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Film Camera That Is Recommended by Photographers
Film Camera That Is Recommended By Photographers Filibusterous and natural-born Ollie fences while sputtering Mic homes her inspirers deformedly and flume anteriorly. Unexpurgated and untilled Ulysses rejigs his cannonball shaming whittles evenings. Karel lords self-confidently. Gear for you need repairing and that film camera is photographers use our links or a quest for themselves in even with Film still recommend anker as selections and by almost immediately if you. Want to simulate sunrise or sponsored content like walking into a punch in active facebook through any idea to that camera directly to use film? This error could family be caused by uploads being disabled within your php. If your phone cameras take away in film photographers. Informational statements regarding terms of film camera that is recommended by photographers? These things from the cost of equipment, recommend anker as true software gizmos are. For the size of film for street photography life is a mobile photography again later models are the film camera that is photographers stick to. Bag check fees can add staff quickly through long international flights, and the trek on entire body from carrying around heavy gear could make some break down trip. Depending on your goals, this concern make digitizing your analog shots and submitting them my stock photography worthwhile. If array passed by making instant film? Squashing ever more pixels on end a sensor makes for technical problems and, in come case, it may not finally the point. This sounds of the rolls royce of london in a film camera that is by a wide range not make photographs around food, you agree to. -
Carl Zeiss, 32, Wagnergasse, Jena, Germany. ((1847) Also: 29/II Dorotheen Strasse 29, Berlin, Germany
Carl Zeiss, 32, Wagnergasse, Jena, Germany. ((1847) also: 29/II Dorotheen strasse 29, Berlin, Germany. (1901) and 29, Margaret St, Regent St, London W (1901) The founder, Carl Zeiss (1816-1888) was born in Weimar, the son of a cabinet maker and ivory carver. He graduated from school in 1834, qualified to be apprenticed to the Grand Dukes Instrument maker, Dr Koerner, and attended academic courses as well as working as apprentice. Next he travelled from Jan. 1838 to Oct. 1845 to study in Stuttgart, Darmstadt, Vienna, and Berlin to broaden his experience. Back at home, he studied chemistry and higher mathematics. By May 1845, he felt well enough qualified to apply to the County Administration at Weimar for permission to found "An establishment for the production of advanced mechanical devices", hoping for a relationship with the University to advance designs. Money was tight with capital of 100 Thalers (possibly £100) only, but in Nov. 1846, he opened at 7, Neugasse. It remained a small business for years, as it took some 20 years for the University relationship to be productive, and he often grew weary of the trial and error methods traditionally used in the trade. Much of the production was of microscopes- often relatively simple ones by modern standards, such as dissection viewers. Then in 1863, a young lecturer Ernst Abbe (1840-1905) joined the University to teach physics and astronomy. Zeiss approached him in 1866 for cooperation in the design of improved systems and this lead to new ideas, eg in the Abbe refractometer (1869), a comparator and a spectrometer. -
2300 Anos De Fotografia Índex Distribuído Quarta Fase
2300 Anos de Fotografia Índex Distribuído Quarta fase: Volumes 8, 9, 10, 11 e 12 Técnica construtiva e Tipos e Modelos sugestões. Construção doméstica e Tipos mais difundidos. Posters e Descrições das Câmaras mais influentes. E seus fabricantes. Histórico das inovações tecnológicas nas Câmaras que marcaram época. Construção 2300 Anos de Fotografia Livro 8 1ª parte Capítulo 1. Esquemas gerais de montagem J. Pranchas descritivas................................................................................ 2827 • Prancha 1- Aparelhos fotográficos de 1895.............................................. 2830 • Prancha 2- Aparelhos fotográficos Especiais de 1895............................... 2831 • Prancha 3- Aparelhos fotográficos de 1895 Detalhes............................... 2832 • Prancha 4- Obturadores Fotográficos Centrais......................................... 2833 • Prancha 5- Tipos de Obturadores............................................................ 2834 • Prancha 6- Construção de Câmaras com Fotômetro................................ 2835 • Prancha 7- Sistemas Automáticos de Exposição....................................... 2836 • Prancha 8- Sistemas de Medição em Câmaras Reflex............................... 2837 • Prancha 9- Construção da câmara Kiev 10................................................ 2838 • Prancha 10- Peças e Mecânica da Câmara Kiev 10 ................................... 2839 • Prancha 11- Peças e Mecânica da Câmara Kiev 10 ................................... 2840 • Prancha 12- Construção da Câmara Kiev -
2007 – a Small Company from Kiev / Ukraine Introduces
2007 – a small company from Kiev / Ukraine introduces....... 1 Hartblei Superrotator with Optics by Carl Zeiss Innovation and Tradition A German-Ukrainian Cooperation © Stefan Steib 2007 2 Superrotator Optics by Carl Zeiss 3 3 New Highend Lenses for Professionals 40 mm Distagon 1:4,0 Superrotator 80 mm Planar 1:2,8 Superrotator 120 mm MacroPlanar 1:4,0 Superrotator 4 New Hartblei-Zeiss Superrotators All 3 have in common: . At least 10 mm shift . At least 8 degrees Tilt . Full 2 x 360 degrees Rotation of both - independently ! . Manual aperture, no electronic coupling to camera . Initially available with Canon, Nikon and Sony Alpha mounts(others on request) 5 5 Samples of possible Lens Movements 6 How does it Work ? The so called Tilt uses the Scheimpflug Effect, which states that as long 3 planes: object, film or sensor and lens main axis will cross in the same point, a resulting picture will be in perfect sharpness. Now if you detune this setup willingly, you can achieve special effects by modifying sharpness, achieving dreamlike or perspective illusion effects (toybox effect) 7 Potential Users of Superrotator Lenses Professional studio photography with perspective control and sharpness expansion: tabletop, food, catalog, product and packshots....... Industry and scientific (enhanced sharpness) Stitching: enlarge net. image size by up to 200 % of original sensor capacity Outdoors : architecture (toybox effect), landscape (stitched panoramas, blurred foregrounds / backgrounds ) Fashion & Portrait: (faded or shifted sharpness) -
Kiev 88 / 88TT Posted 2-12-'04
Kiev 88 / 88TT Posted 2-12-'04 This camera manual library is for reference and historical purposes, all rights reserved. This page is copyright© by , M. Butkus, NJ. This page may not be sold or distributed without the expressed permission of the producer I have no connection with any camera company On-line camera manual library If you find this manual useful, how about a donation of $3 to: M. Butkus, 29 Lake Ave., High Bridge, NJ 08829-1701 and send your e-mail address so I can thank you. Most other places would charge you $7.50 for a electronic copy or $18.00 for a hard to read Xerox copy. This will help me to continue to host this site, buy new manuals, and pay their shipping costs. It'll make you feel better, won't it? If you use Pay Pal, use the link below. Use the above address for a check, M.O. or cash. www.PayPal.me/butkus Back to main camera manual page Since efforts are continually made to improve the reliability and performance of the product, minor changes may be introduced without special notice. CAMERA KIEV 88 KIEV 88 TTL GENERAL The KIEV 88 is a medium-size reflex camera with an all-metal curtain shutter and interchangeable magazines of sizes 6x6 cm. The camera is available in two models: KIEV 88 and KIEV 88 TTL. The KIEV 88 TTL differs from the KIEV 88 in that the former is complete with a prismatic view finder with a built-in exposure meter. The camera is intended for amateur photography. -
Annual Report 2017/18 of the ZEISS Group
Annual Report 2017/18 ZEISS Group Financial Highlights (IFRSs) 2017/18 2016/17 2015/16 € m % € m % € m % Revenue 5,817 100 5,348 100 4,881 100 » Germany 610 10 621 12 612 13 » Other countries 5,207 90 4,727 88 4,269 87 Research and development expenses 642 11 552 10 436 9 EBIT 772 13 770 14 615 13 Consolidated profit/loss 535 9 561 10 404 8 Cash flows from operating activities 576 445 425 Cash flows from investing activities -334 -642 -357 Cash flows from financing activities -89 258 -207 Total assets 7,903 100 7,317 100 5,658 100 Property, plant and equipment 1,028 13 973 13 979 17 » Capital expenditures 244 183 154 » Amortization, depreciation and impairment 164 160 155 Inventories 1,391 18 1,275 17 1,118 20 Equity 3,763 48 3,429 47 1,416 25 Net liquidity 2,120 1,986 568 Employees as of 30 September 29,309 26,945 25,433 » Germany 12,067 11,339 10,770 » Other countries 17,242 15,606 14,663 Further information at: www.zeiss.com/annualreport Content Fiscal Year 2017/18 Foreword from the Executive Board 4 Expert Interview 6 Fiscal Year Highlights 10 Represented Worldwide 12 Future-Shaping Segments 13 Responsible Behavior 14 Ownership Structure 15 Report of the Supervisory Board 16 Supervisory Board of Carl Zeiss AG 18 Corporate Governance 18 Group Management Report The ZEISS Group 20 Report on Economic Position 22 Non-Financial Key Performance Indicators 31 Risk and Opportunity Report 34 Subsequent Events 38 Report on Expected Developments 39 Consolidated Financial Statements Consolidated Income Statement 42 Consolidated Statement of Comprehensive -
Kiev-60TTL Posted 2-12-'04
Kiev-60TTL posted 2-12-'04 This camera manual library is for reference and historical purposes, all rights reserved. This page is copyright© by , M. Butkus, NJ. This page may not be sold or distributed without the expressed permission of the producer I have no connection with any camera company On-line camera manual library This is the full text and images from the manual. If you find this manual useful, how about a donation of $3 to: M. Butkus, 29 Lake Ave., High Bridge, NJ 08829-1701 and send your e-mail address so I can thank you. Most other places would charge you $7.50 for a electronic copy or $18.00 for a hard to read Xerox copy. This will help me to continue to host this site, buy new manuals, and pay their shipping costs. It'll make you feel better, won't it? If you use Pay Pal, use the link below. Use the above address for a check, M.O. or cash. www.PayPal.me/butkus Back to main camera manual page Since efforts are continually made to improve the reliability and performance of the product, minor changes may be introduced without special notice. CAMERA KIEV -60 TTL 1. GENERAL The KIEV-60 TTL is a reflex camera with frame size 6x6 cm of the TTL system. The camera is designed for the use of a roll non-perforated photographic film of 61.5 mm in width, type 120 (122 pictures can be taken using this film). It is intended for amateur picture-taking. -
Leica Revives Iconic Soviet Zenit Camera
Established 1961 22 T Thursday, September 27, 2018 L i f e s t y l e Fe a t u r e s Elderly stars give love one last go in sequel to film classic rench director Claude Lelouch has Woman’ is a hommage to life. It is a love story living legends in France, with Aimee adored for started shooting a sequel to his classic that tells us that there is always a second her iconic roles in Jacques Demy’s “Lola”, romance “A Man and a Woman” with chance,” he said earlier. “The same actors have Fellini’s masterpiece “La Dolce Vita” and the Fthe same actors, 52 years after the orig- retaken up their roles. The script is secret, it will American Robert Altman’s “Pret a Porter”. inal was a box office smash. The movie has be a surprise,” his production company Films 13 The original film also made the theme song gone down in film legend for its theme tune of said in a statement. As well as its double Oscar by Pierre Barouh and Francis Lai a global hit. the same name, with its “chabadabada, victory, the original film won two Golden Globes “We didn’t know that it would be such an opti- chabadabada” refrain. Lelouch’s production and the Palme d’Or at the Cannes film festival. mistic film at the start,” Lelouch recalled. “When company confirmed Wednesday that filming I wrote it first I thought to myself, ‘Bloody hell, had begun in Deauville on the northern French it’s sad.’ The optimism came from the music; we coast, the same resort where the 1966 double- Trintignant Starcame retired back from twice a 14-year retire- showed that life was stronger than death and Oscar-winning love story unfolds. -
Contax Way Da.Pdf
Introduction The second period can be considered in Germany, as the one of the immediate post war, beginning in march 1945 up to the end of the Contax rangefinder construction by Zeiss Ikon in Sttutgart that means as 1958, time of issue the firsts Contarex cameras, although RF Contaxes were commercialized up to 1962. There are some historians that consider this era as up to 1987 when finally ended the construction of Kievs 35mm rangefinder, that really was the continuation of the pre war Contax II/III. Lenses for Contax cameras suffered, from the end of WWII, enormous alterations in origins place of manufacturing, design, manufacturing materials and glass types. and of course, quality. Lens manufacturing suffered different processes than camera production. The split of Germany in militarized zones, which later led to the advent of two Germanys, shocked the original main lens production at Jena, through the new Oberkochen plant in the West Germany. Beyond a natural reduction of market share, the Jena of Eastern Germany, payed a tribute to Russians due the need of war compensations. Jena Factory paid Soviet Union a new Contax factory at full operation level, later transferred to Kiev, as well as produced in large scales finished lenses and parts to be assembled, concentrating its pilot production in Krasnogorsk, near Moscow, where a new generation of lenses was born. West Germany received the “benefits” of the Marshall Plan opening new factories at West Germany. During the War, justified by the necessary efforts towards the victory, USA government launched the “War Bonus” in order to remove the Country rolling stock, and Government decided to buy cash all the factories military production, putting all people living in factories in order to mass produce needed war goods. -
Lens Mount and Flange Focal Distance
This is a page of data on the lens flange distance and image coverage of various stills and movie lens systems. It aims to provide information on the viability of adapting lenses from one system to another. Video/Movie format-lens coverage: [caveat: While you might suppose lenses made for a particular camera or gate/sensor size might be optimised for that system (ie so the circle of cover fits the gate, maximising the effective aperture and sharpness, and minimising light spill and lack of contrast... however it seems to be seldom the case, as lots of other factors contribute to lens design (to the point when sometimes a lens for one system is simply sold as suitable for another (eg large format lenses with M42 mounts for SLR's! and SLR lenses for half frame). Specialist lenses (most movie and specifically professional movie lenses) however do seem to adhere to good design practice, but what is optimal at any point in time has varied with film stocks and aspect ratios! ] 1932: 8mm picture area is 4.8×3.5mm (approx 4.5x3.3mm useable), aspect ratio close to 1.33 and image circle of ø5.94mm. 1965: super8 picture area is 5.79×4.01mm, aspect ratio close to 1.44 and image circle of ø7.043mm. 2011: Ultra Pan8 picture area is 10.52×3.75mm, aspect ratio 2.8 and image circle of ø11.2mm (minimum). 1923: standard 16mm picture area is 10.26×7.49mm, aspect ratio close to 1.37 and image circle of ø12.7mm. -
Zenit and Leica Present a Joint Production Camera in Cologne
Zenit and Leica present a joint production camera in Cologne September 26, 2018 Press release Krasnogorsky Zavod, manufacturer of the Russian brand Zenit, in cooperation with Leica Camera AG, German manufacturer of premium cameras and optics, designed a new digital rangefinder camera Zenit M with a new generation lens. The Shvabe Holding, part of Rostec, has presented this product on its exhibition stand at Photokina 2018, the largest international trade fair for the photographic and imaging industries held in Cologne. One of the participants of this Russian-German project is Krasnogorsky Zavod (KMZ Zenit), one of the Russian leading designers of photographic equipment, is part of the Shvabe Holding. The Zenit M camera is technically based on the Leica M Type 240 platform, but has been modified both in terms of hardware and software. The camera is equipped with Zenitar 35 mm f/1.0 lens manufactured in steel and glass. It is completely designed and manufactured in Russia, 100% of its components and materials are Russian-made. The lens creates an image that doesn’t require processing, has unique bokeh and soft focus effect. Manufacturers present first Zenit M cameras in Cologne. Design of the modern Zenit M camera copies designs of the legendary Zenit and Zorky cameras, it is a full-frame rangefinder camera created for photography under various conditions. The official presentation took place with participation of Andreas Kaufmann, major shareholder and chairman of Leica Camera AG supervisory board, Ivan Ozhgikhin, Deputy CEO of the Shvabe Holding for Development of Sales, Marketing and Service Support Systems for Civil Products and Vadim Kaliugin, CEO of KMZ Zenit. -
Express Camera Auction 22Nd May 2018 at 10:00
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Express Camera Auction 22nd May 2018 at 10:00 Viewing 21st May 10:00-16:00 For enquiries relating to the sale: Saleroom One Please contact: 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Fax: 0871 714 6905 Email: [email protected] www.specialauctionservices.com Austin Mike Spencer Farahar Express Cameras Cameras Bid Here Without Being Here All you need is your computer and an internet connection and you can make real-time bids in real-world auctions at the-saleroom.com. You don’t have to be a computer whizz. All you have to do is visit www.the-saleroom.com and register to bid - its just like being in the auction room. A live audio feed means you hear the auctioneer at the same time as other bidders. You see the lots on your computer screen as they appear in the auction room and the auctioneer is aware of your bids the moment you make them. Just register and click to bid! 1. Brass Lens, a Houghton 11. A Bell & Howell Limina 1.2 23. A Tray of 8mm Cine Cameras, front standard together with various Auto Load Projector, and a Pentakamat including a Bell & Howell Electric Eye, mahogany and brass camera parts 300 slide projector £20-40 a Sankyo 8-CM, a Prinz Corvette 2 and £50-80 other examples £20-30 12. A Jemelle Camera, camera 2. Photographic Books, a large appears to have been modified/ 24. A Tray of Kodak Retina qty of titles including collector guides, adapted with a block of wood and Cameras, to include Retina II, IIa and technical manuals and more £30-50 bush shutter one lens, including a two IIIc’s £30-50 Kodak model B cine camera £20-40 3.