillard 38 The Banco de España building.
    [Show full text]