Learn Camera Repair

Total Page:16

File Type:pdf, Size:1020Kb

Learn Camera Repair 3. A. VISHNEVSKY CAMERA REPAIR Publishing House "Light Industry" Mo s k in a —1964 The book describes the structure of the mechanisms of most photographic devices currently produced by the industry. interaction of parts and for each unit and mechanism, a list of inconsistencies that may arise during the operation of cameras is provided The book is designed not only for repairmen, but also for qualified amateur photographers. Along with complex cameras, the repair of which requires a lot of experience and skill, simpler devices are described. and other organizations that use a large number of cameras FOREWORD The traditional optomechanical industry produces a large number of different cameras, ranging from the simplest to the most sophisticated In 1962 alone, about 2,000,000 cameras were produced During the operation of cameras, naturally, various kinds of malfunctions arise that require qualified repair.In most large cities, photo cameras are repaired in warranty workshops of manufacturers' factories However, such workshops are still not enough The author of this book shares his practical experience, as well as the experience of training camera repairmen at the Training Center for the Management of Consumer Services of the iMocrop Executive Committee. The book examines in detail the structure of mechanisms of various cameras, describes in detail the interaction of parts and gives a list of possible malfunctions for each unit and mechanism with indicating ways to eliminate them The book will help novice masters learn how to repair cameras.Photo amateurs will be able to use it to familiarize themselves with the device of their own camera, which will help them to operate it correctly, and, if necessary, to troubleshoot Along with simple cameras, the book for the first time discusses in detail cameras of high complexity This part of the book is designed for photographers who already have practical experience, and will help them improve their skills The kyiga describes in most detail the device of the Zorkiy camera's shutter, since the principle of lei STEP I'm from wow ... awera l can be used in the design of most of the most famous curtain cameras In each subsequent model, the main attention is paid to the modernized units Therefore, when familiarizing yourself with the most advanced devices, it is first recommended to familiarize yourself with the more idle model of this camera The description of cameras according to their design features is divided into four groups, in each group the description is from a simple model to the most complex • l., 3 It should be noted that the repair of the most complex models requires practical training at the manufacturing plant or training under the guidance of an experienced craftsman. However, releasing real book, the publishing house means that, using it, craftsmen will be able to master complex types of repairs in their daily practical work CHAPTER I WORKPLACE, TOOLS, INSTRUMENTS AND DEVICES FOR REPAIR AND ADJUSTMENT CAMERAS It is recommended to repair cameras at a special watch workbench. Such a workbench should have a smooth, flat surface and high sides on the tanks and at the back. It is recommended to cover the entire working part of the workbench with thick green paper so as not to tire your eyesight. A small sheet of clean paper is placed in the center of the working part of the table, which is changed as it gets dirty. The floor around the table should be free of cracks or covered with linoleum to make it easier to find parts that have fallen down. The lighting of the workplace depends on the individual needs of the craftsman, however, it is recommended to have a pendant lamp above the table, giving shadowless lighting. Parts filing, drilling and other large locksmithing works are performed at a separate locksmith workbench. When repairing cameras, use a conventional watch tool. Basically, the tool kit should include: Screwdriver set (Fig. 1, a) 5-7 pieces with different blade widths and thicknesses, several tweezers of different profiles, pliers, round nose pliers, regular nippers and side cutters, a set of file files, a hand watch vise, a watch hammer, as well as several brushes and bristle brushes From a measuring tool you must have a caliper with a depth gauge and a micrometer. When repairing cameras, you will also need a number of special keys, which are made as needed. On fig. 1.6 shows special keys of the most common form The special equipment of the photographic workshop includes an autocollimator, which serves to check the correct installation of lenses, and a collimator to check rangefinders. Both autocoll limator and collimator can be made by yourself. Autocollimator (Fig. 2) is a long-focus fast lens 7, in the main focal plane of which the world is installed 4 Between the illuminator 2 and the milky glass is placed 3 Between the tested camera 12 and Figure: 1. Tool and special keys: a - and nstrum: 1 - nippers; 2 - round nose pliers; 3 - pliers; 4 - young current; 5 - hand vise; 6 - tweezers; 7 - otiertky; b - R e c o n d e m e FORM S sp e c i a l n s key: / - key. with replaceable blades: 2 a 3 - keys for unscrewing the rings; 4 - keys for adjusting rangefinders; 5 - universal key made of steel plate autocollimator lens - at an angle of 45 ° there is a semi-transparent mirror 8. The entire autocollimator is assembled in a metal tube (tube) 5 and is mounted on the wall with brackets /. The principle of operation of the autocollimator is as follows: the image of the world 4 illuminated by an illuminator 2 and with the help of objective 7, in the form of a parallel beam of rays projected downward towards the tested camera 12, which the fits on the site eleven objective ten up. Before I start drinking to check the camera, you need to load it with a film and open it behind the door. Image of the world 4 is projected through the lens of the tested camera onto the film loaded in it. After being reflected from the film, the image returns to the semi-transparent mirror and is viewed through the eyepiece nine. If the objective in the tested camera is set exactly to infinity (to the main focal length), then the parallelism of the rays passing through it will not be disturbed, and in the eyepiece nine will be (a clear image of the world 4 Autocollimator alignment is necessary but produce only once, during assembly For this on site eleven instead of the tested camera put a small flat-parallel free mirror with external aluminum (can use mirror from the camera "Amateur") and, looking through the eyepiece nine, advance the lens of the autocollimator 7 in the tube 5 until the image of the world 4 will be the sharpest. In this position, the Fig 2 Autocollimator- collimator lens must be firmly fixed 1 - brackets, 2 - illuminator, 3 - dairy glass, 4 - the world; ' , 5 - tube, 6 - intermediate tu * beads, 7 - lens autocollimation ra 8 - translucent mirror; nine - eyepiece, ten - tested When choosing a lens for an autocolliator, it is desirablelens, 11 that - platform, its focal 12 - pho length be at least 400-500 mm The diameter of the tube is selected depending on the diameterthe camera of the lens The lens is fixed in an intermediate tube 6, which must move freely inside the tube 5. The world 4 manufactured as follows. On a photographic plate size b X 9 cm photographed line or radial 7 the world (Fig. 3) so that it fits on an area of 10 X10 mm in the center of the plate. After development, the plate should be very well fixed. A circle is cut out of the plate along the diameter of the tube; also cut out milk glass along the diameter of the tube. The illuminator has an automobile socket and a 6-8-12 volt light bulb powered by a step-down transformer. It should be easily removable to replace a burnt out lamp. The eyepiece can be made from half of the binoculars. The translucent mirror is made from plane-parallel glass, which is Fig 3 World types: 1 - radial peace, 2 - dashed world called in a special workshop or optical factory. The rest of the autocollimator parts can be made in a mechanical workshop. A collimator for aligning SLR cameras can be assembled in the same way as an autocollimator, in a closed tube, however, it is easier to assemble a collimator on an open board Such a collimator (Fig. 4) consists of an illuminator 1 and a tube 2, in which frosted glass is mounted 3 and peace 4. The illuminator with the tube is mounted on the bracket 11. The tested reflex camera 7 is mounted on the platform 8. Lens 5 (lens) collimator is an achromatic lens, reinforced with a frame 6 and bracket nine on a common board with the illuminator ten. Achromatic lens (or the same focus lens) with a focal length of 400-500 mm installed in such a way that the world 4 was exactly in its main focal plane. There are several ways to adjust the collimator, the simplest of which is that, after removing from the tube 2 cap illuminator 1 and the world 4, consider (from the side of the filmed 8 illuminator) image of a distant object, projected by the lens 5 on frosted glass 3, which, with its matted surface, must face the lens. Distance to observed objects (distant home, antennas, trees) must be at least 500 meters.
Recommended publications
  • Film Camera That Is Recommended by Photographers
    Film Camera That Is Recommended By Photographers Filibusterous and natural-born Ollie fences while sputtering Mic homes her inspirers deformedly and flume anteriorly. Unexpurgated and untilled Ulysses rejigs his cannonball shaming whittles evenings. Karel lords self-confidently. Gear for you need repairing and that film camera is photographers use our links or a quest for themselves in even with Film still recommend anker as selections and by almost immediately if you. Want to simulate sunrise or sponsored content like walking into a punch in active facebook through any idea to that camera directly to use film? This error could family be caused by uploads being disabled within your php. If your phone cameras take away in film photographers. Informational statements regarding terms of film camera that is recommended by photographers? These things from the cost of equipment, recommend anker as true software gizmos are. For the size of film for street photography life is a mobile photography again later models are the film camera that is photographers stick to. Bag check fees can add staff quickly through long international flights, and the trek on entire body from carrying around heavy gear could make some break down trip. Depending on your goals, this concern make digitizing your analog shots and submitting them my stock photography worthwhile. If array passed by making instant film? Squashing ever more pixels on end a sensor makes for technical problems and, in come case, it may not finally the point. This sounds of the rolls royce of london in a film camera that is by a wide range not make photographs around food, you agree to.
    [Show full text]
  • Carl Zeiss, 32, Wagnergasse, Jena, Germany. ((1847) Also: 29/II Dorotheen Strasse 29, Berlin, Germany
    Carl Zeiss, 32, Wagnergasse, Jena, Germany. ((1847) also: 29/II Dorotheen strasse 29, Berlin, Germany. (1901) and 29, Margaret St, Regent St, London W (1901) The founder, Carl Zeiss (1816-1888) was born in Weimar, the son of a cabinet maker and ivory carver. He graduated from school in 1834, qualified to be apprenticed to the Grand Dukes Instrument maker, Dr Koerner, and attended academic courses as well as working as apprentice. Next he travelled from Jan. 1838 to Oct. 1845 to study in Stuttgart, Darmstadt, Vienna, and Berlin to broaden his experience. Back at home, he studied chemistry and higher mathematics. By May 1845, he felt well enough qualified to apply to the County Administration at Weimar for permission to found "An establishment for the production of advanced mechanical devices", hoping for a relationship with the University to advance designs. Money was tight with capital of 100 Thalers (possibly £100) only, but in Nov. 1846, he opened at 7, Neugasse. It remained a small business for years, as it took some 20 years for the University relationship to be productive, and he often grew weary of the trial and error methods traditionally used in the trade. Much of the production was of microscopes- often relatively simple ones by modern standards, such as dissection viewers. Then in 1863, a young lecturer Ernst Abbe (1840-1905) joined the University to teach physics and astronomy. Zeiss approached him in 1866 for cooperation in the design of improved systems and this lead to new ideas, eg in the Abbe refractometer (1869), a comparator and a spectrometer.
    [Show full text]
  • 2300 Anos De Fotografia Índex Distribuído Quarta Fase
    2300 Anos de Fotografia Índex Distribuído Quarta fase: Volumes 8, 9, 10, 11 e 12 Técnica construtiva e Tipos e Modelos sugestões. Construção doméstica e Tipos mais difundidos. Posters e Descrições das Câmaras mais influentes. E seus fabricantes. Histórico das inovações tecnológicas nas Câmaras que marcaram época. Construção 2300 Anos de Fotografia Livro 8 1ª parte Capítulo 1. Esquemas gerais de montagem J. Pranchas descritivas................................................................................ 2827 • Prancha 1- Aparelhos fotográficos de 1895.............................................. 2830 • Prancha 2- Aparelhos fotográficos Especiais de 1895............................... 2831 • Prancha 3- Aparelhos fotográficos de 1895 Detalhes............................... 2832 • Prancha 4- Obturadores Fotográficos Centrais......................................... 2833 • Prancha 5- Tipos de Obturadores............................................................ 2834 • Prancha 6- Construção de Câmaras com Fotômetro................................ 2835 • Prancha 7- Sistemas Automáticos de Exposição....................................... 2836 • Prancha 8- Sistemas de Medição em Câmaras Reflex............................... 2837 • Prancha 9- Construção da câmara Kiev 10................................................ 2838 • Prancha 10- Peças e Mecânica da Câmara Kiev 10 ................................... 2839 • Prancha 11- Peças e Mecânica da Câmara Kiev 10 ................................... 2840 • Prancha 12- Construção da Câmara Kiev
    [Show full text]
  • 2007 – a Small Company from Kiev / Ukraine Introduces
    2007 – a small company from Kiev / Ukraine introduces....... 1 Hartblei Superrotator with Optics by Carl Zeiss Innovation and Tradition A German-Ukrainian Cooperation © Stefan Steib 2007 2 Superrotator Optics by Carl Zeiss 3 3 New Highend Lenses for Professionals 40 mm Distagon 1:4,0 Superrotator 80 mm Planar 1:2,8 Superrotator 120 mm MacroPlanar 1:4,0 Superrotator 4 New Hartblei-Zeiss Superrotators All 3 have in common: . At least 10 mm shift . At least 8 degrees Tilt . Full 2 x 360 degrees Rotation of both - independently ! . Manual aperture, no electronic coupling to camera . Initially available with Canon, Nikon and Sony Alpha mounts(others on request)‏ 5 5 Samples of possible Lens Movements 6 How does it Work ? The so called Tilt uses the Scheimpflug Effect, which states that as long 3 planes: object, film or sensor and lens main axis will cross in the same point, a resulting picture will be in perfect sharpness. Now if you detune this setup willingly, you can achieve special effects by modifying sharpness, achieving dreamlike or perspective illusion effects (toybox effect)‏ 7 Potential Users of Superrotator Lenses Professional studio photography with perspective control and sharpness expansion: tabletop, food, catalog, product and packshots....... Industry and scientific (enhanced sharpness)‏ Stitching: enlarge net. image size by up to 200 % of original sensor capacity Outdoors : architecture (toybox effect), landscape (stitched panoramas, blurred foregrounds / backgrounds )‏ Fashion & Portrait: (faded or shifted sharpness)
    [Show full text]
  • Kiev 88 / 88TT Posted 2-12-'04
    Kiev 88 / 88TT Posted 2-12-'04 This camera manual library is for reference and historical purposes, all rights reserved. This page is copyright© by , M. Butkus, NJ. This page may not be sold or distributed without the expressed permission of the producer I have no connection with any camera company On-line camera manual library If you find this manual useful, how about a donation of $3 to: M. Butkus, 29 Lake Ave., High Bridge, NJ 08829-1701 and send your e-mail address so I can thank you. Most other places would charge you $7.50 for a electronic copy or $18.00 for a hard to read Xerox copy. This will help me to continue to host this site, buy new manuals, and pay their shipping costs. It'll make you feel better, won't it? If you use Pay Pal, use the link below. Use the above address for a check, M.O. or cash. www.PayPal.me/butkus Back to main camera manual page Since efforts are continually made to improve the reliability and performance of the product, minor changes may be introduced without special notice. CAMERA KIEV 88 KIEV 88 TTL GENERAL The KIEV 88 is a medium-size reflex camera with an all-metal curtain shutter and interchangeable magazines of sizes 6x6 cm. The camera is available in two models: KIEV 88 and KIEV 88 TTL. The KIEV 88 TTL differs from the KIEV 88 in that the former is complete with a prismatic view finder with a built-in exposure meter. The camera is intended for amateur photography.
    [Show full text]
  • Annual Report 2017/18 of the ZEISS Group
    Annual Report 2017/18 ZEISS Group Financial Highlights (IFRSs) 2017/18 2016/17 2015/16 € m % € m % € m % Revenue 5,817 100 5,348 100 4,881 100 » Germany 610 10 621 12 612 13 » Other countries 5,207 90 4,727 88 4,269 87 Research and development expenses 642 11 552 10 436 9 EBIT 772 13 770 14 615 13 Consolidated profit/loss 535 9 561 10 404 8 Cash flows from operating activities 576 445 425 Cash flows from investing activities -334 -642 -357 Cash flows from financing activities -89 258 -207 Total assets 7,903 100 7,317 100 5,658 100 Property, plant and equipment 1,028 13 973 13 979 17 » Capital expenditures 244 183 154 » Amortization, depreciation and impairment 164 160 155 Inventories 1,391 18 1,275 17 1,118 20 Equity 3,763 48 3,429 47 1,416 25 Net liquidity 2,120 1,986 568 Employees as of 30 September 29,309 26,945 25,433 » Germany 12,067 11,339 10,770 » Other countries 17,242 15,606 14,663 Further information at: www.zeiss.com/annualreport Content Fiscal Year 2017/18 Foreword from the Executive Board 4 Expert Interview 6 Fiscal Year Highlights 10 Represented Worldwide 12 Future-Shaping Segments 13 Responsible Behavior 14 Ownership Structure 15 Report of the Supervisory Board 16 Supervisory Board of Carl Zeiss AG 18 Corporate Governance 18 Group Management Report The ZEISS Group 20 Report on Economic Position 22 Non-Financial Key Performance Indicators 31 Risk and Opportunity Report 34 Subsequent Events 38 Report on Expected Developments 39 Consolidated Financial Statements Consolidated Income Statement 42 Consolidated Statement of Comprehensive
    [Show full text]
  • Kiev-60TTL Posted 2-12-'04
    Kiev-60TTL posted 2-12-'04 This camera manual library is for reference and historical purposes, all rights reserved. This page is copyright© by , M. Butkus, NJ. This page may not be sold or distributed without the expressed permission of the producer I have no connection with any camera company On-line camera manual library This is the full text and images from the manual. If you find this manual useful, how about a donation of $3 to: M. Butkus, 29 Lake Ave., High Bridge, NJ 08829-1701 and send your e-mail address so I can thank you. Most other places would charge you $7.50 for a electronic copy or $18.00 for a hard to read Xerox copy. This will help me to continue to host this site, buy new manuals, and pay their shipping costs. It'll make you feel better, won't it? If you use Pay Pal, use the link below. Use the above address for a check, M.O. or cash. www.PayPal.me/butkus Back to main camera manual page Since efforts are continually made to improve the reliability and performance of the product, minor changes may be introduced without special notice. CAMERA KIEV -60 TTL 1. GENERAL The KIEV-60 TTL is a reflex camera with frame size 6x6 cm of the TTL system. The camera is designed for the use of a roll non-perforated photographic film of 61.5 mm in width, type 120 (122 pictures can be taken using this film). It is intended for amateur picture-taking.
    [Show full text]
  • Leica Revives Iconic Soviet Zenit Camera
    Established 1961 22 T Thursday, September 27, 2018 L i f e s t y l e Fe a t u r e s Elderly stars give love one last go in sequel to film classic rench director Claude Lelouch has Woman’ is a hommage to life. It is a love story living legends in France, with Aimee adored for started shooting a sequel to his classic that tells us that there is always a second her iconic roles in Jacques Demy’s “Lola”, romance “A Man and a Woman” with chance,” he said earlier. “The same actors have Fellini’s masterpiece “La Dolce Vita” and the Fthe same actors, 52 years after the orig- retaken up their roles. The script is secret, it will American Robert Altman’s “Pret a Porter”. inal was a box office smash. The movie has be a surprise,” his production company Films 13 The original film also made the theme song gone down in film legend for its theme tune of said in a statement. As well as its double Oscar by Pierre Barouh and Francis Lai a global hit. the same name, with its “chabadabada, victory, the original film won two Golden Globes “We didn’t know that it would be such an opti- chabadabada” refrain. Lelouch’s production and the Palme d’Or at the Cannes film festival. mistic film at the start,” Lelouch recalled. “When company confirmed Wednesday that filming I wrote it first I thought to myself, ‘Bloody hell, had begun in Deauville on the northern French it’s sad.’ The optimism came from the music; we coast, the same resort where the 1966 double- Trintignant Starcame retired back from twice a 14-year retire- showed that life was stronger than death and Oscar-winning love story unfolds.
    [Show full text]
  • Contax Way Da.Pdf
    Introduction The second period can be considered in Germany, as the one of the immediate post war, beginning in march 1945 up to the end of the Contax rangefinder construction by Zeiss Ikon in Sttutgart that means as 1958, time of issue the firsts Contarex cameras, although RF Contaxes were commercialized up to 1962. There are some historians that consider this era as up to 1987 when finally ended the construction of Kievs 35mm rangefinder, that really was the continuation of the pre war Contax II/III. Lenses for Contax cameras suffered, from the end of WWII, enormous alterations in origins place of manufacturing, design, manufacturing materials and glass types. and of course, quality. Lens manufacturing suffered different processes than camera production. The split of Germany in militarized zones, which later led to the advent of two Germanys, shocked the original main lens production at Jena, through the new Oberkochen plant in the West Germany. Beyond a natural reduction of market share, the Jena of Eastern Germany, payed a tribute to Russians due the need of war compensations. Jena Factory paid Soviet Union a new Contax factory at full operation level, later transferred to Kiev, as well as produced in large scales finished lenses and parts to be assembled, concentrating its pilot production in Krasnogorsk, near Moscow, where a new generation of lenses was born. West Germany received the “benefits” of the Marshall Plan opening new factories at West Germany. During the War, justified by the necessary efforts towards the victory, USA government launched the “War Bonus” in order to remove the Country rolling stock, and Government decided to buy cash all the factories military production, putting all people living in factories in order to mass produce needed war goods.
    [Show full text]
  • Lens Mount and Flange Focal Distance
    This is a page of data on the lens flange distance and image coverage of various stills and movie lens systems. It aims to provide information on the viability of adapting lenses from one system to another. Video/Movie format-lens coverage: [caveat: While you might suppose lenses made for a particular camera or gate/sensor size might be optimised for that system (ie so the circle of cover fits the gate, maximising the effective aperture and sharpness, and minimising light spill and lack of contrast... however it seems to be seldom the case, as lots of other factors contribute to lens design (to the point when sometimes a lens for one system is simply sold as suitable for another (eg large format lenses with M42 mounts for SLR's! and SLR lenses for half frame). Specialist lenses (most movie and specifically professional movie lenses) however do seem to adhere to good design practice, but what is optimal at any point in time has varied with film stocks and aspect ratios! ] 1932: 8mm picture area is 4.8×3.5mm (approx 4.5x3.3mm useable), aspect ratio close to 1.33 and image circle of ø5.94mm. 1965: super8 picture area is 5.79×4.01mm, aspect ratio close to 1.44 and image circle of ø7.043mm. 2011: Ultra Pan8 picture area is 10.52×3.75mm, aspect ratio 2.8 and image circle of ø11.2mm (minimum). 1923: standard 16mm picture area is 10.26×7.49mm, aspect ratio close to 1.37 and image circle of ø12.7mm.
    [Show full text]
  • Zenit and Leica Present a Joint Production Camera in Cologne
    Zenit and Leica present a joint production camera in Cologne September 26, 2018 Press release Krasnogorsky Zavod, manufacturer of the Russian brand Zenit, in cooperation with Leica Camera AG, German manufacturer of premium cameras and optics, designed a new digital rangefinder camera Zenit M with a new generation lens. The Shvabe Holding, part of Rostec, has presented this product on its exhibition stand at Photokina 2018, the largest international trade fair for the photographic and imaging industries held in Cologne. One of the participants of this Russian-German project is Krasnogorsky Zavod (KMZ Zenit), one of the Russian leading designers of photographic equipment, is part of the Shvabe Holding. The Zenit M camera is technically based on the Leica M Type 240 platform, but has been modified both in terms of hardware and software. The camera is equipped with Zenitar 35 mm f/1.0 lens manufactured in steel and glass. It is completely designed and manufactured in Russia, 100% of its components and materials are Russian-made. The lens creates an image that doesn’t require processing, has unique bokeh and soft focus effect. Manufacturers present first Zenit M cameras in Cologne. Design of the modern Zenit M camera copies designs of the legendary Zenit and Zorky cameras, it is a full-frame rangefinder camera created for photography under various conditions. The official presentation took place with participation of Andreas Kaufmann, major shareholder and chairman of Leica Camera AG supervisory board, Ivan Ozhgikhin, Deputy CEO of the Shvabe Holding for Development of Sales, Marketing and Service Support Systems for Civil Products and Vadim Kaliugin, CEO of KMZ Zenit.
    [Show full text]
  • Express Camera Auction 22Nd May 2018 at 10:00
    Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Express Camera Auction 22nd May 2018 at 10:00 Viewing 21st May 10:00-16:00 For enquiries relating to the sale: Saleroom One Please contact: 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Fax: 0871 714 6905 Email: [email protected] www.specialauctionservices.com Austin Mike Spencer Farahar Express Cameras Cameras Bid Here Without Being Here All you need is your computer and an internet connection and you can make real-time bids in real-world auctions at the-saleroom.com. You don’t have to be a computer whizz. All you have to do is visit www.the-saleroom.com and register to bid - its just like being in the auction room. A live audio feed means you hear the auctioneer at the same time as other bidders. You see the lots on your computer screen as they appear in the auction room and the auctioneer is aware of your bids the moment you make them. Just register and click to bid! 1. Brass Lens, a Houghton 11. A Bell & Howell Limina 1.2 23. A Tray of 8mm Cine Cameras, front standard together with various Auto Load Projector, and a Pentakamat including a Bell & Howell Electric Eye, mahogany and brass camera parts 300 slide projector £20-40 a Sankyo 8-CM, a Prinz Corvette 2 and £50-80 other examples £20-30 12. A Jemelle Camera, camera 2. Photographic Books, a large appears to have been modified/ 24. A Tray of Kodak Retina qty of titles including collector guides, adapted with a block of wood and Cameras, to include Retina II, IIa and technical manuals and more £30-50 bush shutter one lens, including a two IIIc’s £30-50 Kodak model B cine camera £20-40 3.
    [Show full text]