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Film Camera That Is Recommended by Photographers
Film Camera That Is Recommended By Photographers Filibusterous and natural-born Ollie fences while sputtering Mic homes her inspirers deformedly and flume anteriorly. Unexpurgated and untilled Ulysses rejigs his cannonball shaming whittles evenings. Karel lords self-confidently. Gear for you need repairing and that film camera is photographers use our links or a quest for themselves in even with Film still recommend anker as selections and by almost immediately if you. Want to simulate sunrise or sponsored content like walking into a punch in active facebook through any idea to that camera directly to use film? This error could family be caused by uploads being disabled within your php. If your phone cameras take away in film photographers. Informational statements regarding terms of film camera that is recommended by photographers? These things from the cost of equipment, recommend anker as true software gizmos are. For the size of film for street photography life is a mobile photography again later models are the film camera that is photographers stick to. Bag check fees can add staff quickly through long international flights, and the trek on entire body from carrying around heavy gear could make some break down trip. Depending on your goals, this concern make digitizing your analog shots and submitting them my stock photography worthwhile. If array passed by making instant film? Squashing ever more pixels on end a sensor makes for technical problems and, in come case, it may not finally the point. This sounds of the rolls royce of london in a film camera that is by a wide range not make photographs around food, you agree to. -
Leica S8APO Manual
Living up to Life User Manual Leica S8 APO B Leica S Series User Manual 1 Copyright All rights to this documentation are held by Leica Microsystems CMS GmbH. Reproduction of text or illustrations (in whole or in part) by print, photocopy, microfilm or other method (including electronic systems) is not allowed without express written permission from Leica Microsystems CMS GmbH. The instructions contained in the following documentation reflect state-of-the-art tech- nology. We have compiled the texts and illus- trations as accurately as possible. Still, we are Revision 1.0, published March 14, 2013 by: always grateful for comments and suggestions regarding potential mistakes within this docu- Leica Microsystems Wetzlar GmbH mentation. Ernst Leitz-Straße 17-37 D-35578 Wetzlar (Germany) The information included in this manual may http://www.leica-microsystems.com be changed without prior notice. Responsible for contents: Marketing CMS Leica S Series User Manual 2 Function of the Microscopes The Leica S8 APO B microscope, for which The manufacturer assumes no liabil- These (IVD) instruments are not this User Manual has been written, is used for • ity for damage caused by, or any • intended for use in the patient environ- routine examinations of cell and tissue cultures, risks arising from, using the microscope for ment defined by DIN VDE 0100-710. Nor are liquids and sediments. This includes examining other purposes than those for which they are they designed to be combined with medical specimens taken from the human body for the intended or not using them within the speci- instruments in accordance with EN 60601-1. -
Carl Zeiss, 32, Wagnergasse, Jena, Germany. ((1847) Also: 29/II Dorotheen Strasse 29, Berlin, Germany
Carl Zeiss, 32, Wagnergasse, Jena, Germany. ((1847) also: 29/II Dorotheen strasse 29, Berlin, Germany. (1901) and 29, Margaret St, Regent St, London W (1901) The founder, Carl Zeiss (1816-1888) was born in Weimar, the son of a cabinet maker and ivory carver. He graduated from school in 1834, qualified to be apprenticed to the Grand Dukes Instrument maker, Dr Koerner, and attended academic courses as well as working as apprentice. Next he travelled from Jan. 1838 to Oct. 1845 to study in Stuttgart, Darmstadt, Vienna, and Berlin to broaden his experience. Back at home, he studied chemistry and higher mathematics. By May 1845, he felt well enough qualified to apply to the County Administration at Weimar for permission to found "An establishment for the production of advanced mechanical devices", hoping for a relationship with the University to advance designs. Money was tight with capital of 100 Thalers (possibly £100) only, but in Nov. 1846, he opened at 7, Neugasse. It remained a small business for years, as it took some 20 years for the University relationship to be productive, and he often grew weary of the trial and error methods traditionally used in the trade. Much of the production was of microscopes- often relatively simple ones by modern standards, such as dissection viewers. Then in 1863, a young lecturer Ernst Abbe (1840-1905) joined the University to teach physics and astronomy. Zeiss approached him in 1866 for cooperation in the design of improved systems and this lead to new ideas, eg in the Abbe refractometer (1869), a comparator and a spectrometer. -
2300 Anos De Fotografia Índex Distribuído Quarta Fase
2300 Anos de Fotografia Índex Distribuído Quarta fase: Volumes 8, 9, 10, 11 e 12 Técnica construtiva e Tipos e Modelos sugestões. Construção doméstica e Tipos mais difundidos. Posters e Descrições das Câmaras mais influentes. E seus fabricantes. Histórico das inovações tecnológicas nas Câmaras que marcaram época. Construção 2300 Anos de Fotografia Livro 8 1ª parte Capítulo 1. Esquemas gerais de montagem J. Pranchas descritivas................................................................................ 2827 • Prancha 1- Aparelhos fotográficos de 1895.............................................. 2830 • Prancha 2- Aparelhos fotográficos Especiais de 1895............................... 2831 • Prancha 3- Aparelhos fotográficos de 1895 Detalhes............................... 2832 • Prancha 4- Obturadores Fotográficos Centrais......................................... 2833 • Prancha 5- Tipos de Obturadores............................................................ 2834 • Prancha 6- Construção de Câmaras com Fotômetro................................ 2835 • Prancha 7- Sistemas Automáticos de Exposição....................................... 2836 • Prancha 8- Sistemas de Medição em Câmaras Reflex............................... 2837 • Prancha 9- Construção da câmara Kiev 10................................................ 2838 • Prancha 10- Peças e Mecânica da Câmara Kiev 10 ................................... 2839 • Prancha 11- Peças e Mecânica da Câmara Kiev 10 ................................... 2840 • Prancha 12- Construção da Câmara Kiev -
Press Information
Press Information photokina 2018: Visitors to the Leica Camera stand in Hall 2.2 can look forward to a discovering a comprehensive portfolio of products and services Wetzlar, 6 September 2018. The focus of Leica’s appearance at photokina 2018 in Cologne is not only set on the extremely diverse product portfolio of the traditional manufacturer from Wetzlar, but also on the Leitz Park itself. At Leica, everything has always revolved around the picture, the school of visualisation, the history of photography, the vibrancy of photographic culture and the people behind the cameras – in other words, DAS WESENTLICHE. Since the opening of the Leitz Park complex on 15 June 2018, all this is now a visible and tangible experience. In the open-plan, newly conceived Leica stand in Hall 2.2, visitors can find information and comprehensive advice about the broad spectrum of Leica products and services for all photographic applications and scenarios. The demonstration area has now been split into thematic areas to provide easier orientation for professionals, amateurs and other visitors interested in particular Leica products or services. While the ‘Professional’ area concentrates on the Leica S and its lenses and products from Sinar Photography, the ‘Systems’ area focuses on the Leica SL, the Leica M and the APS-C cameras of the Leica CL and Leica TL systems – and, of course, the full range of corresponding Leica precision lenses. The ‘Compact’ area is dedicated to the Leica Q, Leica D-Lux, Leica V-Lux, Leica X-U and Leica C-Lux cameras and the Leica Sofort instant picture camera. -
2007 – a Small Company from Kiev / Ukraine Introduces
2007 – a small company from Kiev / Ukraine introduces....... 1 Hartblei Superrotator with Optics by Carl Zeiss Innovation and Tradition A German-Ukrainian Cooperation © Stefan Steib 2007 2 Superrotator Optics by Carl Zeiss 3 3 New Highend Lenses for Professionals 40 mm Distagon 1:4,0 Superrotator 80 mm Planar 1:2,8 Superrotator 120 mm MacroPlanar 1:4,0 Superrotator 4 New Hartblei-Zeiss Superrotators All 3 have in common: . At least 10 mm shift . At least 8 degrees Tilt . Full 2 x 360 degrees Rotation of both - independently ! . Manual aperture, no electronic coupling to camera . Initially available with Canon, Nikon and Sony Alpha mounts(others on request) 5 5 Samples of possible Lens Movements 6 How does it Work ? The so called Tilt uses the Scheimpflug Effect, which states that as long 3 planes: object, film or sensor and lens main axis will cross in the same point, a resulting picture will be in perfect sharpness. Now if you detune this setup willingly, you can achieve special effects by modifying sharpness, achieving dreamlike or perspective illusion effects (toybox effect) 7 Potential Users of Superrotator Lenses Professional studio photography with perspective control and sharpness expansion: tabletop, food, catalog, product and packshots....... Industry and scientific (enhanced sharpness) Stitching: enlarge net. image size by up to 200 % of original sensor capacity Outdoors : architecture (toybox effect), landscape (stitched panoramas, blurred foregrounds / backgrounds ) Fashion & Portrait: (faded or shifted sharpness) -
Learn Camera Repair
3. A. VISHNEVSKY CAMERA REPAIR Publishing House "Light Industry" Mo s k in a —1964 The book describes the structure of the mechanisms of most photographic devices currently produced by the industry. interaction of parts and for each unit and mechanism, a list of inconsistencies that may arise during the operation of cameras is provided The book is designed not only for repairmen, but also for qualified amateur photographers. Along with complex cameras, the repair of which requires a lot of experience and skill, simpler devices are described. and other organizations that use a large number of cameras FOREWORD The traditional optomechanical industry produces a large number of different cameras, ranging from the simplest to the most sophisticated In 1962 alone, about 2,000,000 cameras were produced During the operation of cameras, naturally, various kinds of malfunctions arise that require qualified repair.In most large cities, photo cameras are repaired in warranty workshops of manufacturers' factories However, such workshops are still not enough The author of this book shares his practical experience, as well as the experience of training camera repairmen at the Training Center for the Management of Consumer Services of the iMocrop Executive Committee. The book examines in detail the structure of mechanisms of various cameras, describes in detail the interaction of parts and gives a list of possible malfunctions for each unit and mechanism with indicating ways to eliminate them The book will help novice masters learn how to repair cameras.Photo -
Kiev 88 / 88TT Posted 2-12-'04
Kiev 88 / 88TT Posted 2-12-'04 This camera manual library is for reference and historical purposes, all rights reserved. This page is copyright© by , M. Butkus, NJ. This page may not be sold or distributed without the expressed permission of the producer I have no connection with any camera company On-line camera manual library If you find this manual useful, how about a donation of $3 to: M. Butkus, 29 Lake Ave., High Bridge, NJ 08829-1701 and send your e-mail address so I can thank you. Most other places would charge you $7.50 for a electronic copy or $18.00 for a hard to read Xerox copy. This will help me to continue to host this site, buy new manuals, and pay their shipping costs. It'll make you feel better, won't it? If you use Pay Pal, use the link below. Use the above address for a check, M.O. or cash. www.PayPal.me/butkus Back to main camera manual page Since efforts are continually made to improve the reliability and performance of the product, minor changes may be introduced without special notice. CAMERA KIEV 88 KIEV 88 TTL GENERAL The KIEV 88 is a medium-size reflex camera with an all-metal curtain shutter and interchangeable magazines of sizes 6x6 cm. The camera is available in two models: KIEV 88 and KIEV 88 TTL. The KIEV 88 TTL differs from the KIEV 88 in that the former is complete with a prismatic view finder with a built-in exposure meter. The camera is intended for amateur photography. -
LEICA SL-SYSTEM Technical Data
LEICA SL-SYSTEM Technical Data. Camera Type LeiCa SL (Typ 601) Order No. 10 850 Mirrorless Fullframe System Camera Current Firmware 2.0 Lenses Lens Mount Leica L-Mount Applicable lenses Leica Vario-Elmarit-SL 24–90 mm f/2.8–4 ASPH. Order No. 11 176 Leica APO-Vario-Elmarit-SL 90–280 mm f/2.8–4 Order No. 11 175 Leica Summilux-SL 50 mm f/1.4 ASPH. Order No. 11 180 Lenses from the Leica T Camera System, Leica M-Lenses with Leica M-Adapter T, Leica S-Lenses with Leica S-Adapter L, Leica R-Lenses with Leica R-Adapter L and Leica Cine lenses with Leica PL-Adapter L. Sensor Type 24-MP-CMOS-Sensor (24 × 36 mm) Resolution Full Frame (24 MP): 6000 × 4000 Pixel, APS-C (10 MP): 3936 × 2624 Pixel Filter IR-Filter, no Lowpass Filter ISO ISO 50–ISO 50000 Sensor Cleaning Provided Processor Type Leica Maestro II series Internal RAM 2 GB: 33 DNGs or 30 JPEGs and DNGs image Image Data Format JPEG, DNG Colordepth 14 bit (DNG), 8 bit (JPEG) JPEG Color Space Adobe RGB, ECI RGB, sRGB Motion File Format MP4, MOV Resolution 4K (4096 × 2160) @ 24 fps; 4K (3840 × 2160) @ 25 and 30 fps; 1080 @ 24, 25, 30, 50, 60, 100 and 120 fps; 720 @ 24, 25, 30, 50, 60, 100 and 120 fps Bitrate 8 bit (recording); 10 bit (HDMI not recording) Color sampling 4:2:2/10 bit (HDMI only); 4:2:0/8 bit (recording on SD card) Video L-Log selectable Audio Manual/Auto; Stereo microphone, 48 kHz, 16 bit; Wind elimination Audio external via Audio-Adapter Audio-In (3.5 mm phone jack), Audio-Out (3.5 mm phone jack) Movie Length Max. -
LEICA SL-SYSTEM Technical Data
LEICA SL-SYSTEM Technical Data. Camera Type LeiCa SL (Typ 601) Order No. 10 850 Mirrorless Fullframe System Camera Current Firmware 2.1 Lenses Lens Mount Leica L-Mount Applicable lenses Leica Vario-Elmarit-SL 24–90 mm f/2.8–4 ASPH. Order No. 11 176 Leica APO-Vario-Elmarit-SL 90–280 mm f/2.8–4 Order No. 11 175 Leica Summilux-SL 50 mm f/1.4 ASPH. Order No. 11 180 Lenses from the Leica T Camera System, Leica M-Lenses with Leica M-Adapter T, Leica S-Lenses with Leica S-Adapter L, Leica R-Lenses with Leica R-Adapter L and Leica Cine lenses with Leica PL-Adapter L. Sensor Type 24-MP-CMOS-Sensor (24 × 36 mm) Resolution Full Frame (24 MP): 6000 × 4000 Pixel, APS-C (10 MP): 3936 × 2624 Pixel Filter IR-Filter, no Lowpass Filter ISO ISO 50–ISO 50000 Sensor Cleaning Provided Processor Type Leica Maestro II series Internal RAM 2 GB: 33 DNGs or 30 JPEGs and DNGs image Image Data Format JPEG, DNG Colordepth 14 bit (DNG), 8 bit (JPEG) JPEG Color Space Adobe RGB, ECI RGB, sRGB Motion File Format MP4, MOV Resolution 4K (4096 × 2160) @ 24 fps; 4K (3840 × 2160) @ 25 and 30 fps; 1080 @ 24, 25, 30, 50, 60, 100 and 120 fps; 720 @ 24, 25, 30, 50, 60, 100 and 120 fps Bitrate 8 bit (recording); 10 bit (HDMI not recording) Color sampling 4:2:2/10 bit (HDMI only); 4:2:0/8 bit (recording on SD card) Video L-Log selectable Audio Manual/Auto; Stereo microphone, 48 kHz, 16 bit; Wind elimination Audio external via Audio-Adapter Audio-In (3.5 mm phone jack), Audio-Out (3.5 mm phone jack) Movie Length Max. -
Rolleiflex-6000.Pdf
Rolleiflex 6000-System Lenses and Dedicated Accessories www.mr-alvandi.com Top-notch Lenses Only the best lenses are good enough for a profes- Glass sional camera system. A combination of proper lens curvatures and suitable For your Rolleiflex 6008 AF and Rolleiflex 6008 Integral glass types are your guarantee that the Rollei line of you may choose between lenses from ultra-wide-angle, lenses are optimally corrected for aberrations for sharp wide-angle and standard lenses to telephoto, zoom and brilliant pictures. Carl Zeiss, Schneider-Kreuznach and several special-purposes lenses. All of them cut- and Franke & Heidecke use advanced glass types, some ting-edge products made by Carl Zeiss and Schneider- of which with particularly high refractive indices. Kreuznach, the world-famous specialists for medium- format optics. All of them with Rollei HFT coating (High Mechanics Fidelity Transfer) for optimum flare suppression and bril- A lens consists of several elements, some of which may liant colors. be combined in components. These are axially shifted for focusing and zooming, sometimes even in opposite Our PQ (Professional Quality) and PQS lenses, the latter directions. All these motions have to be very precise in with a top shutter speed of 1/1000 s, are the result of order not to degrade the high performance of the advanced optical design techniques, innovative technol- lenses over their entire focusing and zooming ranges. ogy and permanent optimization. All of them use the Precise manufacturing techniques and high-quality unique Rollei Direct-Drive technology: The diaphragm materials make sure that the tight tolerances are met and shutter blades in the lens are driven by two linear even after many years of use. -
Mamiya 645 200Mm F2.8 APO Review
16/08/2018 REVIEW | Mamiya 645M 200mm F2.8 APO PEBBLE PLACE REVIEWS - Medium Format - Mamiya 645M 200mm F2.8 APO Telephoto Lens HOME REVIEWS Rangefinder SLR Medium Format Accessories GEAR TALK LEICA db CONTAX db MAMIYA 645M 200MM F2.8 TELEPHOTO LENS My Facebook Page PICTURES Like 0 Updated June 19, 2018 Production Early 1980’s to 2002 Lens Composition 7 Elements in 5 Groups Floating Element No Angular Field of View 20˚ at infinity Actual Field of View 124mm (35mm Equivalent, on a 645 film negative) Minimum Focus 2.5 Meters / 8.2 Feet Aperture 8 Blades, Octagonal F-Stop Scale F2.8 to F22; full stop detents Filter Size 77mm Lens Cap 77mm Mamiya 645M 200mm F2.8 APO Lens Hood Built-in (slides into place) plus Screw-on Extension Phase One P65+ • F8 • 4-Sec • ISO 50 Weight 1107 Grams / 2.43 pounds (without caps) Lens Size 91mm Wide x 143.5mm Long OVERVIEW The Mamiya 645M 200mm F2.8 APO was designed for use on the Mamiya M645, M645-1000S, M645 J 645 Super and M645 PRO. While those cameras are long since discontinued, the Mamiya 200mm F2.8 APO's mounts directly to today’s modern Mamiya / Phase One 645AF bodies. These days I use the Mamiya 200mm F2.8 APO via the Leica S-Adapter Mamiya on the Leica S Typ 006, and have found the Mamiya 200mm APO to be outstanding portrait lens and equally adept Mamiya 645M 200mm F2.8 APO Phase One P65+ • F8 • 1/125 • ISO 50 as a landscape lens.