Drums, Raps, and Song-Games: an Ethnography of Music and Peacebuilding in the Afro-Colombian Town of Libertad (Sucre)
DRUMS, RAPS, AND SONG-GAMES: AN ETHNOGRAPHY OF MUSIC AND PEACEBUILDING IN THE AFRO-COLOMBIAN TOWN OF LIBERTAD (SUCRE) Juan Sebastián Rojas Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of Folklore and Ethnomusicology Indiana University July 2018 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee _____________________________________ Sue Tuohy, PhD _____________________________________ John McDowell, PhD _____________________________________ Daniel Reed, PhD _____________________________________ Shane Greene, PhD May 18, 2018. ii Copyright © 2018 Juan Sebastián Rojas iii To Ralam, Chabelo, And all the musicians in Libertad. You show the way. iv ACKNOWLEDGMENTS This dissertation became a reality because multiple institutions and individuals supported it financially, academically, and personally. Time and space make it impossible for me to mention all the people that helped finish this project, one way or another, which is why I will do my best to acknowledge the main parties that supported this dissertation directly. To all others, I could not have made it without you. You know who you are. First and foremost, I thank the people of Libertad, who are an inspiration and who allowed me into their community and were always supportive, open, and treated me with respect. This dissertation is also theirs. I especially thank Luis Miguel Caraballo “Ralam,” with whom I have cultivated a good friendship, and who allowed me to get close to his personal project, Afro-Música en los Montes de María, to do research.
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