Wcord Archives
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Encore Companies Inc
November 2002 BAM 20th Next Wave Festival Yoshllorno Nara, Meltln, Moon No.2, 2002 BAM 20th Next Wave Festival is sponsored by: PHILIP MORRIS ENCORE COMPANIES INC. Brooklyn Academy of Music Alan H. Fishman William I. Campbell Chairman of the Board Vice Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Producer presents Hibi ki (Resonance from Far Away) Approximate Sankai Juku running time: BAM Howard Gilman Opera House 1 hour and 30 Nov 19, 21-23, 2002 at 7:30pm minutes with no Nov 24 at 3pm intermission Directed, choreographed, and designed by Ushio Amagatsu Music by Takashi Kako & Yoichiro Yoshikawa Dancers Ushio Amagatsu, Semimaru, Toru Iwashita, Sho Takeuchi, Akihito Ichihara, Tayiyo Tochiaki Stage manager Yuji Kobayashi Set technician Kenichi Yonekura Lighting technician Genta Iwamura Sound technician Akira Aikawa Company manager Ming Y. Ng Co-commissioned and co-produced by Theatre de la Ville, Paris; Hancher Auditorium, University of Iowa; Biwako Hall, Center for the Performing Arts, Shiga North American management Extremetaste Ltd. Next Wave Dance support is provided by The Harkness Foundation for Dance. Presentation support is provided by The Bodman Foundation. Additional support is provided by Asian Cultural Council. BAM 20th Next Wave Festival is sponsored by Philip Morris Companies Inc. This tour has been made possible with the support of Agency for Cultural Affairs, Japan; and Shiseido. 21 HIBIKI Resonance from Far Away I Sizuku: drop The sinking and reflection of a drop II. Utsuri: displacement Most furtive of shadows /II. Garan: empty space Air is like water, calm and quiet IV. Outer limits of the red The body metamorphoses into the object it beholds V. -
Mission Issue
free The San Francisco Arts Quarterly A Free Publication Dedicated to the SArtistic CommunityFAQ i 3 MISSION ISSUE - Bay Area Arts Calendar Oct. Nov. Dec. Jan - Southern Exposure - Galeria de la Raza - Ratio 3 Gallery - Hamburger Eyes - Oakland Museum - Headlands - Art Practical 6)$,B6)B$UWVB4XDUWHUO\BILQDOLQGG 30 Saturday October 16, 1-6pm Visit www.yerbabuena.org/gallerywalk for more details 111 Minna Gallery Chandler Fine Art SF Camerawork 111 Minna Street - 415/974-1719 170 Minna Street - 415/546-1113 657 Mission Street, 2nd Floor- www.111minnagallery.com www.chandlersf.com 415/512-2020 12 Gallagher Lane Crown Point Press www.sfcamerawork.org 12 Gallagher Lane - 415/896-5700 20 Hawthorne Street - 415/974-6273 UC Berkeley Extension www.12gallagherlane.com www.crownpoint.com 95 3rd Street - 415/284-1081 871 Fine Arts Fivepoints Arthouse www.extension.berkeley.edu/art/gallery.html 20 Hawthorne Street, Lower Level - 72 Tehama Street - 415/989-1166 Visual Aid 415/543-5155 fivepointsarthouse.com 57 Post Street, Suite 905 - 415/777-8242 www.artbook.com/871store Modernism www.visualaid.org The Artists Alley 685 Market Street- 415/541-0461 PAK Gallery 863 Mission Street - 415/522-2440 www.modernisminc.com 425 Second Street , Suite 250 - 818/203-8765 www.theartistsalley.com RayKo Photo Center www.pakink.com Catherine Clark Gallery 428 3rd Street - 415/495-3773 150 Minna Street - 415/399-1439 raykophoto.com www.cclarkgallery.com Galleries are open throughout the year. Yerba Buena Gallery Walks occur twice a year and fall. The Yerba Buena Alliance supports the Yerba Buena Nieghborhood by strengthening partnerships, providing critical neighborhood-wide leadership and infrastructure, serving as an information source and forum for the area’s diverse residents, businesses, and visitiors, and promoting the area as a destination. -
Meguri Teeming Sea, Tranquil Land
Meguri Teeming Sea, Tranquil Land Sankai Juku Ushio Amagatsu Choreography, Concept, and Direction Friday Evening, October 25, 2019 at 8:00 Saturday Evening, October 26, 2019 at 8:00 Power Center Ann Arbor 15th and 16th Performances of the 141st Annual Season 29th Annual Dance Series This weekend’s performances are supported by Level X Talent. Special thanks to Amy Chavasse, Anita Gonzalez, Katie Gunning, Grace Lehman and the Ann Arbor Y, and the U-M Department of Dance for their participation in events surrounding this weekend’s performances. Sankai Juku’s 2019 North American tour is supported by the Agency for Cultural Affairs, Government of Japan through the Japan Arts Council and Shiseido Co., Ltd. Sankai Juku appears by arrangement with Pomegranate Arts. In consideration of the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. PROGRAM Meguri: Teeming Sea, Tranquil Land I. The Call from the Distance II. Transformation on the Sea Bottom III. Two Surfaces I V. Premonition – Quietude – Tremblings V. Forest of fossils VI. Weavings VII. Return This evening’s performance is approximately one hour and 30 minutes in duration and is performed without intermission. 3 CREATIVE TEAM Choreography, Concept, and Artistic Direction / Ushio Amagatsu Music / Takashi Kako, YAS-KAZ, Yoichiro Yoshikawa Dancers / Semimaru, Toru Iwashita, Sho Takeuchi, Akihito Ichihara, Dai Matsuoka, Norihito Ishii, Shunsuke Momoki, Taiki Iwamoto -
July 8-9, 2015 Board of Directors Annual Retreat July 8-9, 2015 Point Lookout Resort Northport, ME
BOARD OF DIRECTORS MEETING july 8-9, 2015 Board of Directors Annual Retreat July 8-9, 2015 Point Lookout Resort Northport, ME NEFA Board Meetin Board Book Table of Contents 1. Letter from the Executive Director 2. Welcome to Point Lookout (with maps) 3. Board Meeting Agenda 4. Executive Director’s Report 5. Minutes for Approval • April 9 Board of Directors Meeting • Executive Committee Meeting – March 31 • Executive Committee Meeting – April 30 6. Trustees Committee Report • New Member Bios • Election Slate and Class Distribution List • NEFA Board Job Description • Board Committees Chart 7. Finance & Audit Committee Report • Proposed Budget for FY16 with Preliminary Actuals for FY15 • Historical Balance Sheet • Investment Summary • Reserves/Spending Policy – Project Outline and Bio for Rebecca Thomas 8. Development Report 9. Programs Highlights 10. FY15 Grants Made 11. Upcoming Events (by state) 12. Communications Report 13. State Arts Agency Reports • Connecticut • Massachusetts • Rhode Island • Vermont 14. Guest & Presenter Bios 15. Board of Directors Bios 16. Board of Directors Contact List 17. NEFA Staff Faces 18. NEFA Organizational Chart *Each section is bookmarked in the PDF to help you navigate through the contents. To skip to a specific section, click on Bookmarks in Adobe Acrobat. There are links to each section to jump to a destination in the PDF. June 25, 2015 Dear Board of Directors, It has been close to six months since I started at NEFA. In that short time, my learning about NEFA’s work, staff, board, and constituent partners has grown exponentially. We are fresh off the success of CCX 2015 in Keene, NH, where we awarded projects from Rhode Island and Maine with the Creative Economies Award and welcomed NEA Chairman Jane Chu for a closing keynote address. -
Expressing Cultural Identity Through Contemporary
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarBank@NUS REPRESENTING ASIAN-NESS THROUGH CONTEMPORARY DANCE: CASE STUDIES OF FIVE DANCE COMPANIES IN SINGAPORE CAREN CARINO B.Ed. and M.F.A. (Dance), University of Hawaii A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY SOUTHEAST ASIAN STUDIES PROGRAMME NATIONAL UNIVERSITY OF SINGAPORE 2008 Acknowledgements I would like to thank the following people for their inspiration, invaluable guidance and support in the research and writing of my thesis. I am indebt to the contemporary dance companies and dance artists based in Singapore at the time of my research. It is because of these individuals and their creative work that compelled me to write this thesis: Angela Liong (artistic director), Elysa Wendi (assistant artistic director) and Scarlet Yu (dancer) from The Arts Fission Company; Lim Chin Huat(artistic director) , Tan How Choon (associate artistic director) and Su Sam (dancer) from Ecnad Project Ltd.; Tammy Wong (artistic director) and Elaine Chan (dancer) from Tammy L. Wong Dance Company; Danny Tan (artistic director), Sylvia Yong (dancer) and Albert Tiong (dancer) from Odyssey Dance Theatre and; Aaron Khek Ah Hock (executive director), Ix Wong Thien Pau (artistic director) and Ebelle Chong (dancer) from Ah Hock and Peng Yu. I embarked on the writing of this thesis as a dancer accustomed to creative and physical expression. However, through the patience and guidance of my Ph.D. supervisor Associate Professor Goh Beng Lan and the careful scrutiny of Hannah Tan, I have gained an immense respect for critical thinking and written expression. -
The Annenberg Center at 25
CAMPUS The Gate of SAFETY Heaven Eight new steps Tuesday, are announced The time is WWII, October 1, 1996 the place is Dachau, on page 3 and the two whose Volume 43 Number 6 lives change forever are a Japanese- American soldier and a Jewish survivor. Lane IN THIS ISSUE 6 The Annenberg Center at 25 15 OPPORTUNITIES Nishikawa is 2 A Student is Wounded, and 8 Research Foundation’s 18 Staff Training Schedule Kiyoshi “Sam” Safety is Topic #1; Group Support Spring ’96 Awards 19 Update and CrimeStats Yamamoto and __________________________________ 3 Dr. Rodin: Eight New Steps in Safety; 20 The Annenberg Center: Victor Talmadge is VPUL/Police Advisory to Students Leon Ehrlich in the COMPASS Features ‘The Gate of Heaven’ and production opening 4 SEC Agenda for October 2 10 Jeffrey Tigay and Deuteronomy Other Highlights of the New Season October 10. A-3 ASSEMBLY Nominations, Elections 11 ER for A/V: Rescue at DRL Council: Yes to ‘Electronic Privacy’ Photo by Ken Howard Tax (Refunds) and Spending Death of Nursing’s Dr. Williams 12 Dean Hack’s Plans for GSFA 5 Research Foundation Guidelines 14 Music’s New Computer Lab _______________________________ The Annenberg Center: Looking Forward to the Season of 1996-97 Even as The Annenberg Center paused to take a few bows this spring for its first twenty-five years of accomplishment, the Season of 1996-97 was waiting in the wings. In theatre, music and dance, these are the highlights ahead: Annenberg Center Theatre Series Music at Annenberg Much Ado About Nothing, November 13-15 The Relâche Ensemble, September The Annenberg Center at 25 Having Our Say, December 10-15 27-28/January 10-11/February 28- Dr. -
Empire of Prisons: Reading Roland Barthes and Hijikata Tatsumi in the Animus of Laughter
Liminalities: A Journal of Performance Studies Vol. 16, No. 4 (2020) Empire of Prisons: Reading Roland Barthes and Hijikata Tatsumi in the animus of laughter Michael Sakamoto This essay is a speculative autoethnography, tracing subtexts of the Western gaze, Orientalist exotification, culturalist resistance, and the “body in crisis” in the author’s subjective experience of, and research on, butoh performance. Filtering his scholarly-artistic praxis through his intellectually reflexive, dancing body, the author performs an embodied reading/desecration of two seminal texts in Japanese, performance, and cultural studies, and particularly the visual archive of their most circulated published versions in English: Hill and Wang’s 1982 publication of Roland Barthes’s book, Empire of Signs (1970), and The Drama Review’s 2000 publication of Hijikata Tatsumi’s essay, “To Prison” (1961). The author frames his approach to manifesting butoh expression as a potential strategy for— and portrait of—the multicultural practitioner navigating the binary minefield of East-West, intercultural politics in contemporary global performance. Keywords: butoh, Japan, absurdity, crisis, Barthes, Hijikata, universal Michael Sakamoto is a scholar, artist, curator, and educator active in dance, theatre, photography, and media, whose works have been presented in 15 countries worldwide. He is former Assistant Professor of Dance at University of Iowa and Co-Program Director of the MFA in Interdisciplinary Arts at Goddard College. Michael currently directs performing arts programming at the University of Massachusetts Fine Arts Center. His book, An Empty Room: Butoh Performance and the Social Body in Crisis, is forthcoming from Wesleyan University Press. He earned his MFA in Dance and PhD in Culture and Performance at UCLA's Department of World Arts and Cultures/Dance. -
Sankai Juku Meguri Teeming Sea, Tranquil Land
Saturday, October 12, 2019, 8pm Sunday, October 13, 2019, 3pm Zellerbach Hall Sankai Juku Meguri Teeming Sea, Tranquil Land Choreography, Concept, and Direction by Ushio Amagatsu Music by Takashi Kako, YAS-KAZ , Yoichiro Yoshikawa Dancers Semimaru, Toru Iwashita, Sho Takeuchi, Akihito Ichihara, Dai Matsuoka, Norihito Ishii, Shunsuke Momoki, Taiki Iwamoto Realization of Sea Lilies (decor) Roshi Costume Realization Masayo Iizuka Co-produced by éâtre de la Ville (Paris, France); Esplanade – eatre on the Bay (Singapore), Kitakyushu Performing Arts Center (Fukuoka, Japan); Sankai Juku (Tokyo, Japan) North American tour produced by Pomegranate Arts Linda Brumbach, executive producer Alisa E. Regas, associate producer World Premiere: Kitakyushu Performing Arts Center, March 2015 Sankai Juku’s 2019 North American tour is supported by the Agency for Cultural Affairs, the Government of Japan through the Japan Arts Council, and Shiseido Co., Ltd. Cal Performances’ 2019 –20 season is sponsored by Wells Fargo. Meguri Teeming Sea, Tranquil Land I. e Call from the Distance II. Transformation on the Sea Bottom III. Two Surfaces IV. Premonition – Quietude – Tremblings V. Forest of Fossils VI. Weavings VII. Return Meguri – Teeming Sea, Tranquil Land will be performed without an intermission and will last approximately 90 minutes. PROGRAM NOTES he word meguri is written with the Sankai Juku Chinese character that is read meguru Ushio Amagatsu, artistic director, Tas a verb and refers to phenomena like choreography, design circulating water and all things that rotate. Me - Takashi Kako, YAS-KAZ , and guri is thus used for things that move or circu - Yoichiro Yoshikawa, music late in accordance with some prescribed order Kazuhiko Nakahara, stage manager or system, such as the passage of time, the cycle Genta Iwamura, lighting technician of the four seasons, and transitions the earth has Junko Miyazaki, sound technician been through. -
Sankai Juku Yuragi
t)AIVlblll Brooklyn Academy of Music 1996 Next Wave Festival Jim Dine, The Heart of BAM, 1996, Woodcut, 26-1/4" x 19-3/8" Sankai Juku Yuragi BAM 1996 Next Wave Festival and 135th Anniversary Season are sponsored by Philip Morris Companies Inc. The Brooklyn Academy of Music Bruce C. Ratner Chairman of the Board Harvey Lichtenstein President & Executive Producer presents Sankai Juku In a performance of Yu ra giIn a Space of Perpetual Motion BAM Opera House November 12, 1996 at 7pm November 14-16 at 8pm A performance in one Directed, choreographed and designed by act with seven U h. A t scenes 90 minutes S 10 maga SU in duration Music by Yas-Kaz, Yoichiro Yoshikawa The Rabbit Above, Green Vessel: Natsuyuki Nakanishi Dancers: Ushio Amagatsu; Semimaru; Toru Iwashita; Sho Takeuchi; Taketeru Kudo Stage Manager Yuji Kobayashi Set Technician Seiichi Otsuka Lighting Technician Genta Iwamura Sound Technician Akira Aikawa Originally Co-produced by Theatre de la Ville, Paris-CNDC Angers, Ginza Saison Theatre, Tokyo and Sankai Juku World Premiere, Theatre de la Ville, Paris, May 1993 This tour has been made possible through the cooperation of Japan-United States Friendship Commission, Mitsubishi Motors and Shiseido Special support provided by the Consulate General of Japan and the Harkness Foundations for Dance The Brooklyn Academy of Music wishes to thank Theatre Development Fund for their support of the 1996 Next Wave Festival Scenes I. Fure-Within the Clear Air of the Distant Past II. Donmiri-Wind Resembling Air III. The Outer Reaches of Tranquillity IV. Underneath the Highest Sky V. -
Buletin Automne 2010 [Pdf]
AUTOMNE / FALL 2010 VOL.10 - NO.1 BULLETIN SANKAI BALLET JUKU NATIONAL DU CANADA THE NATIONAL BALLET OF CANADA BJM DANSE MONTREAL LES BALLETS JAZZ DE MONTREAL Direction de la publication Publication Management Clothilde Cardinal, Danse Danse Source (Les compagnies / The companies) Rédaction additionnelle / Additional Texts Marie-Élizabeth Roy Traduction (Français »» anglais) Translation (French »» English) Neil Kroetsch (divers textes / selection of texts) Traduction (Anglais »» français) Translation (English »» French) Benoit Pelletier (divers textes / selection of texts) Graphisme / Graphic design Gris Gris design graphique Tirage / Circulation 2 000 exemplaires / copies Bibliothèque nationale du Canada Bibliothèque nationale du Québec ISSN 1499-531X Bulletin-Danse Danse P. 0 1 : Sankai Juku, Hibiki © Masafumi Sakamoto. Ballet national du Canada, Emergence © Cylla von Tiedemann. BJM DANSE MONTRÉAL, Zip Zap Zoom © Gregory Batardon. P. 2 4 : Random Dance/Wayne McGregor, Entity © Ravi Deepres. Gallotta-Gainsbourg-Bashung, Centre chorégraphique national de Grenoble, L’Homme à tête de chou © Guy Delahaye. COMPAGNIE MARIE CHOUINARD, bODY_rEMIX/les_vARIATIONS_gOLDBERG et Orphée et Eurydice © Marie Chouinard, Clothilde Cardinal, Pierre Des Marais © Andrée Lanthier Les Trous du ciel © Cylla Von Tiedemann Mot des codirecteurs / Word from the co-directors 03 Sankai Juku 04-07 English abbreviated version 08-09 Ballet national du Canada 10-13 English abbreviated version 14-15 BJM DANSE MONTRÉAL 16-19 English abbreviated version 20-21 Brèves / News 22-23 Prochains spectacles / Upcoming shows 24 02 Notre saison 2010-2011 débute avec le retour attendu du Japo - Our 2010-2011 season starts with the awaited return visit of nais Ushio Amagatsu avec sa compagnie Sankai Juku. Figurant the Japanese choreographer Ushio Amagatsu and its com- parmi les plus importants chorégraphes des 30 der nières an- pany Sankai Juku. -
La Belle Et La Bete I
1994 NEXT WAVE FESTIVAL 1994 NEXT WAVE COVER AND POSTER ARTIST ROBERT MOSKOWITZ LA BELLE ET LA BETE I BAM! for a good cause. WN A PAIR OF SPECTACULAR prints or and 40's. In addition, artists Kiki Smith and photographs, created as limited edi Donald Baechler have generously created a pair O tions specifically for the BAM print of original editions of signed and numbered sale, and help BAM to continue presenting prints to help support the Brooklyn Academy opera, dance, music, and theater with a con of Music. temporary pOint of view. Each of these prints is available individually This season's BAM Artists Print Portfolios or at the exceptional price of $750 per pair. feature numbered limited editions of two pho For more information about the BAM print tographs by Weegee, the famous press photog editions, please call BAM 's Special Events rapher who roamed Manhattan during the 30's Office at (718) 636-4182. CLOC KW ISE, IN THE PADDY WAGON' FLOWERS, 1993 MY SECRET BUSINESS, 1992 AT SAMMY'S IN Arthur Fellig (a.k.a. Weegee) Dona ld Baechler Kiki Smith ($500 ind,vidually) 36" X 28" 22 1/2" X 30 1/4" THE BOWERY' BAM print will be a silkscreen. BAM print will be a duo lOne c.a. 1944 Arthur Fellrg *Estate· aUlhorized limited editions Signed edition of 250. lithograph Signed ed itiOn of (a.k... Weegee) of 100 numbered prints. 11 "x14" Printed by Studio Heinrici Ltd. 225. Printed by U.L.A .E. 1 $400 ind,vidually) gelatin silver prints developed ($400 individually) ($400 individually) from original negatives. -
Sankai Juku Directed,Choreographed and Designedby Ushio Amagatsu
Brooklyn 30 Lafayette Avenue Academy Brooklyn NY 11217-1486 of Telephone: 718.636.4129 Music Fax: 718.857.2021 Press Department For Further PressInformation William Murray or Heidi Feldman 718.636.4129 BROOKLYNACADEMY OF MUSIC (BAM) 1996 NEXTWAVE FESTIVAL AS PARTOF SAM'S 135THANNIVERSARY YEAR (1861-1996) YURAGI IN A SPACE OF PERPETUALMOTION PERFORMEDBY SANKAI JUKU DIRECTED,CHOREOGRAPHED AND DESIGNEDBY USHIO AMAGATSU NOVEMBER 12, 14-16 BAM OPERA HOUSE Returning to New York for the first time since 1990 - the company then performed its critically acclaimed butoh piece Unetsu - Sankai Juku brings its newest dance piece Yuragi, In a Space of Perpetual Motion , to New York. Mystical , ethereal images and phenomenal phys ical control are the characteristics that endear Sankai Juku, the dance compan y from Japan, to a world-wide audience. Yuragi will be presented a t the Broo klyn Academy of Music (BAM) as part of the 14th annua l Next Wa ve Festival , sponsored by Philip Morris Compan ies, Inc. , the leading Next Wave sponsor since 1985. Yuragi will be performed November 12 at 7:00pm and November 14 - 16 at 8:00pm at the BAM Opera House , 30 Lafayette Avenue, Brooklyn, NY. Procla imed by Anna Kisselgoff of The New York Times as " ...one of the most orig inal and startling dance theater groups ..." Sankai Juku, the five-member butoh dance company from Japan has toured internationall y and has been enthusiastically rece ived by audiences worldwide . Their late st piece, Yuragi, is a combinat ion of stunn ing visua l elements and striking choreography of butoh dance .