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Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
October 5, 2010 (XXI:6) Federico Fellini, 8½ (1963, 138 Min)
October 5, 2010 (XXI:6) Federico Fellini, 8½ (1963, 138 min) Directed by Federico Fellini Story by Federico Fellini & Ennio Flaiano Screenplay by Ennio Flaiano, Tullio Pinelli, Federico Fellini & Brunello Rondi Produced by Angelo Rizzoli Original Music by Nino Rota Cinematography by Gianni Di Venanzo Film Editing by Leo Cattozzo Production Design by Piero Gherardi Art Direction by Piero Gherardi Costume Design by Piero Gherardi and Leonor Fini Third assistant director…Lina Wertmüller Academy Awards for Best Foreign Picture, Costume Design Marcello Mastroianni...Guido Anselmi Claudia Cardinale...Claudia Anouk Aimée...Luisa Anselmi Sandra Milo...Carla Hazel Rogers...La negretta Rossella Falk...Rossella Gilda Dahlberg...La moglie del giornalista americano Barbara Steele...Gloria Morin Mario Tarchetti...L'ufficio di stampa di Claudia Madeleine Lebeau...Madeleine, l'attrice francese Mary Indovino...La telepata Caterina Boratto...La signora misteriosa Frazier Rippy...Il segretario laico Eddra Gale...La Saraghina Francesco Rigamonti...Un'amico di Luisa Guido Alberti...Pace, il produttore Giulio Paradisi...Un'amico Mario Conocchia...Conocchia, il direttore di produzione Marco Gemini...Guido da ragazzo Bruno Agostini...Bruno - il secundo segretario di produzione Giuditta Rissone...La madre di Guido Cesarino Miceli Picardi...Cesarino, l'ispettore di produzione Annibale Ninchi...Il padre di Guido Jean Rougeul...Carini, il critico cinematografico Nino Rota...Bit Part Mario Pisu...Mario Mezzabotta Yvonne Casadei...Jacqueline Bonbon FEDERICO FELLINI -
Lecture Outlines
21L011 The Film Experience Professor David Thorburn Lecture 1 - Introduction I. What is Film? Chemistry Novelty Manufactured object Social formation II. Think Away iPods The novelty of movement Early films and early audiences III. The Fred Ott Principle IV. Three Phases of Media Evolution Imitation Technical Advance Maturity V. "And there was Charlie" - Film as a cultural form Reference: James Agee, A Death in the Family (1957) Lecture 2 - Keaton I. The Fred Ott Principle, continued The myth of technological determinism A paradox: capitalism and the movies II. The Great Train Robbery (1903) III. The Lonedale Operator (1911) Reference: Tom Gunning, "Systematizing the Electronic Message: Narrative Form, Gender and Modernity in 'The Lonedale Operator'." In American Cinema's Transitional Era, ed. Charlie Keil and Shelley Stamp. Univ. of California Press, 1994, pp. 15-50. IV. Buster Keaton Acrobat / actor Technician / director Metaphysician / artist V. The multiplicity principle: entertainment vs. art VI. The General (1927) "A culminating text" Structure The Keaton hero: steadfast, muddling The Keaton universe: contingency Lecture 3 - Chaplin 1 I. Movies before Chaplin II. Enter Chaplin III. Chaplin's career The multiplicity principle, continued IV. The Tramp as myth V. Chaplin's world - elemental themes Lecture 4 - Chaplin 2 I. Keaton vs. Chaplin II. Three passages Cops (1922) The Gold Rush (1925) City Lights (1931) III. Modern Times (1936) Context A culminating film The gamin Sound Structure Chaplin's complexity Lecture 5 - Film as a global and cultural form I. Film as a cultural form Global vs. national cinema American vs. European cinema High culture vs. Hollywood II. -
The Journey Toward Liberation for Fellini's Woman
DOCUMENT RESUME ED 085 812 CS 500 568 AUTHOR Reynolds, Lessie M. TITLE The Journey Toward Liberation for Fellini's Woman. PUB DATE Nov 73 NOTE 10p.; Paper presented at the Annual Meeting of the Speech Communication Association (59th, New York City, November 8-11, 1973) EDRS PRICE MF-$0.65 HC-$3.29 DESCRIPTORS *Feminism; *Film Production Specialists; *Film Study; Individual Development; *Mass Media; Personal Growth; Role Perception; *Self Actualization; Social Attitudes; Social Values; Stereotypes; Womens Studies IDENTIFIERS *Characterization (Film); Fellini (Federico) ABSTRACT The characterizations of women in three of Federico Fellini's films can be used to demonstrate the process of self-actualization real women experience during the fulfillment of the promises of the women's liberation movement. The films "La Dolce Vita" and "8 1/2" portray traditional stereotypes of women with traditional societal roles. However, in "Juliet of the Spirits" Fellini creates a female character with full personality dimensions. A progression of gradual liberation of the female characters can be traced from "La Dolca Vita" through 8 1/2" to "Juliet of the Spirits." Also, there is a parallel between the personal growth of the female characters and the journey of Dante through his "Commedia." An understanding of feminism can be gained through the study of films and literature. (CH) FILMED FROM BEST AVAILABLE COPY U.S. OE PARTME NT OF HEALTH, Lessie It Reynolds, Associate Professor of English EOUCATION & WELFARE NATIONAL INSTITUTE OF. Winthrop College EOUCATION THIS DOCUMENT HAS BEEN REPRO Rock Hill, South Carolina.29730 DUCEO EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGIN PERMISSION TO REPRODUCE THIS COPY- ATING T. -
Anime/Games/J-Pop/J-Rock/Vocaloid
Anime/Games/J-Pop/J-Rock/Vocaloid Deutsch Alice Im Wunderland Opening Anne mit den roten Haaren Opening Attack On Titans So Ist Es Immer Beyblade Opening Biene Maja Opening Catpain Harlock Opening Card Captor Sakura Ending Chibi Maruko-Chan Opening Cutie Honey Opening Detektiv Conan OP 7 - Die Zeit steht still Detektiv Conan OP 8 - Ich Kann Nichts Dagegen Tun Detektiv Conan Opening 1 - 100 Jahre Geh'n Vorbei Detektiv Conan Opening 2 - Laufe Durch Die Zeit Detektiv Conan Opening 3 - Mit Aller Kraft Detektiv Conan Opening 4 - Mein Geheimnis Detektiv Conan Opening 5 - Die Liebe Kann Nicht Warten Die Tollen Fussball-Stars (Tsubasa) Opening Digimon Adventure Opening - Leb' Deinen Traum Digimon Adventure Opening - Leb' Deinen Traum (Instrumental) Digimon Adventure Wir Werden Siegen (Instrumental) Digimon Adventure 02 Opening - Ich Werde Da Sein Digimon Adventure 02 Opening - Ich Werde Da Sein (Insttrumental) Digimon Frontier Die Hyper Spirit Digitation (Instrumental) Digimon Frontier Opening - Wenn das Feuer In Dir Brennt Digimon Frontier Opening - Wenn das Feuer In Dir Brennt (Instrumental) (Lange Version) Digimon Frontier Wenn Du Willst (Instrumental) Digimon Tamers Eine Vision (Instrumental) Digimon Tamers Ending - Neuer Morgen Digimon Tamers Neuer Morgen (Instrumental) Digimon Tamers Opening - Der Grösste Träumer Digimon Tamers Opening - Der Grösste Träumer (Instrumental) Digimon Tamers Regenbogen Digimon Tamers Regenbogen (Instrumental) Digimon Tamers Sei Frei (Instrumental) Digimon Tamers Spiel Dein Spiel (Instrumental) DoReMi Ending Doremi -
Dragon Age Vol.1: the Silent Grove, Those Who Speak, Until We Sleep Pdf
FREE DRAGON AGE VOL.1: THE SILENT GROVE, THOSE WHO SPEAK, UNTIL WE SLEEP PDF David Gaider | 240 pages | 17 Jun 2014 | DARK HORSE COMICS | 9781616553845 | English | Milwaukee, United States The Silent Grove (Dragon Age Graphic Novels #1) by David Gaider The lowest-priced item that has been used or worn previously. The item may have some signs of cosmetic wear, Those Who Speak is fully operational and functions as intended. This item may be a floor model or store return that has been used. See details for description of any imperfections. I bought this product simply because I am a Bioware fan, and it was Dragon Age Vol.1: The Silent Grove it! The artwork is wonderful and the storytelling even better. Skip to main content. Dragon Age Ser. About this product. Make an offer:. Stock photo. Pre-owned: Lowest price The lowest-priced item Dragon Age Vol.1: The Silent Grove has been used or worn previously. Buy It Now. Add to cart. Make Offer. Condition is like new. See all 4 pre-owned listings. It is an epic trilogy complete in one deluxe, hardcover volume, written by Dragon Age lead writer David Gaider. Additional Product Features Dewey Edition. Show More Show Less. Pre-owned Pre-owned. Ratings and Reviews Write a review. Most relevant reviews. Super fast shipping and item is exactly as described! You may also like. Ex-Library Hardcover Ages Children. This item doesn't belong on this page. Dragon Age Library Edition Vol.1 : David Gaider : Look Inside. Together, they Those Who Speak encounter a prison break, dragons, the mysterious Witch of the Wilds, and one of the greatest secrets in the history of the world! Prior… More about David Gaider. -
FILMS WORTH TALKING ABOUT 56 Days That Will Rock Your Cinema World!
10 JAN 20 5 MAR 20 1 | 10 JAN 20 - 5 MAR 20 88 LOTHIAN ROAD | FILMHOUSECINEMA.COM FILMS WORTH TALKING ABOUT 56 days that will rock your cinema world! Well, here we are again… it’s Awards season! I was reminded of such by a communication that came my way from AMPAS (the Oscar® people) listing nine categories’ shortlists of potential nominees. Now, they’ve been doing that shortlist thing with Foreign Language films for quite some time – there’s a lot of films out there in the world, it would be rather too much for the Academy members to have to watch them all! – but, to my knowledge, they’ve not before done it with any other category. It may be it’s for the same reason of sheer volume as above, but I guess what it also does is allows a greater number of films a reason to mention their Academy Award status in their advertising. I can see it now, “Academy Award Nomination shortlisted…” written on the poster. Where will it all end I wonder, “Academy Award Nomination eligible…”? As luck would have [nothing to do with] it, one of the films on the Foreign Language short list – which at this point in time seems the overwhelming favourite – is Bong Joon Ho’s utterly brilliant Parasite, which takes its place alongside a programme of films that is simplythe best line-up of new cinema I’ve seen in a long time. There’s not just the aforementioned South Korean masterpiece, there’s Sam Mendes’ extraordinary ‘one-take’ wonder 1917 (google ‘1917 behind the scenes featurette’ and prepare to simply have to see this film); Taika (‘Wilderpeople’) Waititi’s WWII, Nazi Germany-set, Jojo Rabbit; Armando Iannucci’s breathless Dickens, The Personal History of David Copperfield; Robert Egger’s uniquely bonkers, fog-bound The Lighthouse; Kidman, Robbie and Theron taking on the Fox News patriarchy in Bombshell; and to cap it all off, and possibly the best of the lot, Céline Sciamma’sexquisite Portrait of a Lady on Fire. -
S Ep T E M B Er
BFI SOUTHBANK SEPTEMBER REDEFINING REBELLION 3 UNLOCKED 7 FOCUS ON FELLINI 12 YOUR BIG SCREEN CLASSICS 14 LONDON INDIAN 19 FILM FESTIVAL HOW TO BOOK PATRONS AND CHAMPIONS bfi.org.uk/whatson Wed 19 Aug (from 10:00) 020 7928 3232 MEMBERS 10:00 – 18:00 (Mon-Fri) until 31 Aug Thu 20 Aug (from 10:00) 11:30 – 20:30 (daily) from 1 Sep onwards PUBLIC Mon 24 Aug (from 10:00) BECOME A BFI MEMBER FOR PRIORITY BOOKING & DISCOUNTS: BFI.ORG.UK/JOIN CONTENTS Cover: Perfect 10 Growing up I wanted to be The Outsiders’ Dallas Winston or Brando on a motorcycle. I heard mythic tales about the two Jameses, Cagney and Dean. And De Niro – the king of cool. It’s an indictment of cinema, what a British teenager with South Asian parents was being served up as the epitome of rebellion. Then came La Haine. It felt different from my favourite film, Spike Lee’s Do the Right Thing: director Mathieu Kassovitz was telling a story about three best friends from different cultural backgrounds who grew up on the estate. People just like me, and my friends. I and, more importantly, a plethora of filmmakers felt emboldened to tell their stories. La Haine is the heart of a cinematic journey that started with Battleship Potemkin’s mutiny against the state, continued through damning societal injustice in New Hollywood Cinema, and on to headbutting gender and racial stereotypes. Redefining Rebellion. REDIFINING REBELLION Kaleem Aftab REDEFINING REBELLION La Haine Les Misérables Battleship Potemkin Bronenosets Potemkin France 1995. Dir Mathieu Kassovitz. -
Sayonara, Zetsubou-Sensei 12: the Power of Negative Thinking Free
FREE SAYONARA, ZETSUBOU-SENSEI 12: THE POWER OF NEGATIVE THINKING PDF Koji Kumeta | 180 pages | 20 Dec 2011 | Kodansha America, Inc | 9781935429821 | English | New York, United States Sayonara, Zetsubou-Sensei, Volume 1 : Koji Kumeta : Goodreads helps you keep track of books you want to read. Zetsubou-Sensei 12: The Power of Negative Thinking to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Very depressed. He's certifiably suicidal, but he's also the beloved schoolteacher of a class of unique students, each charming in her own way: The stalker. The shut-in. The obsessive-compulsive. The girl who comes to class every day with strange bruises. And Kafuka, the most optimistic girl in the world, who knows that every cloud has a silver lining. For all of them, it's a special time, when the right teacher can have a lasting positive effect on their lives. But is that teacher Itoshiki, a. Zetsubou-sensei, who just wants to find the perfect place to die? Get A Copy. Paperbackpages. Published February 24th by Del Rey first published January 1st More Details Original Title. Sayonara, Zetsubou- Sensei 1. Other Editions 6. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Sayonara, Zetsubou-Senseiplease sign up. Be the first to ask a question about Sayonara, Zetsubou-Sensei. Lists with This Book. Community Reviews. -
Imagination, the Open, and the Movies of Federico Fellini
TO DISCOVER THAT _ THERE IS NOTHING TO DISCOVER: IMAGINATION, THE OPEN, AND THE MOVIES OF FEDERTCO FELL1NI By DAVID L. LAVERY A DISSERTATION PRESENTED TO THE GRADUATE COUNCIL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1978 COPYRIGHT 1978 David L. Lavery For Lee Bluestein (1938-1968) and John F. Reinhardt, who first showed me the Journey Out and Back and taught me to endure it. For W. R. R. , Taylor, my parents, Carol, Joyce, and Susan. ACKNOWLEDGEMENTS I think I have told you, but if I have not, you must have understood, that a man who has a vision is not able to use the power of it until after he has performed the vision on earth for the people to see. Black Elk In the rites of passage of many native American peoples it is common for a young man, approaching maturity, to embark on a vision quest into the wilderness in search of a message or revelation on which he might shape his existence. I would like to think of the follow- ing work as such a vision quest, and I wish here to thank those who were responsible in their various ways for helping me complete the quest. W. R. Robinson introduced me to Fellini and to the movies and taught me to see as well as an amblyopic blind person like myself could hope to. Taylor Scott brought me, I hope, back to earth, pronouncing, like Guido's producer, the magic words, "Down, definitely down," when I most needed to hear them. -
Federico Fellini: a Life in Film
Federico Fellini: a life in film Federico Fellini was born in Rimini, the Marché, on 20th January 1920. He is recognized as one of the greatest and most influential filmmakers of all time. His films have ranked in polls such as ‘Cahiers du cinéma’ and ‘Sight & Sound’, which lists his 1963 film “8½” as the 10th-greatest film. Fellini won the ‘Palme d'Or’ for “La Dolce Vita”, he was nominated for twelve 'Academy Awards', and won four in the category of 'Best Foreign Language Film', the most for any director in the history of the Academy. He received an honorary award for 'Lifetime Achievement' at the 65th Academy Awards in Los Angeles. His other well-known films include 'I Vitelloni' (1953), 'La Strada' (1954), 'Nights of Cabiria' (1957), 'Juliet of the Spirits' (1967), 'Satyricon' (1969), 'Roma' (1972), 'Amarcord' (1973) and 'Fellini's Casanova' (1976). In 1939, he enrolled in the law school of the University of Rome - to please his parents. It seems that he never attended a class. He signed up as a junior reporter for two Roman daily papers: 'Il Piccolo' and 'lI Popolo di Roma' but resigned from both after a short time. He submitted articles to a bi- weekly humour magazine, 'Marc’Aurelio', and after 4 months joined the editorial board, writing a very successful regular column “But are you listening?” Through this work he established connections with show business and cinema and he began writing radio sketches and jokes for films. He achieved his first film credit - not yet 20 - as a comedy writer in “Il pirato sono io” (literally, “I am a pirate”), translated into English as “The Pirate’s Dream”. -
March 24, 2009 (XVIII:10) Andrei Tarkovsky, NOSTALGHIA, 1983 125 Minutes
March 24, 2009 (XVIII:10) Andrei Tarkovsky, NOSTALGHIA, 1983 125 minutes Directed by Andrei Tarkovsky Screenplay by Andrei Tarkovsky &Tonino Guerra Produced by Franco Casati Cinematography by Giuseppe Lanci Film Editing by Erminia Marani and Amedeo Salfa Oleg Yankovsky...Andrei Gorchakov Erland Josephson...Domenico Domiziana Giordano...Eugenia Patrizia Terreno...Andrei's Wife Laura De Marchi...Chambermaid Delia Boccardo...Domenico's Wife Milena Vukotic...Civil Servant Raffaele Di Mario Rate Furlan Livio Galassi Elena Magoia Piero Vida Holmes and Dr. Watson: The Hound of the Baskervilles (1981), Tot samyy Myunkhgauzen/Theat Munchhausen (1979), ANDREI TARKOVSKY (April 4, 1932, Zavrazhe, Ivanono, Povorot/The Turning Point (1978), Moy laskovyy i nezhnyy zver/A USSR—December 29, 1986, Paris, France, lung cancer) directed Hunting Accident (1978), Sladkaya zhenshchina/A Sweet Woman 11 films: Offret/The Sacrifice (1986), Nostalghia (1983), Tempo (1976), Sentimentalnyy roman (1976), Zerkalo/The Mirror (1975), di viaggio/Voyage in Time (1983), Stalker (1979), Zerkalo/The Premiya (1974), Rasplata/Reckoning (1970), and O lyubvi/A Mirror (1975), Solyaris/Solaris (1972), Andrey Rublyov/Andrei Ballad of Love (1966). Rublev (1966), Ivanovo detstvo/Ivan’s Childhood (1962), Katok i skripka/The Skating Rink and the Violin (1961), Segodnya ERLAND JOSEPHSON (June 15, 1923, Stockholm, Stockholms län, uvolneniya ne budet/There Will Be No Leave Today (1959), and Sweden) has been in several Ingmar Bergman films. He has 98 Ubiytsy/The Killers (1958). acting credits,