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1994 NEXT WAVE FESTIVAL 1994 NEXT WAVE COVER AND POSTER ARTIST ROBERT MOSKOWITZ LA BELLE ET LA BETE I BAM! for a good cause. WN A PAIR OF SPECTACULAR prints or and 40's. In addition, artists Kiki Smith and photographs, created as limited edi­ Donald Baechler have generously created a pair O tions specifically for the BAM print of original editions of signed and numbered sale, and help BAM to continue presenting prints to help support the Brooklyn Academy opera, dance, music, and theater with a con­ of Music. temporary pOint of view. Each of these prints is available individually This season's BAM Artists Print Portfolios or at the exceptional price of $750 per pair. feature numbered limited editions of two pho­ For more information about the BAM print tographs by Weegee, the famous press photog­ editions, please call BAM 's Special Events rapher who roamed Manhattan during the 30's Office at (718) 636-4182. CLOC KW ISE, IN THE PADDY WAGON' FLOWERS, 1993 MY SECRET BUSINESS, 1992 AT SAMMY'S IN Arthur Fellig (a.k.a. Weegee) Dona ld Baechler Kiki Smith ($500 ind,vidually) 36" X 28" 22 1/2" X 30 1/4" THE BOWERY' BAM print will be a silkscreen. BAM print will be a duo lOne c.a. 1944 Arthur Fellrg *Estate· aUlhorized limited editions Signed edition of 250. lithograph Signed ed itiOn of (a.k... Weegee) of 100 numbered prints. 11 "x14" Printed by Studio Heinrici Ltd. 225. Printed by U.L.A .E. 1 $400 ind,vidually) gelatin silver prints developed ($400 individually) ($400 individually) from original negatives. Men's, women's & children's fashion and designer c/othiJlg at 40-75% qff, every day. Located in New York City; Manhasset, NY; Philade/plUa; Ehronuts, E. Hanover, ELizabeth & \l6,yne, N./; & Fblomac Mills Mall, vt. DAFFY'S' a.cmtIS lIIAT WI.L MAKE lOU. NOT IIIUIC lOU. In fact, all Sotheby's exhibitions Questions? To get the answers, and auctions are free and everyone please call (212) 606-7151, Sotheby's, is welcome. 1334 York Avenue, New York, NY 10021. If you would like to receive a complimen­ When you walk through our doors you tary copy of SOlhel7y's Newskller; including may find Warhol on the walls, Brancusi a complete schedule of upcoming on the auction block or your neighbor events, please call (800) 444-3709. next to you. But no matter whether you're buying, seIling or bro~ Arthur Siegel, Right of Assembly, you'll always find yourself in good 16 'h by 13 'h in., sold at Sotheby's company at Sotheby's. Photographs auction on April 6, 1993. SOTHEBY'S FOUNDED 1744 THE WORLD'S LEADING FINE ART AUCTION HOUSE C Sotheby's, Inc. 1994 John L. Marion. principal auctionet"r, "524728 LOW Symphony PHILIP GLASS 438 150-2/4 Based on the music by David Bowie and Brian Eno. "... goes straight to a listener's heart. " - Entertainment Weekly Jesus' Blood Never Failed Me Yet GAVIN BRYARS WITH TOM WAITS 438 823-2 It begins with one old man singing an old hymn and evolves into a hypnotic musical testament to spirit and optimism. Another Thought ARTHUR RUSSELL 438 891-2 A collection of songs from the late 80's reflecting Russell's soulful singing and unique cello style. The Sinking of the Titanic GAVIN BRYARS 446061-2 A haunting musical fantasy based on the tragic maiden voyage of the famous ocean liner. Available February 14. 1995 Instruments of Change JARON LANIER -Jrmi:f"USIC 442132-2 l!:!Iad~ WORlD The long awaited acoustic music disc from Call 1·800-221·8180 toll free the Virtual Reality pioneer Jaron Lanier. C 1994 PolyGram Classics & Jazz 24 hours a day, 7 days a week 1994 HEXT WAVE FESTIVAL IS SPONSORED BY PHILLIP MORRIS COMPANIES INC. The Brooklyn Academy of Music gratefully acknowledges generous ongoing support for the NEXT WA VE Festival from donors of the following special funds, which have been established for The Campaign for BAM: NEXT WAVE Forward Fund PHILIP MORRIS/FoUNDING SPONSOR "Supporting the Spirit of Innovation" THE BOHEN FOUNDATION MICHAEL BANCROfT GOTH ENDOWED ANNUAL PERFORMANCE FUND THE CHARLES AND V ALERJE DlKER DANCE ENDOWMENT FUND 1994 NEXT WA VE Festival Supporters: NEW YORK CITY DEPARTMENT OF CULTURAL AFFAIRS NATIONAL ENDOWMENT FOR THE ARTS THE FORD FOUNDATION THE FAN Fox AND LESLIE R. SAMUELS FOUNDATION, INC. THE HARKNESS FOUNDATIONS FOR DANCE THE ROCKEFELLER FOUNDATION THE BOHEN FOUNDATION ROBERT W. WILSON TRUST FOR MUTUAL UNDERSTANDING THE HOWARD GILMAN FOUNDATION MORGAN GUARANTY TRUST COMPANY OF NEW YORK AT&T GEISLER ' ROBERDEAU THE CHASE MANHATTAN BANK NEW YORK STATE COUNCIL ON THE ARTS PRADA SWATCH NEW YORK MAGAZINE BRITISH AIRWAYS LUFTHANSA GERMAN AIRLINES EUROPEAN AMERICAN BANK MINISTRY OF FOREIGN AFFAIRS OF THE REPUBLIC OF GERMANY MID ATLANTIC ARTS FOUNDATION ING CAPITAL NETHERLAND-AMERICA FOUNDATION ONE WORLD ARTS FOUNDATION INC. THE WILLIAM AND MARY GREVE FOUNDATION, INC. AMERICAN EXPRESS COMPANY TIME WARNER INC. IBM METROPOLITAN LIFE FOUNDATION MEET THE COMPOSER CAPEZIO/BALLET MAKERS DANCE FOUNDATION INC. NEXT WAVE PRODUCERS COUNCIL NEXT WAVE ASSOCIATES FRIENDS OF BAM The Andrew W. Mellon Foundation has made a three-year grant to support artistic collaborations at BAM. International presentations have been supported, in part, by The Rockefeller Foundation. Audience development initiatives have been supported, in part, by Chemical Bank. The BAM Facility is owned by the City of New York and its operation is made possible, in part, with public funds provided through the New York City Department of Cultural Affairs with support from the Brooklyn Delegation of the New York City €ouncil and Brooklyn Borough President Howard Golden. v BAM BILL BROOKLYN ACADEMY OF MUSIC Harvey Lichtenstein, President & Executive Producer presents in the BAM Opera House December 7,1994 at 7pm December 9 and 10 at 8pm; December 11 at Jpm the American Premiere of LA BELLE ET LA BETE An Opera for Ensemble and Film by PHILIP GLASS based on the screenplay by JEAN COCTEAU Film by JEAN COCTEAU Music by PHILIP GLASS Sound Design by KURT MUNKACS I Music Direction by MICHAEL RIESMAN Stage Direction by CHARLES OTTE Set and Lights by JOHN MICHAEL DEEGAN Costumes by MARY MYERS Film Realization by DENNIS DIAMOND Performed by the PHILIP GLASS ENSEMBLE with ALEXANDRA MONTANO, HALLIE NEILL, GREGORY PURNHAGEN and ZHENG ZHOU Produced by JEDEDIAH WHEELER Production Management by IP A World Premiere: Gibellina, Sicily, June 21,1994 © 1993 Dunvagen Music Publishers, Inc. The performance is approximately 90 minutes long. There will be no intermission. Special gratitude to Edward Dermit and Madame Michele Auric. Special support provided by Robert W. Wilson, The Fan Fox and Leslie R. Samuels Foundation, Inc., and Swatch. On the cover (clockwise from upper left): a scene from Cocteau's film La Belle et /a Bete (photo courtesy Janus Films); a scene from Glass's opera La Belle et /a Bete (photo: Joan Marcus); Philip Glass (photo: Jack Mitchell); Philip Glass (photo: Joanne Savio). \ PROGRAM NOTES ARTISTS Alexandra Montano (Mezzo-Soprano) ............................... La Belle Hallie Neill (Soprano) ........................................... FeIicie, Adelaide Gregory Purnhagen (Baritone) .......... La Bete, The Prince, Avenant Zheng Zhou (Bass) ................................. Le Pere, Ludovic, Usurier Dan Dryden ........................ .......................................... Sound Mix Jon Gibson ...................................................... Soprano Saxophone Philip Glass ........................ ...................... ... ... ............... Keyboards Martin Goldray ....................... ...................................... Keyboards Richard Peck .................................... Soprano and Alto Saxophone Michael Riesman .......................................................... Conductor Eleanor Sandresky ......................................................... Keyboards Andrew Sterman .................................... Flute, Soprano Saxophone PRODUCTION Production Stage Manager .................................. Tom Dale Keever Production Manager ............................................... Ruth Sternberg Company Manager ............................................... Timothy Grassel Electrician ............................................................... Zachary Glass Monitor Mix ............................................................... Stephen Erb Assistant Stage Manager ................................... Leonardo Heiblum Video Production ....................................... Video 0 Studios, YC Michael P. Hesse, Consultant Set Construction ............................................. Atlantic Studios, NJ ADMINISTRATION Music Publishing ......................... Dunvagen Music Publishers, In c. James Keller, Director Film Distribution ........................................ Pandora, Paris, France Production Management ....... .International Production Associates, Inc. (IPA) Linda Greenberg, Booking Manager FOR THE FILM Story, dialogue, and direction by JEAN COCTEAU From a (airy-tale by Mme. Leprince de Beaumont Jean Marais ............................................ La Bete, Avenant, Ardent Josette Day ................................ ....................................... La Belle Mila Pan:ly ......... ............................................................. Adelai·de Nane Germon ............. ... ...................................................... Felicie Michel Auclair ........ .......................................................... Ludovic Raoul Marco ..................................................................... Le Pere Marcel Andre ..........................................................
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    Advance Program Notes Powaqqatsi: Life in Transformation Philip Glass Ensemble Friday, November 1, 2013, 8 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. CENTER FOR THE ARTS AT VIRGINIA TECH presents POWAQQATSI LIFE IN TRANSFORMATION The CANNON GROUP INC. A FRANCIS FORD COPPOLA and GEORGE LUCAS Presentation Music by Directed by PHILIP GLASS GODFREY REGGIO Photography by Edited by GRAHAM BERRY IRIS CAHN/ ALTON WALPOLE LEONIDAS ZOURDOUMIS Performed by PHILIP GLASS and the PHILIP GLASS ENSEMBLE conducted by Michael Riesman with the Blacksburg Children’s Chorale Patrice Yearwood, artistic director PHILIP GLASS ENSEMBLE Philip Glass, Lisa Bielawa, Dan Dryden, Stephen Erb, Jon Gibson, Michael Riesman, Mick Rossi, Andrew Sterman, David Crowell Guest Musicians: Ted Baker, Frank Cassara, Nelson Padgett, Yousif Sheronick The call to prayer in tonight’s performance is given by Dr. Khaled Gad Music Director MICHAEL RIESMAN Sound Design by Kurt Munkacsi Film Executive Producers MENAHEM GOLAN and YORAM GLOBUS Film Produced by MEL LAWRENCE, GODFREY REGGIO and LAWRENCE TAUB Production Management POMEGRANATE ARTS Linda Brumbach, Producer POWAQQATSI runs approximately 102 minutes and will be performed without intermission. SUBJECT TO CHANGE PO-WAQ-QA-TSI (from the Hopi language, powaq sorcerer + qatsi life) n. an entity, a way of life, that consumes the life forces of other beings in order to further its own life. POWAQQATSI is the second part of the Godfrey Reggio/Philip Glass QATSI TRILOGY. With a more global view than KOYAANISQATSI, Reggio and Glass’ first collaboration, POWAQQATSI, examines life on our planet, focusing on the negative transformation of land-based, human- scale societies into technologically driven, urban clones.
  • The Brooklyn Delegation of the New York City Council for Its Vital Toric Visit to New York Gty

    The Brooklyn Delegation of the New York City Council for Its Vital Toric Visit to New York Gty

    Cbail'lllln Asher B. Edelman Brooklyn Academy of Music Preside at Harvey Lichtenstein Board of Trustees Vice Ck1irmen Neil D. Chrisman Rita Hillman I. Stanley Kriegel Franklin R. Weissberg Mem~ers Francis M. Austin, Jt Jenne K. Britell SPECIA L FUNDIN G FOR T HI S ANNU AL REPORT HAS BEEN Kevin Burke PROVIDED THROUGH THE GENEROUS SU PPORT OF Joanne L. Cossullo Warren B. Coburn MANUFACT U RERS HANOVER C O RPORATION . Beth DeWoody PRINTED B Y HARD ING Be H ARD ING GRAPHICS, INC. Charles M. Diker Brendan Duggan Choim Edelstein Mallory Foetor Ronald E. Feiner Alan H. Fishman Robert L. Forbes Michael Fuchs Faith G. Golding Morton Gottlieb Stephen R. Greenwald Sidney Kantor Stanley H. Kaplan Andrew K. Klink Bettina Bancroft Klink Robert A. Krasnow lngo Kretzschmar Edgar A. Lampert Eugene H. luntey laurie Mollet Martin F. Mertz Evelyn Ortner David L. Ramsay Bruce (. Ratner Richard M. Roson Jonathon F. P. Rose Robert (. Rosenberg Pippa Scott Mikki Shepard Vaughn (. Williams Ho10r1ry Chlirmen David N. Dinkins Officers Howa rd Go Iden Harvey Lichtenstein, IIHonry Tr11tees President and Executive Producer Seth Faison Koren Brooks Hopkins, leonard Garment Executive Vice President & Managing Director Paul lepercq Douglas W. Allan, Arne Vennemo Vice President for Marfceting and Promotion Ex-officii Jacques Brunswick, Mary Schmidt Campbell Vice President for Administration During the post yeo~ public funding of the arts weathered not only Fuchs and the Recording Industry Council chaired by Elelctro Entertoin­ Amidst a year of uncertainty at the National Endowment lor the intense challenges, but ever declining appropriation levels in the menrs Robert Krasnow, the Golo Committee organized a roving, post­ Arts, and a sense of growing unease with the country's economy, face of budget reductions of all levels of government.