Kordlondy Unveils Proposal to Revadlp Deanery
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Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
October 5, 2010 (XXI:6) Federico Fellini, 8½ (1963, 138 Min)
October 5, 2010 (XXI:6) Federico Fellini, 8½ (1963, 138 min) Directed by Federico Fellini Story by Federico Fellini & Ennio Flaiano Screenplay by Ennio Flaiano, Tullio Pinelli, Federico Fellini & Brunello Rondi Produced by Angelo Rizzoli Original Music by Nino Rota Cinematography by Gianni Di Venanzo Film Editing by Leo Cattozzo Production Design by Piero Gherardi Art Direction by Piero Gherardi Costume Design by Piero Gherardi and Leonor Fini Third assistant director…Lina Wertmüller Academy Awards for Best Foreign Picture, Costume Design Marcello Mastroianni...Guido Anselmi Claudia Cardinale...Claudia Anouk Aimée...Luisa Anselmi Sandra Milo...Carla Hazel Rogers...La negretta Rossella Falk...Rossella Gilda Dahlberg...La moglie del giornalista americano Barbara Steele...Gloria Morin Mario Tarchetti...L'ufficio di stampa di Claudia Madeleine Lebeau...Madeleine, l'attrice francese Mary Indovino...La telepata Caterina Boratto...La signora misteriosa Frazier Rippy...Il segretario laico Eddra Gale...La Saraghina Francesco Rigamonti...Un'amico di Luisa Guido Alberti...Pace, il produttore Giulio Paradisi...Un'amico Mario Conocchia...Conocchia, il direttore di produzione Marco Gemini...Guido da ragazzo Bruno Agostini...Bruno - il secundo segretario di produzione Giuditta Rissone...La madre di Guido Cesarino Miceli Picardi...Cesarino, l'ispettore di produzione Annibale Ninchi...Il padre di Guido Jean Rougeul...Carini, il critico cinematografico Nino Rota...Bit Part Mario Pisu...Mario Mezzabotta Yvonne Casadei...Jacqueline Bonbon FEDERICO FELLINI -
Lecture Outlines
21L011 The Film Experience Professor David Thorburn Lecture 1 - Introduction I. What is Film? Chemistry Novelty Manufactured object Social formation II. Think Away iPods The novelty of movement Early films and early audiences III. The Fred Ott Principle IV. Three Phases of Media Evolution Imitation Technical Advance Maturity V. "And there was Charlie" - Film as a cultural form Reference: James Agee, A Death in the Family (1957) Lecture 2 - Keaton I. The Fred Ott Principle, continued The myth of technological determinism A paradox: capitalism and the movies II. The Great Train Robbery (1903) III. The Lonedale Operator (1911) Reference: Tom Gunning, "Systematizing the Electronic Message: Narrative Form, Gender and Modernity in 'The Lonedale Operator'." In American Cinema's Transitional Era, ed. Charlie Keil and Shelley Stamp. Univ. of California Press, 1994, pp. 15-50. IV. Buster Keaton Acrobat / actor Technician / director Metaphysician / artist V. The multiplicity principle: entertainment vs. art VI. The General (1927) "A culminating text" Structure The Keaton hero: steadfast, muddling The Keaton universe: contingency Lecture 3 - Chaplin 1 I. Movies before Chaplin II. Enter Chaplin III. Chaplin's career The multiplicity principle, continued IV. The Tramp as myth V. Chaplin's world - elemental themes Lecture 4 - Chaplin 2 I. Keaton vs. Chaplin II. Three passages Cops (1922) The Gold Rush (1925) City Lights (1931) III. Modern Times (1936) Context A culminating film The gamin Sound Structure Chaplin's complexity Lecture 5 - Film as a global and cultural form I. Film as a cultural form Global vs. national cinema American vs. European cinema High culture vs. Hollywood II. -
The Journey Toward Liberation for Fellini's Woman
DOCUMENT RESUME ED 085 812 CS 500 568 AUTHOR Reynolds, Lessie M. TITLE The Journey Toward Liberation for Fellini's Woman. PUB DATE Nov 73 NOTE 10p.; Paper presented at the Annual Meeting of the Speech Communication Association (59th, New York City, November 8-11, 1973) EDRS PRICE MF-$0.65 HC-$3.29 DESCRIPTORS *Feminism; *Film Production Specialists; *Film Study; Individual Development; *Mass Media; Personal Growth; Role Perception; *Self Actualization; Social Attitudes; Social Values; Stereotypes; Womens Studies IDENTIFIERS *Characterization (Film); Fellini (Federico) ABSTRACT The characterizations of women in three of Federico Fellini's films can be used to demonstrate the process of self-actualization real women experience during the fulfillment of the promises of the women's liberation movement. The films "La Dolce Vita" and "8 1/2" portray traditional stereotypes of women with traditional societal roles. However, in "Juliet of the Spirits" Fellini creates a female character with full personality dimensions. A progression of gradual liberation of the female characters can be traced from "La Dolca Vita" through 8 1/2" to "Juliet of the Spirits." Also, there is a parallel between the personal growth of the female characters and the journey of Dante through his "Commedia." An understanding of feminism can be gained through the study of films and literature. (CH) FILMED FROM BEST AVAILABLE COPY U.S. OE PARTME NT OF HEALTH, Lessie It Reynolds, Associate Professor of English EOUCATION & WELFARE NATIONAL INSTITUTE OF. Winthrop College EOUCATION THIS DOCUMENT HAS BEEN REPRO Rock Hill, South Carolina.29730 DUCEO EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGIN PERMISSION TO REPRODUCE THIS COPY- ATING T. -
FILMS WORTH TALKING ABOUT 56 Days That Will Rock Your Cinema World!
10 JAN 20 5 MAR 20 1 | 10 JAN 20 - 5 MAR 20 88 LOTHIAN ROAD | FILMHOUSECINEMA.COM FILMS WORTH TALKING ABOUT 56 days that will rock your cinema world! Well, here we are again… it’s Awards season! I was reminded of such by a communication that came my way from AMPAS (the Oscar® people) listing nine categories’ shortlists of potential nominees. Now, they’ve been doing that shortlist thing with Foreign Language films for quite some time – there’s a lot of films out there in the world, it would be rather too much for the Academy members to have to watch them all! – but, to my knowledge, they’ve not before done it with any other category. It may be it’s for the same reason of sheer volume as above, but I guess what it also does is allows a greater number of films a reason to mention their Academy Award status in their advertising. I can see it now, “Academy Award Nomination shortlisted…” written on the poster. Where will it all end I wonder, “Academy Award Nomination eligible…”? As luck would have [nothing to do with] it, one of the films on the Foreign Language short list – which at this point in time seems the overwhelming favourite – is Bong Joon Ho’s utterly brilliant Parasite, which takes its place alongside a programme of films that is simplythe best line-up of new cinema I’ve seen in a long time. There’s not just the aforementioned South Korean masterpiece, there’s Sam Mendes’ extraordinary ‘one-take’ wonder 1917 (google ‘1917 behind the scenes featurette’ and prepare to simply have to see this film); Taika (‘Wilderpeople’) Waititi’s WWII, Nazi Germany-set, Jojo Rabbit; Armando Iannucci’s breathless Dickens, The Personal History of David Copperfield; Robert Egger’s uniquely bonkers, fog-bound The Lighthouse; Kidman, Robbie and Theron taking on the Fox News patriarchy in Bombshell; and to cap it all off, and possibly the best of the lot, Céline Sciamma’sexquisite Portrait of a Lady on Fire. -
S Ep T E M B Er
BFI SOUTHBANK SEPTEMBER REDEFINING REBELLION 3 UNLOCKED 7 FOCUS ON FELLINI 12 YOUR BIG SCREEN CLASSICS 14 LONDON INDIAN 19 FILM FESTIVAL HOW TO BOOK PATRONS AND CHAMPIONS bfi.org.uk/whatson Wed 19 Aug (from 10:00) 020 7928 3232 MEMBERS 10:00 – 18:00 (Mon-Fri) until 31 Aug Thu 20 Aug (from 10:00) 11:30 – 20:30 (daily) from 1 Sep onwards PUBLIC Mon 24 Aug (from 10:00) BECOME A BFI MEMBER FOR PRIORITY BOOKING & DISCOUNTS: BFI.ORG.UK/JOIN CONTENTS Cover: Perfect 10 Growing up I wanted to be The Outsiders’ Dallas Winston or Brando on a motorcycle. I heard mythic tales about the two Jameses, Cagney and Dean. And De Niro – the king of cool. It’s an indictment of cinema, what a British teenager with South Asian parents was being served up as the epitome of rebellion. Then came La Haine. It felt different from my favourite film, Spike Lee’s Do the Right Thing: director Mathieu Kassovitz was telling a story about three best friends from different cultural backgrounds who grew up on the estate. People just like me, and my friends. I and, more importantly, a plethora of filmmakers felt emboldened to tell their stories. La Haine is the heart of a cinematic journey that started with Battleship Potemkin’s mutiny against the state, continued through damning societal injustice in New Hollywood Cinema, and on to headbutting gender and racial stereotypes. Redefining Rebellion. REDIFINING REBELLION Kaleem Aftab REDEFINING REBELLION La Haine Les Misérables Battleship Potemkin Bronenosets Potemkin France 1995. Dir Mathieu Kassovitz. -
31 Jan 05 Mar 2020
31 JAN – 05 MAR 2020 ACCESS A full list of our accessible performances can be found in the timetable on page 26-27. If you have any questions about a particular show, please contact our Box Office. Throughout the brochure we use the following key: Audio Description Sunday Brunch Available via a headset for all Every Sunday morning, enjoy a screenings marked with the hot drink and a breakfast roll (veggie corresponding symbol. Please /vegan options available) before a ask Box Office for your headset. select mid-morning film. Arrive early to give yourself enough time to Dream and Scream enjoy the food (no hot food to Specially for parents and carers of be taken into the cinema). new babies aged 0 –12 months. Ticket price includes brunch. Descriptive Subtitles Autism-friendly Check the timetable on page 26-27 These screenings are especially for selected subtitled screenings. for people on the autistic spectrum and their families, friends and carers. Silver Linings screenings Selected screenings for audiences over 60. Ticket cost: £5 Prices UNDER26: £5* Friends Coffee Morning Film starts 11.30am – FRIENDS: £6 Coffee served from 10.30am. STANDARD: £7.50 * proof of age may be required of * proof Programmer’s Choice EDEN COURT CINEMA COURT EDEN 2 Welcome Cover image: Parasite Winter is soon giving way to spring and the anticipation that many have for the upcoming awards season is the same as I have that the cherry blossoms at Eden Court will soon bloom. That’s right, awards season is now fully upon us. February is the month that both the BAFTAs (2 Feb) and the Oscars (9 Feb) are happening and we have many films that have been nominated for both - Little Women, Bombshell, The Lighthouse, A Beautiful Day in the Neighborhood, Richard Jewell and one of the most anticipated films of recent years Parasite (I haven’t seen this yet, though it was on in France when I was there in the summer but unfortunately my Korean and French aren’t quite good enough to have understood it. -
Imagination, the Open, and the Movies of Federico Fellini
TO DISCOVER THAT _ THERE IS NOTHING TO DISCOVER: IMAGINATION, THE OPEN, AND THE MOVIES OF FEDERTCO FELL1NI By DAVID L. LAVERY A DISSERTATION PRESENTED TO THE GRADUATE COUNCIL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1978 COPYRIGHT 1978 David L. Lavery For Lee Bluestein (1938-1968) and John F. Reinhardt, who first showed me the Journey Out and Back and taught me to endure it. For W. R. R. , Taylor, my parents, Carol, Joyce, and Susan. ACKNOWLEDGEMENTS I think I have told you, but if I have not, you must have understood, that a man who has a vision is not able to use the power of it until after he has performed the vision on earth for the people to see. Black Elk In the rites of passage of many native American peoples it is common for a young man, approaching maturity, to embark on a vision quest into the wilderness in search of a message or revelation on which he might shape his existence. I would like to think of the follow- ing work as such a vision quest, and I wish here to thank those who were responsible in their various ways for helping me complete the quest. W. R. Robinson introduced me to Fellini and to the movies and taught me to see as well as an amblyopic blind person like myself could hope to. Taylor Scott brought me, I hope, back to earth, pronouncing, like Guido's producer, the magic words, "Down, definitely down," when I most needed to hear them. -
Federico Fellini: a Life in Film
Federico Fellini: a life in film Federico Fellini was born in Rimini, the Marché, on 20th January 1920. He is recognized as one of the greatest and most influential filmmakers of all time. His films have ranked in polls such as ‘Cahiers du cinéma’ and ‘Sight & Sound’, which lists his 1963 film “8½” as the 10th-greatest film. Fellini won the ‘Palme d'Or’ for “La Dolce Vita”, he was nominated for twelve 'Academy Awards', and won four in the category of 'Best Foreign Language Film', the most for any director in the history of the Academy. He received an honorary award for 'Lifetime Achievement' at the 65th Academy Awards in Los Angeles. His other well-known films include 'I Vitelloni' (1953), 'La Strada' (1954), 'Nights of Cabiria' (1957), 'Juliet of the Spirits' (1967), 'Satyricon' (1969), 'Roma' (1972), 'Amarcord' (1973) and 'Fellini's Casanova' (1976). In 1939, he enrolled in the law school of the University of Rome - to please his parents. It seems that he never attended a class. He signed up as a junior reporter for two Roman daily papers: 'Il Piccolo' and 'lI Popolo di Roma' but resigned from both after a short time. He submitted articles to a bi- weekly humour magazine, 'Marc’Aurelio', and after 4 months joined the editorial board, writing a very successful regular column “But are you listening?” Through this work he established connections with show business and cinema and he began writing radio sketches and jokes for films. He achieved his first film credit - not yet 20 - as a comedy writer in “Il pirato sono io” (literally, “I am a pirate”), translated into English as “The Pirate’s Dream”. -
March 24, 2009 (XVIII:10) Andrei Tarkovsky, NOSTALGHIA, 1983 125 Minutes
March 24, 2009 (XVIII:10) Andrei Tarkovsky, NOSTALGHIA, 1983 125 minutes Directed by Andrei Tarkovsky Screenplay by Andrei Tarkovsky &Tonino Guerra Produced by Franco Casati Cinematography by Giuseppe Lanci Film Editing by Erminia Marani and Amedeo Salfa Oleg Yankovsky...Andrei Gorchakov Erland Josephson...Domenico Domiziana Giordano...Eugenia Patrizia Terreno...Andrei's Wife Laura De Marchi...Chambermaid Delia Boccardo...Domenico's Wife Milena Vukotic...Civil Servant Raffaele Di Mario Rate Furlan Livio Galassi Elena Magoia Piero Vida Holmes and Dr. Watson: The Hound of the Baskervilles (1981), Tot samyy Myunkhgauzen/Theat Munchhausen (1979), ANDREI TARKOVSKY (April 4, 1932, Zavrazhe, Ivanono, Povorot/The Turning Point (1978), Moy laskovyy i nezhnyy zver/A USSR—December 29, 1986, Paris, France, lung cancer) directed Hunting Accident (1978), Sladkaya zhenshchina/A Sweet Woman 11 films: Offret/The Sacrifice (1986), Nostalghia (1983), Tempo (1976), Sentimentalnyy roman (1976), Zerkalo/The Mirror (1975), di viaggio/Voyage in Time (1983), Stalker (1979), Zerkalo/The Premiya (1974), Rasplata/Reckoning (1970), and O lyubvi/A Mirror (1975), Solyaris/Solaris (1972), Andrey Rublyov/Andrei Ballad of Love (1966). Rublev (1966), Ivanovo detstvo/Ivan’s Childhood (1962), Katok i skripka/The Skating Rink and the Violin (1961), Segodnya ERLAND JOSEPHSON (June 15, 1923, Stockholm, Stockholms län, uvolneniya ne budet/There Will Be No Leave Today (1959), and Sweden) has been in several Ingmar Bergman films. He has 98 Ubiytsy/The Killers (1958). acting credits, -
Appendix 1: Selected Films
Appendix 1: Selected Films The very random selection of films in this appendix may appear to be arbitrary, but it is an attempt to suggest, from a varied collection of titles not otherwise fully covered in this volume, that approaches to the treatment of sex in the cinema can represent a broad church indeed. Not all the films listed below are accomplished – and some are frankly maladroit – but they all have areas of interest in the ways in which they utilise some form of erotic expression. Barbarella (1968, directed by Roger Vadim) This French/Italian adaptation of the witty and transgressive science fiction comic strip embraces its own trash ethos with gusto, and creates an eccentric, utterly arti- ficial world for its foolhardy female astronaut, who Jane Fonda plays as basically a female Candide in space. The film is full of off- kilter sexuality, such as the evil Black Queen played by Anita Pallenberg as a predatory lesbian, while the opening scene features a space- suited figure stripping in zero gravity under the credits to reveal a naked Jane Fonda. Her peekaboo outfits in the film are cleverly designed, but belong firmly to the actress’s pre- feminist persona – although it might be argued that Barbarella herself, rather than being the sexual plaything for men one might imagine, in fact uses men to grant herself sexual gratification. The Blood Rose/La Rose Écorchée (aka Ravaged, 1970, directed by Claude Mulot) The delirious The Blood Rose was trumpeted as ‘The First Sex Horror Film Ever Made’. In its uncut European version, Claude Mulot’s film begins very much like an arthouse movie of the kind made by such directors as Alain Resnais: unortho- dox editing and tricks with time and the film’s chronology are used to destabilise the viewer. -
This Is a List of the Titles and Classmarks of the Library's DVD Collection As of November 2018 for Quick Reference. the Colle
St John’s College Library DVD Collection This is a list of the titles and classmarks of the Library’s DVD collection as of November 2018 for quick reference. The collection can be browsed in the AV Room on the First Floor, and current availability can be found via the online catalogue. The collection is constantly being updated so for the most up to date titles, please search the online catalogue. The first section of this guide is organised alphabetically by title. The second section is organised by language/country. Title Call Number 8 1/2 DVD ITA.ott.fel 8 1/2 DVD ITA.ott.fel 36 DVD FRE.tre.mar 1871 DVD ENG.eig.mcm 1984 DVD ENG.nin.rad 2046 DVD CHI.twe.won 10 Cloverfield Lane DVD ENG.ten.tra 10 things I hate about you DVD ENG.ten.jun 1000 Dollari sul nero = Blood at Sundown DVD ITA.mil.sir 10000 dollari per un massacro = $10000 blood money DVD ITA.die.gue 12 years a slave DVD ENG.twe.mcq 20,000 days on Earth DVD ENG.twe.for 2001 : a space odyssey DVD ENG.two.kub 28 days later DVD ENG.twe.boy 2point4 children the complete series three DVD ENG.two.mar 3 godfathers DVD ENG.thr.for 45 years DVD ENG.for.hai 47 ronin DVD JAP.shi.ich 50 years of the Cuban revolution DVD SPA.fif.cub 50 years of the Cuban revolution DVD SPA.fif.cub 50 years of the Cuban revolution DVD SPA.fif.cub 50 years of the Cuban revolution DVD SPA.fif.cub 60s collection DVD FRE.god.god 8 women DVD FRE.hui.ozo A beautiful mind DVD ENG.bea.how A bit of Fry and Laurie the complete fourth series DVD ENG.bit.spi A bronx tale DVD ENG.bro.den A bullet for the general DVD ITA.qui.dam A Christmas tale a film by Arnaud Desplechin.