Geological History Turned Upside Down
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Spatial Design Principles in Digital Animation
Copyright by Laura Beth Albright 2009 ABSTRACT The visual design phase in computer-animated film production includes all decisions that affect the visual look and emotional tone of the film. Within this domain is a set of choices that must be made by the designer which influence the viewer's perception of the film’s space, defined in this paper as “spatial design.” The concept of spatial design is particularly relevant in digital animation (also known as 3D or CG animation), as its production process relies on a virtual 3D environment during the generative phase but renders 2D images as a final product. Reference for spatial design decisions is found in principles of various visual arts disciplines, and this thesis seeks to organize and apply these principles specifically to digital animation production. This paper establishes a context for this study by first analyzing several short animated films that draw attention to spatial design principles by presenting the film space non-traditionally. A literature search of graphic design and cinematography principles yields a proposed toolbox of spatial design principles. Two short animated films are produced in which the story and style objectives of each film are examined, and a custom subset of tools is selected and applied based on those objectives. Finally, the use of these principles is evaluated within the context of the films produced. The two films produced have opposite stylistic objectives, and thus show two different viewpoints of applying the toolbox. Taken ii together, the two films demonstrate application and analysis of the toolbox principles, approached from opposing sides of the same system. -
Best Enjoyed As Property, Shoe and Hairdo Porn.”
”Best enjoyed as property, shoe and hairdo porn.” Creating New Vocabulary in Present-Day English: A Study on Film-Related Neologisms in Total Film Rauno Sainio Tampere University School of Language, Translation and Literary Studies English Philology Pro Gradu Thesis May 2011 ii Tampereen yliopisto Englantilainen filologia Kieli-, käännös- ja kirjallisuustieteiden yksikkö SAINIO, RAUNO: ”Best enjoyed as property, shoe and hairdo porn.” Creating New Vocabulary in Present-Day English: A Study on Film-Related Neologisms in Total Film Pro gradu -tutkielma, 135 sivua + liite (6 sivua) Kevät 2011 Tämän pro gradu -tutkielman tarkoituksena oli tutustua eri menetelmiin, joiden avulla englannin kielen sanastoa voidaan laajentaa. Lähdekirjallisuudesta kerättyä tietoa käsiteltiin tutkielman teoriaosuudessa, minkä jälkeen empiirinen osuus selvitti, kuinka kyseisiä menetelmiä sovelletaan käytännössä nykyenglannissa. Tämän selvittämiseksi käytiin manuaalisesti läpi korpusaineisto, joka koostui isobritannialaisen Total Film -elokuvalehden yhden vuoden aikana julkaistuista numeroista. Elokuvajournalismissa käytettävä kieli valittiin tutkimuksen kohteeksi kirjoittajan henkilökohtaisen kiinnostuksen vuoksi sekä siksi, että elokuva on paitsi merkittävä, myös jatkuvasti kehittyvä taiteen ja populaarikulttuurin muoto. Niinpä tämän tutkielman tarkoitus on myös tutustuttaa lukija sellaiseen sanastoon, jota alaa käsittelevä lehdistö nykypäivänä Isossa-Britanniassa käyttää. Korpuksen pohjalta koottu, 466 elokuva-aiheista uudissanaa käsittävä sanaluettelo analysoitiin -
Analysis and Development Film Legend of the Galela Using Three Dimensional Animation
International Journal of Advanced Research in Computer Engineering & Technology (IJARCET) Volume 6, Issue 7, July 2017, ISSN: 2278 – 1323 Analysis And Development Film Legend Of The Galela Using Three Dimensional Animation M. Kasyif Gufran Umar people [2]. Video or movie is known as one of the most Abstract— The animated movie is a growing industry in effective media to convey the message or information directly Indonesia. Animated film serves as a medium not only to humans [2]. The development of film in Indonesia has entertain, but also educate because it contains a moral message many versions, ranging from action movies, adventure, and didactic. Currently, the making of animated films in documentary, comedy and animated films [3]. Currently, addition to having an interesting story line, also has a specific animated films began to dominate the film market in purpose. There is an important message to be conveyed, such as Indonesia. Besides more the theme of education, created the presenting a legend or cultural heritage that became extinct from the public gaze. In fact, there are many people even animated film is able to attract people to watch it [4]. younger generation, have minimal knowledge about the legend Developing an animated film also has many types and their own areas. Society tends to like to enjoy other versions such as: 2D animation; 3D animation; Stop motion entertainment than on listening to the legend that is considered animation; and the Japanese Animation (Anime) [3] .In old-fashioned. The number of alternative technologies utilized addition, the animated film was developed by considering the by the loss of consciousness to be a factor for preserving election theme of the story that raised the local legend of both cultural heritage. -
275. – Part One
275. – PART ONE 275. Clifford (1994) Okay, here’s the deal: I don’t know you, you don’t know me, but if you are anywhere near a television right now I need you to stop whatever it is that you’re doing and go watch “Clifford” on HBO Max. This is another film that has a 10% score on Rotten Tomatoes which just leads me to believe that all of the critics who were popular in the nineties didn’t have a single shred of humor in any of their non-existent funny bones. I loved this movie when I was seven, and I love it even more when I’m thirty-three. It’s genius. Martin Short (who at the time was forty-four) plays a ten-year-old hyperactive nightmare child from hell. I mean it, this kid might actually be the devil. He is straight up evil, conniving, manipulative and all-told probably causes no less than ten million dollars-worth of property damage. And, again, the plot is so simple – he just wants to go to Dinosaur World. There are so many comedy films with such complicated plots and motivations for their characters, but the simplistic genius of “Clifford” is just this – all this kid wants on the entire planet is to go to Dinosaur World. That’s it. The movie starts with him and his parents on an plane to Hawaii for a business trip, and Clifford knows that Dinosaur Land is in Los Angeles, therefore he causes so much of a ruckus that the plane has to make an emergency landing. -
Application of Performance Motion Capture Technology in Film and Television Performance Animation
Proceedings of the 2nd International Symposium on Computer, Communication, Control and Automation (ISCCCA-13) Application of Performance Motion Capture Technology in Film and Television Performance Animation ZHANG Manyu Dept. Animation of Art, Tianjin Academy of Fine Arts Tianjin , CHINA E-mail: [email protected] Abstract—In today’s animation films, virtual character tissue simulation technique” for the first time, so that acting animation is a research field developing rapidly in computer skills of actors can be delivered to viewers maximally. graphics, and motion capture is the most significant What’s more, people realize that “motion capture component, which has brought about revolutionary change for technology” shall be called as “performance capture 3D animation production technology. It makes that animation technology” increasingly. Orangutan Caesar presented in producers are able to drive animation image models directly with the use of actors’ performance actions and expressions, Rise of the Apes through “motion capture” technology is which has simplified animation manufacturing operation very classical. Various complicated and subtle expressions greatly and enhanced quality for animation production. and body languages of Caesar’s not vanished bestiality and initially emerged human nature have been presented Keywords- film and television films, motion capture, naturally and freshly in the film, which has achieved the technology excellent realm of mixing the false with the genuine. When Caesar stands in front of Doctor Will in equal gesture, its I. INTRODUCTION independence and arbitrariness in its expression with dignity With the development of modern computer technology, of orangutan has undoubtedly let viewers understand computer animation technology has developed rapidly. -
3. Digital 3D, Parallax Effects, and the Construction of Film Space In
3. Digital 3D, Parallax Effects, and the Construction of Film Space in Tangled 3D and Cave of Forgotten Dreams 3D Kristen Whissel Abstract This essay analyzes how parallax effects in Cave of Forgotten Dreams 3D (2010) and Tangled 3D (2010) effectively blur the boundaries between the past and present, sight and touch, and diegetic space and the space of reception in order to give form to themes concerning the dimensionality of the moving image. I show how these films function as ideal case studies for demonstrating digital 3D’s transformation of film space by organizing seeing, knowing, and feeling along the screen’s z-axis. Keywords: Digital 3D, parallax effects, affect, haptics, uncanny Since the release of Chicken Little 3D (Mark Dindal) in 2005, digital 3D cinema has had the odd historical status of being a ‘new’ medium that has returned to us from the past as a harbinger of cinema’s future. To be sure, digital 3D has transformed our understanding of the (pre-)history of the cinema itself, which now must include Charles Wheatstone’s invention of the stereoscope (1838) and Charles Babbage’s invention of the Analytical Engine (1837) in the first half of the 19th century. However long this history, the return of stereoscopic 3D as a digital medium demands a rethinking of film history to include the changing dimensionality of the moving image and, with it, transformations in the articulation of film space. Much as digital tools provide new means for organizing the image along and around the x- (horizontal) and y- (vertical) axes, they have also provided, as Stephen Prince has argued, new means for ‘choreographing’ story, character, and action along the z-axis—a continuum that stretches from the extreme Sæther, S.Ø. -
3D Cinematography Principles and Their Applications to Stereoscopic Media Processing∗
3D Cinematography Principles and Their Applications to Stereoscopic Media Processing∗ Chun-Wei Liu Tz-Huan Huang Ming-Hsu Chang National Taiwan University National Taiwan University National Taiwan University Taipei, Taiwan Taipei, Taiwan Taipei, Taiwan [email protected] [email protected] [email protected] Ken-Yi Lee Chia-Kai Liang Yung-Yu Chuang National Taiwan University Lytro, Inc. National Taiwan University Taipei, Taiwan Mountain View, California USA Taipei, Taiwan [email protected] [email protected] [email protected] ABSTRACT screens, and even mobile devices. Binocular consumer cam- This paper introduces 3D cinematography principles to the eras can be found now at very affordable prices. The wide field of multimedia and illustrates their usage in stereoscopic deployment of stereoscopic displays and binocular cameras media processing applications. These principles include (1) has made the capture and display of stereoscopic media easy, maintaining coordination among views, (2) having a con- and has led to more such media. Thus we are seeing the tinuous depth chart, (3) placing rest areas between strong advent of the stereoscopic multimedia era. Unfortunately, in 3D shots, (4) using a shallow depth of field for shots with spite of the rapid progress in stereoscopic hardware for both excessive depth brackets, and (5) being careful about the acquisition and display, little progress has been made on the stereoscopic window. Taking these principles into account, software side, especially for consumer 3D media processing. we propose designs for stereoscopic extensions of two pop- Professional 3D movie makers either use proprietary pro- ular 2D media applications|video stabilization and photo grams or even the current generation of 2D tools for 3D film slideshow|to provide a better 3D viewing experience. -
S Television Event Texas Rising Brings Texas Revolution to Life
HISTORY®’S TELEVISION EVENT TEXAS RISING BRINGS TEXAS REVOLUTION TO LIFE From The Producer of the Record-Breaking and EMMY® Award- Winning Hatfields & McCoys All-Star Cast Includes EMMY® Award-Nominee Bill Paxton, Brendan Fraser, EMMY® Award-Winner Ray Liotta, Jeffrey Dean Morgan, Thomas Jane, Olivier Martinez, Chad Michael Murray, Christopher McDonald, EMMY® Award-Winner Jeremy Davies and More Series Premieres May 25th at 9pm ET For additional photography and press kit material visit: http://www.shawmedia.ca/Media and follow us on Twitter at @shawmediaTV_PR For Immediate Release TORONTO, April 17, 2015 – HISTORY® announced today that its much anticipated, ten-hour television event series Texas Rising will premiere Monday, May 25th at 9pm ET, coinciding with Memorial Day in the US. The star-studded series details the Texas Revolution against Mexico and the rise of the legendary Texas Rangers. “Texas Rising is a powerful, high quality, scripted historical drama that will bring to life the legendary story of the Texas Revolution,” said Christine Shipton, Senior Vice President and Chief Creative Officer, Shaw Media. “With the gangbuster success of Hatfields & McCoys, and with such A-list cast telling this gripping history through a contemporary lens, this is sure to be the miniseries entertainment event of the year.” Texas Rising is produced by A+E Studios, ITV Studios America and Thinkfactory for HISTORY. Leslie Greif (Hatfields & McCoys) is executive producer. Two-time Oscar-nominated director Roland Joffé (The Killing Fields, The Mission) -
Featured Artists Saturday, 10Pm - 12Am at the Nevada City and Venues
SYRCL’s 12th ANNUAL WILD & SCENIC® FILM FESTIVAL Welcome to SYRCL’s 12th Annual and foster this dialogue. As always, we aim to have you Wild & Scenic Film Festival. leaving inspired and hopeful. The human “emPOWERment” piece is what does that for us. Knowing there are others The South Yuba River Citizens League (SYRCL) is thrilled to out there who care. Who work tirelessly to make a positive once again produce the Wild & Scenic Film Festival. Now in difference. And that small changes at a local level really do our 12th year, what started as two nights of film has grown into contribute to meaningful change at a global scale. Our fellow The Wild & Scenic® four nights and two full days of inspiring film, art, music, activist human beings give us hope. That more than 4,500 people turn Film Festival is brought to you workshops, speakers, excursions, and more. And we’re excited out for this environmental film festival gives us hope. So thank by SYRCL, to bring you the most programming ever in Grass Valley as well YOU for being here, being present, and contributing the South Yuba River as our “usual” lineup in Nevada City. to positive change. Citizens League. Our theme of “emPOWERment” promotes both the subject Happy viewing, SYRCL unites the community of energy and the human spirit that is positive and inspirational. to protect and restore the Yuba River. Energy is crucial for all of us and often cited as one of the Caleb Dardick Melinda Booth world’s most pressing environmental issues. Clean energy Executive Director Festival Director Please become a dues-paying vs. -
Sara Martín Alegre Universitat Autònoma De Barcelona
Sara Martín Alegre Universitat Autònoma de Barcelona NOTE: Paper presented at the 39th AEDEAN Conference, Universidad de Deusto, Bilbao, Spain, 11-14 November 2015 IMDB Rating (March 2015) Ang Lee’s Brokeback Mountain (2005) 7.7 ◦ 233,193 voters Bill Condon’s Gods and Monsters (1998), 7.5 ◦ 23,613 voters The rating in the Internet Movie Database (www.imdb.com) for Ang Lee’s Brokeback Mountain is 7.7 (March 2015). The film that concerns me here, Bill Condon’s Gods and Monsters, does not really lag far behind, with a 7.5 rating. Considering the number of voters–233,193 for Lee’s film, but only 10% of that number (23,613 users) for Condon’s film–the [admittedly silly] question to be asked and answered is why so few spectators have been attracted by Gods and Monsters when the ratings suggest it is as good a film as Brokeback Mountain. As an admirer who has rated both films a superb 9, I wish to consider here which factors have pushed Gods and Monsters to the backward position it occupies, in terms of public and academic attention received, in comparison to the highly acclaimed Brokeback Mountain. 2 Sara Martín Alegre, “Failing to Mainstream the Gay Man: Gods and Monsters” Which factors limit the interest of audiences, reviewers and academics as regards mainstream films about gay men? AGEISM: term coined by physician and psychiatrist Robert Neil Butler “Age-ism reflects a deep seated uneasiness on the part of the young and middle- aged–a personal revulsion and distaste for growing old, disease, disability; and fear of powerlessness, ‘uselessness,’ and death” (1969: 243). -
4. 1. Research Output Iv) Screenings
4. 1. Research Output iv) Screenings Table 4.1.9. is summary for film production done from AY July 2007-till present. I have introduced animated content into my works since 2007 and since 2010 HD DCP/Digital Cinema Projection and Two channel Stereoscopic HD 3D animation for passive/active 3D stereo DCP/Digital Cinema. In addition films were adapted for various immersive stereoscopic visualization platforms such as the following: 320 The Immesrive Room in the NTU/Institute for Media Innovation Immersive Room (5 channels)1 Ars Electronica, presetigious stereo venue Deep Space for the ocasion of the most reputable festival of digital arts in the world Ars Electronica Festival (2011, 2013).2 Glass-free stereoscopic version of the film for Alioscopy 3D HD 55" LV TV Platform British Academy Awards (BAFTA) qualifying festival, renowned Brooklyn Film Festival, New York (2011) The resulting 3D stereoscopic animated films won 15 awards (14 International) and were selected in 47 festivals/theatrical screenings. Film was submitted in more than 70 international juried events such as: The 14th International Beverly Hills Film Festival(2014), SPARK [FWD] 3D, VFX & Advanced Imaging Conference Vancouver by prestigious Emily Carr/S3D Centre and the Canadian 3D and Advance Imaging Society (2013), 67th Edinburgh International Film Festival, UK (2013)3 The 15th Annual Washington DC Independent Film Festival(2013),Canada International Film Festival (2013), Acclaimed Festival Anima Mundi Brazil (2011 and 2013)4 ,6th Annual, Los Angeles, the world's largest all digital 3D stereoscopic Film, Music & Interactive Festival (2013), Dimension 3 Festival, Seine-Saint–Denis, France (2010) The 27th Southeast Asian Games (SEAG) (2013). -
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16 發光的城市 A R O U N D T O W N FRIDAY, JANUARY 23, 2009 • TAIPEI TIMES OTHER RELEASES COMPILED BY MARTIN WILLIAMS Ponyo on the Cliff by the Sea Better The pick of this week’s other releases is an award-winning film from legendary Japanese than the book animator Hayao Miyazaki (Spirited Away). Sort-of- mermaid Ponyo longs to know Brendan Fraser’s chunkiness as a kind of bulked-up more about the world out of the ocean and soon becomes the pet Indiana Jones is one of the few of a boy who lives in a seaside home. Her disappearance jarring notes in ‘Inkheart,’ an otherwise triggers a hunt that results in wonderful sequences that commendable minor fantasy film will captivate adults and children alike. Miyazaki’s box office hit is glorious proof that possibilities still exist for BY Ian BartholomeW traditional animation techniques. It’s being screened in STAFF REPORTER Taiwan in both Mandarin and Japanese-language versions. have seen rather a lot of up a mood of comic adventure. There is Yes Man Brendan Fraser recently, what none of the moralizing of Narnia or the We with The Mummy: Tomb of philosophizing of The Golden Compass, In this comedy outing, Jim the Dragon Emperor and Journey at the but just a good yarn with lots of fascinating Carrey transforms from a Center of the Earth both released in the characters in it. At the center is Meggie, soulless loan officer who second half of last year. He’s back again, Mo’s daughter and companion, an aspiring will only say “no” into an and while Inkheart is a vastly superior writer, who only gradually realizes why her increasingly havoc-stricken film to his previous efforts, his presence father has never read her a bedtime story man who can only say “yes.” TV contributes little to its success.