Packet by Will Alston, Erik Christensen, and Jakob Myers
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Catazacke 20200425 Bd.Pdf
Provenances Museum Deaccessions The National Museum of the Philippines The Herbert F. Johnson Museum of Art, Cornell University New York, USA The Monterey Museum of Art, USA The Abrons Arts Center, New York, USA Private Estate and Collection Provenances Justus Blank, Dutch East India Company Georg Weifert (1850-1937), Federal Bank of the Kingdom of Serbia, Croatia and Slovenia Sir William Roy Hodgson (1892-1958), Lieutenant Colonel, CMG, OBE Jerrold Schecter, The Wall Street Journal Anne Marie Wood (1931-2019), Warwickshire, United Kingdom Brian Lister (19262014), Widdington, United Kingdom Léonce Filatriau (*1875), France S. X. Constantinidi, London, United Kingdom James Henry Taylor, Royal Navy Sub-Lieutenant, HM Naval Base Tamar, Hong Kong Alexandre Iolas (19071987), Greece Anthony du Boulay, Honorary Adviser on Ceramics to the National Trust, United Kingdom, Chairman of the French Porcelain Society Robert Bob Mayer and Beatrice Buddy Cummings Mayer, The Museum of Contemporary Art (MCA), Chicago Leslie Gifford Kilborn (18951972), The University of Hong Kong Traudi and Peter Plesch, United Kingdom Reinhold Hofstätter, Vienna, Austria Sir Thomas Jackson (1841-1915), 1st Baronet, United Kingdom Richard Nathanson (d. 2018), United Kingdom Dr. W. D. Franz (1915-2005), North Rhine-Westphalia, Germany Josette and Théo Schulmann, Paris, France Neil Cole, Toronto, Canada Gustav Heinrich Ralph von Koenigswald (19021982) Arthur Huc (1854-1932), La Dépêche du Midi, Toulouse, France Dame Eva Turner (18921990), DBE Sir Jeremy Lever KCMG, University -
Pre-Proto-Iranians of Afghanistan As Initiators of Sakta Tantrism: on the Scythian/Saka Affiliation of the Dasas, Nuristanis and Magadhans
Iranica Antiqua, vol. XXXVII, 2002 PRE-PROTO-IRANIANS OF AFGHANISTAN AS INITIATORS OF SAKTA TANTRISM: ON THE SCYTHIAN/SAKA AFFILIATION OF THE DASAS, NURISTANIS AND MAGADHANS BY Asko PARPOLA (Helsinki) 1. Introduction 1.1 Preliminary notice Professor C. C. Lamberg-Karlovsky is a scholar striving at integrated understanding of wide-ranging historical processes, extending from Mesopotamia and Elam to Central Asia and the Indus Valley (cf. Lamberg- Karlovsky 1985; 1996) and even further, to the Altai. The present study has similar ambitions and deals with much the same area, although the approach is from the opposite direction, north to south. I am grateful to Dan Potts for the opportunity to present the paper in Karl's Festschrift. It extends and complements another recent essay of mine, ‘From the dialects of Old Indo-Aryan to Proto-Indo-Aryan and Proto-Iranian', to appear in a volume in the memory of Sir Harold Bailey (Parpola in press a). To com- pensate for that wider framework which otherwise would be missing here, the main conclusions are summarized (with some further elaboration) below in section 1.2. Some fundamental ideas elaborated here were presented for the first time in 1988 in a paper entitled ‘The coming of the Aryans to Iran and India and the cultural and ethnic identity of the Dasas’ (Parpola 1988). Briefly stated, I suggested that the fortresses of the inimical Dasas raided by ¤gvedic Aryans in the Indo-Iranian borderlands have an archaeological counterpart in the Bronze Age ‘temple-fort’ of Dashly-3 in northern Afghanistan, and that those fortresses were the venue of the autumnal festival of the protoform of Durga, the feline-escorted Hindu goddess of war and victory, who appears to be of ancient Near Eastern origin. -
FINE CHINESE ART Thursday 17 May 2018 115 (Detail)
FINE CHINESE ART Thursday 17 May 2018 115 (detail) INTERNATIONAL CHINESE CERAMICS AND WORKS OF ART TEAM Asaph Hyman Colin Sheaf Dessa Goddard ASIA AND AUSTRALIA Xibo Wang Gigi Yu Edward Wilkinson* Yvett Klein Hong Kong Hong Kong Hong Kong Sydney EUROPE Benedetta Mottino Sing Yan Choy Edward Luper Rachel Hyman Rosangela Assennato Ben Law Smith Ian Glennie Asha Edwards Aude Louis Carves London, London, London, London, London, London, Edinburgh Edinburgh Paris New Bond Street New Bond Street New Bond Street Knightsbridge Knightsbridge Knightsbridge USA Bruce MacLaren Ming Hua Harold Yeo Mark Rasmussen* Doris Jin Huang* New York New York New York New York New York Henry Kleinhenz Daniel Herskee Ling Shang San Francisco San Francisco San Francisco ASIA REPRESENTATIVES Jessica Zhang Summer Fang Bernadette Rankine Beijing Taipei Singapore * Indian, Himalayan & Southeast Asian Art FINE CHINESE ART Part 1: Thursday 17 May 2018 at 10.30am (Lots 1 - 141 and 150) Part 2: Thursday 17 May 2018 at 2pm (Lots 151 - 315) 101 New Bond Street, London VIEWING GLOBAL HEAD, CUSTOMER SERVICES PHYSICAL CONDITION OF Saturday 12 May CHINESE CERAMICS Monday to Friday 8.30am - 6pm LOTS IN THIS AUCTION 11am - 5pm AND WORKS OF ART +44 (0) 20 7447 7447 Sunday 13 May Asaph Hyman PLEASE NOTE THAT THERE IS 11am - 5pm Please see page 4 for bidder NO REFERENCE IN THIS Monday 14 May ENQUIRIES information including after-sale CATALOGUE TO THE PHYSICAL 9am - 4.30pm CONDITION OF ANY LOT. Colin Sheaf collection and shipment Tuesday 15 May INTENDING BIDDERS MUST +44 (0) 20 7468 8237 9am - 4.30pm 拍賣品之狀況 SATISFY THEMSELVES AS TO [email protected] Wednesday 16 May 請注意: 本目錄並無說明任何拍賣 THE CONDITION OF ANY LOT 9am - 4.30pm 品之狀況。按照本目錄後部份所載 AS SPECIFIED IN CLAUSE 15 Asaph Hyman 之「競投人通告第 條 」, 準 買 家 OF THE NOTICE TO BIDDERS +44 (0) 20 7468 5888 15 SALE NUMBER 必須拍賣前親自確定拍賣品之狀 CONTAINED AT THE END OF [email protected] 24525 況。 THIS CATALOGUE. -
Lot Limit Estimation 1 VAJRA 50 € 75 € Silver with Turquoise Tibet, 19Th Century
Lot Limit Estimation 1 VAJRA 50 € 75 € Silver with turquoise Tibet, 19th century Dimensions: Height 2 cm , Wide 4 cm , Depth 1 cm Weight: 10 grams Small brooch in decorative vajra shape with a turquoise inlay in the centre. 2 A THANGKA OF VAJRAVARAHI 800 € 1.000 € Distemper on cloth; with original silk mounts Tibet , 19th century Dimensions: 70 cm by 44 cm Weight: 139,2 grams - Seite 1 / 112 - Lot Limit Estimation 3 BODHISATTVA 1.200 € 1.500 € Bronze firegilt Tibet , 18th century Dimensions: Height 36 cm by 14 cm Weight: 6218 grams Standing on a square plinth, Bodhisattva in slight tribhanga pose with right hand forming the varada mudra, dispensing of boons. The thumb and middle finger of the other hand are touching. The Bodhisattva is dressed in a dhoti with decorative waistband and adorned with different jewellery and an opulent tiara with stone inlay. The eyes are downcast and the expression is benevolent. 4 DRAGON 12.000 € 15.000 € Bronze China , Tang Dynasty (618-907 AD) Dimensions: Height 17 cm Weight: 1004 grams Dragon seated on his hind legs with front legs stretched out. The body is covered in scales and the limbs are slender in nature. The mouth is opened and bears a beak-like shape with beard-hair on the chin. The eyes are squinted and the dragon seems to be roaring or snarling. Two horns are shaped to the back from the front head and on top of its head is a lotus bud. Sitting dragons are extremely rare. The dragons were probably an ornament on the royal vehicle and the royal throne. -
Forbidden History of Europe Page Stamp.Qxd
The Forbidden History of Europe - The Chronicles and Testament of the Aryan 801 opposition to the blinding light of their Elect.528 In this age, politics and religion were so deeply related, that an ideological attack on the Church became an attack on the state political apparatus. As defender of the faith, the state refused to sit idly by while such an unmottley crew of dissenters forged on unabated. State responses to such spiritual rebellion varied depending on the level of relations enjoyed between a given monarch and their Holy See. As time went by both sides turned to violence to defend their rights of belief and worship. It was a religious war rarely fought on the streets, but which proceeded with renewed atrocity, time without end, partitioning whole communities wherever heresy had taken root. The pyres of heretical martyrs, a growing conflagration, provided the eternal fuel for anti-Church sentiment. It seems the more who died, the bigger that hate became. What started out as a fight over the penetration of dualistic dogmas into Europe, ended up a protracted conflict over the execution of heretics by the state. For hundreds of years heresy and astrology had been cut out of Western Europe like a gangrenous sore and all MAGIC RETURNED TO but ceased to exist. But from the 10th Century AD, the timetable for the re-introduction of dualistic heresy, astrology EUROPE IN FULL and high magic was going ahead at some pace, the invasion had begun, with Magi, Manichees, Neo-Manichees, MEASURE Magian-Christians, and pagan gnostics pitting themselves against the Byzantine and Roman inquisitors and heresiographers. -
Monday 03 July 2017: 09.00-10.30
MONDAY 03 JULY 2017: 09.00-10.30 Session: 1 Great Hall KEYNOTE LECTURE 2017: THE MEDITERRANEAN OTHER AND THE OTHER MEDITERRANEAN: PERSPECTIVE OF ALTERITY IN THE MIDDLE AGES (Language: English) Nikolas P. Jaspert, Historisches Seminar, Ruprecht-Karls-Universität Heidelberg DRAWING BOUNDARIES: INCLUSION AND EXCLUSION IN MEDIEVAL ISLAMIC SOCIETIES (Language: English) Eduardo Manzano Moreno, Instituto de Historia, Consejo Superior de Investigaciones Científicas (CSIC), Madrid Introduction: Hans-Werner Goetz, Historisches Seminar, Universität Hamburg Details: ‘The Mediterranean Other and the Other Mediterranean: Perspective of Alterity in the Middle Ages’: For many decades, the medieval Mediterranean has repeatedly been put to use in order to address, understand, or explain current issues. Lately, it tends to be seen either as an epitome of transcultural entanglements or - quite on the contrary - as an area of endemic religious conflict. In this paper, I would like to reflect on such readings of the Mediterranean and relate them to several approaches within a dynamic field of historical research referred to as ‘xenology’. I will therefore discuss different modalities of constructing self and otherness in the central and western Mediterranean during the High and Late Middle Ages. The multiple forms of interaction between politically dominant and subaltern religious communities or the conceptual challenges posed by trans-Mediterranean mobility are but two of the vibrant arenas in which alterity was necessarily both negotiated and formed during the medieval millennium. Otherness is however not reduced to the sphere of social and thus human relations. I will therefore also reflect on medieval societies’ dealings with the Mediterranean Sea as a physical and oftentimes alien space. -
RET 36 Cover +
Revue d’Etudes Tibétaines numéro trente-six — Octobre 2016 Revue d’Etudes Tibétaines numéro trente-six — Octobre 2016 ISSN 1768-2959 Directeur : Jean-Luc Achard. Comité de rédaction : Alice Travers, Jean-Luc Achard. Comité de lecture : Ester Bianchi (Università degli Studi di Perugia), Fabienne Jagou (EFEO), Rob Mayer (Oriental Institute, University of Oxford), Fernand Meyer (CNRS-EPHE), Françoise Pommaret (CNRS), Ramon Prats (Universitat Pompeu Fabra, Barcelona), Charles Ramble (EPHE, CNRS), Françoise Robin (INALCO), Brigitte Steinman (Université de Lille), Alice Travers (CNRS), Jean-Luc Achard (CNRS). Périodicité La périodicité de la Revue d’Etudes Tibétaines est généralement bi-annuelle, les mois de parution étant, sauf indication contraire, Octobre et Avril. Les contributions doivent parvenir au moins six (6) mois à l’avance. Les dates de proposition d’articles au comité de lecture sont Novembre pour une parution en Avril, et Mai pour une parution en Octobre. Participation La participation est ouverte aux membres statutaires des équipes CNRS, à leurs membres associés, aux doctorants et aux chercheurs non-affiliés. Les articles et autres contributions sont proposées aux membres du comité de lecture et sont soumis à l’approbation des membres du comité de rédaction. Les articles et autres contributions doivent être inédits ou leur ré- édition doit être justifiée et soumise à l’approbation des membres du comité de lecture. Les documents doivent parvenir sous la forme de fichiers Word, envoyés à l’adresse du directeur ([email protected]). Comptes-rendus Contacter le directeur de publication, à l’adresse électronique suivante : [email protected] Langues Les langues acceptées dans la revue sont le français (en priorité), l’anglais, l’allemand, l’italien, l’espagnol, le tibétain et le chinois. -
The Angels' Questions: Symbols and Ideas About Death Between East
The Angels’ Questions: Symbols and Ideas about Death between East and West* Antonio FABRIS and Maria PIA PEDANI 1. Europe and shamanism in the Middle Ages During the first part of the Middle Ages Barbarian peoples coming from the East brought shamanism in Europe. Little by little, while Christian religion became more and more important and widespread, shamanism began to be considered only superstition. In 1966 Carlo Ginzburg, published a book about the beneandanti, a sect of sorcerers who had existed in Friuli, in the North-East of Italy, in the 16th and 17th c. He discovered many resemblances between these persons and shamans. He went on with his researches and in Storia notturna, tried to explain the European witchcraft of the Middle Ages as a permanency of very ancient popular beliefs.1 Some of the nomadic peoples who settled in Europe during the Middle Ages had a Turkic- Mongol origin, such as Huns and Avars, and followed shamanism. Others, such as Lombards, came from the Northern part of Europe but their religion too had some elements coming from shamanism, probably derived from very ancient contacts with the peoples who lived in Siberia and in the steppes of Asia. For instance, their most important god, Odin (Wotan), was not only associated with war but also with poetry and magic; he was a kind of medicine man. According to the ancient Scandinavic poem Edda, he had remained hanged from a tree for eight days and in this way he acquired wisdom. Thus, Odin proved a kind of re-birth, such as that experienced by shamans. -
Female Deities in Mongolian Buddhist Votive Paintings1
ANNALS OF THE NÁPRSTEK MUSEUM 36/1 • 2015 • (p. 61–74) FEMALE DEITIES IN MONGOLIAN BUDDHIST VOTIVE PAINTINGS1 Helena Heroldová2 ABSTRACT: The present article focuses on iconography of peaceful and wrathful female deities in Tibetan Buddhism in Mongolia. The female deities in Tibetan Buddhism play various roles in everyday practice. Besides the bodhisattvas in female form, they represent personal deities, various protectors and local deities. The following examples depict various types of female deities. VajrayoginÎ belongs among the D¬kinÎs, the female deities assisting in spiritual development, and worldly Dharma protectors. The most important among the protectors is Palden Lhamo. Mo lha belongs to protective spirits. avijaya represents܈Î۬܈Sit¬¬ with a parasol symbolizes the spiritual protection. U one of the popular Long-life Deities. KEY WORDS: Tibetan Buddhism – Mongolia – female deities – Dharma protectors – iconography – VajrayoginÎ – ȱȱȮȱ¬Î This article is based on the previous study devoted to the origin of the collection in the Náprstek Museum and to the iconography of the goddess Green T¬ra published in the Annals in 2014. The present article focuses on peaceful and wrathful female deities. A selection of six examples from a set with thirty small votive Mongolian paintings depicting the Buddhist female deities is provided. The pictures were choosen to represent the five types of female deities found in the collection. The assortment of the particular paintings was made to show the iconography of the deities. The methodology is -
Granholm Genealogy
GRANHOLM GENEALOGY GOTHS ROYAL ANCESTRY INTRODUCTION The Goths ancestry is unique in how it originates in Sweden and for a few hundred years was an important part of the history of Europe. It ties into our ancestors in the dynasties of the Franks and Hungarians with Attila the Hun (48th great grandfather) , see the books Frank Royal Ancestry and Hungarian Royal Ancestry. Below is a brief description of the Goths followed by ancestry listings with highlighted persons, who are further described. The historian Jordanes claims that the Goths originated in semi-legendary Scandza, believed to be located somewhere in modern Götaland (Sweden), and that a Gothic population crossed the Baltic Sea before the 2nd century. Jordanes also states that the Goths gave their name to the region they colonized, Gothiscandza, which is believed to be the lower Vistula region in Poland. From the middle of the 2nd century onward, groups of Goths migrated to the southeast along the River Vistula. They eventually reached the Black Sea in Ukraine, Romania and Moldova, where they left their archaeological traces in the Chernyakhov culture. The Goths are believed to have crossed the Baltic Sea sometime between the end of this period (ca 300 BC) and AD 100. Early archaeological evidence in the Swedish province of Östergötland suggests a general depopulation during this period. The settlement in today's Poland may correspond to the introduction of Scandinavian burial traditions, such as the stone circles and the stelae especially common on the island of Gotland and other parts of southern Sweden. In the 5th and 6th centuries, the Goths separated into two tribes, the Visigoths and the Ostrogoths. -
Front Matter
Utilizing terror: On the adoption and refinement of skull cups in Tibetan Buddhism A thesis submitted by Ayesha Fuentes In partial fulfillment of the requirements for the degree of Master of Arts in Art History TUFTS UNIVERSITY May 2011 Adviser: Ikumi Kaminishi Abstract ! This thesis examines the changing role of the kap!la, or skull cup, in the visual and material culture of Tantra. The transformation of the skull cup is related to the historical and religious conditions of its various ritual settings and applications in the region of northern India and Tibet. These cups are seen in depictions of terrifying or wrathful Tibetan Buddhist deities and associated with the Tantric/esoteric practices of their devotees. My paper explores the transformation of the skull cup from an object employed for its inherent quality of pollution in a marginal setting of the early centuries CE to its doctrinal and institutional value in Tibetan Buddhism of recent centuries. Integrating art historical and religious scholarship, I explore the history of skull cups and their refinement as well as their iconological resonances in Tibetan religious paintings and the arts of esoteric Buddhism. ii Acknowledgements ! I would like to thank the following people for sharing their expertise with me and helping this project: Ann Shaftel, conservator in private practice; Laila Williamson, anthropologist at the American Museum of Natural History; Jeff Watt, Senior Curator at the Rubin Museum of Art; Wolfgang Saumweber, private collector and translator; and Jacki Elgar, conservator at the Museum of Fine Arts, Boston. Also, much gratitude to my readers Ikumi Kaminishi, Joseph Walser and Peter Probst for their guidance and encouragement. -
Katalog 11.Pdf
Lot Limit Estimation 1 LARGE SHIVA NATARAJA 300 € 500 € Bronze India, 19th century Dimensions: 37 cm by 30 cm Weight: 5.775 grams Shiva is a principal deity of Hinduism and Nataraja is the depiction of Shiva as the divine dancer and often a symbol of Indian culture and a popular motive in Hindu art. The translation is "lord/king of the dance". Here it is a rectangular, multistepped hollow base with various decorations topped by a round beaded rim. The God of Destruction is trampling on the dwarf called Apasmara purusha, symbol of evil and ignorance, the left leg is tilted up in an ecstatic movement. His right hand to the front is showing the abhaya mudra, gesture of fearlessness and has a snake curled around the arm, while the other hand is pointing at the left foot and symbolizes the refuge for troubled ones. The right raised hand is holding his attribute the damaru drum and the left hand is holding the fire agni, the forces of creation and destruction. The strands expanding from the back of his hand signify the river Ganga. The cosmic dance is set in a threebanded halo of floral decorations, waves and flames. Shiva is wearing a high crown, a short dhoti and jewellery on his whole body. The smiling face shows his calmness in spite of his energetic dance amid contrary forces. - Page 1 / 156 - Lot Limit Estimation 2SHIVA NATARAJA 300 € 500 € Bronze India, 19th century Dimensions: Height 25 cm by 21 cm Weight: 1.496 grams Another depiction of Lord Shiva's cosmic dance, standing on a lotus flower base on a rectangular platform.