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Four Mysterious Citizens of the United States That Served on The
Four Mysterious Citizens of the United States that Served On the International Olympic Com-mittee During the Period 1900-1917 Four Mysterious Citizens of the United States that Served On the International Olympic Com-mittee During the Period 1900-1917, Harvard University, William Milligan Sloane, Paris, Theodore Stanton, United States, America, American Olympic Committee, Olympic Games, Rutgers University, Pierre de Coubertin, International Olympic Committee, Karl Lennartz, Mr. Hyde, IOC member, Evert Jansen Wendell, Theodore Roosevelt, IOC members, Allison Vincent Armour, Olympic Research, Elizabeth Cady Stanton, Baron Pierre de Coubertin, New York, Messieurs Stanton, Caspar Whitney, Cornell University, William Howard Taft, Evert Jansen, John Updike, North American, The International Olympic Committee One Hundred Years, See Wolf Lyberg, French Foreign Legion, See Barbara Tuchman, Barrett Wendell, father Jacob, Allison V. Armour, George Armour, President Coubertin, American University Union, American Red Cross, Coubertin, Phillips Brooks, A. V. Armour, New York City, Harvard, See Roosevelt, Swedish Olympic Organizing Committee, E. J. Wendell, List of IOC members, Doctor Sloane, John A. Lucas, the United States, Professor W. M. Sloane, Pennsylvania State University, Modern Olympic Games, Henry Brewster Stanton, James Hazen Hyde, Theodore Weld Stanton, Evert Jansen Wendell John A. Lucas, Professor Emeritus William M. Sloane, Theodore Roosevelt Papers, New York Herald, Professor Sloane, James Haren Hyde, Stanton, Keith Jones, RUDL, Allison -
Voices from the Field
Voices from the Field Voices from the Field Prohibition, war bonds, the formation of social security—the National Association of Insurance and Financial Advisors has seen it all. In August 1989, the National Association of Life Underwriters—later to be renamed NAIFA— published Voices from the Field, a seminal work chronicling the history of the insurance industry and the association. This book was the result of four years of research and writing by former Advisor Today senior editor George Norris. Voices from the Field is an engaging look at the lives and events that shaped our dynamic industry. The book remains a lasting tribute to everyone who has worked to make NAIFA what it is today, but particularly to Norris, who dedicated 21 years to the association. *** “Historians have, perhaps, been too preoccupied with mortality tables and the founding dates of companies to consider the astonishing influence that selling method, or the lack of it, has had upon the development of life insurance in every age.” —J. Owen Stalson, Marketing Life Insurance: Its History in America This book is dedicated to the hundreds of thousands of unnamed and often unsung, life underwriters who, over the past 100 years, have labored to provide security and financial independence to millions of their fellow Americans. Foreword by Alan Press, 1988-1989 NALU President Preface by Jack E. Bobo, 1989 NALU Executive Vice President Introduction Acknowledgements Chapter 1 Laying the Foundation—A Meeting at the Parker House Leading Figures—Ransom, Carpenter, Blodgett and -
John Quinn, Art Advocate
John Quinn, Art Advocate Introduction Today I’m going to talk briefly about John Quinn (fig. 1), a New York lawyer who, in his spare time and with income derived from a highly-successful law practice, became “the twentieth century’s most important patron of living literature and art.”1 Nicknamed “The Noble Buyer” for his solicitude for artists as much as for the depth of his pocketbook, Quinn would amass an unsurpassed collection of nineteenth- and twentieth-century American and European art. At its zenith, the collection con- tained more than 2,500 works of art, including works by Con- stantin Brancusi, Paul Cézanne, André Derain, Marcel Du- champ, Raymond Duchamp-Villon, Henri Gaudier-Brzeska, Paul Gaugin, Juan Gris, Henri Matisse, Pablo Picasso, Georges Rouault, Henri Rousseau, Georges Seurat, and Vincent van Gogh.2 More than a collector, Quinn represented artists and art associa- tions in all types of legal matters. The most far-reaching of these en- gagements was Quinn’s successful fight for repeal of a tariff on im- 1 ALINE B. SAARINEN, THE PROUD POSSESSORS: THE LIVES, TIMES AND TASTES OF SOME ADVENTUROUS AMERICAN ART COLLECTORS 206 (1958) [hereinafter PROUD POSSESSORS]. 2 Avis Berman, “Creating a New Epoch”: American Collectors and Dealers and the Armory Show [hereinafter American Collectors], in THE ARMORY SHOW AT 100: MODERNISM AND REVOLUTION 413, 415 (Marilyn Satin Kushner & Kimberly Orcutt eds., 2013) [hereinafter KUSHNER & ORCUTT, ARMORY SHOW] (footnote omitted). ported contemporary art3 – an accomplishment that resulted in him being elected an Honorary Fellow for Life by the Metropolitan Mu- seum of Art.4 This work, like much Quinn did for the arts, was un- dertaken pro bono.5 Quinn was also instrumental in organizing two groundbreaking art exhibitions: the May 1921 Metropolitan Museum of Art exhibition of “Impressionist and Post-Impressionist Paintings” (that museum’s first exhibition of modern art),6 and the landmark 1913 “International Exhibition of Modern Art”7 – otherwise known as the Armory Show. -
Genres of Financial Capitalism in Gilded Age America
Reading the Market Peter Knight Published by Johns Hopkins University Press Knight, Peter. Reading the Market: Genres of Financial Capitalism in Gilded Age America. Johns Hopkins University Press, 2016. Project MUSE. doi:10.1353/book.47478. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/47478 [ Access provided at 28 Sep 2021 08:25 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Reading the Market new studies in american intellectual and cultural history Jeffrey Sklansky, Series Editor Reading the Market Genres of Financial Capitalism in Gilded Age America PETER KNIGHT Johns Hopkins University Press Baltimore Open access edition supported by The University of Manchester Library. © 2016, 2021 Johns Hopkins University Press All rights reserved. Published 2021 Printed in the United States of America on acid-free paper Johns Hopkins Paperback edition, 2018 2 4 6 8 9 7 5 3 1 Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu The Library of Congress has cataloged the hardcover edition of this book as folllows: Names: Knight, Peter, 1968– author Title: Reading the market : genres of financial capitalism in gilded age America / Peter Knight. Description: Baltimore : Johns Hopkins University Press, [2016] | Series: New studies in American intellectual and cultural history | Includes bibliographical references and index. Identifiers: LCCN 2015047643 | ISBN 9781421420608 (hardcover : alk. paper) | ISBN 9781421420615 (electronic) | ISBN 1421420600 [hardcover : alk. paper) | ISBN 1421420619 (electronic) Subjects: LCSH: Finance—United States—History—19th century | Finance— United States—History—20th century. -
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FISKE HALL NON-SEMINAR PAPER The Sage of Baltimore . \ l-ife of H.L. Mencken Luke Chennell On a blazing hot Sunday afternoon in 1925, Henry Louis Mencken sat at his typewriter in a hotel room in Dayton, T(.'1lnessee, stripped to his underwear. While he pecked away in his usual manner, he paused occasionally only to light up another Uncle Willie df,>ar and to roar with laughter at his own writing. The dispatch he u,-rote to the Baltimore Evening Stm was inarguably some of his best work. 1\lencken's dispatch told in flowing prose of a visit he and a female journalist took to a Holy Roller revival in the hills outside of Dayton, where "the old-time religion was genuinely on tap." The di>patch, later edited and published as "The Hills of Zion," would be one of Mencken's most reprinted essays.l Mencken was understandably concerned "vith religion at the time. The trial of John Scopes, a junior-high school teacher charged 'Weith teaching evolutionary doctrine contrary to Tennessee's anti-evolution laws, brought national attention to rising Christian fundamentalists across the nation. Though Scopes was eventually found guiltv, the sensational battle of Clarence Darrow and William Jennings Bryan provided endless amounts of amusement for the country at large, no matter what the legal outcome. Always near the center of attention was .Mencken. His lengthy and subjective dispatches to the Sun describing the atmosphere of the town and the trial are pieces of reporting which have hardly been repeated nor equaled in the history of journalism. -
The New York Gossip Magazine in the Great Gatsby
The New York Gossip Magazine in The Great Gatsby SHARON HAMILTON F. Scott Fitzgerald’s New York included Colonel William D’Alton Mann: hero of Gettysburg, swindler, and publisher of the New York gossip magazine Town Topics. On 17 May 1920, just over a month after the Fitzgeralds’ marriage in the rectory of St. Patrick’s Cathedral, Colonel Mann died at 80. His death was covered in New York’s newspapers, and discussed on New York streets. The media coverage of Mann’s death showed New Yorkers had not forgotten, or forgiven, his notorious reputation as the city’s most successful blackmailer. As the New York Times obituary showed, New York still remembered Mann’s libel trial of 1905–06. The O. J. Simpson trial of its day, the Times recalled that it “provided highly entertaining reading for many days, the testimony being highly spiced throughout.” That trial had revealed that several prominent New Yorkers had been “almost compelled” by the Colonel to subscribe to a forthcoming book called Fads and Fancies for “sums of five figures” in return for the Colonel’s promise that certain news items would not appear in Town Topics. “Yet,” the Times wryly noted, “Colonel Mann, when interviewed by a NEW YORK TIMES reporter, was violent in his denunciation of blackmailers” (“Colonel Mann Dies”). Within this historical context, Fitzgerald’s two allusions to the gossip magazine “Town Tattle”inThe Great Gatsby take on greater significance. These small allusions to the magazine Myrtle buys on her way into Manhattan (Gatsby 27) and keeps copies of in her apartment (29) have never been analyzed, but, like so much else in the novel, these brief references carry considerable symbolic weight. -
Comptroller EL Williams Will Retire Next Summer Two More Names
Vol. XXI, No. 23 [PEICE TWELVE CENTS] March 6, 1919 Comptroller E. L. Williams Will Retire Next Summer Two More Names Added to Cor- nell's Roll of Honor Basketball Team Defeats Prince- ton, City College, and Rochester American, French, and British Dec- orations for Cornellians ITHACA, NEW YOEK CORNELL ALUMNI NEΛYS Executor Trustee Lang's Chartered 1822 Published for the Associate Alumni of Palace Garage Cornell University by the Cornell Alumni THE FARMERS' LOAN News Publishing Company, Incorporated. is situated in the center of Ithaca Published weekly during the college year AND TRUST COMPANY and monthly during the summer; forty issues 117-119 East Green Street annually. Issue No. 1 is published the last Nos. 16-22 William Street Thursday of September. Weekly publication (numbered consecutively) continues through Branch: 475 Fifth Ave. Commencement Week. The number of at 41st Street It is absolutely fireproof. monthly issues and of double numbers will Open day and night. Com- depend somewhat on the University calendar, New York which is likely to be irregular for the period modious and fully equipped. of the war. Issue No. 40 is published in LONDON PARIS A full stock of tires and August and is followed by an index of the entire volume, which'will be mailed on re- tubes and everything in the quest. Letters of Credit line of sundries. Subscript^on price $3.60 a year, payable ίn ad- vance. Foreign postage 40 cents a year extra. Foreign Exchange Domestic rates apply to addresses in the Amer- ican Expeditionary Forces. Single copies twelve Cable Transfers cents each. -
Gossip, Corporate Reputation, and the 1905 Life Insurance Scandal in New York
Case Study #14 December 2019 Gossip, Corporate Reputation, and the 1905 Life Insurance Scandal in New York On the evening of 31 January 1905, six hundred of the richest and most powerful members of New York society descended on Sherry’s Hotel dressed in extravagant costumes designed to resemble the court of the French King, Louis XV. The wealth on display was astounding. Pearls, emeralds, turquoise, and diamonds abounded. Mrs Potter Palmer, the queen of Chicago society, appeared dressed in a diamond tiara, diamond choker, and diamond breastplates. Mrs Clarence Mackay, wife of the chairman of the Postal Telegraph Company and a suffragist, wore a gold and turquoise crown and the train of her dress was so long, that despite the help of her two pages, she was forced to sit out the dancing.1 No expense had been spared in creating the event. The two floors of ballrooms had been decorated in the style of the gardens of Versailles. Lemon and orange trees lined the corridors, while grass covered the floor.2 Madam Réjane, a French actress of considerable fame, had been brought to New York to perform in a play written specifically for the party.3 She is depicted at the ball in figure 1. Her fee, apparently, was a gift of a diamond tiara.4 Dancers from the Metropolitan Opera House performed as well and, over supper, two orchestras sat at either end of the room and played alternately so the music never paused.5 In total, the ball cost its host, James Hazen Hyde, an estimated $50,000, the equivalent of well over a million dollars now.6 Figure 1: Madam Réjane seated with others in the “Garden of Versailles” at the James Hazen Hyde Ball. -
Sumner Bilbiography from Magazinecentury 1990-2010
Magazine History/Sumner 2 August 2012 David and Marcia: I have attached a bibliography of American magazine history covering 1990 to 2010 that I compiled when writing The Magazine Century: American Magazines Since 1900. I am happy for you to share this with other authors as long as you retain my byline and credit. David S. David E. Sumner, Ph.D. Professor of Journalism AJ391 Ball State University Muncie, Indiana 47306 (765) 617-3890 ~ [email protected] www.professormagazine.com A Bibliography of American Magazine History by David E. Sumner. Sources used in writing The Magazine Century: American Magazines Since 1900 (Peter Lang, 2010). General Histories Abrahamson, David, Magazine Made America. The Cultural Transformation of the Postwar Periodical. Creskill, NJ: Hampton Press, 1996. Angeletti, Norberto and Alberto Oliva. Magazines That Make History: Their Origins, Development and Influence. Gainesville: The University Press of Florida, 2004. Douglas, George H. The Smart Magazines: 50 Years of Literary Revelry and High Jinks at Vanity Fair, The New Yorker, Life, Esquire and the Smart Set. Hamdon, CT: Archon Books, 1991. Humphreys, Nancy K. American Women’s Magazines: An Annotated Historical Guide. New York: Garland, 1989. Endres, Kathleen L. and Lueck, Therese L. eds. Women’s Periodicals in the United States: Social and Political Issues. Westport, CT: Greenwood Press, 1996. Endres, Kathleen L. and Lueck, Therese L. eds. Women’s Periodicals in the United States: Consumer Magazines. Westport, CT: Greenwood Press, 1995. Fackler, P. Mark and Charles H. Lippy, eds. Popular Religious Magazines of the United States. Westport, CT: Greenwood Press, 1995. 1 Magazine History/Sumner Haining, Peter. -
Modernism and the Periodical Scene in 1915 and Today
Modernism and the Periodical Scene in 1915 and Today Andrew Thacker* Keywords Pessoa, Modernism, Magazines, Orpheu, Periodization. Abstract This article considers the Portuguese magazine Orpheu (1915) within the wider context of periodicals within modernism, drawing upon work carried out by the Modernist Magazines Project. It does this by considering such crucial features of the modernist magazine as its chronology and its geographical reach, and also points to new methods of analysing the materiality of magazines. By understanding the broader milieu of the modernist magazine we gain a clearer sense of how Orpheu can begin to be placed within the cultural field of the modernism. Palavras-chave Pessoa, Modernismo, Revistas, Orpheu, Periodização. Resumo Este artigo considera a revista portuguesa Orpheu (1915) no contexto mais alargado dos periódicos no âmbito do modernismo, baseando-se em trabalho desenvolvido ao abrigo do projeto de investigação Modernist Magazines Project. Fá-lo, considerando aspetos cruciais da revista modernista tais como a sua cronologia e a sua abrangência geográfica, propondo além disso novos métodos de análise da materialidade da revista. Ao compreendermos o meio mais alargado da revista modernista, ganhamos uma visão mais clara do posicionamento de Orpheu no campo cultural do modernismo. * Department of English, Nottingham Trent University Thacker Modernism and the Periodical Scene Orpheu is a significant example of the modernist “little magazine,” a phenomenon with a complex history and multiple iterations across -
Certificate File Ca 1700-Present (Bulk 1790-1900) PR14
Guide to the Certificate File ca 1700-present (Bulk 1790-1900) PR14 The New-York Historical Society 170 Central Park West New York, NY 10024 Descriptive Summary Title: Certificate File Dates: ca 1700-present (bulk 1790-1900) Abstract: The Certificate File contains certificates from private and civic societies, clubs and professional and other organizations. Diplomas, certificates of merit and various financial and legal documents are included as well. The collection includes fine examples of engravings, lithographs, and typography. Quantity: 9.66 linear feet (9 boxes; 8 drawers of flat files) Call Phrase: PR 14 Note: This is a PDF version of a legacy finding aid that has not been updated recently and is provided “as is.” It is key-word searchable and can be used to identify and request materials through our online request system (AEON). PR 000 2 The New-York Historical Society Library Department of Prints, Photographs, and Architectural Collections PR 014 CERTIFICATE FILE 1700 - 1991 (bulk 1790 - 1900) 9.66 lin. ft., 9 boxes plus 8 mapcase drawers Series I. 5 x 7 inches & smaller Series II. 5 x 7 to 14 x 18 inches Series III. 14 x 18 to 20 x 24 inches Series IV. 20 x 24 to 24 x 36 inches Series V. Larger than 24 x 36 inches Processed by Kelly McAnnaney PR 000 3 July 2008 PR 014 4 Provenance The collection is made up of multiple purchases and gifts. Access The collection is open to qualified researchers. Portions of the collection that have been photocopied or microfilmed will be brought to the researcher in that format; microfilm can be made available through Interlibrary Loan. -
Modernism in Life Magazine (New York, 1883–1936) Céline Mansanti
Mainstreaming the Avant-Garde: Modernism in Life Magazine (New York, 1883–1936) Céline Mansanti Journal of European Periodical Studies, 1.2 (Winter 2016) ISSN 2506-6587 DOI: http://dx.doi.org/10.21825/jeps.v1i2.2644 Content is licensed under a Creative Commons Attribution 4.0 Licence The Journal of European Periodical Studies is hosted by Ghent University Website: ojs.ugent.be/jeps To cite this article: Céline Mansanti, ‘Mainstreaming the Avant-Garde: Modernism in Life Magazine (New York, 1883–1936)’, Journal of European Periodical Studies, 1.2 (Winter 2016), 113–28 Mainstreaming the Avant-Garde: Modernism in Life Magazine (New York, 1883–1936) Céline Mansanti University of Picardie Jules Verne ABSTRACT This paper explores the relationship between literary modernism and mainstream culture within a little-studied American magazine, Life (New York, 1884-1936). It does so by looking at three ways in which Life presented modernism to its readers: by quoting modernist writing, and, above all, by satirizing modernist art, and by offering didactic explanations of modernist art and literature. By reconsidering some of the long-established divisions between high and low culture, and between ‘little’ and ‘bigger’ magazines, this paper contributes to a better understanding of what modernism was and meant. It also suggests that the double agenda observed in Life — both satirical and didactic — might be a way of defining middlebrow magazines. KEYWORDS literary modernism, mainstream, Life, American periodicals, avant-garde, middlebrow 113 Mainstreaming the Avant-Garde Research Issues and Life In order to better understand what modernism was and meant, current periodical research is turning more and more towards non-modernist, big-circulation magazines, looking at the complex ways modernism is represented beyond the well-studied circles of its ‘natural’ audiences — namely experimental, low-circulation, ‘little’ magazine producers and readers.