AAPI National Historic Landmarks Theme Study Essay 17
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Public Curation As Civic Engagement: Naming Success in Participatory Curatorial Models
Public Curation as Civic Engagement: Naming Success in Participatory Curatorial Models Amanda Stone A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts University of Washington 2014 Committee: Kris Morrissey Theresa Ronquillo Program Authorized to Offer Degree: Department of Museology © Copyright 2014 Amanda Stone Abstract Public Curation as Civic Engagement: Naming Success in Participatory Curatorial Models Amanda Stone Chair of the Supervisory Committee: Dr. Kris Morrissey Museology In a 2002, Mastering Community Engagement was published by the American Alliance of Museums as a “call to action” through their Museums and Community Initiative to inspire more civic-minded museum practice, envisioning the museum as an active player in the community, a safe haven, and a center for dialogue and change. (AAM) The study noted that civic engagement “…occurs when museum and community intersect – on subtle and overt ways, over time, and as an accepted and natural way of doing business.” (AAM, 9) One method museums have used to facilitate civic engagement is public curation. Although community–institution collaboration as a design process has been applied in the fields of social sciences, art, and the humanities, there is a deficit of knowledge about how to approach or measure the impact of this collaborative work in the museum industry, and the terminology or vernacular around this work is inconsistent and varied. Thus, this research attempts to articulate goals and potential indicators of success, which may be useful to museums that are exploring or assessing community collaboratives around exhibit development. The study uses qualitative research methods from the field of feminist methodology and the social sciences method of grounded theory. -
Wing Luke Memorial Foundation 1 Wing Luke
Wing Luke Memorial Foundation dba Wing Luke Museum of the Asian Pacific American Experience: From Immigrants to Citizens: Asian Pacific Americans in the Northwest Program of Study and Detailed Reading List Program of Study Session 1: June 27 – July 3, 2021 Session 2: July 18 – 24, 2021 Sunday, June 27 & July 18 (half day) Workshop Welcome, Orientation and Overview 1:00pm Check in / Icebreaker activity 1:30pm Welcome and Orientation to the Program and Museum: Co-Project Directors & Bettie Luke, sister of the museum’s namesake, Wing Luke 1:45pm Summer Scholar introductions 2:15pm Museum Gallery tour of “Honoring Our Journey” on the Asian Pacific Islander American Experience led by Wing Luke Museum Education Staff 3:15 Break 3:45pm Presentation: “Asian Immigration and the Making of the United States as a Gate Keeping’ Nation” by Dr. Erika Lee, Regents Professor and Director of the Immigration History Research Center, University of Minnesota 5:00pm Reflection and sharing time 5:30pm Optional No-Host group dinner in Chinatown-International District coordinated by museum staff Monday, June 28 & July 19 Gateways and Barriers: The Immigrant Experience Historic Landmarks Site: East Kong Yick Building/Wing Luke Museum 8:30am Check in/Wake up activity Wing Luke Memorial Foundation 1 8:55am Presentation: “1882 Chinese Exclusion Act: Analyzing Immigration Documents” by Dr. Erika Lee 10:10am Break 10:30am Presentation: “Asian Communities in the Americas before 1924” by Dr. Madeline Hsu, Professor of History, University of Texas at Austin 11:45am Lunch 1:00pm Reflection and prep session for curriculum development (find grade level cohorts) 1:45pm Tour of the Historic Hotel in the Museum’s preserved spaces of the Kong Yick Building, led by Wing Luke Museum Education Staff 3:15 Break 3:30pm Wing Luke Museum curriculum resources and primary documents led by Rahul Gupta, Project Co-Director & Wing Luke Museum Education and Tours Director 4:30pm Curriculum session led by Dr. -
Section Iv. Objects for Exhibit, Interpretive Context, and Suggested Text
SECTION IV. OBJECTS FOR EXHIBIT, INTERPRETIVE CONTEXT, AND SUGGESTED TEXT The Sonoma County Museum holds in public trust approximately 35,000 items (SCM Board of Trustees 2000:10). One of its most important and extensive collections includes photographs, artifacts, textiles, documents, and artwork bequeathed to the Museum by Song Wong Bourbeau in 1995. Song was the last remaining resident of Santa Rosa’s former Chinatown, which used to stand near the section of Santa Rosa Creek that today flows under City Hall. The assemblage consists of family heirlooms and other household items, objects from a restaurant (in business for over a century), and artifacts from the local Chinese temple. The Song Wong Bourbeau Collection of 238 objects invite us to experience a vital part of our common past while highlighting ethnic identity and cultural history. Our history as a nation is relatively short in years, which should make it easier for most of us to realize that we are a product of the past. Exposing the social institutions, beliefs, and lifeways of our diverse cultural heritage is the mission of history museums. That calls for elaborating on the way a community lives, works, plays, relates to one another, organizes to meet their needs and cope with daily living, along with recognizing their norms, values, and beliefs (King 2002:12). When an exhibit is specific to one affected community an effort needs to be made to involve them in the project. As this research proceeds, it will seek support and information from the Chinese American community. A draft manuscript will be presented to representatives of the Redwood Empire Chinese Association [RECA] and the Chinese Historical Society of America [CHSA] for their input. -
Chinese Firms in US Upbeat
HINA NSIGHT C Fostering business and culturalI harmony between China and the U.S. VOL. 12 NO. 3 MARCH 2013 Creating Voice and Vision: Asian Pacific Youth Council’s 2nd Annual Conference aims at allowing young Asians Americans Page 16 to speak out By Anthony James, Staff Writer tanding in a hearing room with ences and cultural identities that are often teachers, policy workers and leg- unrecognized by their non-Asian peers, they Sislators, Sandy Kwon, a Commu- felt that joining the Youth Council would nity Coordinator for the Council of Asian help tell their unique stories and create a Pacific Minnesotans (CAPM), asked for a forum for their cultural journeys. show of hands from the students who have The event’s opening speaker, State approached a State Legislator. Out of the Representative Carlos Mariani of St. Paul, Coloring Contest 40 plus students present, only four hands pointed out that while there will be chal- were raised. This is the issue that resonated lenges which young minorities will face, Page 5 throughout CAPM’s 2nd Annual Youth young people must vigilant to have their conference: many Asian Pacific students opinions heard. While Asian Pacific Ameri- who make up a growing percentage of can’s make up 4% of Minnesota’s popula- Minnesota’s future workforce lack proper tion, their numbers have grown by over 50% representation in state politics. Sandy Kwan asks students if they have since 2000. Of the Asian American popula- For the Asian Pacific Minnesotans Youth approached a State Legislator at CAPM’s tion, over 31% of them are under 18; this Council, lack of representation led to a short 2nd Annual Youth Council means that in coming years, while many of but concise mission statement created by the baby boomer generation is retiring, Min- is to trace Asian youth narratives prevalent one of its current members: Our Voice, Our in the community. -
Actor, Artist
Name in English: Keye Luke Name in Chinese: 陆 陆 麟 [ 陸錫麟] Name in Pinyin: Lù Xīlín Gender: Male Birth Year: 1904-1991 Birth Place: Guangzhou, China Profession (s): Actor, Artist Education: Graduate, Franklin High School - Seattle, Washington, 1922 Awards: 1990, Star (Motion Pictures) - Hollywood Walk of Fame, Hollywood Chamber of Commerce; 1986, Lifetime Achievement Award, Association of Asian/Pacific American Artists Contribution (s): Keye Luke represented Asian America to film audiences from the 1930s until his death in 1991. He appeared in over 100 films and in numerous TV shows for many different major studios. He also contributed his voice to radio shows and in animation and acted as a technical advisor on Hollywood films with Chinese themes. At a time when most Asian Americans were cast solely in stereotypical subservient roles, Keye Luke often stood out for playing dignified characters while speaking perfect unaccented English. He couldn't escape the times he lived in though. If you didn't play the parts that the studio system assigned then you simply didn't get to work in Hollywood. He was forced to play his share of stereotypes, but as quoted in the Internet Movie Database said, "I have played so many doctors and characters in the mainstream. Because of my appearance, or because of my personality, or whatever it may be, I was always put into good Boy Scout roles -- lawyers, doctors, business executives and tycoons, the nice Chinese guy down the block." He was born in Guangzhou, China but grew up in Seattle, Washington. The family of Wing Luke, who grew up to become Washington State's first Asian American elected official, was related to Keye Luke. -
REQUEST for QUALIFICATIONS Chinese American Legacy Artwork Project
CALL FOR ARTISTS – REQUEST FOR QUALIFICATIONS Chinese American Legacy Artwork Project Deadline: Friday, November 1, 2019 at 4:30pm. Applications must be received by the deadline, no postmarks. PROJECT SUMMARY The Wing Luke Museum of the Asian Pacific American Experience (The Wing) in partnership with a community- led committee based in Seattle, WA, known as the Chinese American Legacy Artwork Project, is seeking an artist or artist team to develop site-specific public artwork that recognizes and preserves the legacy of the forced expulsion of Chinese in 1886 from Seattle. This permanent artwork will be located along the Alaskan Way promenade adjacent to the newly designed Central Waterfront, in a location along the east side of the street between South Washington and Main Streets. The selected artist will be expected to develop an artwork of appropriate scale and materials to meet the project criteria in an artistically engaging manner. Please see the images attached for the general site location (see Attachment A and B). For this artist selection process, a review panel will review submitted materials from this Request for Qualifications (RFQ) and select artists who will receive a $2,000 stipend to produce initial concepts and travel to Seattle for panel interviews. The review panel will then recommend a final artist to the project Governing Committee for final selection. The selected final artist will engage community members and work with the project Governing Committee to design artwork that embodies the project goals and meets the approval of all regulatory bodies. The result of this stage of work will be detailed drawings, along with a small model, with approved permitting requirements and specifications ready for fabrication and installment. -
Kem K. Lee Photographs and Other Materials, 1927-1986
http://oac.cdlib.org/findaid/ark:/13030/kt358025jn No online items Finding Aid to the Kem K. Lee Photographs and Other Materials, 1927-1986 Finding Aid written by Janice Otani, Amy Gilgan Funding for processing this collection was provided by National Historical Publications and Records Commission (NHPRC) The Ethnic Studies Library 30 Stephens Hall #2360 University of California, Berkeley Berkeley, California, 94720-2360 Phone: (510) 643-1234 Fax: (510) 643-8433 Email: [email protected] URL: http://eslibrary.berkeley.edu © 2007 The Regents of the University of California. All rights reserved. Finding Aid to the Kem K. Lee AAS ARC 2006/1 1 Photographs and Other Materials, 1927-1986 Finding Aid to the Kem K. Lee Photographs and Other Materials, 1927-1986 Collection Number: AAS ARC 2006/1 The Ethnic Studies Library University of California, Berkeley Berkeley, CaliforniaFunding for processing this collection was provided by National Historical Publications and Records Commission (NHPRC) Finding Aid Written By: Janice Otani, Amy Gilgan Date Completed: December 2007 © 2007 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Kem K. Lee photographs and other materials Date (inclusive): 1927-1986 Collection Number: AAS ARC 2006/1 Creators : Lee, Kem K. Extent: Number of containers: 3 cartons, 154 boxes, 15 oversize boxes, 1 oversize folderLinear feet: 73.75 Repository: University of California, Berkeley. Ethnic Studies Library 30 Stephens Hall #2360 University of California, Berkeley Berkeley, California, 94720-2360 Phone: (510) 643-1234 Fax: (510) 643-8433 Email: [email protected] URL: http://eslibrary.berkeley.edu Abstract: The Kem Lee photograph collection, 1927-1986, contains Lee's photographs and other materials in subject files relating to his photojournalistic assignments and business advertisements for San Francisco Chinatown newspapers and includes photographs of the Miss Chinatown USA Pageant, community organizations, political activities, as well as formal studio portraits. -
The California Supreme Court and the Popular Will
37526 chp_19-1 Sheet No. 82 Side A 03/15/2016 15:53:04 Do Not Delete 2/14/2016 10:50 AM The California Supreme Court and the Popular Will Kenneth P. Miller* INTRODUCTION Over the past half century, California has been a battleground for conflicts over the nature, scope, and limits of rights. While Americans have always clashed over rights, the modern rights revolution has expanded the conflict throughout the country, and nowhere more than in California. These struggles have been hard fought, because rights have power. Once an interest is converted into a right, it can trump competing interests that lack the status of right. The ability to recognize, create, or limit rights is consequential, indeed.1 California’s prominence in these conflicts can be traced to several factors. First, the state has deep ideological divides. California is home to progressive social movements that have sought to establish new rights in areas including abortion, capital punishment, criminal procedure, school funding, gay rights, aid-in-dying, and more—and home, as well, to highly motivated conservative groups that have resisted many of these changes. Second, California exists within a federal system that allows states to innovate in the area of rights. State constitutional rights operate semi-independently of the U.S. Constitution—that is, states may define state constitutional 37526 chp_19-1 Sheet No. 82 Side A 03/15/2016 15:53:04 rights more expansively than the Federal Constitution requires. An assertive state supreme court, through state constitutional interpretation, can establish new rights. The California Supreme Court, more than any other state court, has expanded state constitutional rights beyond federal minimums.2 Third, citizens of California have extraordinary power to counter their state supreme court, through state constitutional amendment or * Associate Professor of Government, Claremont McKenna College. -
Wing Luke Asian Museum Opens Its New Home
member’s newsletter | summer 2008 WING LUKE ASIAN MUSEUM OPENS ITS NEW HOME The new Wing Luke Asian Museum. “Letter Cloud” art installation by Erin Shie Palmer. Photo by John Pai. The Wing Luke Asian Museum opens its new permanent home at 719 South King Street in Seattle’s Chinatown/International District after rehabilitating the historic East Kong Yick Building and transforming a community with its successful $23.2 million capital campaign. From its 60,000-square-foot building, the Wing Luke Asian Museum expands its role as an economic and community resource for a distinctly diverse neighborhood, as one of Seattle’s historic and creative treasures, and as a cultural institution of national significance. Spaces include Honoring Our Journey, Community Portrait Galleries, Historic Immersion Exhibits, Safeco Insurance Foundation Special Exhibition Gallery, George Tsutakawa Art Gallery, East and West Lightwells, Tateuchi Story Theatre, KidPLACE, Frank Fujii Youth Space, Learning Studios, The Marketplace, Community Hall, and the Governor Gary Locke Library and Community Heritage Center. A national model for community-based exhibition process, upcoming special exhibits include the Native Hawaiian Community in the Pacific Northwest (Special Exhibition Gallery, October 2, 2008); Civic Engagement (New Dialogue Initiative, August 19, 2008); Dance (KidPLACE, August 16, 2008), and Mixed Race/Ethnicity (Community Portrait Gallery, September 4, 2008). The “George Tsutakawa: The Making of a Fountain,”an exhibition featuring the fountains, paintings, models and sculptures of the pioneer artist, is on display through November 2008, in the art gallery bearing his name. The Wing Luke Asian Museum is open Tuesday-Sunday, 10 a.m.-5 p.m.; and during free First Thursday and Third Saturday, 10 a.m.-8 p.m. -
002 1981 July-October
NORTHWEST CHINA COUNCIL NEWSLETTER .#2, July - October, 1981 CHINA FINE-TUNES ITS ECONOMY Lynn Feintech, a China special- shift emphasis to agriculture in ist who heads the political analysis order to assure that the population department of the Bank of America, is adequately fed. Emphasis was spoke about China's foreign trade also placed on the development of policy at a luncheon meeting on May light industry because it promises 19th. The luncheon at Tuck Lung to employ more of China's ur9an Restaurant was sponsored by the masses at lower cost than the ini- World Affairs Council of Oregon and tially planned development of heavy the Northwest China Council as their industry. The continuing limited contribution to World Trade Week. development of heavy industry has been directed toward development of According to Ms. Feintech, the the infrastructure. adoption of the 1978 modernization plan was a watershed in the history The modernization plan has of the People's Republic. Admitting placed new stress on effective man- that the Cultural Revolution had agement and increased productivity. been devastating, the plan was the To further these goals, there has first effort to integrate China into been some relaxation of central the world economy and to align China control over managerial functions. with the United States and Western This has been combined with experi- Europe. ments in market-oriented socialism, the use of incentives and encour-· The initial emphasis of the agement to individual enterprises 1978 plan, Ms. Feintech said, was on within guidelines established by development of heavy industry. But the government. -
Chinese Business Networks and Their Implications for South Korea
3 Chinese Business Networks and Their Implications for South Korea YOUNG ROK CHEONG In the past 20 years, no country seems to have beaten China in its grand comeback in both global political and economic arenas. China has be- come a key player in formulating the world order since gaining member- ship in the United Nations in 1972. China has also recorded an average annual real growth rate of more than 10 percent—shocking the world. In human history, no other country has shown such tremendous economic growth while having such a huge population. And with regard to the source of China’s rapid economic growth, the contribution of overseas Chinese1 has often been mentioned by many China watchers.2 First of all, overseas Chinese not only provided the People’s Republic of China with capital at the initial stages of its Economic Reform and Open Door policies in 1978 and thereafter, but they also gave it a developmental model to be copied. Even more important, overseas Chinese global busi- ness networks were a key element in rescuing China from the economic bottleneck it suffered when confronted with sanctions from Western countries after the Tiananmen Square incident. Yet it is too early to judge whether there is a strong relationship between these overseas Chinese networks and China’s rapid economic development. Young Rok Cheong is professor of economics at Seoul National University. 1. Defining “overseas Chinese” is somewhat complex. In this chapter, the term “overseas Chinese” means the Chinese living abroad, regardless of their citizenship. 2. Barry Naughton has been among them. -
Fall 2007 Guests and for Locals Looking to Explore and Learn About Our Amazing City and Its Rich, Diverse History
Chinatown Discovery Neighborhood Tours Discover Seattle’s Chinatown! A cultural experience that is unique, historical, educational and fun. Learn about Seattle’s Asian community from local guides and experience Asian cultures first-hand in Seattle’s Chinatown- International District. Participants will also stroll through Asian markets and shops. Perfect for the out-of-town Members Newsletter Fall 2007 guests and for locals looking to explore and learn about our amazing city and its rich, diverse history. Capital Campaign in its Final Stretch Thanks to the generous donation of Vi Mar, Chinatown Together with your support, we have raised $21.5 million or In addition to the Donor Staircase Art Installation designed Discovery Tours is now affiliated with the Wing Luke 93% of the capital campaign goal! by artist Susie Jungune Lee recognizing gifts from $10,000- Asian Museum. However, as we approach our final three months of the $99,999, a second art installation proposal submitted by local Chinatown Discovery walking tours will continue campaign, every gift counts in order to successfully complete visual artist Saya Moriyasu has been selected to permanently through the Wing Luke Asian Museum’s transition period our $900,000 Kresge Foundation Challenge Grant by November acknowledge gifts in the $5,000-$9,999 range. from December 2007 through May 2008. 2007. This means that every $3 donated will bring in $1 While still early in the design process, Saya’s “Celebration” For more information, visit www.seattlechinatowntour. toward our Kresge award. Please continue to help spread the is a windchime inspired by the inviting and relaxing sounds of com or call (206) 623-5124 to arrange a tour for adults, word to push us to our final goal of $23.2 million! water and bells and the lively colors shared by many community families and school groups.