Piozzi) and the Pursuit of Her "Nova Scotia Fortune"
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The Death of Captain Cook in Theatre 224
The Many Deaths of Captain Cook A Study in Metropolitan Mass Culture, 1780-1810 Ruth Scobie PhD University of York Department of English April 2013 i Ruth Scobie The Many Deaths of Captain Cook Abstract This thesis traces metropolitan representations, between 1780 and 1810, of the violent death of Captain James Cook at Kealakekua Bay in Hawaii. It takes an interdisciplinary approach to these representations, in order to show how the interlinked texts of a nascent commercial culture initiated the creation of a colonial character, identified by Epeli Hau’ofa as the looming “ghost of Captain Cook.” The introduction sets out the circumstances of Cook’s death and existing metropolitan reputation in 1779. It situates the figure of Cook within contemporary mechanisms of ‘celebrity,’ related to notions of mass metropolitan culture. It argues that previous accounts of Cook’s fame have tended to overemphasise the immediacy and unanimity with which the dead Cook was adopted as an imperialist hero; with the result that the role of the scene within colonialist histories can appear inevitable, even natural. In response, I show that a contested mythology around Cook’s death was gradually constructed over the three decades after the incident took place, and was the contingent product of a range of texts, places, events, and individuals. The first section examines responses to the news of Cook’s death in January 1780, focusing on the way that the story was mediated by, first, its status as ‘news,’ created by newspapers; and second, the effects on Londoners of the Gordon riots in June of the same year. -
Samuel Johnson*S Views on Women: from His Works
SAMUEL JOHNSON*S VIEWS ON WOMEN: FROM HIS WORKS by IRIS STACEY B.A., University of British .Columbia. 1946 A Thesis submitted in Partial Fulfilment of the Requirements for the Degree of MASTER OF ARTS in the DEPARTMENT OF ENGLISH We accept this thesis as conforming to the required standard The University of British Columbia September, 1963 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that per• mission for extensive copying of this thesis for scholarly ' purposes may be granted by the Head of my Department or by his representatives,. It is understood that copying, or publi• cation of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia, Vancouver 8, Canada. Date JjiMZ^kA- ^,/»^' ABSTRACT An examination of Samuel Johnson*s essays and his tragedy, Irene, and his Oriental tale, Rasselas, reveals that his concept of womanhood and his views on the education of woman and her role in society amount to a thorough-going criticism of the established views of eighteenth-century society. His views are in advance of those of his age. Johnson viewed the question of woman with that same practical good sense which he had brought to bear on literary criticism. It was important he said "to distinguish nature from custom: or that which is established because it was right, from that which is right only because it is established." Johnson thought that, so far as women were concerned, custom had dictated views and attitudes which reason denied. -
The Boundaries of Nationality in Mid-18Th Century Nova Scotia*
GEOFFREY PLANK The Two Majors Cope: The Boundaries of Nationality in Mid-18th Century Nova Scotia* THE 1750S BEGAN OMINOUSLY IN Nova Scotia. In the spring of 1750 a company of French soldiers constructed a fort in a disputed border region on the northern side of the isthmus of Chignecto. The British built a semi-permanent camp only a few hundred yards away. The two armies faced each other nervously, close enough to smell each other's food. In 1754 a similar situation near the Ohio River led to an imperial war. But the empires were not yet ready for war in 1750, and the stand-off at Chignecto lasted five years. i In the early months of the crisis an incident occurred which illustrates many of *' the problems I want to discuss in this essay. On an autumn day in 1750, someone (the identity of this person remains in dispute) approached the British fort waving a white flag. The person wore a powdered wig and the uniform of a French officer. He carried a sword in a sheath by his side. Captain Edward Howe, the commander of the British garrison, responded to the white flag as an invitation to negotiations and went out to greet the man. Then someone, either the man with the flag or a person behind him, shot and killed Captain Howe. According to three near-contemporary accounts of these events, the man in the officer's uniform was not a Frenchman but a Micmac warrior in disguise. He put on the powdered wig and uniform in order to lure Howe out of his fort. -
Iiilliam F. KNISKERN I'lay 1980
THE UNIVERSITY OF I'IAN]TOBA SA}ruEL JOHNSON AND SATIRE by IiILLIAM F. KNISKERN A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES ,IHE IN PARTIAL FULFILI'IENT OF TIIE RIQUIREI'ÍENTS FOR DEGREE OF DOCTOR OF PH]LOSOPHY DEPARTI'IENT OF ENGLISH I.IINNIPEG, I'TANIT0BA I'lay 1980 SAMUEL JOI1NSON AND SATIRE BY I,]ILLIAM FREDRICK KNISKERN A thcsis sLrbnrittrcl to tlre Iracrrlt¡, o1'(lracl Lr:rtc StLrtlics ol- tllc Universit-v- o1'N{anitoba in partial lLrlfillnlc¡lt of'the rcrluire rncrrts of the degrec of DOC'TOIì OF PI II LOSC)I)I IY €:' t9g0 Pclnlission hrs bcen grînttd to ihc Lllllli\lì\'Olì l-llLr UNIVIiII SITY OF N,lANIl-OIIA to lencì or scll copics ol this tltcsis. to the NATIONAL LIBI{AIìY OF CANAI)A to nricrof-ilnr this thesis and to lc-ncl or scll cclpics ol'tllc'f ilnr. ancl Uì\l\/l:IìSI-fY Ì\'llClìOFILÌv{S to pr-rblish rn abstract ol'this lhcsis, 'l'lle aLrthor rûse r\ cs ctthcr pLrblicatiorr rigirts. alltl ne itìrc.r thc tlrcsis ¡lrlr crtensir,r cxtriìe ts l'ronr it nlt¡'Lrc ¡trirttccl clr othcr- rl'isc r.:1ri'od tr cccl ivi thoLr t the aLrtìlor's ur'l i L tcn Ienll isrirln. ABSTRACT htren Samuel Johnson first began to v/rite for a living he turned almost immediately to satire. In 1738 he published London, an "Imitation" of Juvenalrs Satire III, and in 1739 he published t\^¡o prose satires, Marmor Norfolciense and A Compleat Vindication of the Licensers of the _Ltgge. -
The Three Lives of Edward Cornwallis by John G
The Three Lives of Edward Cornwallis by John G. Reid Read before the Royal Nova Scotia Historical Society 16 January 2013 or some twenty years now, a lively controversy has flourished over the reputation of the first Halifax-based Fgovernor of Nova Scotia, Edward Corn- wallis. Was Cornwallis a courageous and far-sighted founder of Halifax and builder of colonial Nova Scotia, or was he a genocidal imperialist whose chief claim to notoriety was his placement of a price on the heads of all indigenous inhabitants of Mi’kma’ki?1 Should Cornwallis continue to be distin- guished by the prominence of his statue in downtown Halifax, or should all public marks of his existence—statue, names of Figure 1. Portrait of Edward Cornwallis by Sir Joshua Reynolds, circa. 1756 places and streets—be erased? Insofar as I have made previous public comments on such issues, I have expressed concern about the application of the twentieth-century term ‘genocide’ to an eighteenth-century situation, but have applauded the action of the Halifax Regional School Board in renaming Cornwallis Junior High School and have suggested that the statue belongs in a museum with an appropriate interpretive panel rather than in its current place of public display. My focus in this essay, however, is rather different. I will offer a histori- cal portrayal of Cornwallis in three contexts. The first will be the eighteenth-century Cornwallis. What, from the viewpoint of historical analysis, is or is not significant about the Nova Scotia career, brief as it was, of this early governor? The second will be the Cornwallis of the statue. -
The Times and Influence of Samuel Johnson
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Martina Tesařová The Times and Influence of Samuel Johnson Bakalářská práce Studijní obor: Anglická filologie Vedoucí práce: Mgr. Ema Jelínková, Ph.D. OLOMOUC 2013 Prohlášení Prohlašuji, že jsem bakalářskou práci na téma „Doba a vliv Samuela Johnsona“ vypracovala samostatně a uvedla úplný seznam použité a citované literatury. V Olomouci dne 15.srpna 2013 …………………………………….. podpis Poděkování Ráda bych poděkovala Mgr. Emě Jelínkové, Ph.D. za její stále přítomný humor, velkou trpělivost, vstřícnost, cenné rady, zapůjčenou literaturu a ochotu vždy pomoci. Rovněž děkuji svému manželovi, Joe Shermanovi, za podporu a jazykovou korekturu. Johnson, to be sure, has a roughness in his manner, but no man alive has a more tender heart. —James Boswell Table of Contents 1. Introduction ..................................................................................................... 1 2. The Age of Johnson: A Time of Reason and Good Manners ......................... 3 3. Samuel Johnson Himself ................................................................................. 5 3.1. Life and Health ......................................................................................... 5 3.2. Works ..................................................................................................... 10 3.3. Johnson’s Club ....................................................................................... 18 3.4. Opinions and Practice ............................................................................ -
I Give Permission for Public Access to My Thesis and for Any Copying to Be Done at the Discretion of the Archives Librarian And/Or the College Librarian
I give permission for public access to my thesis and for any copying to be done at the discretion of the archives librarian and/or the College librarian. _________________________________________________ Molly G. Taylor 2 THE ITALIAN JOURNEY OF HESTER LYNCH PIOZZI; The personal and cultural transformation of a Georgian lady Molly George Taylor A Thesis Presented to the Faculty of Mount Holyoke College in partial fulfillment of The requirement for the degree of Bachelor of Arts with Honor. History Department Mount Holyoke College South Hadley, Massachusetts April 29, 2005 3 Acknowledgements This thesis project has taken me on journey across Europe and through time and it has only been possible through the generosity of both old and new friends. The journey began and ended with the guidance of Mount Holyoke College professors, foremost my advisor, Frederick McGinness. I am also grateful for the further mentoring of Barbara Stevenson, Ombretta Frau and Robert Schwartz. Research of my topic was generously funded by a Pugh grant in the summer of 2004 and the Almara grant in January 2005. Thanks to the benefactors of those awards and to the history department that administered them. The entire history department was supportive of this project, especially Holly Sharac and Holly Hanson. Youth hostels and dear friends in England and Italy provided inspiration, enlightening conversation, and lodgings while conducting research. The Langford family in Cambridge became my own for the month of June 2004. Tom Müller in Florence and Prudence Crane in Bologna were my spiritual mentors while abroad and their homes gave me quiet refuges for study. -
The Life of Samuel Johnson, LL.D.," Appeared in 1791
•Y»] Y Y T 'Y Y Y Qtis>\% Wn^. ECLECTIC ENGLISH CLASSICS THE LIFE OF SAMUEL JOHNSON BY LORD MACAULAY . * - NEW YORK •:• CINCINNATI •:• CHICAGO AMERICAN BOOK COMPANY Copvrigh' ',5, by American Book Company LIFE OF JOHNSOK. W. P. 2 n INTRODUCTION. Thomas Babington Macaulay, the most popular essayist of his time, was born at Leicestershire, Eng., in 1800. His father, of was a Zachary Macaulay, a friend and coworker Wilberforc^e, man "> f austere character, who was greatly shocked at his son's fondness ">r worldly literature. Macaulay's mother, however, ( encouraged his reading, and did much to foster m*? -erary tastes. " From the time that he was three," says Trevelyan in his stand- " read for the most r_ ard biography, Macaulay incessantly, part CO and a £2 lying on the rug before the fire, with his book on the ground piece of bread and butter in his hand." He early showed marks ^ of uncommon genius. When he was only seven, he took it into " —i his head to write a Compendium of Universal History." He could remember almost the exact phraseology of the books he " " rea'd, and had Scott's Marmion almost entirely by heart. His omnivorous reading and extraordinary memory bore ample fruit in the richness of allusion and brilliancy of illustration that marked " the literary style of his mature years. He could have written Sir " Charles Grandison from memory, and in 1849 he could repeat " more than half of Paradise Lost." In 1 81 8 Macaulay entered Trinity College, Cambridge. Here he in classics and but he had an invincible won prizes English ; distaste for mathematics. -
Hester Thrale Piozzi and Her Mentors Collier and Johnson Tania S
Learning Conversational Rhetoric in Eighteenth-Century Britain: Hester Thrale Piozzi and Her Mentors Collier and Johnson Tania S. Smith University of Calgary A young British woman in the eighteenth century who aspired to be an eloquent writer and conversationalist faced many challenges. It was rare for a woman to gain access to education in rhetoric because, since the classical era, rhetoric had been a largely masculine, upper-class discipline meant to prepare people to speak in official public roles. However, in the eighteenth century, some approaches to rhetoric accommodated the increasing number of women becoming educated and the increasingly important genre of sociable conversation. New opportunities within the culture made it possible for a woman to study rhetoric, practice and theorize it, and achieve widespread public acknowledgment for her eloquence and influence, although not without risks to her reputation. Studying the rhetorical development and practice of eighteenth- century British women brings to light how a category of people excluded from formal rhetorical education and practice could nevertheless participate due to shifts in cultural ideologies. Specifically, as I shall demonstrate below, these women experienced a greater opportunity to practice and learn a rhetoric of conversation in the public sphere. A brief rhetorical biography of Hester Thrale Piozzi (1741-1821), a famous eighteenth-century conversationalist and author, reveals how she and her two mentors, Dr. Arthur Collier and Samuel Johnson, approached the study and practice of conversation as a rhetorical art. It also helps us understand the importance of conversational rhetoric in forming eminent rhetors and rhetoricians. Only a few modern and eighteenth-century scholars of rhetoric would acknowledge that such a woman’s success in public or semi-public eloquence could be considered a rhetorical career. -
Hester Thrale Piozzi's Annotated Copy of James Northcote's Biography of Sir Joshua Reynolds
"Well said Mr. Northcote": Hester Thrale Piozzi's annotated copy of James Northcote's biography of Sir Joshua Reynolds The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Wendorf, Richard. 2000. "Well said Mr. Northcote": Hester Thrale Piozzi's annotated copy of James Northcote's biography of Sir Joshua Reynolds. Harvard Library Bulletin 9 (4), Winter 1998: 29-40. Citable link https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37363299 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA 29 "Well said M~ Northcote": Hester Thrale Piozzi's Annotated Copy of James Northcote's Biography of Sir Joshua Reynolds Richard Wendoif ester Lynch Thrale Piozzi was of two minds about Sir Joshua RICHARD WENDORF is the Reynolds. She greatly admired him as a painter-or at least as a Stanford Calderwood H painter of portraits. When he attempted to soar beyond portraiture Director and Librarian of into the realm of history painting, she found him to be embarrassingly the Boston Athena:um. out of his depth. Reynolds professed "the Sublime of Painting I think," she wrote in her voluminous commonplace book, "with the same Affectation as Gray does in Poetry, both of them tame quiet Characters by Nature, but forced into Fire by Artifice & Effort." 1 As a portrait-painter, however, Reynolds impressed her as having no equal, and she took great pride in his series of portraits commissioned by her first husband, Henry Thrale, for the library at their house in Streatham. -
This Index to the Collections and Journal of the Royal Nova Scotia
This index to the Collections and Journal of the Royal Nova Scotia Historical Society was prepared with the assistance and support of the PATHs program of Canada’s National History Society. They generously provided the Royal Nova Scotia Historical Society with two grants which underwrote the preparation of an index that included all of the materials the Royal Nova Scotia Historical Society has published since its inception in 1878. Canada’s National History Society is perhaps best known as the publisher of The Beaver. The entries are in the following format with the template information in normal typeface and the index supplied information in italics. Subject title. By author. In Collections or Journal Vol volume number, pp. pages. Type with/without documentation. Paper presented date. Eras: era1; era2. For this presentation format the citation for each article is repeated after each index point. The index also provided some information on the type of article or document that was published. The categories used are: Analytic study Bibliography Chronological Narrative Descriptive Narrative Document Genealogy Memoirs (1st person voice) Obituary Review The articles were also categorized by the time period of the events that were related. The categories used were: Creation of planet to 1600 AD 1600 - 1758 [Acadian Nova Scotia] 1713 - 1867 [Colonial Nova Scotia] 1867 - 1914 1914 - 1945 1945 - The index also notes if the article is documented or not. Although endnotes or footnotes automatically placed an article in the documented category the absence of them did not necessarily label the article as without documentation. '2ND BATTALION OF H. M. 84TH (ROYAL HIGHLAND EMIGRANTS) REGIMENT OF FOOT, 1775-1783' 'The Fortieth Regiment, raised at Annapolis Royal in 1717; and 5 regiments subsequently raised in NS'. -
" Your Name Shall Live/In the New Yeare As in the Age of Gold": Sir
LJMU Research Online Bailey, RA "Your name shall live / In the new yeare as in the age of gold": Sir Thomas Salusbury’s "Twelfth Night Masque, Performed at Knowsley Hall in 1641" and its Contexts http://researchonline.ljmu.ac.uk/id/eprint/13567/ Article Citation (please note it is advisable to refer to the publisher’s version if you intend to cite from this work) Bailey, RA "Your name shall live / In the new yeare as in the age of gold": Sir Thomas Salusbury’s "Twelfth Night Masque, Performed at Knowsley Hall in 1641" and its Contexts. Shakespeare Bulletin: a journal of performance, criticism, and scholarship, 38 (3). ISSN 0748-2558 (Accepted) LJMU has developed LJMU Research Online for users to access the research output of the University more effectively. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LJMU Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. The version presented here may differ from the published version or from the version of the record. Please see the repository URL above for details on accessing the published version and note that access may require a subscription. For more information please contact [email protected] http://researchonline.ljmu.ac.uk/ "Your name shall live / In the new yeare as in the age of gold": Sir Thomas Salusbury’s "Twelfth Night Masque, Performed at Knowsley Hall in 1641" and its Contexts REBECCA A.