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[, F/ V C Edna Hammer Cooley 1986 APPROVAL SHEET
WOMEN IN AMERICAN THEATRE, 1850-1870: A STUDY IN PROFESSIONAL EQUITY by Edna Hammer Cooley I i i Dissertation submitted to the Faculty of the Graduate School of the University of Maryland in parti.al fulfillment of the requirements for the degree of Doctor of Philosophy ~ /, ,, ·' I . 1986 I/ '/ ' ·, Cop~ I , JI ,)() I co uI (~; 1 ,[, f/ v c Edna Hammer Cooley 1986 APPROVAL SHEET Title of Dissertation: Women in American Theatre, 1850-1870: A Study in Professional Equity Name of Candidate: Edna Hammer Cooley Doctor of Philosophy, 1986 Dissertation and Approved: Dr. Roger Meersman Professor Dept. of Communication Arts & Theatre Date Approved: .;;Jo .i? p ,vt_,,/ /9Y ,6 u ABSTRACT Title of Dissertation: Women in American Theatre, 1850- 1870~ A Study_ in Professional Equi!:Y Edna Hammer Cooley, Doctor of Philosophy, 1986 Dissertation directed by: Dr. Roger Meersman Professor of Communication Arts and Theatre Department of Communication Arts and Theatre This study supports the contention that women in the American theatre from 1850 to 1870 experienced a unique degree of professional equity with men in the atre. The time-frame has been selected for two reasons: (1) actresses active after 1870 have been the subject of several dissertations and scholarly studies, while relatively little research has been completed on women active on the American stage prior to 1870, and (2) prior to 1850 there was limited theatre activity in this country and very few professional actresses. A general description of mid-nineteenth-century theatre and its social context is provided, including a summary of major developments in theatre in New York and other cities from 1850 to 1870, discussions of the star system, the combination company, and the mid-century audience. -
[Pennsylvania County Histories]
REFEI IENCE Ji ffi OOLLE( ]TIONS S-A 9"7 Y.<P H VCf Digitized by the Internet Archive in 2018 with funding from This project is made possible by a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries https://archive.org/details/pennsylvaniacoun66unse as ... > . INDEX, Page B Page ft <H 4 • H 'p5 'i'T* ^ l I y,bV INDEX. 5age S '1 ' 3age Pag* "S i • s . *■ • • W T uv w IL . 1. , j ’■- w* W ■ : XYZ . I r—;-- Mb . ,_ tr_ .... »> '' mi - . ■ nothing? It is rather a new method to white- I “ nuts for future historians TO CRACK.” * wash one’s “great-grandfather” by blacken-P % ing another man’s “grandfather.” Is it to ' Immense and '(Overwhelming in importance j make money ? Alas! Mr. Editor, for the to future historians as Mr. Smith’s work is, j sake’ of decency I regret to say it is. t we confess after cracking his nuts we found! The long delay in the publication, the the kernels to be wretchedly shrivelled-up i frequent announcements in the newspapers affairs. They are, most of them, what Mr. 1 of what teas to appear, as though held Toots would say, “ decidedly of no conse- | I in terror en% over parties known to be j quence.” After investigating his labors we 1 ■ sensitive on the subject, conclusively show <; have arrived at this conclusion, that the:| Cr' this to be the object. But if more be author, notwithstanding his literary anteee-! wanting, Mr. -
1920 Patricia Ann Mather AB, University
THE THEATRICAL HISTORY OF WICHITA, KANSAS ' I 1872 - 1920 by Patricia Ann Mather A.B., University __of Wichita, 1945 Submitted to the Department of Speech and Drama and the Faculty of the Graduate School of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. Redacted Signature Instructor in charf;& Redacted Signature Sept ember, 19 50 'For tne department PREFACE In the following thesis the author has attempted to give a general,. and when deemed.essential, a specific picture of the theatre in early day Wichita. By "theatre" is meant a.11 that passed for stage entertainment in the halls and shm1 houses in the city• s infancy, principally during the 70' s and 80 1 s when the city was still very young,: up to the hey-day of the legitimate theatre which reached. its peak in the 90' s and the first ~ decade of the new century. The author has not only tried to give an over- all picture of the theatre in early day Wichita, but has attempted to show that the plays presented in the theatres of Wichita were representative of the plays and stage performances throughout the country. The years included in the research were from 1872 to 1920. There were several factors which governed the choice of these dates. First, in 1872 the city was incorporated, and in that year the first edition of the Wichita Eagle was printed. Second, after 1920 a great change began taking place in the-theatre. There were various reasons for this change. -
Charles Frohman: Manager and Man, by Isaac 1
Charles Frohman: Manager and Man, by Isaac 1 Charles Frohman: Manager and Man, by Isaac The Project Gutenberg eBook, Charles Frohman: Manager and Man, by Isaac Frederick Marcosson and Daniel Frohman, et al This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Charles Frohman: Manager and Man Author: Isaac Frederick Marcosson and Daniel Frohman Release Date: July 29, 2008 [eBook #26146] Charles Frohman: Manager and Man, by Isaac 2 Language: English Character set encoding: ISO-8859-1 ***START OF THE PROJECT GUTENBERG EBOOK CHARLES FROHMAN: MANAGER AND MAN*** E-text prepared by Robert Cicconetti, Chuck Greif, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 26146-h.htm or 26146-h.zip: (http://www.gutenberg.net/dirs/2/6/1/4/26146/26146-h/26146-h.htm) or (http://www.gutenberg.net/dirs/2/6/1/4/26146/26146-h.zip) CHARLES FROHMAN: MANAGER AND MAN by ISAAC F. MARCOSSON and DANIEL FROHMAN With an Appreciation by James M. Barrie Illustrated with Portraits New York and London Harper & Brothers M.C.M.X.V.I Charles Frohman: Manager and Man Copyright, 1916, by Harper & Brothers Copyright, 1915, 1916, by International Magazine Company (Cosmopolitan Magazine) Printed in the United States of America Published October, 1916 To The Theater Charles Frohman: Manager and Man, by Isaac 3 That Charles Frohman Loved and Served Nought I did in hate but all in honor! HAMLET Contents CHARLES FROHMAN: AN APPRECIATION I. -
LINCOLN and the JEWS ISAAC MARKENS Publications of the American Jewish Historical Society (1893-1961); 1909; 17, AJHS Journal Pg
LINCOLN AND THE JEWS ISAAC MARKENS Publications of the American Jewish Historical Society (1893-1961); 1909; 17, AJHS Journal pg. 109 LINCOLN AND THE JEWS. By ISAAC MARKENS. Since the name of Abraham Lincoln has been linked with no stirring event in connection with American Judaism it follows that the subject" Lincoln and the Jews," may possibly be lacking in the essentials demanding treatment at the hands of the critical historian. Nevertheless, as a student of the great war President the writer has been impressed by the vast amount of interesting material bearing upon his relations to the Jews. which it occurs to him is worthv of comnilation and preservation. A contribution of this character seems specially fitting at the present time in view of the centenary of the one whose gaunt figure towers above aU others in the galaxy of American heroes-" the first of our countrymen to reach the lonely heights of immortal fame." The Jews of the United States formed but a small portion of the population in Lincoln's time. The President of the Board of Delegates of American Israelites, their representa~ tive organization, estimated their number in the loyal States near the close of 1861 at not less than 200,000, which figures are now regarded as excessive. The Rev. Isaac Leeser as late as 1865 could not figure the entire Jewish population of the United States as exceeding 200,000, although he admitted that double that number had been estimated by others. Political sentiment was then divided and found expression largely through the Occident, a monthly, published by Rev. -
The Life and Art of Edwin Booth and His Contemporaries
THE LIFE AND ART OF EDWIN BOOTH AND HIS CONTEMPORARIES EDWIN BOOTH As Hamlet. &/fti <7^F?^sr<) jf^jQe^L^ fl&^rrsyb^^ *< Stye Hife atti Art of IHtomt Imrtlf and I|t3 (Entttemjrorarips wtsW* 19 By Brander Matthews and Laurence Hutton J* Yf/jt&n ifUusttratefc ^^^@^<?^s^>^^^^^^ L C PAGE- 8 COMPANY ""w^W/ BOSTON j» PUBLISHERS Copyright, 1886 By O. M. Dunham All rights reserved Fifth Impression, June, 1907 COLONIAL PRESS Electrotyped and Printed by C. H. Simonds &* Co. Boston, U.S.A. CONTENTS PAGE Miss Mary Anderson . William L. Keese • I Mr. and Mrs. Bancroft William Archer , . 19 Mr. Lawrence Barrett William M. Laffan . 37 Mr. Edwin Booth. Lawrence Barrett . 55 Mr. and Mrs. Dion Boucicault Benjamin Ellis Martin 77 Mr. J. S. Clarke . Edw, Hamilton Bell . 95 Mr. and Mrs. Florence Laurence Hutton . 113 Mr. Henry Irving J. Ranken Towse . 131 Mr. Joseph Jefferson . H C. Bunner . .153 Mr. and Mrs. Kendal . William Archer . .175 Mme. Modjeska . Jeannette Leonard Gilder 193 Miss Clara Morris Clinton Stuart . .211 Mr. John T. Raymond. George H. Jessop . .229 Miss Ellen Terry Geo. Edgar Montgomery 247 Mr. J. L. Toole . Walter Hen ies Pollock 265 Mr. Lester Wallack . William Winter . .283 Index • • . 301 LIST OF ILLUSTRATIONS PAGE Edwin Booth as Hamlet .... Frontispiece Mary Anderson as Galatea in " Pygmalion and Galatea" . 14 " " Lawrence Barrett as Cassius in Julius Caesar . 39 Edwin Booth 57 Dion Boucicault 79 Agnes R. Boucicault 86 W. J. Florence 115 Mrs. W. J. Florence 126 Henry Irving 133 Henry Irving as Mathias in "The Bells" . 136 Joseph Jefferson as Bob Acres in "The Rivals". -
The Story of a Mine
/ VOLUME VII. WASHINGTON CITY, D. C., SEPTEMBER 16, 1877. NUMBER 29. THE CAPITAL, self, and that, through ignoratice of detail, was uttered. Nevertheless, he could not C.HAPTEK XII. the business of that department was re- help saying: GREEN-ROOM GOSSIP - VUBLIBHKD WELKLY BY A I! ACE l'OB IT. tarded to a damage to the Government of " But why should he be so jealous now? I Royal Thatcher worked hard. That the OTTO AT TÏIK NATIONAL.—George ss. Knight and over half a million of dollars, led to the re- Only day before yesterday I saw Simpson of THE CAPITAL PUBLISHING COMPANY boyish little painter who shared his hospi- his variety combination trod tho boards at the Na- instatement of Mr. Fauquier—at a lower Duluth hand you a nosegay right before 927 1) street, Washington, D. G. tality at the "Blue Mass" mine should tional last week like noblo Trojans, considering the »alary. For it was felt that something was him!" weather and the inopportune condition of the atmos- DONN PI ATT, . TT. EDITOR. afterward have little part In his active life, wrong somewhere, and as it had always been "Ah," returned the lady, "he was out- phere generally. We have seen better actors than seemed not inconsistent with his habits. Knight, but as a Dutch comedian ho is quite clever. TJÌRMS: Por year, (including postume,) 82.50 ; six the custom of Congross and the Adminis- wardly calm then, but you know nothing of At present the Mine was his only mistress, He is handsomer than his voice in singing, but his months, $1.60 ; three months, 75 cents—in advance. -
Memories of an Old Actor
Sra CMRLEJ fl.BLIItn L MEMORIES OF AN OLD ACTOR. MEMORIES OF AN OLD ACTOR BY WALTER M. LEMAN 'They are the abstract and brief chronicles of the time'" SHAKESPEARE SAN FRANCISCO A. ROMAN CO., PUBLISHERS 1886 Copyright, 1886, By WALTER M. LEMAN. H. S. CROCKER A CO. STATIONERS AND PRINTERS SAN FRANCISCO DEDICATION. of NATHAN D ORTER, Whose human sympathies embraced not kindred andfriends alone, but went out to and beyond the circle of the legal profession which he dignified by his virtues and adorned by his talents, and to that great brotherhood which found in him the truest exemplar of their motto: "Friendship, Love and Truth" and took in mankind at large ; who dared oppose Wrong though it were clad in silk and purple, and befriend Right though groveling in wretchedness and rags ; upon whose escutcheon us husband, brother, father, friend and man there is neither spot nor blemish this volume is dedi- cated by the writer who knew him long and loved him well. CONTENTS. CHAPTER I. School Remembrances Juvenile Theatricals Competition Status of the Theatre in the United States sixty years ago Number of Theatres Managerial Control By whom held in the Eastern States In the Middle States In the West The Starring System Theatrical Advertising Kean- Cooper Booth The Elder Wallack Forrest Miss Lydia Kelly Mrs. J. Barnes Mrs. Drake Mrs. Sloman Miss Clara Fisher The Federal Street Theatre Mrs. Powell Mrs. Papanti The Kean riot Joe Cowell Watkins Burroughs Flynn i CHAPTER II. Dry Goods and the Drama Opening of the Tremont Theatre- Prize Address William Rufus Blake Mr. -
Women Who Managed Theatres in Nineteenth Century America
Women Who Managed Theatres In Nineteenth Century America Vera Mowry Roberts [Dr. Roberts' Fellows Address was delivered at the John F. Kennedy Center in Washington, D.C., on April 26, 1992. An expansion and re-working of the topic culminated in the article, "'Lady-managers' in nineteenth century American theatre," published in Ron Engle and Tice Miller, eds., The American Stage (New York: Cambridge University Press, 1993), pp. 30 -46. Ed.] When one considers the political, legal, and social status of women in 19th century America, one is surprised to learn, through the mining of contemporary sources, that at least fifty women managed theatres throughout the United States from 1799 to 1902. You can probably name a few. Mrs. John Drew in Philadelphia, certainly. And wasn't there a Laura Keene in New York? And Anne Brunton Merry, and Catherine Sinclair, and Mrs. John Wood? And didn't Charlotte Cushman once try her hand at management. These are the names that float to the top of consciousness. And with good reason: Mrs. Drew for her long occupancy of the Arch Street Theatre, Keene and Wood for their success in New York, Merry because of her acting fame in early Philadelphia and New York, Sinclair because of her notoriety, and Cushman because of her later great fame as an actress. It is true that most of the other 44 women thus far accounted for managed briefly and often unsuccessfully in minor venues, and not always for impeccable reasons. But that they did it at all - in a society where women had no legal rights and were largely treated as chattel - is worthy of some note. -
American Theatre Playbill Collection, 1826-1873
Library Company of Philadelphia McA 5761.F AMERICAN THEATRE PLAYBILL COLLECTION 1826‐1873 (bulk dates 1860‐1865) 23 volumes September 2006 McA 5761.F 2 Descriptive Summary Repository Library Company of Philadelphia 1314 Locust Street, Philadelphia, PA 19107‐5698 Call Number McA 5761.F Title American Theatre Playbill Collection Inclusive Dates 1826‐1873 (bulk dates 1860‐1865) Quantity 23 volumes Language of Materials Materials are in English. Abstract The American Theatre Playbill Collection spans the period from 1826 to 1873 and covers performances held in Philadelphia theatres, both for repertory companies and vaudeville houses, as well as venues in Pennsylvania, New Jersey, Delaware, and Baltimore, Maryland. Administrative Information Restrictions to Access The collection is open to researchers. Acquisition Information Gifts of John A. McAllister, Samuel Breck, and James Rush; forms part of the McAllister Collection. Processing Information The collection was described in 2006 by Sandra Markham under grants from the National Endowment for the Humanities and the William Penn Foundation. Any views, findings, conclusions or recommendations expressed in this finding aid do not necessarily represent those of the National Endowment for the Humanities. Preferred Citation This collection should be cited as: [indicate specific item or series here], American Theatre Playbill Collection (McA 5761), The Library Company of Philadelphia. For permission to publish materials or images in this collection, contact the Coordinator of Rights and Reproductions, Library Company of Philadelphia, 1314 Locust St., Philadelphia, PA 19107‐5698. Please include complete citation(s) when making a request. See the Library Company’s website, http://www.librarycompany.org/, for further information. McA 5761.F 3 Online Catalog Headings Subject Names Chestnut Street Theatre (Philadelphia, Pa.) Arch Street Theatre (Philadelphia, Pa.) American Academy of Music (Philadelphia, Pa.) Academy of Music (Philadelphia, Pa.) Peale’s Museum (Philadelphia, Pa.) Walnut Street Theatre Eleventh St. -
Ada Rehan: American Actress (1857-1916)
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1988 Ada Rehan: American Actress (1857-1916). (Volumes I and II). Aileen Alana Hendricks-wenck Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Hendricks-wenck, Aileen Alana, "Ada Rehan: American Actress (1857-1916). (Volumes I and II)." (1988). LSU Historical Dissertations and Theses. 4506. https://digitalcommons.lsu.edu/gradschool_disstheses/4506 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. -
Life and Art of Edwin Booth
Dear Reader, This book was referenced in one of the 185 issues of 'The Builder' Magazine which was published between January 1915 and May 1930. To celebrate the centennial of this publication, the Pictoumasons website presents a complete set of indexed issues of the magazine. As far as the editor was able to, books which were suggested to the reader have been searched for on the internet and included in 'The Builder' library.' This is a book that was preserved for generations on library shelves before it was carefully scanned by one of several organizations as part of a project to make the world's books discoverable online. Wherever possible, the source and original scanner identification has been retained. Only blank pages have been removed and this header- page added. The original book has survived long enough for the copyright to expire and the book to enter the public domain. A public domain book is one that was never subject to copyright or whose legal copyright term has expired. Whether a book is in the public domain may vary country to country. Public domain books belong to the public and 'pictoumasons' makes no claim of ownership to any of the books in this library; we are merely their custodians. Often, marks, notations and other marginalia present in the original volume will appear in these files – a reminder of this book's long journey from the publisher to a library and finally to you. Since you are reading this book now, you can probably also keep a copy of it on your computer, so we ask you to Keep it legal.