DOCSLIB.ORG

COMING SOON! LIVE INTERNET BIDDING with SPECIAL AUCTION SERVICES We Are Delighted to Announce That You Will Soon Be Able To

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
COMING SOON! LIVE INTERNET BIDDING with SPECIAL AUCTION SERVICES We Are Delighted to Announce That You Will Soon Be Able To COMING SOON! LIVE INTERNET BIDDING WITH SPECIAL AUCTION SERVICES We are delighted to announce that you will soon be able to bid online directly with SAS We will be launching the new SAS Live bidding platform from March/April 2019 Visit: www.specialauctionservices.com for more details www.specialauctionservices.com 1 Hugo Neil Thomas Marsh Shuttleworth Forrester (Director) (Director) (Director) Photographica Tuesday 12th March 2019 at 10.00 For enquiries relating to the auction, Viewing: please contact: Monday 11th March 2019 10.00-16.00 09.00 Morning of Auction Otherwise by Appointment Saleroom One 81 Greenham Business Park NEWBURY RG19 6HW Paul Mason Mike Spencer Cameras Cameras Telephone: 01635 580595 Fax: 0871 714 6905 Email: [email protected] www.specialauctionservices.com Bid Here Without Being Here All you need is your computer and an internet connection and you can make real-time bids in real-world auctions at the-saleroom.com. You don’t have to be a computer whizz. All you have to do is visit www.the-saleroom.com and register to bid - its just like being in the auction room. A live audio feed means you hear the auctioneer at the same time as other bidders. You see the lots on your computer screen as they appear in the auction room, and the auctioneer is aware of your bids the moment you make them. Just register and click to bid! 1. A Siemens Magazine 16mm 5. A Group of Pentax K and M42 9. A Pentax SFXn AF SLR Cine Camera, original model made by Lenses, including a SMC Pentax-M Camera Outfit, serial no 4964345, Siemens & Halske, French language- 28mm f/3.5, a SMC Takumar 135mm a 28-80mm f/3.5-4.5 lens, a 50mm market version, with a Busch-Glaukar f/3.5, an Auto Tamron 28mm f/2.8 f/1.4 lens, a 70-210mm f/4-5.6 all 2cm f/3.5 fixed focus lens and maker’s lens, a Vivitar 35-70mm f/3.5 lens, a SMC Pentax-F lenses with a Pentax case, spring motor not working Super-Paragon 80-200mm f/4.5 lens AF400 FTZ flash, a Pentax PC-505 £30-50 and a Prinz Galaxy 400mm f/6.3 lens compact camera and a Canon Power £30-50 Shot A710IS digital compact camera £30-50 6. A Group of Compact Cameras and Binoculars, including 10. A Group of Folding and a Minolta Riva camera, Canon Sure Bakelite Roll Film Cameras, including Shot cameras, a Casio Exilim and a Soho Cadet 6 x 9cm, a Kodak No 2 Sony Cyber Shot digital cameras, Beck Hawkette 6 x 9cm, a Kodak Brownie Kassel CBS Mare 8 x 30 and Kalimar Chiquita, a Dacora 6 x 6cm, an Elliott 10 x 50 binoculars £40-60 VP Twin 3 x 4cm (3 examples) and a 2. An ICA-Polyscop Stereo 45 x quantity of opera glasses £40-60 107mm Camera, focusing rigid body, magazine back, with twin Tessar 6.5cm f/4.5 lenses, £40-60 3. British Journal of Photography Almanacs 1931-1947, a complete run of 17 almanacs, comprising 7 hardbacks and the remainder paperbacks £40-60 11. A Leica IIIa Rangefinder 7. A Kowa Model E SLR Camera Camera, chrome, serial no 225116, and Folding Roll Film Cameras, a 1936/7, two flash sync sockets added, Kowa Model E, serial no 256220, with condition F, small dent between rear Saleroom One Kowa 50mm f/2 lens, with an Ensign eyepieces, shutter working, with Selfix 420, a No 1A Pocket Kodak and Summar 5cm f/2 collapsible lens, no 81 Greenham Business Park No 2-A Folding Autographic Brownie 467945, 1938, condition F, fungus NEWBURY RG19 6HW £30-50 spotting £100-150 Telephone: 01635 580595 4. Three Asahi Pentax SLR 8. A Tray of Photographic Fax: 0871 714 6905 Cameras, a Pentax MX, serial no Accessories, including a Asahi Pentax 9112616, a Pentax ME Super, no Copipod (boxed with instructions), a Email: [email protected] 2487348, both chrome, with SMC- BPM Universal Bellows Unit, Weston www.specialauctionservices.com Pentax-M 50mm f/1.7 lenses, Euro-Master exposure meter, Gossen together with a Pentax Spotmatic F Sixtomat meter, Vivitar Extension £60-80 Tube Set and a quantity of Pentax leaflets £40-60 12. A Newman & Guardia Sybil Imperial Folding Plate Camera, circa Bid Here Without Being Here 1911, 4¼” x 3¼” with a Carl Zeiss Jena All you need is your computer and an internet connection and you can make real-time bids in real-world auctions at Tessar 13.5cm f/6.3 lens together the-saleroom.com. You don’t have to be a computer whizz. All you have to do is visit www.the-saleroom.com and with a Hollandia 10 x 50 binoculars register to bid - its just like being in the auction room. A live audio feed means you hear the auctioneer £60-80 at the same time as other bidders. You see the lots on your computer screen as they appear in the auction room, and the auctioneer is aware of your bids the moment you make them. Just register and click to bid! www.specialauctionservices.com 3 13. An Eumig P8 Automatic 17. A Collection of Olympus OM 8mm Silent Cine Projector, with a Accessories, including a Winder 2, Eupro-Zoom 15-25mm f/1.3 lens, Electronic Flash T32 (2 examples), spool and maker’s box, motor runs, Power Bounce Grip 2, Accessory lamp working together with a Kodak Shoe 4, TTL Auto Cord T, a Varimagni 8 Movie 8mm cine camera with Finder, two Olympus camera cases, working motor £20-30 straps, filters and a metal flight case £30-50 22. A Leica IIIf Rangefinder Camera, Leitz Lenses and Accessories, chrome, serial no 590205, 1951- 52, with a Summitar 5cm f/2 collapsible lens, fungus on rear glass , a Summaron 3.5cm f/3.5 lens, an Elmar 9cm f/4 lens and a Hektor 13.5cm f/4.5 lens with a Zodellette 14. A Sony CCD-F380E Video 8 18. A Canon AE-1 SLR Camera (Kochmann Korelle) 3 x 4cm folding Handycam Camcorder, with a Sony and Canon FD Lenses, including camera and more £150-200 8.5-68mm f/1.6 Video lens, a Vivitar an AE-1 body, chrome, serial no DVR200 pocket digital camcorder, a 3056603, a Canon FD 50mm f/1.8 Yashica Microtec Zoom 120 compact lens, a Canon FD 28mm f/2.8 lens, film camera, a pink Kodak EasyShare a Canon FD 85mm f/1.8 lens and a C813 and a Praktica DCZ 1.3S compact Canon Speedlite 199A electronic flash digital cameras £30-50 £40-60 23. A Nikon Coolpix 5700 Digital Bridge Camera Outfit, including a 5700 camera, not producing images, a TC-E15ED front teleconverter, a WC-E80 wide-angle teleconverter and 19. A Group of Canon FD Lenses, UR-E8 lens adapter, all with maker’s including a FD 50mm f/1.4 lens, a FD boxes £20-30 100mm f/2.8 lens, a FD 200mm f/4 15. An Olympus OM-1N SLR lens, a FD 35-70mm f/4 Autofocus 24. A Photographic Enlarger, Camera, serial no 1636013, shutter lens, all with cases together with a possibly by Gnome, for negatives working, meter reponds to light, Tamron SP 500mm f/8 mirror lens up to 6 x 9cm, baseboard 46 x 38cm condition VG, with Zuiko MC Auto-S with FD mount £40-60 approx, no lamp with two Wray Supar 50mm f/1.4 lens, barrel VG, elements lenses in bubble cases £30-50 G, dust on front glass and a Zuiko 20. A Canon Macro FD Lens and 28mm f/2.8 lens, barrel VG, elements Canon Macro Accessories, including G £70-100 a FD 50mm f/3.5 lens, an Extension Tube FD 25, an Auto Bellows (no 16. An Olympus OM-1N and double cable release), a Macrophoto OM-2N SLR Cameras, OM-1N serial Coupler FL52, a Macro Auto Ring, a no 1982887, OM-2N no 979739, VG, a Angle Finder B and Magnifier S Zuiko 50mm f/1.8 lens, a Zuiko 24mm £40-60 f/2.8 lens, G, and a Zuiko 75-150mm f/4, G £100-150 21. A Canon EOS 600 AF SLR 25. A Quantity of Darkroom Camera and Lenses, with a Canon EF Equipment, including a collection of 28-70mm f/3.5-4.5 II lens, a Sigma assorted plastic trays from 22 x 16cm Super-Wide II 24mm f/2.8 EF mount to 34 x 43cm approx, a Photax Model lens, a Canon EF 70-210mm f/3.5-4.5 1 Print Dryer-Glazer, a Paterson Dish lens, a Cobra 700AF electronic flash Warmer, a Paterson 35mm Contact and more £30-50 Proof Printer, developing tanks, a measuring cylinder, a timer and more Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price £30-50 Internet Buyers Premium: 22.5% plus Value Added Tax making a total of 27% of the Hammer Price 4 www.specialauctionservices.com 26. A Maritime Compass, 29. Three Carl Zeiss Binoculars, 33. A Quantity of Unused installed in a gimbal mount within a Carl Zeiss Dialyt 10 x 40B, Carl Zeiss Camera Film, expired, assorted types, a wooden box, together with two Jena Jenoptem 10 x 50W, a Carl Zeiss some sealed including 5 boxes of Docter Zoom Doctarlux 100-300mm Jenoptem 8 x 30W together with a 10 Kodachrome 40 Super 8 and a Le Clic f/3.5 projection lenses, a Kodak x 32 monocular £60-80 Tuff 35 all weather compact camera Projection Ektanon 4 inch f/3.5 lens £20-30 and No 1A Pocket Kodak Series II roll film folding camera £40-60 30.
Load more

Recommended publications
  • Canon Lenses Canon Lenses from Snapshots to Great Shots
    final spine = 0.4625" Canon Lenses Lenses Canon From Snapshots to Great Shots You own a Canon DSLR, but which Canon lens is best for your shooting Jerod Foster is an style and your budget? This guide by pro photographer Jerod Foster editorial and travel From Snapshots to Great Shots Great Snapshots to From will help you learn the features of Canon lenses to capture the photographer and author of Sony NEX-6: From stunning pictures you want for a price that matches your needs. Snapshots to Great Shots; Foster starts with the basics of using lenses in the Canon lineup— Color: A Photographer’s Guide to Directing the Canon Lenses from kit, to prime, to wide angle, to telephoto, to zoom, and more. Whether it’s portraits, landscapes, sports, travel, or night photography, Eye, Creating Visual Depth, and Con- veying Emotion; and Storytellers: A you will have a better understanding of the different Canon lenses Photographer’s Guide to Developing and your choices for investing in them. In this guide you will: From Snapshots to Great Shots Themes and Creating Stories with • Master the key camera features that relate to lenses—depth Pictures. He also leads photography of field, perspective, and image stabilization workshops and is a photography professor at Texas Tech University. Visit • Learn the difference between full frame versus cropped sensors his website and read his popular and how they affect specific lenses photography blog at jerodfoster.com. • Understand best practices for maintaining your lenses and for taking better pictures • Accessorize
    [Show full text]
  • Express Camera Auction 27Th June 2018 at 10:00
    Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Express Camera Auction 27th June 2018 at 10:00 Viewing 26th June 2018 10:00-16:00 For enquiries relating to the sale: Saleroom One Please contact: 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Fax: 0871 714 6905 Email: [email protected] www.specialauctionservices.com Austin Mike Spencer Farahar Express Cameras Cameras Bid Here Without Being Here All you need is your computer and an internet connection and you can make real-time bids in real-world auctions at the-saleroom.com. You don’t have to be a computer whizz. All you have to do is visit www.the-saleroom.com and register to bid - its just like being in the auction room. A live audio feed means you hear the auctioneer at the same time as other bidders. You see the lots on your computer screen as they appear in the auction room and the auctioneer is aware of your bids the moment you make them. Just register and click to bid! 7. Kodak Retina Cameras, 13. 35mm Film Strip Projectors, models include, Retina Ib with 50mm Ellis & Newton Ltd with Leech series f/2.8 Schneider-Kreuznach lens (G), II 3’’ lens, Pullin Optics with Pulnar 4’’ Retina IIa (2) and a Retinette Ib (100mm) f/2.8 lens, both in wooden £40-60 carry cases £30-50 14. A Kodascope Model C 1. Four TLR Cameras, models Projector, including lens, reels, in include, Rolleicord II with triostar makers case £20-40 7.5cm f/3.5 lens, a Mamiyaflex with Sekor 7.5cm f3.5 lens, a Ricoh super 44 with Riken 6cm f/3.5 lens and a Semiflex with a Berthot 75mm f/4.5 lens £50-70 8.
    [Show full text]
  • Learn Camera Repair
    3. A. VISHNEVSKY CAMERA REPAIR Publishing House "Light Industry" Mo s k in a —1964 The book describes the structure of the mechanisms of most photographic devices currently produced by the industry. interaction of parts and for each unit and mechanism, a list of inconsistencies that may arise during the operation of cameras is provided The book is designed not only for repairmen, but also for qualified amateur photographers. Along with complex cameras, the repair of which requires a lot of experience and skill, simpler devices are described. and other organizations that use a large number of cameras FOREWORD The traditional optomechanical industry produces a large number of different cameras, ranging from the simplest to the most sophisticated In 1962 alone, about 2,000,000 cameras were produced During the operation of cameras, naturally, various kinds of malfunctions arise that require qualified repair.In most large cities, photo cameras are repaired in warranty workshops of manufacturers' factories However, such workshops are still not enough The author of this book shares his practical experience, as well as the experience of training camera repairmen at the Training Center for the Management of Consumer Services of the iMocrop Executive Committee. The book examines in detail the structure of mechanisms of various cameras, describes in detail the interaction of parts and gives a list of possible malfunctions for each unit and mechanism with indicating ways to eliminate them The book will help novice masters learn how to repair cameras.Photo
    [Show full text]
  • Hugostudio List of Available Camera Covers
    Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII
    [Show full text]
  • Cameras • Video Camera
    Outline • Pinhole camera •Film camera • Digital camera Cameras • Video camera Digital Visual Effects, Spring 2007 Yung-Yu Chuang 2007/3/6 with slides by Fredo Durand, Brian Curless, Steve Seitz and Alexei Efros Camera trial #1 Pinhole camera pinhole camera scene film scene barrier film Add a barrier to block off most of the rays. • It reduces blurring Put a piece of film in front of an object. • The pinhole is known as the aperture • The image is inverted Shrinking the aperture Shrinking the aperture Why not making the aperture as small as possible? • Less light gets through • Diffraction effect High-end commercial pinhole cameras Adding a lens “circle of confusion” scene lens film A lens focuses light onto the film $200~$700 • There is a specific distance at which objects are “in focus” • other points project to a “circle of confusion” in the image Lenses Exposure = aperture + shutter speed F Thin lens equation: • Aperture of diameter D restricts the range of rays (aperture may be on either side of the lens) • Any object point satisfying this equation is in focus • Shutter speed is the amount of time that light is • Thin lens applet: allowed to pass through the aperture http://www.phy.ntnu.edu.tw/java/Lens/lens_e.html Exposure Effects of shutter speeds • Two main parameters: • Slower shutter speed => more light, but more motion blur – Aperture (in f stop) – Shutter speed (in fraction of a second) • Faster shutter speed freezes motion Aperture Depth of field • Aperture is the diameter of the lens opening, usually specified by f-stop, f/D, a fraction of the focal length.
    [Show full text]
  • User's Manual
    C22EN0391 E ENGLISH Digital Single Lens Reflex Camera USER’S MANUAL This manual explains how to use SIGMA SD10 digital SLR camera. Please refer to the SIGMA Photo Pro User Guide, which is available in the PDF format of the supplied CD-ROM, to get information about installation of SIGMA Photo Pro software to your computer, connection between camera and computer and for detailed explanation of SIGMA Photo Pro software. 115 Thank you for purchasing the Sigma Digital Autofocus Camera The Sigma SD10 Digital SLR camera is a technical breakthrough! It is powered by the Foveon® X3™ image sensor, the world’s first image sensor to capture red, green and blue light at each and every pixel. A high-resolution digital single-lens reflex camera, the SD10 delivers superior-quality digital images by combining Sigma’s extensive interchangeable lens line-up with the revolutionary Foveon X3 image sensor. You will get the greatest performance and enjoyment from your new SD10 camera’s features by reading this instruction manual carefully before operating it. Enjoy your new Sigma camera! SPECIAL FEATURES OF THE SD10 ■ Powered by Foveon X3 technology. ■ Uses a lossless compression RAW data format to eliminate image deterioration, giving superior pictures without sacrificing original image quality. ■ "Sports finder" covers action outside the immediate frame. ■ Dust protector keeps dust from adhering to the image sensor. ■ Mirror-up mechanism and depth-of-field preview button support advanced photography techniques. • Please keep this instruction booklet handy for future reference. Doing so will allow you to understand and take advantage of the camera’s unique features at any time.
    [Show full text]
  • CS559: Computer Graphics
    CS559: Computer Graphics Lecture 2: Image Formation in Eyes and Cameras Li Zhang Spring 2008 Today • Eyes • Cameras Why can we see? Light Visible Light and Beyond Infrared, e.g. radio wave longer wavelength Newton’s prism experiment, 1666. shorter wavelength Ultraviolet, e.g. X ray Cones and Rods Light Photomicrographs at increasing distances from the fovea. The large cells are cones; the small ones are rods. Color Vision Rods rod-shaped Light highly sensitive operate at night gray-scale vision Cones cone-shaped Photomicrographs at increasing less sensitive distances from the fovea. The large cells are cones; the small operate in high light ones are rods. color vision Color Vision Three kinds of cones: Electromagnetic Spectrum Human Luminance Sensitivity Function http://www.yorku.ca/eye/photopik.htm Lightness contrast • Also know as – Simultaneous contrast – Color contrast (for colors) Why is it important? • This phenomenon helps us maintain a consistent mental image of the world, under dramatic changes in illumination. But, It causes Illusion as well • http://www.michaelbach.de/ot/lum_white- illusion/index.html Noise • Noise can be thought as randomness added to the signal • The eyes are relatively insensitive to noise. Vision vs. Graphics Computer Graphics Computer Vision Image Capture • Let’s design a camera – Idea 1: put a piece of film in front of an object – Do we get a reasonable image? Pinhole Camera • Add a barrier to block off most of the rays – This reduces blurring – The opening known as the aperture – How does this transform the image? Camera Obscura • The first camera – 5th B.C.
    [Show full text]
  • The PENTAX K-1 Mark II: the New Standard of the 35Mm Full-Frame K Series
    The PENTAX K-1 Mark II: the new standard of the 35mm full-frame K series Rich colors and subtle shades, and a beautiful bokeh and a well-defined sense of depth. When the photographer’s inspiration is truly reflected in all these elements, photographs will become more than mere records — they will evolve into truly impressive works of art. The PENTAX K-1 Mark II has been created as the flagship model that will fulfill this goal. It features a new, advanced image-processing system to deliver the beautiful image quality which all photographers demand. It produces images that are rich in color and gradation, high in resolution, and superb in bokeh rendition. The Pixel Shift Resolution System II — the PENTAX-original super-solution technology — now accommodates handheld photography. The AF system featuring a new algorithm assures high-precision focusing even with moving subjects. While inheriting the PENTAX K-1’s development concept, the PENTAX K1 Mark II has advanced technologies to near perfection. When your creativity is in complete harmony with the camera, your photography will truly come alive. Top sensitivity of ISO 819200 enhances image quality, and expands the creative boundaries of high-resolution digital SLR photography State-of-the-art imaging processing system Greatly improved image quality, even in high-sensitivity photography NEW To reproduce lively colors and rich gradations closeclose toto memorymemory colors in all sensitivity ranges, the PENTAX K-K-1 MarkMark IIII newlynewly incorporates an original accelerator unit, which efficientlyefficiently processes image signals output by the image sensor before sending them to the imaging engine.
    [Show full text]
  • Leica Revives Iconic Soviet Zenit Camera
    Established 1961 22 T Thursday, September 27, 2018 L i f e s t y l e Fe a t u r e s Elderly stars give love one last go in sequel to film classic rench director Claude Lelouch has Woman’ is a hommage to life. It is a love story living legends in France, with Aimee adored for started shooting a sequel to his classic that tells us that there is always a second her iconic roles in Jacques Demy’s “Lola”, romance “A Man and a Woman” with chance,” he said earlier. “The same actors have Fellini’s masterpiece “La Dolce Vita” and the Fthe same actors, 52 years after the orig- retaken up their roles. The script is secret, it will American Robert Altman’s “Pret a Porter”. inal was a box office smash. The movie has be a surprise,” his production company Films 13 The original film also made the theme song gone down in film legend for its theme tune of said in a statement. As well as its double Oscar by Pierre Barouh and Francis Lai a global hit. the same name, with its “chabadabada, victory, the original film won two Golden Globes “We didn’t know that it would be such an opti- chabadabada” refrain. Lelouch’s production and the Palme d’Or at the Cannes film festival. mistic film at the start,” Lelouch recalled. “When company confirmed Wednesday that filming I wrote it first I thought to myself, ‘Bloody hell, had begun in Deauville on the northern French it’s sad.’ The optimism came from the music; we coast, the same resort where the 1966 double- Trintignant Starcame retired back from twice a 14-year retire- showed that life was stronger than death and Oscar-winning love story unfolds.
    [Show full text]
  • Specifications Eos 700D
    04 canon eos 700d advancing through technology advancing through technology canon eos 700d 05 Wide ISO Sensitivity Range iFCL 63-Zone Dual Layer Metering System ADVANCING Shooting effectively in low-light environments as well as capturing shooting with high iso speed fast-moving subjects, the EOS 700D comes with a standard Designed to complement the THROUGH TECHNOLOGY sensitivity range of ISO 100 to 12800 (expandable to 25600). EOS 700D's 9-Point All Cross-Type AF Sensor is a 63-Zone Intelligent DIGIC 5 Image Processor shooting with low iso speed Focus Color Luminance (iFCL) 18-Megapixel APS-C Size CMOS Sensor At the heart of the EOS 700D also lies the superior DIGIC 5 Dual Layer Metering System. — natural landscapes — — portraits — image processor. It speeds up the operation of the camera This system offers the standard Driving the improved shooting performance and superb image quality results in When capturing waterfalls or rivers, For shooting in bright outdoors, while enabling a host of advance features on the EOS 700D, metering options of evaluative, the EOS 700D is its 18-megapixel APS-C size CMOS sensor. Designed with gapless slow down the shutter speed for a open up the aperture to create such as Special Scene mode (SCN), Multi Shot Noise center-weighted average, partial, microlens located above each photo diode for more efficient light-gathering, the silky smooth flowing effect on the a lovely background blur effect Reduction, Full HD movie recording, and Face Detection + and spot metering. To deal with the sensor enables high ISO speeds, minimal noise, and a wide dynamic range while waters.
    [Show full text]
  • Computer Vision, CS766
    Announcement • A total of 5 (five) late days are allowed for projects. • Office hours – Me: 3:50-4:50pm Thursday (or by appointment) – Jake: 12:30-1:30PM Monday and Wednesday Image Formation Digital Camera Film Alexei Efros’ slide The Eye Image Formation • Let’s design a camera – Idea 1: put a piece of film in front of an object – Do we get a reasonable image? Steve Seitz’s slide Pinhole Camera • Add a barrier to block off most of the rays – This reduces blurring – The opening known as the aperture – How does this transform the image? Steve Seitz’s slide Camera Obscura • The first camera – 5th B.C. Aristotle, Mozi (Chinese: 墨子) – How does the aperture size affect the image? http://en.wikipedia.org/wiki/Pinhole_camera Shrinking the aperture • Why not make the aperture as small as possible? – Less light gets through – Diffraction effects... Shrinking the aperture Shrinking the aperture Sharpest image is obtained when: d 2 f d is diameter, f is distance from hole to film λ is the wavelength of light, all given in metres. Example: If f = 50mm, λ = 600nm (red), d = 0.36mm Srinivasa Narasimhan’s slide Pinhole cameras are popular Jerry Vincent's Pinhole Camera Impressive Images Jerry Vincent's Pinhole Photos What’s wrong with Pinhole Cameras? • Low incoming light => Long exposure time => Tripod KODAK Film or Paper Bright Sun Cloudy Bright TRI-X Pan 1 or 2 seconds 4 to 8 seconds T-MAX 100 Film 2 to 4 seconds 8 to 16 seconds KODABROMIDE Paper, F2 2 minutes 8 minutes http://www.kodak.com/global/en/consumer/education/lessonPlans/pinholeCamera/pinholeCanBox.shtml What’s wrong with Pinhole Cameras People are ghosted What’s wrong with Pinhole Cameras People become ghosts! Pinhole Camera Recap • Pinhole size (aperture) must be “very small” to obtain a clear image.
    [Show full text]
  • Youtube Camera Guide for Youtuber
    Top YouTube Cameras Canon EOS Rebel T6 This DSLR camera comes equipped with a high definition wide angle lens. This DSLR would enable you to get more life out of your videos. It features a 2x Professional Telephoto Lens for recording the tiniest details. It is also designed with a built-in Wi-Fi to share recordings with connected devices. Canon PowerShot G9 X The PowerShot G9 has a fast operation with enhanced image quality using the Canon HS System technology. It is designed to be ultra-slim and lightweight with a built-in touch panel. This digital camera is capable of capturing stunning 1080p HD videos. Canon EOS 5D Mark III This Full HD SLR comes equipped with Canon L-series lenses allowing you to record whatever you want without much movement. The EOS 5D Mark III is a 22.3-megapixel camera and is capable of recording a 2080p HD video. YouTube Camera Guide: Best Cameras for YouTube! 1 Sasha Evdakov | Backstageincome.com Top YouTube Cameras GoPro HERO4 Silver HERO4 is the first GoPro camera equipped with a built-in touch display. It can record 1080p60 and 720p videos. Moreover, it has built-in Wi-Fi and Bluetooth for hassle-free sharing. Canon EOS Rebel T6i This Canon EOS Rebel T6i comes equipped with a 24.2 megapixel APS-C CMOS sensor. The camera’s movie mode offers professional HD MP4 videos and designed with a 19-point all cross-type AF system. You won’t need to adjust the focus or the lighting manually as the camera does it automatically.
    [Show full text]