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Lip-Blown Instruments of Ireland Before the Norman Invasion
DOWNEY 75 LIP-BLOWN INSTRUMENTS OF IRELAND BEFORE THE NORMAN INVASION Peter Downey t is generally assumed that metal lip-blown instruments were introduced into Europe by the Arabs and Moors during the Middle Ages as the result of the Crusades and other Ibelligerent contacts. This assumption requires subscribing to the belief that, with the fall of the Roman Empire, all knowledge of the manufacture and use of lip-blown instruments, such as the Roman tuba and comu or the Gallic carnyx, was lost in the turmoil and destruction of the Dark Ages. Serious doubts have been cast on the concept recently, most notably by Don Smithers.1 The arguments have been presented in a quite persuasive manner. However, what has been missing to date is "test-case" evidence from a part of Europe in which there can be shown a continuity of manufacture and use of lip-blown instruments throughout the period under scrutiny, and whose history shows that: 1) they remained outside the Roman Empire; 2) they were cushioned from the events of the Dark Ages that followed the fall of that empire in the west; 3) they did not participate in the early confrontations between Christian and Muslim. One such example is actually to be found on the fringe of Western Europe, namely, Ireland. Aspects of Ireland's testimony have been mentioned briefly in various texts, but much misunderstanding and misrepresentation has accompanied and clouded the clarity of that evidence. What follows is the first stage of an attempt to dispel some of those clouds by bringing into clearer focus the material riches preserved in Ireland from its long-lasting cultural independence.2 Because many readers may be unfamiliar with Ireland's prehistory and early history, short overviews of the historical situation are also included as appropriate to provide a contact for the instruments described. -
Inglewood's Learn4life Center Helps At-Promise Youth to Get Back on Track
Dr. Maulana Karenga- George J. McKenna III- Larry Aubry, Lying Down Like a Requiem for a Warrior, Hill: Still Having Height, Always Lawrence “Larry” Aubry– A Pointing Upward Champion of the People (See page A-6) (See page A-7) VOL. LXXXVI NO. 21, $1.00 +CA. Sales Tax “For Over Eighty Years, The Voice of Our Community Speaking for Itself.” THURSDAY, MAY 21, 2020 VOL. LXXVV, NO. 49 • $1.00 + CA. Sales Tax “For Over Eighty Years The Voice of Our Community Speaking for Itself THURSDAY, DECEMBER 12 - 18, 2013 Veteran Sentinel columnist spent decades advocating for civil rights for African Americans BY CORA JACKSON-FOSSETT his passion for social justice was called to action on be- Staff Writer and opportunity to elevate half of Black people. He the topic on a broader scale. had such love and com- LA Sentinel veteran col- He informed thousands passion for Black people umnist, Larry Aubry has of people through his col- and really wanted them to passed. No one can deny umn, “Urban Perspective,” have a better life.” that Larry was an uncom- which ran in the L.A. Senti- The indelible mark promising, relentless, no- nel for nearly 40 years, and that Aubry left was af- holds-barred warrior for through his activism with firmed by the countless social justice. For decades, organizations such as the tributes issued to mark he fought to improve condi- NAACP and the Southern his passing on May 16, at tions for African Americans Christian Leadership Con- the age of 86. L.A. City in Los Angeles, but other ference. -
Registration Numbers Low for 3N Alert System
University of Missouri, St. Louis IRL @ UMSL Current (2000s) Student Newspapers 1-28-2008 Current, January 28, 2008 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current2000s Recommended Citation University of Missouri-St. Louis, "Current, January 28, 2008" (2008). Current (2000s). 203. https://irl.umsl.edu/current2000s/203 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2000s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. THE UM-ST. LOUIS SINCE 1966 STUDENT NEWSPAPER January 28, 2008 www.thecurrentonline.com \tlll ,\ 1/ ,1.1 ..... '1 I !,- INSIDE ONE AND DONE: GOVERNOR MATT BLUNT PULLS OUT OF RE-ELEaION RACE WELLNESS CENTER South Campus dining hall opens Makeover South Campus expanded 'I will not seek'a second term' its dining hours and added for Mark a new eatery lor students, By JUSTI MONTAC UE Quick Read faculty and staff. Copy&liJor Matt Blunt was elected Missouri's 54th Twain in See NEWS, page 3 governor on Nov. 2, 2004. During Matt Blunt announced Tuesday, his term, Blunt signed 58389 into Jan. 22 that he will nol be seeking a law, giving funds to Benton-Stadler second lenn as Missouri's governor. renovations and increased availabiity the works Before running for governor of of Bright Flight scholarships to Missouri, Blunt served as Missouri's Missouri students. 37th Secretary of State, represented B y JEREM Y TR tCE the 139th legislative district Greene SlaffWriler County in the Missouri House of Rep making education the state's top bud resentativ~ and served in the Navy ge! priority; strengthening Missouri's Talks are in motion to possibly economy and entreprencurial climate in Operation Enduring Freedom, the develop a new fitness and well United States' response to the Sept. -
Grappling with Race: a Textual Analysis of Race Within the Wwe
GRAPPLING WITH RACE: A TEXTUAL ANALYSIS OF RACE WITHIN THE WWE BY MARQUIS J. JONES A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Communication April 2019 Winston-Salem, North Carolina Approved By: Ronald L. Von Burg, PhD, Advisor Jarrod Atchison, PhD, Chair Eric K. Watts, PhD ii ACKNOWLEDGEMENTS I would first like to thank my thesis advisor, Dr. Ron Von Burg of the Communication Graduate School at Wake Forest University. Dr. Von Burg’s office was always open whenever I needed guidance in the completion of this thesis. He consistently allowed this paper to be my own work, but steered me in the right direction whenever he thought I needed. I would also like to thank Dr. Jarrod Atchison and Dr. Eric Watts for serving as committed members of my Graduate Thesis Committee. I truly appreciate the time and energy that was devoted into helping me complete my thesis. Finally, I must express my very profound gratitude to my parents, Marcus and Erika Jones, for providing me with unfailing support and continuous encouragement throughout my years of sturdy and through the process of research and writing this thesis. This accomplishment would not have been possible without them. Thank you. I love you both very much. Thank you again, Marquis Jones iii TABLE OF CONTENTS ABSTRACT…………………………………………………………………..iv Chapter 1: INTRODUCTION………………………………………………Pg. 1 Chapter 2: HISTORY OF WWE……………………………………………Pg. 15 Chapter 3: RACIALIZATION IN WWE…………………………………..Pg. 25 Chapter 4: CONCLUSION………………………………………………......Pg. -
Wwe Smackdown Vs. Ra W 2010
WWE ® SMACKDOWN ® VS. RAW OVER 60 SUPERSTARS, DIVAS, AND LEGENDS! Learn all the moves for the biggest names in WWE, including Signatures and Finishers. ® RULE THE ROAD TO WRESTLEMANIA 2010 AND EMERGE A CHAMPION Become the biggest name at the greatest event in all of sports-entertainment! CREATE MODES Everything is covered inside, from creating WWE Superstars to making your own Highlight Reels and Finishers! SIGNATURE SERIES SIGNATURE www.bradygames.com www.thq.com www.wwe.com All WWE programming, talent names, images, likenesses, slogans, wrestling moves, trademarks, logos and copyrights are the $19.99 USA/$22.99 CAN/£12.99 Net UK COVERS PLAYSTATION®2 COMPUTER exclusive property of World Wrestling Entertainment, Inc. and its subsidiaries. All other trademarks, logos and copyrights are the property of their respective owners. ©2009 World Wrestling Entertainment, Inc. All Rights Reserved. ENTERTAINMENT SYSTEM, PLAYSTATION®3 ©2009 THQ/JAKKS Pacific, LLC. Used under exclusive license by THQ/JAKKS Pacific, LLC. JAKKS Pacific and the JAKKS Pacific COMPUTER ENTERTAINMENT SYSTEM, logo are trademarks of JAKKS Pacific, Inc. Developed by YUKE’S Co., Ltd. YUKE’S Co., Ltd. and its logo are trademarks and/or PLAYSTATION® PORTABLE, XBOX 360®, registered trademarks of YUKE’S Co., Ltd. THQ and the THQ logo are trademarks and/or registered trademarks of THQ Inc. All Rights Reserved. All other trademarks, logos and copyrights are property of their respective owners. AND NINTENDO Wii™ Bryan Stratton SvR10_Cover.indd 1 10/1/09 9:16:22 AM SvR10_Cover.indd -
Songs by Artist 08/29/21
Songs by Artist 09/24/21 As Sung By Song Title Track # Alexander’s Ragtime Band DK−M02−244 All Of Me PM−XK−10−08 Aloha ’Oe SC−2419−04 Alphabet Song KV−354−96 Amazing Grace DK−M02−722 KV−354−80 America (My Country, ’Tis Of Thee) ASK−PAT−01 America The Beautiful ASK−PAT−02 Anchors Aweigh ASK−PAT−03 Angelitos Negros {Spanish} MM−6166−13 Au Clair De La Lune {French} KV−355−68 Auld Lang Syne SC−2430−07 LP−203−A−01 DK−M02−260 THMX−01−03 Auprès De Ma Blonde {French} KV−355−79 Autumn Leaves SBI−G208−41 Baby Face LP−203−B−07 Beer Barrel Polka (Roll Out The Barrel) DK−3070−13 MM−6189−07 Beyond The Sunset DK−77−16 Bill Bailey, Won’t You Please Come Home? DK−M02−240 CB−5039−3−13 B−I−N−G−O CB−DEMO−12 Caisson Song ASK−PAT−05 Clementine DK−M02−234 Come Rain Or Come Shine SAVP−37−06 Cotton Fields DK−2034−04 Cry Like A Baby LAS−06−B−06 Crying In The Rain LAS−06−B−09 Danny Boy DK−M02−704 DK−70−16 CB−5039−2−15 Day By Day DK−77−13 Deep In The Heart Of Texas DK−M02−245 Dixie DK−2034−05 ASK−PAT−06 Do Your Ears Hang Low PM−XK−04−07 Down By The Riverside DK−3070−11 Down In My Heart CB−5039−2−06 Down In The Valley CB−5039−2−01 For He’s A Jolly Good Fellow CB−5039−2−07 Frère Jacques {English−French} CB−E9−30−01 Girl From Ipanema PM−XK−10−04 God Save The Queen KV−355−72 Green Grass Grows PM−XK−04−06 − 1 − Songs by Artist 09/24/21 As Sung By Song Title Track # Greensleeves DK−M02−235 KV−355−67 Happy Birthday To You DK−M02−706 CB−5039−2−03 SAVP−01−19 Happy Days Are Here Again CB−5039−1−01 Hava Nagilah {Hebrew−English} MM−6110−06 He’s Got The Whole World In His Hands -
Tutti Brassi
Tutti Brassi A brief description of different ways of sounding brass instruments Jeremy Montagu © Jeremy Montagu 2018 The author’s moral rights have been asserted Hataf Segol Publications 2018 Typeset in XƎLATEX by Simon Montagu Why Mouthpieces 1 Cornets and Bugles 16 Long Trumpets 19 Playing the Handhorn in the French Tradition 26 The Mysteries of Fingerhole Horns 29 Horn Chords and Other Tricks 34 Throat or Overtone Singing 38 iii This began as a dinner conversation with Mark Smith of the Ori- ental Institute here, in connexion with the Tutankhamun trum- pets, and progressed from why these did not have mouthpieces to ‘When were mouthpieces introduced?’, to which, on reflection, the only answer seemed to be ‘Often’, for from the Danish lurs onwards, some trumpets or horns had them and some did not, in so many cultures. But indeed, ‘Why mouthpieces?’ There seem to be two main answers: one to enable the lips to access a tube too narrow for the lips to access unaided, and the other depends on what the trumpeter’s expectations are for the instrument to achieve. In our own culture, from the late Renaissance and Early Baroque onwards, trumpeters expected a great deal, as we can see in Bendinelli’s and Fantini’s tutors, both of which are avail- able in facsimile, and in the concert repertoire from Monteverdi’s L’Orfeo onwards. As a result, mouthpieces were already large, both wide enough and deep enough to allow the player to bend the 11th and 13th partials and other notes easily. The transition from the base of the cup into the backbore was a sharp edge. -
Thesis with 1.5In Margin
ETHICS AND THEATER-MAKING IN CONTEMPORARY AMERICA: MAKING AND AVOIDING UNNATURAL DISASTERS A Thesis Presented to the Honors Tutorial College Ohio University In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Fine Arts in Theater By Olivia Rocco April 2020 This thesis has been approved by The Honors Tutorial College and the School of Theater Dr. José Delgado Costa Professor, Spanish Thesis Advisor Mary Rogus Professor, Journalism Thesis Advisor Dr. Matthew Cornish Director of Studies, Theater Dr. Donal Skinner Dean, Honors Tutorial College Table of Contents Section 1: Introduction....................................................................................1 Section 2: Literature Review...........................................................................2 2.1 Colonialism and Nationalism..........................................................2 2.2 Hurricane María..............................................................................9 2.3 Verbatim Theater and Ethical Concerns........................................12 Section 3: Methodology.................................................................................17 3.1 Participants....................................................................................20 3.2 Researcher Positionality................................................................21 3.3 Interviews......................................................................................22 3.4 Workshops.....................................................................................22 -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
Title Page Echoes of the Salpinx: the Trumpet in Ancient Greek Culture
Title Page Echoes of the salpinx: the trumpet in ancient Greek culture. Carolyn Susan Bowyer. Royal Holloway, University of London. MPhil. 1 Declaration of Authorship I Carolyn Susan Bowyer hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: ________________________ 2 Echoes of the salpinx : the trumpet in ancient Greek culture. Abstract The trumpet from the 5th century BC in ancient Greece, the salpinx, has been largely ignored in modern scholarship. My thesis begins with the origins and physical characteristics of the Greek trumpet, comparing trumpets from other ancient cultures. I then analyse the sounds made by the trumpet, and the emotions caused by these sounds, noting the growing sophistication of the language used by Greek authors. In particular, I highlight its distinctively Greek association with the human voice. I discuss the range of signals and instructions given by the trumpet on the battlefield, demonstrating a developing technical vocabulary in Greek historiography. In my final chapter, I examine the role of the trumpet in peacetime, playing its part in athletic competitions, sacrifice, ceremonies, entertainment and ritual. The thesis re-assesses and illustrates the significant and varied roles played by the trumpet in Greek culture. 3 Echoes of the salpinx : the trumpet in ancient Greek culture Title page page 1 Declaration of Authorship page 2 Abstract page 3 Table of Contents pages -
The History and Revival of the Meråker Clarinet
MOT 2016 ombrukket 4.qxp_Layout 1 03.02.2017 15.49 Side 81 “I saw it on the telly” – The history and revival of the Meråker clarinet Bjørn Aksdal Introduction One of the most popular TV-programmes in Norway over the last 40 years has been the weekly magazine “Norge Rundt” (Around Norway).1 Each half-hour programme contains reports from different parts of Norway, made locally by the regional offices of NRK, the Norwegian state broad- casting company. In 1981, a report was presented from the parish of Meråker in the county of Nord-Trøndelag, where a 69-year old local fiddler by the name of Harald Gilland (1912–1992), played a whistle or flute-like instrument, which he had made himself. He called the instrument a “fløit” (flute, whistle), but it sounded more like a kind of home-made clarinet. When the instrument was pictured in close-up, it was possible to see that a single reed was fastened to the blown end (mouth-piece). This made me curious, because there was no information about any other corresponding instrument in living tradition in Norway. Shortly afterwards, I contacted Harald Gilland, and we arranged that I should come to Meråker a few days later and pay him a visit. The parish of Meråker has around 2900 inhabitants and is situated ca. 80 km northeast of Trondheim, close to the Swedish border and the county of Jamtlandia. Harald Gilland was born in a place called Stordalen in the 1. The first programme in this series was sent on October 2nd 1976. -
Characterization And' Taxonomy Acoustical Standpoint
Characterization and' Taxonomy of Historic Brass Musical Instruments from ae Acoustical Standpoint Arnold Myers Ph.D. The University of Edinburgh 1998 I" V *\- Abstract The conceptual bases of existing classification schemes for brasswind are examined. The requirements of a taxonomy relating to the character of brass musical instruments as experienced by players and listeners are discussed. Various directly and indirectly measurable physical parameters are defined. The utility of these parameters in classification is assessed in a number of case studies on instruments in museums and collections. The evolution of instrument design since 1750 in terms of these characterization criteria is outlined. Declaration I declare that this thesis has been composed by me and that the work is my own. ? r % *} Acknowledgements I have been encouraged and helped by many in my investigations. My supervisors, D. Murray Campbell in the Department of Physics and Astronomy Christopher D.S. Field, and John Kitchen in the Faculty of Music have provided wise guidance whenever needed. Raymond Parks, Research Fellow in Fluid Dynamics, Department of Physics and Astronomy, University of Edinburgh, has given unfailing support, and has been responsible for much of the measuring equipment I have used. David Sharp has used the pulse reflectornetry techniques developed in the course of his own research to obtain bore reconstructions of numerous specimens for me. Herbert Heyde kindly discussed the measurement of historic brass instruments with me. Stewart Benzie has carried out instrument repairs for me and made the crook described in Chapter 5. I am grateful to the curators of many museums for allowing me access to the historic instruments in their care.