Chapter 17 Modern Synagogue Architecture
Samuel D. Gruber
Synagogue architecture during the twentieth century reflected the great trans- formations of Judaism that were taking place, as Jews of all religious streams modernized and adopted ambient monumental architectural approaches to their houses of worship. During the early 20th century and even in the inter- war period, there were many art and architectural styles that were widely con- sidered “modern” though we do not see them as part of the modernist canon today. In the decades prior to the Holocaust, the choice of architectural style often played a role in furthering religious, political and community agendas, in- cluding Orthodoxy, Progressive Judaism (called in North America Reform and Conservative Judaism), Zionism, and nationalism. In the post-Second World War period, modernism per se was taken on as Jewish vernacular architecture.
1 Pre-World War II
In Europe after World War i, traditional (Orthodox) congregations quickly adopted simple functional modernism and rejected ideas of representations of Jewish exoticism as presented in Moorish, Byzantine and other “Orien- tal” styles, while in America, historicist architecture remained popular for all branches of Judaism through the 1920s.1 Some (often smaller) Reform and Pro- gressive congregations in Europe shifted from a preference for imitating na- tional styles of their home countries to more innovative designs linking them to culturally and politically progressive movements. Zionism was reflected in synagogue architecture in different ways. In the late 19th century and continuing well into the 20th architects attempted to link synagogue design to the architecture of the biblical Temple, which could be interpreted in many ways.2 By the 1920s, European synagogue architects were
1 The best overview of European synagogue architecture for all periods remains Krinsky, Synagogues of Europe, 331. To this have now been added many more specific studies. On 20th-century American synagogues see Samuel D. Gruber, American Synagogues: A Century of Architecture and Jewish Community (New York: Rizzoli, 2003). 2 Sergey R. Kravtsov, “Reconstruction of the Temple by Charles Chipiez and its Applications in Architecture,” Ars Judaica (2008), 25–42; and Dominique Jarrassé, “Orientalism, Colonialism,
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and Jewish Identity in the Synagogues of North Africa under French Domination,” Ars Judaica, 7 (2011), 83–104. 3 Robert S. Nelson, “Hagia Sophia, 1850–1950: Holy Wisdom Modern Monument,” (Chicago: University of Chicago Press, 2004). 4 See the article by Reuven Gafni in this volume. 5 Krinsky, Synagogues of Europe, 195–199. 6 Krinsky, Synagogues of Europe, 195–196.