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The Walled Gardens of Ebook Surveillance: a Brief Set of Arguments Against DRM in Libraries
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2015 The Walled Gardens of Ebook Surveillance: A Brief Set of Arguments Against DRM in Libraries Alycia Sellie Graduate Center, CUNY How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/162 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Walled Gardens of Ebook Surveillance: A Brief Set of Arguments Against DRM in Libraries There are three claims I will make in this article about including electronic books with DRM restrictions in library collections. These arguments center upon what the presence of restricted ebooks signifies to patrons about libraries. The first argument outlines how providing books with DRM encourages library users to adopt low expectations for how their personal information will be shared and collected. Second, when users encounter DRM within library collections, not only are they frustrated by the ways that these systems restrict their use of a text, but they become more broadly disappointed in their library. Finally, I will show how the current technological landscape that allows third party surveillance via DRM threatens the professional standing of librarians as protectors of patron information. What is DRM? To me, DRM stands for Digital Restrictions Management. But choosing to call it such is a political choice.1 Others refer to DRM as Digital Rights Management. In a nutshell, DRM controls access to digital content and restricts the functionality a devices, such as an ebook reader or computer. -
Open Source Software
Open Source Software Agenda ● Definitions of different “types” of software ● Key characteristics of each type ● Key points of difference ● Cost of free/open source software ● Historical overview ● Licenses ● Examples of free/open source alternatives in a few domains Agenda (cont.) ● Extensions of the “open source” philosophy to other domains ● The anti-open-source brigade ● Reasons for using OSS Open source software ● Software whose source code can be viewed, modified and re-distributed in its modified form after it meets certain licensing restrictions, e.g., – indicating the authorship of various components – requiring that the modified version of the product also be open-sourced Free software ● As defined by Richard Stallman, affords the following freedoms to its users: – Freedom 0: The freedom to run the program for any purpose. – Freedom 1: The freedom to study how the program works, and change it to make it do what you wish. – Freedom 2: The freedom to redistribute copies so you can help your neighbor. – Freedom 3: The freedom to improve the program, and release your improvements (and modified versions in general) to the public, so that the whole community benefits. Source: http://www.gnu.org/philosophy/free-sw.html Differences between open source and free software ● “The term 'open source' software is used by some people to mean more or less the same category as free software. It is not exactly the same class of software: they accept some licenses that we consider too restrictive, and there are free software licenses they have not -
Essentiellement À Partir Du Pdf De FLOSS+Art (Goto10)
Libre Essentiellement à partir du pdf de FLOSS+art (Goto10) Monopole de ... Distributions Linux 354 distributions sur DistroWatch, dont 6 ou 7 dédiées aux artistes : APODIO, PureDyne, Dynebolic, Ubuntu Studio, ... Difficultés de l'évolution de Linux ● Conflits internes, intolérance, mauvaise manière ● Driver (carte graphique, etc.) ● Documentation (ça s'améliore) : Flossmanual, framasoft, siteduzero, doc-ubuntu, etc. ● Friendly (ça s'améliore) : Ubuntu, environnement graphique de bureau (Gnome, KDE, XFCE, …) ● Logiciel vidéo ● Mise à jour (PulseAudio, Jack) Avantages ● Gratuit (dons) ● Mise à jour régulières ● Installation des logiciels ++ facile ● Communauté active ● Acteur (doc, support, demandes, ecrire), maîtrise de son environnement. ● Stable, sécurité (virus ?) ● Audience ++ ● Humanisme, alternative, accès « conscient » (démocratie) Historique ● Gnu project : Richard Stallman 1983-1991 ● GNU IS NOT UNIX ● Free software fundation : 4 libertés ● Open Source : + efficace (Eric Raymond), vision + utilitariste. ● 2 notions différentes. ● 1991 Linus Torvald : kernel Linux sous GPL. >>> JUSTE A TEMPS ! ● Figure du Hacker Libre / propriétaire ● Propriétaire / privateur / enclosure ● = + professionnel, + emplyable ● Read made problem solvers Libre / propriétaire ● Productivité - ● Peur - ● Politique + ● Démystification + (YOU ARE CAPABLE) ● Compétences + (transdisciplinaire, capacité d'apprentissage) ● Partage ● Continuous open artistic research Choix ● CD Live ● Ou installation multiboot ● De quoi avez-vous besoin ? Droits / Licences ● Libre -
The Ethical Visions of Copyright Law
GRIMMELMANN FINAL 3/30/2009 10:08:14 PM View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Digital Commons @ UM Law THE ETHICAL VISIONS OF COPYRIGHT LAW James Grimmelmann* INTRODUCTION All of intellectual property law is an act of imagination. If a tree falls in a forest and no one is around to call it “property,” the tree still exists. But the objects of intellectual property have no existence apart from what we give them. You can’t copyright an unwritten novel; you have no trademark rights in a word the consuming public has never heard of. We must imagine these things into being before we can make them the subject of legal rights and obligations. Nor is the work of imagination done at the moment of creation. We must constantly play a game of practical metaphysics to grant legal rights over things that can’t be seen or touched. When the legal system says that this assembly of gears and levers infringes on that set of marks on a piece of paper, it’s calling an abstraction into being. The “invention” that connects the two is itself a creation of the legal mind no less than the arrangement of parts is a creation of the engineering mind. Lawyers must decide whether a given abstraction is an invention at all (most of us would agree that a short story isn’t one); whether it has attributes like “new,” “useful,” “obvious,” and so on; and what exactly its limits are. None of these distinctions come ready-made in nature; they require continuous, purposeful, collective imagination. -
Visión General Del Sistema GNU
Traducciones de esta página Historia Filosofía Licencias Descargas Ayude a GNU ¡Únase a la FSF! Why GNU/Linux? Buscar Visión general del sistema GNU The GNU operating system is a complete free software system, upwardcompatible with Unix. GNU stands for “GNU's Not Unix”. Richard Stallman made the Initial Announcement of the GNU Project in September 1983. A longer version called the GNU Manifesto was published in March 1985. It has been translated into several other languages. The name “GNU” was chosen because it met a few requirements; first, it was a recursive acronym for “GNU's Not Unix”, second, because it was a real word, and third, it was fun to say (or Sing). La palabra «libre» se refiere a libertad, no a precio [N. del T.: en inglés se usa la misma palabra para libre y gratuito]. Puedes o no pagar un precio por obtener software de GNU. De cualquier manera, una vez que obtienes el software, tienes tres libertades específicas para usarlo. La primera, la libertad de copiar el programa y darlo a tus amigos o compañeros de trabajo. La segunda la libertad de cambiar el programa como desees, por tener acceso completo al código fuente. La tercera, la libertad de distribuir una versión mejorada ayudando así a construir la comunidad (si redistribuye software de GNU, puede cobrar una tarifa por el acto físico de efectuar la copia, o bien puede regalar copias.). El proyecto para desarrollar el sistema GNU se denomina «Proyecto GNU». El Proyecto GNU se concibió en 1983 como una forma de devolver el espíritu cooperativo que prevalecía en la comunidad computacional en sus primeros días; hacer la cooperación posible al eliminar los obstáculos impuestos por los dueños de software privativo. -
When You're Windows Are Broken Don't Be Surprised If You Feel The
ecolonomics Paul Mobbs' newsletter of thoughts, ideas and observations on energy, economics and human ecology http://www.fraw.org.uk/mei/ecolonomics/ [email protected] When You're Windows are Broken don't be Surprised if you Feel the Cold Draught of Distress The phone rings; against the background noise of a call centre a young man says, “I am phoning about your Windows computer”. I reply casually, “I don't have a Windoze com- puter” (I always make an effort to nasally sound the 'z' consonant). He apologises and rings off. Later his simple statement begins to bother me; why would anyone assume an automatic connection between the concepts “Windows” and “computer” when clearly Windoze is one of the worst operating systems that you can load onto a computer in order to use it creatively? Banbury, Thursday 23rd December 2010. I'm sitting in my office below the skylight. This I don't want to be here. There are so many oth- pretty much typifies my existence for the last few er more interesting things I could be doing months. However, whilst usually I'm labouring here today; as I sit looking through my window on the on behalf of someone else today I'm labouring here snowy-white world I'd certainly rather be out- for myself. It's nearly Christmas and, as usual (it's side. I'm here for one simple reason – it's neces- the quiet point in the year), I'm conducting my annu- sary. Whether I like it or not, I need computers to al systems back-up, re-stall and reload pantomime. -
LAC-07 Proceedings
LINUX AUDIO CONFERENCE BERLIN Lectures/Demos/Workshops Concerts/LinuxSoundnight P roceedin G S TU-Berlin 22.-25.03.07 www.lac.tu-berlin.de5 Published by: Technische Universität Berlin, Germany March 2007 All copyrights remain with the authors www.lac.tu-berlin.de Credits: Cover design and logos: Alexander Grüner Layout: Marije Baalman Typesetting: LaTeX Thanks to: Vincent Verfaille for creating and sharing the DAFX’06 “How to make your own Proceedings” examples. Printed in Berlin by TU Haus-Druckerei — March 2007 Proc. of the 5th Int. Linux Audio Conference (LAC07), Berlin, Germany, March 22-25, 2007 LAC07-iv Preface The International Linux Audio Conference 2007, the fifth of its kind, is taking place at the Technis- che Universität Berlin. We are very glad to have been given the opportunity to organise this event, and we hope to have been able to put together an interesting conference program, both for developers and users, thanks to many submissions of our participants, as well as the support from our cooperation partners. The DAAD - Berliner Künstlerprogramm has supported us by printing the flyers and inviting some of the composers. The Cervantes Institute has given us support for involving composers from Latin America and Spain. Tesla has been a generous host for two concert evenings. Furthermore, Maerz- Musik and the C-Base have given us a place for the lounge and club concerts. The Seminar für Medienwissenschaften of the Humboldt Universität zu Berlin have contributed their Signallabor, a computer pool with 6 Linux audio workstations and a multichannel setup, in which the Hands On Demos are being held. -
The Intel Management Engine: an Attack on Computer Users' Freedom by Denis Gnutoo Carikli
A statement by FSF President Richard Stallman on the Intel Management Engine (ME): "Meltdown and Spectre are errors. Grave errors, to be sure, but not evidently malicious. Everyone makes mistakes. Intel has done far worse with its CPUs than make a mistake. It has built in an intentional back door called the Management Engine. Important as these bugs are, don©t let Intel©s mistakes distract you from Intel©s deliberate attack!" The Intel Management Engine: an attack on computer users© freedom By Denis GNUtoo Carikli With security issues like the Spectre and Meltdown vulnerabilities (https://www.cnet.com/news/meltdown-spectre-intel-ceo-no-recall-chip-processor/) discovered in Intel chips in early 2018, it became more important than ever to talk about the necessity of software freedom in these deeply embedded technologies. Serious as though these bugs may be, we cannot let them distract us from the broader issues: Intel considers the Intel Management Engine a feature, while it©s nothing more than a threat to user freedom. Thanks to Denis GNUtoo Carikli, we have a new basis for that conversation in this article. The Intel Management Engine is a tool that ships with Intel chipsets, purportedly to ease the job of system administrators. But in reality, it is another restriction on user freedoms, imposed by a company, and used to control your computing. Carikli offers a moderately technical explanation of what©s happening with Management Engine, the ways in which it restricts rather than empowers users, and how it violates the four freedoms of free software. Carikli may be best known for his work on the Replicant project (https://www.replicant.us/), which he co-founded with Aaron Williamson, Bradley Kuhn, and Grazlano Sorbaioli. -
Volume 160 May, 2020
Volume 160 May, 2020 Short Topix: Zoombombing Is A Crime, Not A Prank GIMP Tutorial: Photo Editing, Part 3 PCLinuxOS Magazine Friends & Family - jzakiya Champions Of Regnum On PCLinuxOS EBCDIC Handling Library, Part 2 PCLinuxOS Recipe Corner: Lemon Pepper Chicken ms_meme's Nook: The Linux Bounce Wallpaper Roundup, Revisited Finally! ShotCut Running On PCLinuxOS And more inside! PCLinuxOS Magazine Page 1 In This Issue... 3 From The Chief Editor's Desk... 5 Staying "Safe" While You Stream: DBD's Tips On Living DRM-Free During Quarantine The PCLinuxOS name, logo and colors are the trademark of 6 Screenshot Showcase Texstar. 7 PCLinuxOS Recipe Corner: Lemon Pepper Chicken The PCLinuxOS Magazine is a monthly online publication containing PCLinuxOS-related materials. It is published 8 Wallpaper Roundup, Revisited primarily for members of the PCLinuxOS community. The magazine staff is comprised of volunteers from the 13 Screenshot Showcase PCLinuxOS community. 14 ms_meme's Nook: I Want It That Way Visit us online at http://www.pclosmag.com 15 Short Topix: Zoombombing Is A Crime, Not A Prank This release was made possible by the following volunteers: 19 Screenshot Showcase Chief Editor: Paul Arnote (parnote) 20 GIMP Tutorial: Photo Editing, Part 3 Assistant Editor: Meemaw Artwork: Sproggy, Timeth, ms_meme, Meemaw 22 Better than Zoom: Magazine Layout: Paul Arnote, Meemaw, ms_meme HTML Layout: YouCanToo Try These Free Software Tools For Staying In Touch Staff: 25 PCLinuxOS Family Member Spotlight: jzakiya ms_meme CgBoy Meemaw YouCanToo 26 Screenshot Showcase Gary L. Ratliff, Sr. Pete Kelly Daniel Meiß-Wilhelm phorneker 27 Champions Of Regnum On PCLinuxOS daiashi Khadis Thok 32 Screenshot Showcase Alessandro Ebersol Smileeb 33 EBCDIC Handling Library, Part 2 Contributors: 44 PCLinuxOS Bonus Recipe Corner: jzakiya Mashed Potato Mac & Cheese Bake 45 Screenshot Showcase The PCLinuxOS Magazine is released under the Creative 46 Finally! ShotCut Running On PCLinuxOS! Commons Attribution-NonCommercial-Share-Alike 3.0 Unported license. -
Table of Contents Pure Data
Table of Contents Pure Data............................................................................................................................................................1 Real Time Graphical Programming..................................................................................................................2 Graphical Programming...........................................................................................................................2 Real Time.................................................................................................................................................3 What is digital audio? ........................................................................................................................................4 Frequency and Gain.................................................................................................................................4 Sampling Rate and Bit Depth..................................................................................................................4 Speed and Pitch Control..........................................................................................................................5 Volume Control, Mixing and Clipping....................................................................................................6 The Nyquist Number and Foldover/Aliasing...........................................................................................6 DC Offset.................................................................................................................................................7 -
Free Software, Free Society: Selected Essays of Richard M
Free Software, Free Society Selected Essays of Richard M. Stallman Third Edition Richard M. Stallman This is the third edition of Free Software, Free Society: Selected Essays of Richard M. Stallman. Free Software Foundation 51 Franklin Street, Fifth Floor Boston, MA 02110-1335 Copyright c 2002, 2010, 2015 Free Software Foundation, Inc. Verbatim copying and distribution of this entire book are permitted worldwide, without royalty, in any medium, provided this notice is preserved. Permission is granted to copy and distribute translations of this book from the original English into another language provided the translation has been approved by the Free Software Foundation and the copyright notice and this permission notice are preserved on all copies. ISBN 978-0-9831592-5-4 Cover design and photograph by Kyle Winfree. iii Table of Contents Foreword to the Third Edition ::::::::::::::::::::::::::::::::::::::: iv Foreword to the First Edition :::::::::::::::::::::::::::::::::::::::: vi Preface ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: x Part I: The GNU Project and Free Software 1 What Is Free Software? :::::::::::::::::::::::::::::::::::::::::::: 3 2 The GNU Project :::::::::::::::::::::::::::::::::::::::::::::::::: 9 3 The Initial Announcement of the GNU Operating System ::: 26 4 Free Software Is Even More Important Now ::::::::::::::::::: 28 5 Why Schools Should Exclusively Use Free Software::::::::::: 34 6 Measures Governments Can Use to Promote Free Software :: 36 7 Why Free Software Needs Free Documentation:::::::::::::::: -
A Study of the Application of Free and Open Source Software Licensing Ideas to Art and Cultural Production
Sandbox Culture A Study of the Application of Free and Open Source Software Licensing Ideas to Art and Cultural Production Aymeric Mansoux Supervisor: Matthew Fuller Thesis presented for the degree of Doctor of Philosophy Centre for Cultural Studies, Goldsmiths, University of London, February 2017 I, Aymeric Mansoux, confirm that the work presented in this thesis ismy own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Date: February 19, 2017 Signed: Abstract In partial response to the inability of intellectual property laws to adapt to data-sharing over computer networks, several initiatives have proposed techno-legal alternatives to encourage the free circulation and transfor- mation of digital works. These alternatives have shaped part of contem- porary digital culture for more than three decades and are today often associated with the “free culture” movement. The different strands of this movement are essentially derived from a narrower concept of soft- ware freedom developed in the nineteen-eighties, and which is enforced within free and open source software communities. This principle was the first significant effort to articulate a reusable techno-legal template to work around the limitations of intellectual property laws. It also of- fered a vision of network culture where community participation and sharing was structural. From alternate tools and workflow systems, artist-run servers, net- work publishing experiments, open data and design lobbies, cooperative and collaborative frameworks, but also novel copyright licensing used by both non-profit organisations and for-profit corporations, the impact on cultural production of practices developed in relation to the ideas of iii free and open source software has been both influential and broadly ap- plied.