DOCSLIB.ORG

Grlva 301 GUI^ADHYA

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

GRlVA 301 GUI^ADHYA the other side of the river. Valmiki the teeth, pinch grasses or write or draw on the ground Slta to (Sarga 50, . (Ams a 3, Visnu Purana) . Ramayana, Ayodhya Kanda) Bharata comes to the forest in GRlVA. A daughter in bird form born to Kasyapapraja- Guha is seen next when Bhavata returned from pati by his wife Tamra. Grlva had the following search of Rama. When Kekaya in of Sri Rama and Laksmana and came sisters, Kakl, Syenl, BhasI, Grddhrika and Suci, all birds. he went search to Guha in Guha then Bharata all (Agni Purana, Chapter 1) . Snigiverapura. gave available information regarding Sri Rama. Guha then GRTSAMADA I. A celebrated sage. He was the son of sent the Dasa army along with Bharata. (Sarga 84, a sage called Vitahavya. Grtsamada was equal to Brhas- Kanda, Valmiki Ramayana). pati and a great friend of Indra. Once this sage lec- Ayodhya Guha, chief of Srngiverapura, spent the night with tured to Yudhisthira on the glory of Siva. Many have and Laksmana under an Oka tree. mistaken Grtsamada for Indra. Once the asuras bound Rama (Chaper 6, him by ropes mistaking him for Indra. He had a son Agni Purana) . GUHA A tribe of people of ancient India. Andhras, named Kuceta. (For more details see under Varistha) (S). Pulindas, Cucukas, Guhas, Sabaras and Bhadras are (Chapters 18 and 30, AnuSasana Parva) . some of the tribes of the south. (Sloka 42, Chapter 207, GRTSAMADA II. A King of the Bhargava dynasty. He Santi Parva). was the son of Suhotra. Grtsamada had two bro- King GUHASENA. See under Devasmita. thers. and Kusa, and a son, Sunaka. (9th Kasya GUHYAKA. A Yaksa. (A division ofYaksas who were Skandha, Bhagavata) . prominent members of the court of Kubera) . They were GRTSAMADA III. The son born to Indra of Mukunda. present at the marriage of Draupadl. (Sloka 7, Chapter There is the about him in Ganesa following story 186, Adi Parva). Purana. Other details. in the is borne Once when Rukmarigada was out from the palace, (i) The palace of Kubera sky by Guh- Indra, in the guise of Rukmangada, went to yakas. (Sloka 3, Chapter 10, Sabha Parva) . wife and with slew on the mountain Mukunda, of Rukmangada, slept (ii) Bhlmasena many Guhyakas her who was at that time sexually hungry. She delivered of Gandhamadana. (Sloka 55,^ Chapter 11, Salya a child in due course. This boy was Grtsamada. He Parva) . died in the grew into a great scholar. Nobody was able to defeat (iii) Some of the soldiers who Mahabha- him in any verbal duel. Once Grtsamada went to the rata battle went to the world of the Guhyakas. (Sloka palace of the king of Magadha to attend a Sraddha (an 23, Chapter 4, Svargarohana- Parva) . offering to the manes) along with Vasistha and others. GULIKA. A hunter who was given moksa by the sage Atri Maharsi who was present there then spoke sligh- Uttanga. This hunter once made an attempt to steal at tingly of Grtsamada's parentage and Grtsamada coming the gold plates on the roof of the Visnu temple the home questioned his mother. The mother then told him palace of Sauvlra. Uttanga was present at the temple what had happened and Grtsamada getting angry at the then and, Gulika tried to kill the sage. The sage cursed immoral act committed by his mother cursed her and him and killed him. Taking pity on him later Uttanga said "May you be a Kantaka tree". Mukunda also did sprinkled some water from the river Ganga, on him not leave her son free. She cursed him thus "You will and the hunter attained Vaikuntha. (Naradiya Purana). went and have a demon as your son". But Grtsamada GUNA. See under Pattu (Ten). did to and penance propitiate Ganapati got Bra.hman.ya. GUl^ADHYA. He is the author of the celebrated Brhat- GRTSAPATI. He was the son of a of the Kapila, King katha which is a precious mine of Sanskrit Literature. Puru He had a brother called Kausika. Grtsa- dynasty. Gunadhya had written this in satariic (paisacika) lan- had sons in all the four Brahmana, pati castes, namely, guage difficult for ordinary people to read or understand. and Sudra. 277, Ksatriya, Vais"ya (Chapter Agni This was translated into Sanskrit by the poet Ksemen- Purana) . dra in a book called Brhatkathamanjarl. This was the the GUDAKESA. Another name of Arjuna. He got first translation and it was in an abridged form. Soma- name because he conquered sleep. (Sloka 8, Chapter deva made a more elaborate translation and it is this 138, Adi Parva). translation that is now known as the Kathasaritsagara. of Pusk'aravatl. GUDHASENA. A King of the country Gunadhya is believed to be an incarnation of the Siva- is a behind GUHA. King of the country ofNisadas alias Srrigi- parsada, Malyavan. There story Malyavan of the river Sri Rama cursed and made to be born as man Parvatl. verapura, on the banks Ganga. being by when he went on exile to the forests went to the resi- Once Parvatl worried Siva to tell her a story original dence of Guha accompanied by Laksmana and Slta. and interesting and not heard of by anybody before. him Guha, a devotee of Rama, received them with respect Placing Nandikesa at the door and instructing not roots to to allow" inside Siva started the offering them many kinds of fruits and eat. anybody narrating story But Sri Rama said that it was not proper to accept of the Vidyadharas to Parvatl. At that time Puspadanta, at fruits and roots and so he drank only pure water from chief of the genie-guards of Siva who was liberty him. But Guha was asked to feed his horse. At night to go to the presence of Siva at any time, came there when Laksmana stood watch over Rama and Slta, Guha and heedless of the protests of Nandikesa entered the volunteered to stand guard but Laksmana refused to room. There he found Siva telling a story to Parvatl with Laksmana and she was the same with attention. The accept the offer. So Guha kept company hearing rapt that also heard it and both of them spent the night talking to each other. story was so interesting Puspadanta in a in the room. After In the morning as per Rama's request Guha brought standing concealed place having a canoe and Guha himself took Rama, Laksmana and heard the whole story Puspadanta went back unnoticed.
Recommended publications
  • An Understanding of Maya: the Philosophies of Sankara, Ramanuja and Madhva

    An Understanding of Maya: the Philosophies of Sankara, Ramanuja and Madhva

    An understanding of Maya: The philosophies of Sankara, Ramanuja and Madhva Department of Religion studies Theology University of Pretoria By: John Whitehead 12083802 Supervisor: Dr M Sukdaven 2019 Declaration Declaration of Plagiarism 1. I understand what plagiarism means and I am aware of the university’s policy in this regard. 2. I declare that this Dissertation is my own work. 3. I did not make use of another student’s previous work and I submit this as my own words. 4. I did not allow anyone to copy this work with the intention of presenting it as their own work. I, John Derrick Whitehead hereby declare that the following Dissertation is my own work and that I duly recognized and listed all sources for this study. Date: 3 December 2019 Student number: u12083802 __________________________ 2 Foreword I started my MTh and was unsure of a topic to cover. I knew that Hinduism was the religion I was interested in. Dr. Sukdaven suggested that I embark on the study of the concept of Maya. Although this concept provided a challenge for me and my faith, I wish to thank Dr. Sukdaven for giving me the opportunity to cover such a deep philosophical concept in Hinduism. This concept Maya is deeper than one expects and has broaden and enlightened my mind. Even though this was a difficult theme to cover it did however, give me a clearer understanding of how the world is seen in Hinduism. 3 List of Abbreviations AD Anno Domini BC Before Christ BCE Before Common Era BS Brahmasutra Upanishad BSB Brahmasutra Upanishad with commentary of Sankara BU Brhadaranyaka Upanishad with commentary of Sankara CE Common Era EW Emperical World GB Gitabhasya of Shankara GK Gaudapada Karikas Rg Rig Veda SBH Sribhasya of Ramanuja Svet.
  • Region 10 Student Branches

    Region 10 Student Branches

    Student Branches in R10 with Counselor & Chair contact August 2015 Par SPO SPO Name SPO ID Officers Full Name Officers Email Address Name Position Start Date Desc Australian Australian Natl Univ STB08001 Chair Miranda Zhang 01/01/2015 [email protected] Capital Terr Counselor LIAM E WALDRON 02/19/2013 [email protected] Section Univ Of New South Wales STB09141 Chair Meng Xu 01/01/2015 [email protected] SB Counselor Craig R Benson 08/19/2011 [email protected] Bangalore Acharya Institute of STB12671 Chair Lachhmi Prasad Sah 02/19/2013 [email protected] Section Technology SB Counselor MAHESHAPPA HARAVE 02/19/2013 [email protected] DEVANNA Adichunchanagiri Institute STB98331 Counselor Anil Kumar 05/06/2011 [email protected] of Technology SB Amrita School of STB63931 Chair Siddharth Gupta 05/03/2005 [email protected] Engineering Bangalore Counselor chaitanya kumar 05/03/2005 [email protected] SB Amrutha Institute of Eng STB08291 Chair Darshan Virupaksha 06/13/2011 [email protected] and Mgmt Sciences SB Counselor Rajagopal Ramdas Coorg 06/13/2011 [email protected] B V B College of Eng & STB62711 Chair SUHAIL N 01/01/2013 [email protected] Tech, Vidyanagar Counselor Rajeshwari M Banakar 03/09/2011 [email protected] B. M. Sreenivasalah STB04431 Chair Yashunandan Sureka 04/11/2015 [email protected] College of Engineering Counselor Meena Parathodiyil Menon 03/01/2014 [email protected] SB BMS Institute of STB14611 Chair Aranya Khinvasara 11/11/2013 [email protected]
  • Abhinaya in Bharatanatyam

    Abhinaya in Bharatanatyam

    PAPER 6 DANCE IN INDIA TODAY, DANCE-DRAMAS, CREATIVITY WITHIN THE CLASSICAL FORMS, INDIAN CLASSICAL DANCE IN DIASPORA (USA, UK, EUROPE, AUSTRALIA, ETC.) MODULE 19 THE EARLY FEMALE GURUS AND DANCERS OF BHARATANATYAM From early 1900 A D, some brave girls and their families started a journey, going where earlier it was a great taboo to go. The courage, conviction and love for dance prompted them to venture on a path which at that point had no direction and was beyond worldly gains. Also in such a tumultuous time, to be born to that tradition was really tough. We need to know, understand and get inspired by these women, due to whom millions are not only learning Bharatanatyam, but it has given dignity and purpose to the art. Here we study a few of them. SMT. BALASARASWATI Balasaraswati was born in 1918 and died at 1984. She rose on the solo Bharatanatyam horizon through her sheer genius. She belonged to the devadasi tradition and was extremely proud of it, though she was never initiated into any temple service. The only dancer to be conferred the prestigious Sangitha Kalanidhi title; she reacted sharply to compartmentalizing the dance into sacred and profane water-tight divisions. For Bala, Shringara / �रĂगार was an all- 1 encompassing mood which included all the other moods. In 1975, speaking at the Annual Conference of Tamil Sangam, Bala made the famous statement, "In Bharatanatyam, the shringara we experience is never carnal, never, never!" Bala came from a home where musicians like Dharmapuri Subbarayar / धरमऩुरी, Tiruvottiyur Tyagier, Hayagrivachari / हयाग्रिवाचारी (from Dharwad / धारवाड़), Govindaswamy Pillai, Ariyakkudi Ramanuja lyengar were frequent visitors, who came to meet and listen to Bala's grandmother, the inimitable Dhanammal, the veena player.
  • Fundamental Concepts of Hinduism

    Fundamental Concepts of Hinduism

    Fundamental Concepts of Hinduism My Salutations to all Devas-Rishis-Pithrus OM DEDICATED TO LORD YAMA, MARKANDEYA, NACHIKETAS, SAVITRI AND NANDI, THE ETERNAL ATTENDANT OF LORD SIVA, WHO HAVE ALL UNRAVELLED THE MYSTERIES OF THE LIFE BEYOND DEATH OM "Hinduism is not just a faith. It is the union of reason and intuition that cannot be defined but is only to be experienced” - Dr. Sarvepalli Radhakrishnan (1888-1975) ॐ अञानतिमिरा्ध्य ञाना्जनशलाकया । चषुु्िीमलिं यॳन ि्िॴ रीगरवॳु निः ॥ om ajnana-timirandasya jnananjnana salakaya caksur unmilitam yena tasmai sri gurave namah “I offer my most humble obeisance to my spiritual master who has opened my eyes which were blinded by ignorance with the light of knowledge.: [FOR PRIVATE CIRCULATION] 1 INTRODUCTION The Information on this article “Fundamental Concepts of Hinduism” furnished here in is compiled from various mail friends, internet sites and elders who have knowledge on this subject. The documents referred in the net sites are quoted as told but not gone through by me for their authencity. Every effort has been taken not to leave essential points but to make the reading informative and interesting. Since the subject matter is lengthy and it could not be confined in one or two postings - it may appear lengthy. Hindu Dharma says, “To lead a peaceful life, one must follow the Sastras which are the rules of the almighty that cannot be changed by passage of time(i.e.kruta,thretha,dwapara&kali yuga).The almighty says, “Shruthi smrithi mamaivaagya yaasthaam ullangya varthathe | Aagya chhedi mamadhrrohi math bhaktopi na vaishnavahah||” Which means,vedas and sastras are my commands and one who surpasses these rules have breaken my laws and cannot be considered as my bhakta or a vaishnava.
  • The Ekadashi Vrata According to Hari Bhakti Vilasaанаdikdarshini Tika

    The Ekadashi Vrata According to Hari Bhakti Vilasaанаdikdarshini Tika

    The Ekadashi Vrata According to Hari Bhakti Vilasa - Dik-darshini tika SUKLYE VA YADI VA KRSNE TAD VRATAM VAISNAVAM MAHAT (HARI BHAKTI VILASA 12/5 from MATSYA PURANA and BHAVISYA PURANA) Anybody who fasts on both Ekadashis on both the light and dark fortnights of the month and eats on the next day (Dvadashi), Lord Shree Krsna becomes very pleased with him. EKA DASYAM NA BHUNJITA VRATAM ETAD DHIH VAISNAVAM (HARI BHAKTI VILASA 12/6 from AGNI PURANA) Full eating is condemned on Ekadashi and fasting on that day is certainly very pleasing to Lord Krsna. BRAHMANA KSATRIYA VISAM SUDRANAM CAIVA YOSITAM MOKSADAM KURVATAM BHAKTYA VISNOH PRIYATARAM DVIJAH (HARI BHAKTI VILASA 12/7 from BRHAN NARADIYA PURANA) Oh brahmanas, those of Brahmanas, Kshatriyas, Vaishyas and Shudras, whoever one may be, who fast on Ekadashi with full devotion, will certainly achieve liberation. YATHA SUKLA TATHA KRSNA YATHA KRSNA TATETARA TULYETE MANUTE YASTU SA VAI VAISNAVA UCYATE (HARI BHAKTI VILASA 12/54 from TATTVA SAGARA) Both the Ekadashi from the light fortnight and the one from the dark fortnight are equally powerful. All persons who think that both Ekadashis are equal are addressed as Vaishnavas. SANER VARE RAVER VARE SANKRANTYAM GRAHANE©PI CA TYAJYA NA EKADASI RAJAN SARVA DAIVETI NISCAYAH (HARI BHAKTI VILASA 12/63, Devala Rsi speaks) Oh king, one should never give up fasting on Ekadashi, even if it falls on Saturday, Sunday, on an eclipse day or on Sankranti day. VARNANAM ASRAMANAN CA STRINAM CA VARA-VARNINI EKADASY UPAVASASTU KARTAVYO NA ATRA SAMSAYAH (HARI BHAKTI VILASA 12/74 from PADMA PURANA, UTTARA KHANDA conversation between Lord Siva and Parvati) Oh dear wife, among all kinds of social and spiritual orders or even women, everyone should fast on Ekadashi day.
  • Essence of Hindu Festivals & Austerities

    Essence of Hindu Festivals & Austerities

    ESSENCE OF HINDU FESTIVALS AND AUSTERITIES Edited and translated by V.D.N.Rao, former General Manager of India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi now at Chennai 1 Other Scripts by the same Author: Essence of Puranas:- Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras* Essence of Sankhya Parijnaana*- Also Essence of Knowledge of Numbers Essence of Narada Charitra Essence Neeti Chandrika* [Note: All the above Scriptures already released on www. Kamakoti. Org/news as also on Google by the respective references. The one with * is under process] 2 PREFACE Dharma and Adharma are the two wheels of Life‟s Chariot pulling against each other.
  • The Sacred Books and Early Literature of the East, Volume IX

    The Sacred Books and Early Literature of the East, Volume IX

    THE SACRED BOOKS AND EARLY LITERATURE OF THE EAST WITH HISTORICAL SURVEYS OF THE CHIEF WRITINGS OF EACH NATION Translations, Bibliographies, etc., by the following Leading Orientalists: IN AMERICA: MORRIS JASTROW, LL.D., Professor of Semitic Languages, University of Penn- sylvania; JAMES H. BREASTED, LL.D., Professor of Egyptology, University of Chicago; CHARLES C. TORREY, D.D., Professor of Semitic Languages, Yale University; A. V. W. JACKSON, LL.D., Professor of Indo-Iranian, Columbia Uni- versity; CHARLES R. LANMAN, LL.D., Professor of Sanskrit, Harvard University; REV. CHARLES F. AIKEN, S.T.D., Dean of the Faculty of Theology, Catholic University; FRIEDRICH HIRTH, LL.D., Professor of Chinese, Columbia Uni- versity; REV. WILLIAM E. GRIFFIS, D.D., former Professor at the Imperial University, Tokio. IN EUROPE: E. A. W. BUDGE, F.S.A., Director of Egyptology in the British Museum; SIR GASTON MASPERO, D.C.L., Member of the Royal Institute of France; REV. A. H. SAYCE, LL.D., Professor of Comparative Philology, Oxford University; W. FLINDERS-PETRIE, LL.D., Professor of Egyptology, University College, London; STEPHEN LANGDON, Ph.D., Professor of Assyriology, Oxford University; SIR ERNEST SATOW. LL.D., G.C.M.G., British Minister to Japan; H. OLDENBERG, LL.D., Professor of Sanskrit, Kiel University; T. W. RHYS-DAVIDS, LL.D., Librarian of the Royal Asiatic Society; ARMINIUS VAMBÉRY, LL.D., Professor of Oriental Languages, University of Budapest. IN ASIA: SIR M. COOMARA SWAMY, Legislative Council of Ceylon; ROMESH CHUNDER DUTT, C.I.E., Author of the History of Civilization in Ancient India; DARAB D. P. SANJANA, Educational Society of Bombay; VISCOUNT KENCHO SUYE- MATSU, LL.M., Japanese Minister of the Interior; SHEIK FAIZ-ULLAH-BHAI, Head Master of the Schools of Anjuman-i-Islam; RALPH T.
  • The Journal the Music Academy

    The Journal the Music Academy

    THE JOURNAL OF THE MUSIC ACADEMY MADRAS DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. LVI 1985 «?5T lirofcr <1* %Tf*T WR II “ I dwell not in Vaikuntha, nor in the hearts of Yogins nor in the Son : (but) where my bhaktas sing, there be I, Narada ! ” Edited by T, S PARTHASARATHY 1985 The Music Academy Madras 306, T. T. K. Road, Madras-600014 Annual Subscription - Inland - Rs. 20 : Foreign $ 3.00 OURSELVES This Journal is published as an Annual. All correspondence relating to thi Journal should be addressed and all books etc., intended for it should be sent to Sri T. S. Partha- sarathy, Editor, Journal of the Music Academy, 306, T. T. K. Road, Madras-600 014. Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, type written (double-spaced and on one side of the paper only) and should be signed by the writer (givhg his address in full). ' 1 The Editor of the Journal is not responsible for the views ex­ pressed by contributors in their articles. JOURNAL COMMITTEE OF THE MUSIC ACADEMY 1. Sri T. S. Parthasarathy — Editor (and Secretary, Music Academy) 2 ., T, V. Rajagopalan — Trustee 3 „ S. Ramaswamy — Executive Trustee 4 „ Sandhyavandanam Srinivasa Rao — Member 5 Prof. S. Ramanathan — Member 6 Sri S. Natarajan | Secretaries of the Music 7 „ T. S. Rangarajan | Academy, Ex-officio 8 „ R. Santhanam j members. CONTENTS Page The 58th Annual Conference of the Music Academy, Official Report.
  • SIEMENS LIMITED List of Outstanding Warrants As on 18Th March, 2020 (Payment Date:- 14Th February, 2020) Sr No

    SIEMENS LIMITED List of Outstanding Warrants As on 18Th March, 2020 (Payment Date:- 14Th February, 2020) Sr No

    SIEMENS LIMITED List of outstanding warrants as on 18th March, 2020 (Payment date:- 14th February, 2020) Sr No. First Name Middle Name Last Name Address Pincode Folio Amount 1 A P RAJALAKSHMY A-6 VARUN I RAHEJA TOWNSHIP MALAD EAST MUMBAI 400097 A0004682 49.00 2 A RAJENDRAN B-4, KUMARAGURU FLATS 12, SIVAKAMIPURAM 4TH STREET, TIRUVANMIYUR CHENNAI 600041 1203690000017100 56.00 3 A G MANJULA 619 J II BLOCK RAJAJINAGAR BANGALORE 560010 A6000651 70.00 4 A GEORGE NO.35, SNEHA, 2ND CROSS, 2ND MAIN, CAMBRIDGE LAYOUT EXTENSION, ULSOOR, BANGALORE 560008 IN30023912036499 70.00 5 A GEORGE NO.263 MURPHY TOWN ULSOOR BANGALORE 560008 A6000604 70.00 6 A JAGADEESWARAN 37A TATABAD STREET NO 7 COIMBATORE COIMBATORE 641012 IN30108022118859 70.00 7 A PADMAJA G44 MADHURA NAGAR COLONY YOUSUFGUDA HYDERABAD 500037 A0005290 70.00 8 A RAJAGOPAL 260/4 10TH K M HOSUR ROAD BOMMANAHALLI BANGALORE 560068 A6000603 70.00 9 A G HARIKRISHNAN 'GOKULUM' 62 STJOHNS ROAD BANGALORE 560042 A6000410 140.00 10 A NARAYANASWAMY NO: 60 3RD CROSS CUBBON PET BANGALORE 560002 A6000582 140.00 11 A RAMESH KUMAR 10 VELLALAR STREET VALAYALKARA STREET KARUR 639001 IN30039413174239 140.00 12 A SUDHEENDHRA NO.68 5TH CROSS N.R.COLONY. BANGALORE 560019 A6000451 140.00 13 A THILAKACHAR NO.6275TH CROSS 1ST STAGE 2ND BLOCK BANASANKARI BANGALORE 560050 A6000418 140.00 14 A YUVARAJ # 18 5TH CROSS V G S LAYOUT EJIPURA BANGALORE 560047 A6000426 140.00 15 A KRISHNA MURTHY # 411 AMRUTH NAGAR ANDHRA MUNIAPPA LAYOUT CHELEKERE KALYAN NAGAR POST BANGALORE 560043 A6000358 210.00 16 A MANI NO 12 ANANDHI NILAYAM
  • Unit 4 Kat Ha Ka Li

    Unit 4 Kat Ha Ka Li

    UNIT 4 KAT HA KA LI Structure 4.1 Introduction 4.2 Objectives 4.3 Kathakali- the Total Theatre. 4.4 Uniqueness of Kathakali - Its Message 4.5 A Brief History of Kathakali 4.6 Technique 4.7 The Actor Prepares 4.8 Nritta 4.9 Nritya 4.10 Aahaarya in Kathakali 4.11 The Curtain Look 4.12 Orchestra 4.13 Repertoire 4.14 Some Wellknown Exponents and Performers 4.15 Self Assessment Questions 4.1 INTRODUCTION It is now evening in Kerala. From far away you hear the playing of drums and cymbals. You are visiting your friend who is very knowledgeable. He tells you that the drums are announcing to the people around that a Kathakali performance will take place later in the evening. Both of you decide to witness the performance. People arrive in twos and fours, leisurely chatting with each other. They are discussing the performance that is going to take place. You are surprised that most of them knowthe story that is going to be performed; they are most excited that one of the greatest Kathakali artiste is going to enact the central role. Gradually everyone take their seats. There is a huge brass lamp placed in the centre of the stage near the frontline. It has two wicks made up of twisted strips of cloth. A man enters the stage, pours oil over the two wicks and lights them. Two drummers and two singers now enter the stage and take their positions almost at the back of the stage. One of the singers holds a metal disc which he sounds with a flat piece of wood the other holds huge cymbals in his hands.
  • A History of Telugu Literature;

    A History of Telugu Literature;

    Jf THE HERITAGE OF INDIA SERIES Planned by J. N. FARQUHAR, M.A., D.Litt. (Oxon.), D.D. (Aberdeen). /The Right Reverend V. S. AZARIAH, LL.D of Dornakal. Joint (Cantab.), Bishop E. C. M.A. Editors DEWICK, (Cantab.) J. N. C. GANGULY, M.A., (Birmingham), Darsan-Sastri. Already published. The Heart of Buddhism. K. J. SAUNDERS, M.A., D.Litt. (Cantab.) A History of Kanarese Literature, 2nd ed. E. P. RICE, B.A. The Sarhkhya System, 2nd ed. A. BERRIEDALE KEITH, D.C.L., D.Litt. (Oxon.) ASoka, 2nd ed. JAMES M. MACPHAIL, M.A., M.D. Indian Painting. _2nd ed. Principal PERCY BROWN, Calcutta. Psalms of Maratha Saints. NICOL MACNICOL, M.A., D.Litt. A History of Hindi Literature. F. E, KEAY, M.A., D.Litt. The Karma-MImamsa. A. BERRIEDALE KEITH, D.C.L., D.Litt.(Oxon.) Hymns of the Tamil Saivite Saints. F. KINGSBURY, B.A., and G. E. PHILLIPS, M.A. Rabindranath Tagore. EDWARD THOMPSON, M.A. (Oxon.), Ph.D. Hymns from the Rigveda. A. A. MACDONELL, M.A., Ph.D., Hon. LL.D. Gautama Buddha. K. J. SAUNDERS, M.A., D.Litt. (Cantab.) The Coins of India. C. J. BROWN, M.A. Indian Poems by Women. ^ MRS. MACNICOL. Bengali Religious Lyrics, Sakta. EDWARD THOMPSON, M.A. (Oxon.), Ph.D., and A. M. SPENCER. Classical Sanskrit Literature, 2nd ed. A. BERRIEDALE KEITH, D.C.L., D.Litt. (Oxon.) The Music of India. H. A. POPLEY, B.A. Subjects proposed and volumes under preparation. HISTORY AND THE HERITAGE. The Early Period. The Gupta Period. The Mogul Period.
  • Essence of Ganesha Mahima

    Essence of Ganesha Mahima

    ESSENCE OF GANESHA MAHIMA ( GANESHA PURANA SAARAAMSHA ADDED) V.D. N. Rao 1 Compiled, composed and interpreted by V.D.N.Rao, former General Manager, India Trade Promotion Organisation, Pragati Maidan, New Delhi, Ministry of Commerce, Govt. of India, now at Chennai. Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers -Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu - Dharma Bindu - Shiva Sahasra Lingarchana-Essence of Paraashara Smriti Essence of Pradhana Tirtha Mahima Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda-Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata- Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence