1994 NEXT WAVE FESTIVAL

1994 NEXT WAVE COVER AND POSTER ARTIST ROBERT MOSKOWITZ

LA BELLE ET LA BETE I

BAM! for a good cause.

WN A PAIR OF SPECTACULAR prints or and 40's. In addition, artists Kiki Smith and photographs, created as limited edi­ Donald Baechler have generously created a pair O tions specifically for the BAM print of original editions of signed and numbered sale, and help BAM to continue presenting prints to help support the Brooklyn Academy opera, dance, music, and theater with a con­ of Music. temporary pOint of view. Each of these prints is available individually This season's BAM Artists Print Portfolios or at the exceptional price of $750 per pair. feature numbered limited editions of two pho­ For more information about the BAM print tographs by Weegee, the famous press photog­ editions, please call BAM 's Special Events rapher who roamed Manhattan during the 30's Office at (718) 636-4182.

CLOC KW ISE, IN THE PADDY WAGON' FLOWERS, 1993 MY SECRET BUSINESS, 1992 AT SAMMY'S IN Arthur Fellig (a.k.a. Weegee) Dona ld Baechler Kiki Smith ($500 ind,vidually) 36" X 28" 22 1/2" X 30 1/4" THE BOWERY' BAM print will be a silkscreen. BAM print will be a duo lOne c.a. 1944 Arthur Fellrg *Estate· aUlhorized limited editions Signed edition of 250. lithograph Signed ed itiOn of (a.k... Weegee) of 100 numbered prints. 11 "x14" Printed by Studio Heinrici Ltd. 225. Printed by U.L.A .E. 1 $400 ind,vidually) gelatin silver prints developed ($400 individually) ($400 individually) from original negatives. Men's, women's & children's fashion and designer c/othiJlg at 40-75% qff, every day. Located in New York City; Manhasset, NY; Philade/plUa; Ehronuts, E. Hanover, ELizabeth & \l6,yne, N./; & Fblomac Mills Mall, vt. DAFFY'S' a.cmtIS lIIAT WI.L MAKE lOU. NOT IIIUIC lOU. In fact, all Sotheby's exhibitions Questions? To get the answers, and auctions are free and everyone please call (212) 606-7151, Sotheby's, is welcome. 1334 York Avenue, New York, NY 10021. If you would like to receive a complimen­ When you walk through our doors you tary copy of SOlhel7y's Newskller; including may find Warhol on the walls, Brancusi a complete schedule of upcoming on the auction block or your neighbor events, please call (800) 444-3709. next to you. But no matter whether you're buying, seIling or bro~ Arthur Siegel, Right of Assembly, you'll always find yourself in good 16 'h by 13 'h in., sold at Sotheby's company at Sotheby's. Photographs auction on April 6, 1993.

SOTHEBY'S FOUNDED 1744

THE WORLD'S LEADING FINE ART AUCTION HOUSE

C Sotheby's, Inc. 1994 John L. Marion. principal auctionet"r, "524728 LOW Symphony PHILIP GLASS 438 150-2/4 Based on the music by David Bowie and Brian Eno. "... goes straight to a listener's heart. " - Entertainment Weekly

Jesus' Blood Never Failed Me Yet GAVIN BRYARS WITH TOM WAITS 438 823-2 It begins with one old man singing an old hymn and evolves into a hypnotic musical testament to spirit and optimism.

Another Thought ARTHUR RUSSELL 438 891-2 A collection of songs from the late 80's reflecting Russell's soulful singing and unique cello style.

The Sinking of the Titanic GAVIN BRYARS 446061-2 A haunting musical fantasy based on the tragic maiden voyage of the famous ocean liner. Available February 14. 1995

Instruments of Change JARON LANIER -Jrmi:f"USIC 442132-2 l!:!Iad~ WORlD The long awaited acoustic music disc from Call 1·800-221·8180 toll free the Virtual Reality pioneer Jaron Lanier. C 1994 PolyGram Classics & Jazz 24 hours a day, 7 days a week 1994 HEXT WAVE FESTIVAL IS SPONSORED BY PHILLIP MORRIS COMPANIES INC.

The Brooklyn Academy of Music gratefully acknowledges generous ongoing support for the NEXT WA VE Festival from donors of the following special funds, which have been established for The Campaign for BAM:

NEXT WAVE Forward Fund

PHILIP MORRIS/FoUNDING SPONSOR "Supporting the Spirit of Innovation" THE BOHEN FOUNDATION

MICHAEL BANCROfT GOTH ENDOWED ANNUAL PERFORMANCE FUND THE CHARLES AND V ALERJE DlKER DANCE ENDOWMENT FUND

1994 NEXT WA VE Festival Supporters: NEW YORK CITY DEPARTMENT OF CULTURAL AFFAIRS NATIONAL ENDOWMENT FOR THE ARTS THE FORD FOUNDATION THE FAN Fox AND LESLIE R. SAMUELS FOUNDATION, INC. THE HARKNESS FOUNDATIONS FOR DANCE THE ROCKEFELLER FOUNDATION THE BOHEN FOUNDATION ROBERT W. WILSON TRUST FOR MUTUAL UNDERSTANDING THE HOWARD GILMAN FOUNDATION MORGAN GUARANTY TRUST COMPANY OF NEW YORK AT&T GEISLER ' ROBERDEAU THE CHASE MANHATTAN BANK NEW YORK STATE COUNCIL ON THE ARTS PRADA SWATCH NEW YORK MAGAZINE BRITISH AIRWAYS LUFTHANSA GERMAN AIRLINES EUROPEAN AMERICAN BANK MINISTRY OF FOREIGN AFFAIRS OF THE REPUBLIC OF GERMANY MID ATLANTIC ARTS FOUNDATION ING CAPITAL NETHERLAND-AMERICA FOUNDATION ONE WORLD ARTS FOUNDATION INC. THE WILLIAM AND MARY GREVE FOUNDATION, INC. AMERICAN EXPRESS COMPANY TIME WARNER INC. IBM METROPOLITAN LIFE FOUNDATION MEET THE COMPOSER CAPEZIO/BALLET MAKERS DANCE FOUNDATION INC. NEXT WAVE PRODUCERS COUNCIL NEXT WAVE ASSOCIATES FRIENDS OF BAM

The Andrew W. Mellon Foundation has made a three-year grant to support artistic collaborations at BAM.

International presentations have been supported, in part, by The Rockefeller Foundation.

Audience development initiatives have been supported, in part, by Chemical Bank.

The BAM Facility is owned by the City of New York and its operation is made possible, in part, with public funds provided through the New York City Department of Cultural Affairs with support from the Brooklyn Delegation of the New York City €ouncil and Brooklyn Borough President Howard Golden. v BAM BILL BROOKLYN ACADEMY OF MUSIC Harvey Lichtenstein, President & Executive Producer

presents in the BAM Opera House December 7,1994 at 7pm December 9 and 10 at 8pm; December 11 at Jpm the American Premiere of LA BELLE ET LA BETE

An Opera for Ensemble and Film by PHILIP GLASS based on the screenplay by JEAN COCTEAU Film by JEAN COCTEAU

Music by PHILIP GLASS Sound Design by KURT MUNKACS I Music Direction by MICHAEL RIESMAN

Stage Direction by CHARLES OTTE Set and Lights by JOHN MICHAEL DEEGAN Costumes by MARY MYERS Film Realization by DENNIS DIAMOND

Performed by the PHILIP GLASS ENSEMBLE with ALEXANDRA MONTANO, HALLIE NEILL, GREGORY PURNHAGEN and ZHENG ZHOU

Produced by JEDEDIAH WHEELER Production Management by IP A

World Premiere: Gibellina, Sicily, June 21,1994 © 1993 Dunvagen Music Publishers, Inc. The performance is approximately 90 minutes long. There will be no intermission. Special gratitude to Edward Dermit and Madame Michele Auric.

Special support provided by Robert W. Wilson, The Fan Fox and Leslie R. Samuels Foundation, Inc., and Swatch.

On the cover (clockwise from upper left): a scene from Cocteau's film La Belle et /a Bete (photo courtesy Janus Films); a scene from Glass's opera La Belle et /a Bete (photo: Joan Marcus); Philip Glass (photo: Jack Mitchell); Philip Glass (photo: Joanne Savio). \ PROGRAM NOTES

ARTISTS Alexandra Montano (Mezzo-Soprano) ...... La Belle Hallie Neill (Soprano) ...... FeIicie, Adelaide Gregory Purnhagen (Baritone) ...... La Bete, The Prince, Avenant Zheng Zhou (Bass) ...... Le Pere, Ludovic, Usurier Dan Dryden ...... Sound Mix Jon Gibson ...... Soprano Saxophone Philip Glass ...... Keyboards Martin Goldray ...... Keyboards Richard Peck ...... Soprano and Alto Saxophone Michael Riesman ...... Conductor Eleanor Sandresky ...... Keyboards Andrew Sterman ...... Flute, Soprano Saxophone

PRODUCTION Production Stage Manager ...... Tom Dale Keever Production Manager ...... Ruth Sternberg Company Manager ...... Timothy Grassel Electrician ...... Zachary Glass Monitor Mix ...... Stephen Erb Assistant Stage Manager ...... Leonardo Heiblum Video Production ...... Video 0 Studios, YC Michael P. Hesse, Consultant Set Construction ...... Atlantic Studios, NJ

ADMINISTRATION Music Publishing ...... Dunvagen Music Publishers, In c. James Keller, Director Film Distribution ...... Pandora, Paris, France Production Management ...... International Production Associates, Inc. (IPA) Linda Greenberg, Booking Manager

FOR THE FILM Story, dialogue, and direction by JEAN COCTEAU From a (airy-tale by Mme. Leprince de Beaumont Jean Marais ...... La Bete, Avenant, Ardent Josette Day ...... La Belle Mila Pan:ly ...... Adelai·de Nane Germon ...... Felicie Michel Auclair ...... Ludovic Raoul Marco ...... Le Pere Marcel Andre ...... The Merchant

Artistic Adviser: Christian Berard; Technical Adviser: Rene Clement; Settings by: Rene Moulaert and Carre; Costumes: Escoffier and Castillo; Made by: Paquin; Camera: Henri Alekan; Cameramen: H enri Tiquet, Foucard and Letouzey; Make-up: Arakelian; Supervising Editor: Claude Iberi a Filmed at St. Maurice Studios, G.M. Films Laboratories Mishima Soundtrack 1985 Philip Powaqqatsi Soundtrack 1988

The Thin Blue line Glass Soundtrack 1989

Einstein on the Beach 1993

Hydrogen Jukebox 1993

Anima Mundi Soundtrack 1993

Music with Changing Parts 1994

Music in Similar Motion/Two Pages Contrary Motion/ Music in Fifths 1994

Corning in 1995

String Ouartets Kronos Quartet

Music in Twelve Parts

La Belle et la Bete

on Elektra Nonesuch j . ©1994 Elektra Entertainment, a division of Warner Communications Inc.,D . a Time Warner Company 3 PROGRAM NOTES

he opera/film presentation of La dance/theater (Les Enfants Terribfes). Belle et fa Bete is the second part To realize La Belle et fa Bete as a T of my trilogy of theater works live opera/film event has been a daunt­ based on the films of Jean Cocteau, the ingly complex project, and without prior French artist and film maker whose main experience working with live music and output appeared in the middle years of film, I would not have attempted it at this century. In the first of the series, I all. However, since the mid-80's I have used the scenario from the film Orphee presented a variety of projects involving as the basis for the live music and film, libretto of a chamber working with music opera. I didn't use the director Michael imagery of the film, Riesman, sound allowing the staging in More than any designer Kurt operatic form to other artist of his Munkacsi and theater attempt a new visual­ producer Jedediah ization of the libretto. time, Cocteau Wheeler. Specifically, I With La Belle et fa am thinking of the Bete, the approach was again and again films Koyaanisqatsi somewhat altered. As addressed and Powaqqatsi, as before, the film screen­ well as the melodrama play is the libretto. But questions of art, 1000 Airpfanes on the in this case the opera, immortality and the Roof (while not actu­ composed with the ally a film, it is based dialogue, is performed creative process ... on film imagery and live in conjunction technology). This pre­ with the projected film occupation with fi lm (with the original has grown out of my soundtrack eliminated entirely). This appreciation of film as one of the two made the job of composing the music new art forms (jazz being the second) much more complex since the words and born in the 20th century. In its first 100 the voices had to be synchronized as years, the world of film has created a closely as possible to the images on the new kind of literature, one that the screen. The third part of the trilogy will world of live music, experimental the­ be a danceltheater work based on the ater, dance, and even opera can draw on, scenario of the film Les Enfants just as in the past, historic novels, plays, Terribfes. In this way the trilogy will and poems become the basis of new represent translation of film into the live music-theater works. theatrical forms of opera (Orphee), For me Cocteau has always been an opera and film (La Belle et fa Bete), and artist whose work was central to the PROGRAM NOTES

"modern" art movement of the 20th deeper subject-the very nature of the century. More than any other artist of creative process. Once we begin to see his time, he again and again addressed the film in this way, it becomes hard to questions of art, immortality, and the see the journey of the Father to the creative process, making them subjects Chateau in the opening moments of the of his work. In his day, it~eems that this film as anything other than the journey was not well understood and, at times, of the artist into his "unconscious." The he was not fully appreciated. He was Chateau itself is then seen as the very even dismissed by site of the creative some critics of his process where, work as a talented through an extraor­ dilettante who never dinary alchemy of finally settled on the spirit, the ordi­ one medium to nary world is trans­ express himself. In formed into a world fact, he worked suc­ of magic. And it is cessfully as a novel­ here where the ist, playwright, power of the cre­ artist, and filmmak­ ative and the raw er. However, to me, world of nature the focus of his (represented respec­ work-the creative tively by Beauty and process itself-has the Beast) will final­ always been clear. ly merge, thereby And it was equally allowing the world clear that he was of imagination to using these various Photo : Joanne Savio take flight (as seen art forms to illumi- quite literally in the nate his chosen subject from as many last moment of the film). angles as possible. Perhaps for this reason La Belle et As far as film is concerned, Orphee, La Bete has always been for me the most La Belle et La Bete, and an earlier compelling of Cocteau's fi lms. Always Cocteau film, The BLood of a Poet, are the consummate artist, he expresses in all extremely thoughtful and subtle this work, more than in any other, the reflections on the life of an artist. Of profundity of his thought and the elo­ these three La Belle et La Bete is the most quence of his artistic vision. openly allegorical in style. Presented as a simple fairy tale, it soon becomes clear that the film has taken on a broader and -PHILIP GLASS Returns to BAM for a limited twO-week engagement 10 ~",'1 ... lllt' N£~~OIl.' featuring rnu sic by wynt Marsalis Duke Ellington rt6k on The Fi"e satinS C. W. Gluck Bela Ba POPULAR PRICES $25. 20. 15 27 Jan 16-20, 23- at 8PM Jan 21 & 28 at 2PM & 8PM Brooklyn ,ACademY of MusiC

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ON THE COVER SHOPTALK & " Atlas" 1994 ART ~AllERY (oil on paper; 36 112" x 27 112 ")

by 1994 NEXT WAVE Artist 35 lafayette avenue Robert Moskowitz (71 8) 858-2601

Robert Moskowitz has had many one­ person shows, including the Hirshhorn Museum and Sculpture Garden (Washington, D.C.), the Museum of Modern Art ( ew York), and the Walker Art Center (Minneapolis). His works are in numerous public and private collec­ tions. He has received a ew York State Council on the Arts Award, an NEA grant, and a Guggenheim Foundation Fellowship. He lives and works in New York City and Canada. "Atlas" is on display throughout the Festival in the atman Lounge, located PRESENTLY OPEN adjacent to BAM's main lobby. 5'-4 ~ ~,

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BY SUBWAY/ LIRR Reaching BAM and the BAM Majestic Theater is fast and convenient. All of these trains stop within two or three blocks:

B , N , R : Pacific Street D , M , N , Q , R : Dekalb Avenue 2 , 3 , 4 , 5 : Nevins Street 2 , 3 , 4 , 5, D , Q , LlRR: Atlantic Avenue G : Fulton Street A *, C: Lafayette Avenue (*after 8pm & weekends only)

BY AUTOMOBILE From Manhattan via the Manhattan Bridge: continue off the bridge onto Flatbush Avenue, then,

( A) continue on Flatbush Avenue and turn left onto Fulton Street. For the BAM Majestic Theater, proceed one block and turn right onto Rockwell Place where there are two parking lots. For BAM, proceed two blocks and turn right onto Ashland Place. BAM and the BAM parking lot are one block ahead.

From Manhattan via the Brooklyn Bridge: immediately upon exiting the bridge, turn left onto Tillary Street. Continue on Tillary Street and turn right onto Flatbush Avenue. (see A above) BAM Parking for only $6.50 Attended parking is only $6.50 in the From Connecticut, Queens and Long Island: BAM Parking Lots ($5.00 for Subscribers). Take the Long Is land Expressway to the The Parking Lots are patrolled continuously Brooklyn Queens Expressway. Exit at throughout the performance and for 30 Tillary Street, Exit 29. Follow exit onto minutes after the final curtain. Tillary Street two short blocks and turn left onto Flatbush Avenue (see A above). BY BAM BUS EXPRESS Sponsored by BROOKLYN UNION GAS From New Jersey: the BAM bus provides easy transportation Use the Holland Tunnel and continue east for events in the BAM Opera House and on Canal Street which leads directly across BAM Majestic Theater. The BAMbus the Manhattan Bridge. Continue off the leaves the Loews NY at 51st and bridge onto Flatbush Avenue (see A above). Lexington one hour before curtain. Following performances the BAM bus From Staten Island: serves the Village, Midtown East and the Cross the Verrazano Narrows Bridge to the West Side up to 86th Street. Fare is BQE. Take Exit 29, Tillary Street. Follow $4.00 each way ($3.00 for Subscribers). exit onto Tillary Street two short blocks For round-trip reservations only. call and turn left onto Flatbvsh Avenue (see A (718) 636-4100, Monday through Friday above). /' 10am - 5:30pm WHO'S WHO

Born in Baltimore o n January 31, 1937, searching, he moved to Pari and two yea rs PHILIP GLASS discovered music in his of intensive study under Nadia Boulanger. father's radio repair shop. In addition to servicing radios, Ben Glass carried a line of In Paris, he was hired by a film-maker to records and, when certain ones sold poor­ transcribe the Indian music of Ravi ly, he would take them home and play Shankar in notation readable by French them for his three children, trying to dis­ musicians and, in the process, discovered cover why they didn't appeal to customers. the techniques of Indian music. Glass These happened to be recordings of the promptly renounced his previous music great chamber works, and the future com­ and, after researching music in North poser rapidly became familiar with Africa, India, and the Himalayas, returned Beethoven quartets, Schubert sonatas, to ew York and began applying Eastern Shostakovich symphonies, and other music techniques to his own work. then considered "offbeat. " It was not until he was in his upper teens did Glass begin By 1974, he had composed a large collec­ to encounter more "standard" classics. tion of new music, much of it for use by the theater company Mabou Mines (Glass Glass began the violin at six and became was one of the co-founders of that compa­ serious about music when he took up the ny), and most of it composed for his own flute at eight. But by the time he was 15, he performing group, the Philip Glass had become frustrated with the limited flute Ensemble. This period culminated in Music repertory as well as with musical life in in 12 Parts, a 3-hour summation of Glass's post-war Baltimore. During his second year new music, and reached its apogee in 1976 in high school, he applied for admission to with the Philip Glass/Robert Wilson opera the University of Chicago, passed and, with Einstein on the Beach, the 4 1I2-hour epic his parents' encouragement, moved to now seen as a landmark in 20th century Chicago where he supported himself with music theater. part-time jobs waiting tables and loading airplanes at airports. He majored in mathe­ Glass's output since Einstein has ranged matics and philosophy, and in off hours from opera (Satyagraha, Akhnaten, The practiced piano and concentrated on such Making of the Representative for Planet 8, composers as rves and Webern. The Fall of the House of Usher, The Juniper Tree, Hydrogen Jukebox) to film At 19, Glass graduated from the University (Koyaanisqatsi, Mishima, The Thin Blue of Chicago a nd, determined to become a Line, Powaqqatsi and currently A Brief composer, moved on to ew York and the History of Time) to dance (A Descent into Juilliard School. By then he had abandoned the Maelstrom and In the Upper Room), the 12-tone techniques he had been using and such unclassifiable theater pieces as in Chicago and preferred American com­ The Photographer, 1000 Airplanes on the posers like Aaron Copeland and William Roof, and The Mysteries And What's So Schuman. Funny? Among his recently completed works are Itaipu, a large-scale work for By the time he was 23, Glass had studied chorus and orchestra commissioned by the with Vincent Persichetti, Darius Milhaud, Atlanta Symphony; the Low Symphony, and William Bergsma. He had rejected based on David Bowie's Low; the Second serial ism and preferred such maverick com­ Symphony, commissioned by the Brooklyn posers as Harry Partch, Ives, Moondog, Philharmonic Orchestra (BAM's resident Henry Cowell , and Virgil Thomson, but he orchestra); The Voyage, commis ioned by still had not found his own voice. Still the Metropolitan Opera; and Orphee, a WHO'S WHO

chamber opera based on the film by Jean Ascension Music under Dennis Keene, per­ Cocteau. Current projects include Monsters forming and recording works by Dufay, of Grace and White Raven, both coll abora­ Josquin de Pres, and Ockeghem for the tions with Robert Wilson, and a dancelthe­ Delos label. She will be singing at ater work wi th choreographer Susan Caramoor with Will Crutchfield in his pro­ Marshall based on Jean Cocteau's Les duction of Dido and Aeneas. Ms. Montano Enfants Terribles. has a recording of new music being released on the Poteete label. She can also JEAN COCTEAU was a French avant­ be heard on Koch International Classics garde writer. As a playwright, author of and Sony Classics. Opera and other stage ballet plots, screenwriter, novelist and performances include her highly praised artist, he often used his talents to shock the portrayal of Cherubino in the Lazlo Halasz public. His publicized love affairs and his production of Mozart's Le Nozze di use of drugs made his private life as uncon­ Figaro, and the Page in Verdi's Rigoletto at ventional as his writing. Cocteau, like New York City Opera. With the Mannes many other French writers, was drawn to Camerata Ensemble for Early Music, she the myths and dramatic plots of ancient has performed Fleury's Playbook 12th-cen­ Greece. He frequently used these materials tury Medieval drama Herod ad Slaughter in his plays. Orpheus (1925) is a study of of the Innocents, de la Halle's 13th-century the poet's agonizing search for inspiration music comedy Robin and Marion, Cesti's and his struggle to gain acceptance for his La Dori, Cavalleri's Reppresentazione di work. The Infernal Machine (1934) is an Anima e di Corpo, and Paul Echols' adap­ adaptation of Sophocles' Oedipus Rex. Its tation of The Romance of the Rose. With theme is that the powers guiding the uni­ the Central City Chorus, Ms. Montano verse are hostile to humanity. In Cocteau's appeared as Dido in Purcell's Dido and usual fantastic style these plays use events Aeneas. Ms. Montano's oratorio appear­ out of time sequence, unexpected colloqui­ ances include performances of works of the al phrases, and symbols explainable in Baroque Period with the Bach Choir of terms of modern psychology. Cocteau's Bethlehem, New York's Ascension Music, novels include Les Enfants Terribles Musica Viva, Desoff Choirs, Brooklyn (1929). His ballets include Parade (1917) Philharmonia, Taghkanic Chorale, Amor with music by Eric Satie. Cocteau wrote Artis, Clarion Music Society, and Concert and directed many motion pictures includ­ Royal. In 1990 she was a winner in Musica ing The Blood of a Poet (1932), Les Sacra's Bach Competition. Enfants Terribles, La Belle et la Bete (1946), and Orpheus (1950). Cocteau was HALLIE NEILL (Felicie, Adelaide) has born in Maison Laffitte in 1889 and died returned from a tour with the New in 1963. Bulgarian Opera Company through France, Germany, Spain, and Portugal as Donna ALEXANDRA MONTANO (La Belle) has Elvira in Don Giovanni. She hails from performed in New York's Alice Tully Hall, Seattle, and attended the University of Town Hall, Merkin Concert Hall, and the Southern California and San Diego State 92nd Street Y's Kaufmann Concert Hall. University, subsidizing her operatic studies She was invited to sing with Jos van by delivering singing telegrams and work­ Veldhove in Amsterdam and Utrecht, to ing on the Alaska pipeline. She made her present an all-French recital in Monte professional debut in La Traviata with the Carlo, and to be on concert series with the New York Grand Opera Company and has American Cathedral in Paris. Solo engage­ also appeared with Maestro La Selva in an ments this season include appearances with all-Verdi concert at Alice Tully Hall. She WHO'S WHO

has since appeared in a number of West 1985, and has since won numerous awards Coast opera companies in Le Nozze di and scholarships, becoming a Figaro, I Pagliacci, Les Contes Metropolitan Opera National Council d'Hoffmann, and The Crucible, and with Finalist in 1986 and winning the 1990191 the Anchorage Opera as Rosalinda in Die Mae M. Whitaker International Fledermaus, and has also done leading Competition. In the 1993-94 season, Mr. roles in The Merry Widow, Oklahoma, Zhou makes his Metropolitan Opera debut The Desert Song, and Naughty Marietta on in Madame Butterfly and Barber of Seville, the cross country circuit. She was chosen and in the 1994-95 season will return in by composer Henry Mallicone for the dual the role of Ping in Turandot. Recent and roles of Maddalene and Isabelle in the Los upcoming orchestral engagements this sea­ Angeles premiere of his opera The Face on son include Orff's Carmina Burana and the Barroom Floor. Ms. Neill has also Mendelssohn's Die erste Walpurgisnacht appeared in concert throughout the Middle with the Saint Ceclia Chorus and and Far East, in Hong Kong, Bangkok, Orchestra in Carnegie Hall under the Cairo, Singapore, Arab Emirates, Taiwan, direction of David Randolph, Brahm's and Korea. Requiem with the Colorado Symphony, Vaughan Williams' Sea Symphony with the GREGORY PURNHAGEN (La Bete, The South Bend Symphony, and Carmina Prince, Avenant) was a featured singer in Burana with the Portland Symphony; as the 1992 world tour of Philip Glass's well as a premiere performance with the Einstein On The Beach. He also appeared New York Choral Society of Joelle that year in Moscow and St. Petersburg Wallach's Toward a Time of Renewal at with the Goodman Chamber Choir. Mr. Carnegie Hall. A popular recitalist, Mr. Purnhagen has sung the Evangelist in Zhou has performed at the St. Louis Schiitz's Saint John Passion both in New Conservatory, Indiana University, The San York and at the 36th Handel Festival in Francisco Opera Center, and at the Halle, Germany. His New York solo Tanglewood Festival. He has repeatedly appearances includes the New York concertized in Baden bei Wien, Austria, Chorale Artists in the Carnegie Hall and has given annual recitals with John Cenrenary Gala, Musica Sacra, Goliard Wustman at the University of Illinois. Ensemble, Pro Arte Singers, and the New Zheng Zhou has a Master of Music degree York Concert Chorale. His recordings from the University of Illinois, a graduate include Handel's Israel in Egypt with the diploma from St. Louis Conservatory of Sine, the recently released Elektral Music, and diplomas in the Lieder perfor­ Nonesuch recording of the Philip Glass­ mance from the Schubert Institute in Allen Ginsberg opera Hydrogen Jukebox, Austria. and the new ElektralNonesuch recording of Einstein On The Beach. He is a member of DAN DRYDEN (Sound Mix) is a live­ the a cappella group Toby Twining Music sound and studio engineer. He has been a and has appeared with them at The member of the Philip Glass Ensemble Kitchen, Lincoln Center, Columbia since 1983. He has recorded Philip Glass's University, and on National Public Radio's The Photographer, Mishima, and program Prairie Home Companion. He Satyagraha, and has engineered hundreds attended New York University and Mannes of Philip Glass Ensemble concerts. Mr. College of Music. Dryden has worked on Strange Angels by Laurie Anderson. He also has done studio ZHENG ZHOU (Le Pere, Ludovic, design and equipment installation for var­ Usurier) came to the United States in ious studios in New York City. Dan is the WH O'S WH O

curator for the collection of art-brut as Assistant Music Director, and has con­ sculptures and paintings by the late Emery ducted Glass's Hydrogen Jukebox and was Blagdon of Nebraska. Music Director for 1000 Airplanes on the Roof, both of which have been recorded. JON GIBSON (Soprano Saxophone) is a He conducted the recording of The composer, woodwind instrumentalist, and Screens, was Music Supervisor for Glass's visual artist who has taken part in numer­ Solo Piano record, and has recorded Music ous landmark musical events, performing in 12 Parts. He conducted Glass's opera in the early works of Steve Reich, Terry Orphee at the American Repertory Riley, and Philip Glass, and with many Theater in Cambridge in 1993. As a other composers, including La Monte pianist he performs new music extensive­ Young, Frederick Rzewski, Christian ly, and recently played Elliott Carter's Wolff, and Arthur Russell. Recent activities Double Concerto and other chamber include a solo/duo concert tour of India works in Moscow. He appears regularly with Philip Glass and dancer Molissa with the New Music Consort and other Fenley; the release of the Point Music CD new music groups, and at the Wellesley Jon Gibson: In Good Company, which Composers Conference. He received a BA includes his own music, early compositions at Cornell University, where he was a for him by Glass and Reich, and works by piano student of Malcolm Bilson, an MM Riley, Young, John Adams and Terry at the University of Illinois, and a Jennings; and the premier of Running Doctorate in Piano at Yale. He studied in Commentary, a vocal work commissioned Paris under a Fulbright Fellowship, and and performed by Thomas Buckner. His has also received Tanglewood and Yale­ composition Rainforest/Brazil appears on in- orfolk Fellowships. He has been a the Thomas Buckner CD Full Spectrum visiting artist at the Society for the Voice, and his composition Equal Humanities at Cornell University, and Distribution #1 appears on Petr Kotik' contributes reviews of new music to the CD Virtuosity With Purpose. Two earlier Music Library Association Journal. albums, Visitations and Two Solo Pieces, appear on Chatham Square Records. KURT MUNKACSI (Sound Design) has Gibson appears on recordings by Glass, been a record producer, recording engi­ Reich, Rzewski, Russell, Robert Ashley, neer, and sound designer since 1970. and others. He has composed music for the During his adventurous musical career, he dance companies of Merce Cunningham, has worked with many artists including Lucinda Childs (Relative Calm, an evening­ Ornette Coleman, Don Cherry, The length work with decor by Robert Wilson), Waitresses, Lucia Hwong, John Lennon, Margaret Jenkins, Elaine Summers, Simone Brian Eno, Mike Oldfield, Ray Manzarek, Forte, Nancy Topf, and Elizabetta Vittoni. and Polyrock. He is best known for his Gibson has also created a video, Interval, work with Philip Glass. Since 1971, he has that combines both music and visuals, and produced and recorded all of Phi lip Glass's collaborated with director JoAnne recordings including North Star, Akalaitis on Voyage of the Beagle, a music­ Glasspieces, The Photographer, Einstein theater work centered around Charles On the Beach, Satyagraha, Akhnaten, Darwin. Liquid Days, and Dance Pieces . He has produced the award winning movie sound­ MARTIN GO LDRA Y (Keyboards) has tracks for Thin Blue Line, A Brief History been a member of the Philip Glass of Time, Koyaanisqatsi, Powaqqatsi, and Ensemble since 1983. He recently complet­ Mishima. He was also the sound designer ed the world tour of Einstein on the Beach for the ground breaking opera Einstein On WH O'S WH O

The Beach, as well as almost all of Philip Mishima, Powaqqatsi, The Thin Blue Line, Glass's other live productions. Mr. Anima Mundi, A Brief History of Time, Munkacsi also earned the distinction of and Candyman. He has conducted and per­ being the first Western producer ever to formed on albums by Paul Simon (Hearts work inside the walls of the Kremlin when and Bones), Scott Johnson (Patty Hearst), he recorded the Ravi Shankar album, Mike Oldfield (Platinum), Ray Manzarek Inside The Kremlin. Mr. Munkacsi's most (Carmina Burana), David Bowie recent achievements have included produc­ (BlackTielWhite Noise), Gavin Bryars ing for Elekrra onesuch Philip Glass's Uesus' Blood Never Failed Me Yet), and Anima Mundi, Hydrogen Jukebox, and the other artists. As part of his activities with re-recording of Einstein On The Beach. the Philip Glass Ensemble, Mr. Riesman has conducted every performance of the RICHARD E. PECK, JR. (Soprano and opera Einstein on the Beach, as well as Alto saxophone), saxophonist, composer, every performance of the films and visual artist, came to New York City Koyaanisqatsi and Powaqqatsi with live from Louisiana in 1971. Upon his arrival music. Mr. Riesman has released an album in New York, he joined the Philip Glass of compositions entitled Abandon on the Ensemble with whom he has performed in Rizzoli label. This a lbum incorporates ele­ the premieres of Einstein on the Beach, ments of popular, jazz, classical, minimal­ Dance, The Photographer, Descent into the ist, and Afro-Latin styles into an original Maelstrom, .1000 Airplanes on the Roof, musical language. A new album of original Hydrogen Jukebox, Koyaanisqatsi and solo piano pieces, is soon to be released. Powaqqatsi. As a composer, Mr. Peck's Mr. Riesman has also compo ed a number activities have included scoring the Eye and of pieces for theater, dance and film. In Ear Theater's production of Picasso's theater he collaborated with Robert Wilson Desire Caught by the Tail, two sound­ on Edison (seen in New York, Paris, and tracks for the Mark Kazamarek videos Life Milan). Formal Abandon originated as a of the Imagination and Tai Chi New York, commission from dancer/choreographer music for the dancer Nancy Lewis, and a Lucinda Childs. Mr. Riesman's film pro­ score for Susan Osberg'S Sideshow. In jects include the feature films Enormous addition, Mr. Peck has performed or Changes at the Last Minute and recorded with David "Fathead" Newman, Pleasantville, as well as scores for films by Carla Bley, Michael Mantler, Michael Christian Blackwood, Hotel and Signed by Oldfield, Public Enemy, Lexi, Richard Lino Brocka. Mr. Riesman also composed Landry, Jon Gibson, and Paul Butterfield. music for Pagganni, a film by high-defini­ Mr. Peck, a painter-constructionist, has tion artist Zbig Rybcznski. As a record been showing his work in various galleries producer, he co-produced Glass's instru­ for the past 15 years. mental version of David Bowie's Low and recordings of Satyagraha and Akhnaten. MICHAEL RIESMAN (Music Director, Mr. Riesman studied at Mannes College of Conductor) is a conductor, composer, and Music and Harvard University, where he keyboardist whose activities encompass a received a PhD, and has taught at Harvard broad spectrum of music. Mr. Riesman is and SUNY Purchase. He was Composer in the conductor of many Glass albums and Residence at the Marlboro Music Festival film soundtracks including Einstein on the and at the Tanglewood Festival, and has Beach (both recordings), Glassworks, The conducted performances of his works at Photographer, Songs From Liquid Days, both festiva ls. His work has been per­ Dance Pieces, Music in 12 Parts (both formed by Peter Serkin, Murray Perahia, recordings), Passages, Koyaanisqatsi, the Saint Paul Chamber Orchestra, and the WHO'S WHO

Bosron Symphony Players. He has been a JOHN MICHAEL DEEGAN (Set and member of the Philip Glass Ensemble since Lighting Design) has designed scenery and 1974. lighting in this country and abroad for such companies as the Bosron Symphony ELEANOR SANDRESKY (Keyboards) is a Orchestra, Housron Ballet, and The Acting pianist and a composer. As a pianist/syn­ Company; the opera companies of Bosron, thesist, she has roured domestically and Atlanta, Baltimore, Pittsburgh, and internationally with the Philip Glass Housron; The Iceland National Opera and Ensemble, performing in concert, and in II Maggio Musicale Fiorentino. Television Koyaanisqatsi Live! and Powaqqatsi Live! credits include stage decor (designed with She has been a member of Laura Dean Sarah G. Conly) for the Spirituals In Musicians and Dancers since 1986, and Concert, A Carnegie Hall Christmas has toured extensively in the US and Special, and the Emmy Award-winning abroad. She has performed new chamber Bernstein At 70, all of which aired on works by such composers as Egberto PBS's Great Performances. USA TODA Y Gismote, Guy Kluzcevek, and Steve Reich, picked their production of Pique Dame at and has performed and recorded with Carnegie Hall the best opera of 1991. On Essential Music, and the Vanguard Broadway Mr. Deegan has designed light­ Chamber Orchestra. She performed nightly ing for The Circle and Shadowlands. His in a six-week run of the chamber opera production of Martha is part of the reper­ Orpheus In Love by Craig Lucas and rory of The New York City Opera. Gerald Busby at Circle Rep. As a compos­ er, she has presented her work at the MARY MYERS (Costume Design) most Knitting Factory, the Kitchen, P.S. 122, recent work includes Diamanda Galas' and the Southeastern Center of Insekta at Lincoln Center, Sollie's Cradle Contemporary Art. She has worked exten­ for Randy Warshaw Dance Company at sively with choreographers and dance the Joyce and David Greenspan's Son Of companies in collaborative, commission, An Engineer at HERE. Other New York and improvisational efforts. Ms. Sandresky theaters she has designed for include presents work annually at the North Playwrights' Horizons, En Garde Arts, The Carolina Composers' Symposium. Juilliard School, and Cucaracha Theatre, for which she is the resident designer. She ANDREW STERMAN (Flute, Soprano was associate designer for David Gordon's Sax), a New York-based performer/com­ The Mysteries and What's So Funny? and poser, is active in a wide range of classical, assistant costume designer for Philip jazz and contemporary styles on flutes, Glass's Hydrogen Jukebox and for the saxophones, and clarinets. Performance recent world tour of his Einstein On The credits include playing with the Houston Beach. Grand Opera, American Ballet Theatre, Opera Delaware, International Society for CHARLES OTTE (Stage Director) As Contemporary Music, Sarah Vaughan, Artistic Direcror of Project 111 in New Dizzy Gillespie, Freddie Hubbard, Frank York, Charles Otte's previous directing Sinatra, Buddy Rich, Aretha Franklin, Mel credits include: Flood (Guntar Grass), The Torme, Joe Williams, and many Broadway Imaginary Invalid (Moliere), Baal productions and television jingles. He (Brecht), The Balcony (Genet), and the recently completed an international rour of world premiere of Mikhail Bulgakov's Einstein on the Beach. Mr. Sterman has Bliss. He also created and directed The recorded for CRI, Sony Classical, Vox, Cuchulian Cycle based on writings by and Koch Records. W.B. Yeats, co-directed The Good Woman WHO'S WHO

of Setzuan with Andrei Serban at the in New York City which specializes in the A.R.T., and directed Urban Diva, a one­ work of artists with singular vision such woman show featuring Dora Ohrenstein as Philip Glass, Diamanda Galas, singing the music of Ben Johnston, Spalding Gray, Sankai Juku, Elizabeth Anthony Davis, Anne LeBaron, and others. Streb and Margaret Leng Tan. During his Previous work with career, he has produced numerous the­ Philip Glass includes re-staging the 1992 atrical events which have been presented tour of Einstein On The Beach, staging the throughout North America, Europe, Lincoln Center production of Songs Japan and Australia. Noted among them from Liquid Days, and directing Mr. are 1000 Airplanes on the Roof by Philip Glass's opera The Juniper Tree for the Glass, David Henry Hwang, and Jerome Houston Opera. For the L.A. Opera he Sirlin; Hydrogen Jukebox by Philip Glass directed Edward Barnes's A Place To Call and Allen Ginsberg; the Knee Plays by Home and is directing a documentary film Robert Wilson and David Byrne; We about the production. As the Artistic Keep Our Victims Ready by Karen Finley; Director of the Mojave Group in Los Reno Once Removed by Reno; The Angeles, his work includes David Rabe's Mysteries and What's So Funny? by Goose And Tom Tom, Bradley Smith's David Gordon, which won a 1992 OBIE; Mojave, Rik Pagano's Goose Amid The Insekta by Diamanda Galas; and the con­ Revolt, as well as the short film Blind temporary music-theater masterpiece Faith . Mr. One plays the violin in the Einstein On The Beach by Robert Wilson L.A.-based band Lies Like Truth. and Philip Glass. Beginning in 1987, he created and produced seven consecutive JEDEDIAH WHEELER (Producer) is pres­ festivals of Serious Fun! at Lincoln ident of International Production Center, which won a 1993 OBIE for out­ Associates, Inc. (IPA), a booking, man­ standing achievement. agement and production company based

Lighting equipment provided by BASH Theatrical Lighting. Freight transportation provided by Union-Transport Corporation. Hotel accommodations provided by Excelsior Hotel.

The BAM GUIDE contains information about ticket sales, travel options, special offers and discounts, and all other services available at BAM. If you would like to receive a copy, please call (718) 636-4100, or pick one up at the box office.

The design of the ties and scarves worn by the ushers has been gen­ erously donated by Isaac Mizrahi. These items are available for sale exclusively at the BAM Boutique.

3 BAM BOARD AND STAFF

Chaimton Norman J. Buchan Michael Fuchs Martin F. Mertz Honorary Trustees Bruce C. Ramer· Kevin Burke Jea n·Loui s Ginihre John Morning Seth Faison President William I. Campbell Frederick B. Henry Jonathan Newcomb · Leonard Garment Harvey Lichtenstein · Henry Christensen, III Robert M. Johnson Evelyn Ortner Paul Lepercq Robert A. Cohen Sid ney Kantor David L. Ramsay, M.D. Arne Vennema Vice Chainnen Beth Rudin DeWoody' Stanley H. Kaplan Jonathan F.P. Rose Neil D. Chrisman" Charles M. Diker Andrew K. Klink Robert C. Rosenberg· Ex-Officio Rita Hillman '" Brendan J. Dugan Edgar A. Lampert'" Mikki Shepard Hon. Rudolph Giuliani I. Stan ley Kriegel· Arnold J. Eckelman Marylin B. Levitt, D.S.W. Vaughn C. Williams, Esq. Hon. Howard Golden Franklin R. Weissberg· Mallory Factor John Lipsky Hon. Schuyler G. Chapi n Members Ronald E. Feiner, Esq. Eugene H. luntey ·Execllt;/Je Committee Hon. Herbert E. Berman Bettina Bancroft" Alan H. Fishman· Laurie Mallet Member Jen ne K. Britell Robert L. Forbes Charles W. Merideth

EXECUTIVE AND Rawle Scott Edward Conti, Wardrobe Supervisor Jacqueline A. Kraven, PROGRAM STAFF Lionel Stevens, HVAC Director of Institutional Giving Harvey Lichtenstein, Leslie Stevens MANAGEMENT INFORMATION Brian Grundstrom, Fiscal Manager President & Capital Proitcts SYSTEMS Victoria S. Benitez, Executive Producer PeterM.Casler, Ranald 1. Adams, Director of MIS Director of Special Projects Karen Brooks Hopkins, Capital Projects Manager Afshin Afshar, Systems Manager M. Lourdes Marquez, Executive Vice President Ken Rinker, Julie Li ang, PC Support Sponsor Services Manager Joseph V. Melillo, Construction Coordinator MARKETING & PROMOTION George Rush, Producing Director Development Associate FINANCE Community Relations Allice Bernstein, General Manager Lisa Rodriguel, Executive Judith L. Stevens, Director of Pamela Mosley, Arthur j. Shaw, Vice President for Assistant/Office Manager Accounting and Finance Community Relations Manager Finance and Administration Pamela Gill, Bookkeeper Peter Gee, Budget Manager Scott D. Mendelsohn, Tambra Lee Dillon, Vice President for Cynthia Stokes, Receptionist Natalie Baptism, Payroll Manager Administrative Assistant Marketing and Promotion Group Salts Membership Tonya Cobb, Cash Receipts/Accounts Danielle Amato Milligan, ADMINlSTRA TlON Receivable Administrator Group Sales Representatives Bob Yarnall Director of Maior Gifts Elizabeth A. Sharp, Personnel Manager Claudette Griffith, Dan Goldberg, Membership Manager Gertrude S. Bootht, Receptionist & Accounting Manager Kyrie Mackinnon Marketing Richard Serrano, Research Associate Administrative Assistant Donna Abraham, Accounts Yvonne Balbin, Serafin CaSITO, Mail Clerk Payable Clerk Harry McFadden, Director of Marketing Campaign Coordinator Carmen J. Gonzalez, Cynthia Smith, Fiscal Coordinator SpolLSorship & Special Events Administrative Assistant Mtrina Stroud, Of(Jce Assistant Henry C. Blazer, Senior Graphic Designer Lynn M. Stirrup, BOX OFFICE GENERAL MANAGEMENT & Diana Robinson Frazier, Director of Special Events Kelly Maginnis, Ellen O. Anderson, Treasurer PRODUcnON Assistant to the Vice President Karen M. Winer, General Management Dewonnie Frederick, Patron Ticket Coordinator First Assistant Treasurer Lynn Moffat, Marketing Assistant Scott Rogers, Special Events Assistant Pat Durand, Assistant Treasurer Associate General Manager Caren Hector, Graphic Designer lI ya Gunenboim, Bookkeeper! Office Assistant Leslit Scharf, Assistant Treasurer MaryE.Reilly, Jdfrey Levint, Advertising Manager Marsha Rosenberg, Assistant Treasurer Director of Artists Services Eric A. Thomas, Jr., Ga il Peck, Special Events Coordinator Angela Gardner, Assistant Director Target Marketing Manager PRESIDENT'S OFFICE BUILDING OPERATIONS of Artists Services Ann Murphy, Marketing Consultant Jack Dobson, Director of Limor Tomer, Roben Marlin, Assistant to the Publications 6' Promotions Audience Services Manager Building Operations General Manager Jan Winarsky, Advertising 6' Roman Perez-Contreras, Assistant Claire Hurd, Executive Secretary Karin Wolman, Administrative Promotions Manager Richard D. Weed, Director of Building Operations AssistantNisa Coordinator Sean R. Ktepers, Barbaro Olsen, Special Assistant to the President Andrtw Wagner, Assistant to the Associate Director of Publications Victoria Vazquez, Office Assistant Administrative Assistant General Manager!Rentals Manager Debbie Millman, Publications &- Danitij.Dier, Theater Management Promotions Consultant PROGRAMMJNG Building Services Assistant Robert Riordan, Theater Manager Publicity & Public RelatiolLS Scon A. Watson, Assistant to the Maintenance/Secu rity Christine McElroy Gruder, William Murray, Director, Producing Director Stephen Hollowell, Associate Theater Manager Press &- Public Relations Director of Security Brenda Joyner, Heidi Feldman, Press Associate TELEMARKETING AND Egerton Kelly, Supervisor Theater Staff Supervisor Allen Ga rdner, Press Associate TELEFUNDRAISING Kenneth Aguillera Produdion The Zeisler Group: Richard Larter, Calvin Brackett Colman Rupp, Production Manager Ell en Zeisler Telemarketing Manager Collie Dean, Supervisor Mark London, Public Relations Conslfltant Phil Miller, Telemarketing and Ray Dorsa Production Coordinator Subscription & Ticket Services Teiefundraising Consultant Harold Heath Benjamin A. Solotaire, Cathie-Ann Daniel, HOUSE PHOTOGRAPHER Matthew James Production Coordinator Director, Ticket Services Daniel Rest Benjamin McDonald Lauren MacKenney-Cou\ Gloria Hodgson, SherafMoustafa Production Coordinator Subscription Supervisor VIDEO ARCHlVlST Ron Rarhan BibiMani, Subscription Assistants Character Generators Robeno Solis Production Office Manager Helga Barrow Michael Schwartz, Mark Robison James Victor Don Riordan, Crew Chief Suzette Briscoe Haskell Walker Opera House Trevor David SOUND CONSULTANT Jason Walters Jack Fuller, Head Electrician Abe Jacob PERFORMING ARTS PROGRAMS HVAC and Repair Services Patrick McDonald, MEDICAL CONSULTANTS Lazza ro Curaro, HVAC Supervisor FOR YOUNG PEOPLE Master of Properties Jonathan Lorch, MD Leonard Abbruscato Cyrus Similly, Head Carpenter Leanne Tintori Wells, Director Courtney Harris James Delahanty, Flyman Sharon M. Schwartz, Associate LEGAL COUNSEL Bernard Lawrence James D' Adamo, Electrician Director for Education Kaufmann, Feiner, Yamin, Anthony Shields Thomas Paulucci, Sound Engineer John Malatesta, Program Manager Gildin & Robbins Ernest Southerland, Maintenance PlayhoUSt Tracy Gay, Program Assistant Majestic Theater Howard Larson, Head Electrician INSURANCE Ismael Colon PLANNING AND DEVELOPMENT Marsh & Mclennan, Inc. James Kehoe, Head Carpenter Development John Fennel Ltpercq Spac< ACCOUNTANTS Barry Jackson, Supervisor Denis Azara, Chris ButtS, Head Electrician Director of Development Lu tz and Carr Eileen Rathan Majestic Theater Lavelle Saunderson Lewis Rtsnick, Head Electrician THE CAMPAIGN FOR BAM

The Brooklyn Academy of Music recently launched the Campaign for BAM, a major four-year fundraising effort to provide $20 million in permanent endowment funds and $2.5 million for expanded cash reserves and operational expenses. Income from endowment will support the full range of BAM's artistic, community, and education programs, facilities, and operations. Since the start of the drive in 1992, BAM has received gifts and pledges totalling $11.5 million from forty-six donors.

The Brooklyn Academy of Music gratefully acknowledges the generosity of all these contributors to The Campaign for BAM and gives special recognition to the following leadership donors who have made gifts of $50,000 or more:

$1,000,000 AND ABOVE

Mr. and Mrs. Richard B. Fisher

Philip Morris/ NEXT WAVE Forward Fund

Lila Wallace-Reader's Digest Endowment Fund for Community, Educational and Public Affairs Programs

$250,000 AND ABOVE

The Bohen Foundation Judith R. and Alan H. Fishman Michael Bancroft Goth Endowed Annual Performance Fund Alex Hillman Family Foundation Maxwell Family Fund in Community Funds, Inc. Mary and Jim Ottaway, Jr. ill hOllor of Ruth Blackburne Ottaway Julie and Bruce Ratner

$100,000 AND ABOVE

William I. Campbell The Charles and Valerie Diker Dance Endowment Fund Indepedence Savings Bank Annie Leibovitz & Studio Leo Burnett, USA The Morgan Stanley Community and Educational Fund J. P. Morgan & Co. Incorporated NYNEX Jonathan F. P. and Diana V. C. Rose Samuel and May Rudin Foundation, Inc. Mr. and Mrs. Arne Vennema

$50,000 AND ABOVE

Neil D. Chrisman Francena T. Harrison Trust Rita J. And Stanley H. Kaplan Foundation, Inc. Eve lyn and Everett Ortner Arthur Ross Foundation

(As of September 1,1994) BAM ANNUALSUPPORTERS

LEADERSHIP GUARANTORS The New York Council for the Island Records (S 100,000 or more) ($25,000 or more) Humanities William josAaron Copland Fund Wendy vanden Heuvel Dance Mr. & Mrs. Alan Fishman for Music, Inc. Vanity Fair The Francena T. Harrison Forbes Inc. Cunard Wells, Rich, Greene, Inc. Foundation Trust The 42nd Street Fund Catherine G. Curran Young & Rubicam Frederick B. Henry France Telecom, Inc. jeffrey Deitch Estate of Martha Zalles The William and Flora Hewlett Mr. Michael Fuchs Details Foundation Ministry of Foreign Affairs of the Dewar's White Label CONTRIBUTORS john S. & james l . Knight Republic of Germany Beth Rudin DeWoody ($2,500 or more) Foundation The Green Fund Inc. Drambuie liqueur American Express Travel Services Arthur and Marylin Levitt The Greenwall Foundation Max & Victoria Dreyfus Foundation The Vincent Astor Foundation The Andrew W. Mellon Foundation Heckscher Foundation for Children Mr. & Mrs. Brendan Dugan Bloomingdale'S Natural Heritage Trust Home Box Office, Inc. Elekrra Entertainment judith Williams Blumm The DBl Foundation The Hyde and Watson Foundation Elizabeth ArdenlParfums Borwinick-Wolfensohn Foundation New York Newsday Independence Savings Bank International Valerie Braunschweig The New Yorker Magazine, Inc. ING Bank Mr. & Mrs. Mallory Factor Caffe Bondi The john Nuvcen Company Andrew Klink Forbes FYI Champagne Piper-Heidseick NYNEX Lehrer McGovern Bovis Mrs. Betty Freeman Club France Pharmacia Lepercq Inc. The Fribourg Foundation Club USA Republic National Bank of New Mr. and Mrs. Hamish Maxwell Ann and Gordon ~tty Foundation Cosmair, Inc. York Estate of Raymond H. Mcintosh William & Mary Greve Foundation District Council 37-AFSCME, Republic Bank for Savings Merrill lynch & Co. Mary Livingston Griggs & Mary AFL-CiO The Rockefeller Foundation Foundation, Inc. Griggs Burke Foundation David Geffen Foundation Samuel & May Rudin Joyce Mertz-Gilmore Foundation Goldman, Sachs & Co. Charles A. Gifford Foundation, Inc. Mid Atlantic ArtS Foundation Gourmet Magazine H & L Electric, Inc. Skanska Morgan Stanley Foundation, Inc. Agnes Gund and Daniel Shapiro Jim Henson Productions Trust for Mutual Understanding Henry and Lucy Moses Fund, Inc. Herbert Construction Company The Henson Foundation The Norman & Rosita Winston The Netherland-America Foundation House of Windsor Collection Mr. David D. Holbrook Foundation New York Community Trust IBM Corporation Richard and Dorothy Hu lbert Anonymous International Creative Management Hydraulic Plumbing & Hearing Corp. continued BAM PATRON COUNCILS

1994-95 BAM OPERA COUNCIL Members Elizabeth de Cuevas Mr. & Mrs. Peter Marino Republic National Bank of New York Bettina Bancroft Mr. & Mrs. Rohit M. Desai Rosetta and Samuel Miller Republic Bank for Savings Anne H. Bass Beth Rudin DeWoody Jonathan Newcomb The lsak and Rose Weinman Catherine and jonathan Bell Yvera and Malcolm Graff Socrates icholas and Gerard Bell Foundation, Inc. Mr. & Mrs. Henry Christensen, III Rita Hillman Evelyn and Everett Onner Mr. W. Loeber Landau Catherine G. Curran Robe" johnson john Michael Powers, jr. Charlene M. Weinstein Cynrhia F. Davis William josephson Ted and Bersy Rogers Mr. and Mrs. Anthony T. Dean Robin and Edgar Lampen

1994-95 NEXT WAVE PRODUCER'S COUNCIL

Chainnen Paula Cooper William josephson Robe" C. Rosenberg & Kenneth & Maria Cuomo Cole Maria & Kenneth Cole Mary & Sidney Kanror Fran Kaufman David Kuhn Nancy Coyne Miriam Katowitz & jane Rosenrhal Isaac Mizrahi Mary S. Cronson Anhur Radin Clifford Ross jeffrey Deitch William D. Kornreich Michel Roux Vice C!Jainnen Beth Rudin DeWoody Barrett G. Kreisberg, Esq. Ma"ha A. & Robe" S. Rubin H. Michael Howell Frederick N. & Michele Oka Doner Charlotte & Stanley Kriegel Elizabeth Saillman Elizabeth Seidman William S. Ehrlich & Ruth L10yds David W. Kubie john Scher Parricia Tarr Morgan Entrekin Robin & Edgar Lampe" Rivka Schoenfeld Mallory Factor Diana Landreth Lavinia & Brian Snyder Members Valerie Filipovna lara Lee & George Gund III Ruth Cummings Sorensen Anonymous Madison Finlay Jacques Levianr Marisa Tomei Arthur Altschul judy & Alan Fishman Marylin & Anhur Levitt james Truman Aya & Ofer Azrielant Lydia & Robe" Forbes Sydney & Frances Lewis Calvin Tsao Andre Balazs & Katie Ford Andrew J. Frackman & Emily Braun Paul Marciano Charles A. Van Campenhout Bettina Bancroft Betty Freeman Scott C. McDonald Sue Erpf Van de Bovenkamp Theodore S. Banwink Stephanie French & Ann & Charles Meredith Nora Ann Wallace Anne H. Bass Amory Houghton III Selma & Ma"in F. Mem john Walter Catherine & jonathan Bell Michael Fuchs Mr. & Mrs. Marvin Numeroff Mr. & Mrs. joel Wechsler Jayne Bentzen & Benedict Silverman David Geffen Evelyn & Everett Onner Steven M. Weitzman, M.D. Andy Birsh Robe" Michael Geisler/john jim Onaway jr. Vaughn C. Williams, Esq. Ross Bleckner Roberdeau William A. Perlmuth, Esq. Robe" W. Wilson judith Williams Blume" Arnie & Milly Glimcher Diane & Stanley Person Laura-Lee W. Woodsl Gary Bogard & Wendy Snyder Yvera & Malcolm Graff Suzanne & Lionel Pincus L.L.W.W. Foundarion Dr. jeffrey Borer julie Graham Barbara & Max Pine Manina Yamin Bernard E. Brandes, Esq. Agnes Gund & Daniel Shapiro Mr. & Mrs. Leon B. Polsky Mary Anne & Richard Yancey Jane Brite Drs. Ma"ha Hadley & Ned Kennan john Michael Powers, jr. Karen Yee jenne K. Britell Charles Hamm Frank Pugliese L. Marshall Zeigen Kevin Burke Frederick B. Henry Dr. David L. Ramsay Mary Griggs Burke Rita Hillman Dan Rather Special thanks to, Laura l. Carpenrer Irwin Horowitz Julie & Bruce C. Ramer Joanne Leonhardt Cassullo H. Michael Howell Bruce Rekanr 1994 N£XT WAVE Poster Artist Neil D. Chrisman Bianca Jagger jonathan F. P. Rose & Roben Moskowitz Sam Cohn Linda Janovic Diana Calthorpe

1994-95 NEXT WAVE ASSOCIATES

Co-Chainntn joseph R. Dalton ina KaminerlNIKE Deborah Robe"s Maryam Banikaram David Diamond & Karen Zukowski Communications Dan Scheffey Julia Forster joe Dolce Nathan M. Kaplan Pam & Philip Schonberger Kim Hastreiter Simon Doonan Gil Karson Ethan Silverman & Erica Spellman Mark Dunn Scott & Robin Keller Leslie Simitch Via Cba;nntn Cathy Franklin Eckstein Lise A. Lambe" Tracy & jay Snyder Amy Tardio & David Blumberg Elaine Ellman Hugh & Betsy lamie Robe" Soros & Melissa Schiff Soros Ben Ha"ley & jennifer P. Goodale Epstein L. Bayly Ledes jonathan Sweer Christine Schwartz Hanley Elizabeth Eristoff Andrew Lerner john E. Thompson Nicholas A. Polsky & Eve Yohalem Donald Evans Mark & Susan Leydecker Laura Weil joan Fields Wendy Lipp William Morris Agency Members Pamela Fields james Long Victoria Wilson Doug Angstrom!lnvisra Ellen Foley Ann & Vicenre Madrigal Tracy Wi"h Capital Managemenr, Inc. Emily C. Forster joey Magliocco R. Charles Wright Maryam Banikarim Sam Gen Monty March & Catherine Tharin james j. Barondess Perer Goldfarb jeanne McCulloch Willow Bay Lisa & john Hall Florem Morellet For more information about the john Brockenbrough Monica Halpe" & Michael Cohen Scon & Ellen Osman BAM Patron Councils, please j.B. Brown Albe" P. Hildebrandt Frank W. Piasecki call the BAM Special Events E.j. Camp Peter M. H. Holmes a Coun Grace Pierce Office at (718) 636-4182. Sally & David Carroll Peggy jacobs & Steven Learner William S. Plotch & Suzanne Amy & Brad Collins Nancy & Andrew Jarecki Barnette Gerard Conn & Carol Yorke Ali & Peter Jennison Maxene & Eugene Posman Kevin R. Curry julie jensen & Robe" Bryan Carolyn B. Reed & Scon Stein BAM VISUAL ARTS PROGRAMS

BAM VISUAL ARTS PROGRAMS In 1987, BAM established a program to encourage collaborations of visual and performing artists as well as several pro­ jects with visual artists designed to support the institution. The Academy wishes to thank Jeffrey Deitch (primary advi­ sor) and Livet Reichard Company, Inc. for assisting the vis ual arts projects at BAM.

BAM ARTISTS PRINT PORTFOLIOS The BAM Artists Print Portfolios feature specially commissioned limired·edirion prints by renowned visual artists. The Portfolios, published by Parasol Press, are in editions of 75 with 16 artists' proofs. The 1992 and '93 edi tions are special editions of 250 prints. Print Portfolio 1 1987-1988 .. Print Portfolio 111988-1989 " Print Portfolio 1111 989-1990'" BAM Print Edition 1992 .. Jennifer Bartlett Christian Eckart Chuck Close julian Schnabel Francesco Clemente Eric Fischl Richard Estes (published by Roy Lichtenstein David Hockney Peter Halley Studio Heinrici Ltd.) David Salle Barbara Kruger Claudia Hatt BAM Print Edition 1994·" Kenny Scharf jonathan Lasker Sol LeWitt Donald Baechler julian Schnabel Robert Mangold Will Mentor (published by Donald Sultan Claes Oldenburg Suzan Pitt Studio Heinrici Ltd.) Terry Winters Todd Watts Robert Ryman Kiki Smith Tom Wesselmann (pub lished by ULAE) BAM COVER AND POSTER ARTISTS Karel Appel David Hammons Robert Mapplethorpe • Philip Taaffe Ross Bleckner Keith Haring · Robert Moskowin Rosemarie Trockel Francesco Clemente David Hockney Susan Rothenberg Todd Watts Papo Colo Alex Kan Kenny Scharf Willem de Kooning Sherrie Levine Philip Smith • in memoriam Carroll Dunham Roy Lichtenstein Frank Stella •• sold-our editions ···limited quantities still available LIMITED EDITION 1993 WEEGEE PRINTS ... Arthur Feltig (a.k.a. Weegee). Two estate-authorized limited edi tions. 11 "x14" gelatin silver prints (100 prints per edition). Printed by Sid Kaplan, in conj unction with the PacelMacGiII Ga llery. For information on purchasing avai lable print editions, contact Mr. Brian Grundstrom at BAM, 718-636-4194.

CONTRlBUTORS (continued) Adco Electrical Corporation Constans Culver Foundation Integrity Carpet, Inc. Consulate General of Japan in New Allen & Company Incorporated Dorothy and Lewis B. Cullman International Union of Operating York Alpine Construction & Cummins Metropower Inc. Engineers Mr. & Mrs. Sidney Kantor Development Corp. D & F. Masons Corp. Interview Magazine Donna Karan Ambient Labs Inc. The D'Addario Foundation for the Pat Irwin KPF Interior Architects, P.e. American Chai Trust Performing Ans Mrs. Marjorie Isaac Mr. & Mr.. I. Stanley Kriegel Ans International-I.I.E. [RUano Construction Inc. jacobson & Company Inc. lara Lee & George Gund III ASC Construction Strvices Corp. Donaldson Acoustics Co. Inc. JAM Consultants Inc. Phyllis Holbrook Lichtenstein ASCAP Frederick N. & Michele Oka Doner Ms. Ana Paula Jarowski Maersklnc. Association of Performing Dover Elevators j.D.C. Sales & Service, Inc. john P. Meyer ArtS Presenters Edison Ashland Corporation johnson & Higgins Donald E. Newhouse Avon Sanitation Recycling Corp. Egg Electric Inc. johnson Controls, Inc., SSD New York City-Yours To Discover Banque Pari bas Ehrenkranrz & Eckstur jWP Forest Electric Corp. Tourism Grant William Bernhard & Architects, P.e. Bruce R. Kraus Nucor Construction Corp. Catherine Ca hill Mr. & Mrs. Dwight W. Ellis joa n & Albert Kronick Orrefors Bill Blass, Ltd. Empire City Iron Works LaSalia Industries Mary and Jim Ottaway, Jr. Ross Bleckner Engineered Air Filters Leeds Painting The Pace Gallery of New York BNY Construction Ericsson North America Eric and Amala Levine Mr.. Alice Holbrook Platt jeffrey Borer The Excelsior Hotel Liberty Contracting Corp. Point Music Bottega Venera Ronald Finkelstein Liberty Marble, Inc. Polygram Records Bove Construction Company Inc. Fire Professional Associates, Inc. The Lighting Group Nicholas Polsky Bowne of New York City, Inc. Fischbach & Moore Inc. Lincoln Center for the Performing Remark Electric Corp. Dr. Ronald Brancaccio Mr. Arthur j. Fleischer, jr. Ans, Inc. Anne S. Richardson Fund Ted Bremer & Associates, Inc. Flour City Architectural Metals Inc. Lincoln Electric Products Co., Inc. Ted and Betsy Rogers Brooklyn College Freeman Wasserman Schneider L. K. Comstock & Company, Inc. Manha A. and Robert S. Rubin The Brooklyn Hospital Center The Friars Foundation Local 3721New York City Board of Salomon Foundation Inc C & D Fireproofing & jay and Ga il Furman Education Employees Shiseido Cosmetics Plastering, Inc. S. Garafalo Electric Co., Inc. Cecilia Loving-Sloane South African Airways E. V. Cabco, Inc. GC Contractors, Inc. Lowy and Donnath, Inc. South African Tourism Board Ca nron Construction Corporation Bernard and Lenore Greenberg Mr. & Mrs. Eugene Luntey Sterling Drug Inc. Capezio-Ballet Makers Dance GreenPoint Savings Bank Lun and Carr Tesrwell Craig Laboratories Inc. Foundation Gil-Bar Industries, Inc. R.H. Macy's & Co., Inc. judge Franklin R. Weissberg and The Carwill Foundation Mr. & Mrs. james Gillon Christopher & Christine Maguire judge Marylin G. Diamond Casalino Demolition Corp. Giorgio Armani Corporation Maison de la France L. Marshall leigen Casey Systems Inc. Glenn Partition Inc. Marc Weissman Associates, Inc. Mr. Allan Chasanoff Graham Restoration The Marley Cooling Tower BENEFACTORS Chatam Inc. HirdIBlaker Inc. Company (S I,OOO or mort) Checkmate Exterminators, Inc. Mr. David D. Holbrook The Mannes College of Music A & A Electric, Inc. Clermont Communications Corp. Ms. Edythe M. Holbrook Marstra nd Foundation AABCO Sheet Meta l Co., Inc. Component Assembly Systems, Inc. The House of Bernstein, Inc. Martin Associates, Inc. Acme Stell Partition Co., Inc. Crown Plastering Corp. Hudson-Shatz Painting Co., Inc. Peter Mayer U Clive Sprinkler continued BAM ANNUAL SUPPORTERS

BENEFACTORS (continlled) John and Daniel Tishman Fund G. Marten Fell SUPPORTERS Mayrich Construction Corp. Town Masonry Corporation Floral Management Corp. (S250 or more) Marian McEvoy Triangle Sheet Metal Works, Inc. Sally Forresr Sean Lawrence Abbott Dr. James & Jane McGroarty T rico Electric Corp. Irving Friedberg George C. Abraham McKeon Rolling Steel Door Co., Inc. Tri-State Brick and Building Don M. Gandy Anthony Accardi Mc ally & McNally, Inc. Materials, Inc. Charles S. Gervais Mr. & Mrs. C. Murray Adams Mechanical Associates, Inc. Mr. & Mrs. Robert Trump Gevalia Kaffe Dennis Adams Mr. & Mrs. Richard L. Menschel Union-Transport Corporation Mrs. Saul Goldfarb Lourdes A. Alicea Menr Bros. Iron Works Co. United AirConditioning Corp. Gmham Elevator, Inc. Igou & Needa Allbray Dr. & Mrs. Cha rles W. Meriderh Unity Electric Co., Inc. Gordon & Mary Gould Amalgamated Programs Selma & Manin Mertz Universal Builders Supply Inc. Gould Auromaric Sprinkler Co., Inc. Corporation Richard Mishaan Urban Substructures, Inc. Andre Gregory Anchor Savings Bank Patricia T. Mirchell Suzanne Vega Stephen R. Greenwa ld & Gideon Asher Donald Moffat and Gwen Arner Voltaic Electric Rebecca Sullivan Austin. Nichols & Co., Inc. John Morning Volvo North America Elliot Gruenberg Ava Shypula Consulting Inc. Nastasi White Diane Von Furstenberg Marisa Hagan-Buttery Robert & Barbara Bachner New York Community Trust Christopher Walling Hardy Holzman Pfeiffer Associates aney Barber Mrs. Annalee ewman Peter L Washburn Craig Hatkoff Heinz P. Behr ewport Painting Albert Watson William Hillman Foundation Leslie L. & Alan L. Beller Olympia Trails Bus Company Suzanne S. Weil Dr. Ursula Huebner Donald R. Belsole Olympic Plumbing & Heating Corp. Wertheim Schroder & Co. Inc. IATSE 764 Richard L Benson Omega Interiors Corp. Ms. Tracy A. White David W. Jones Leslie Berglass Associates Orrefors Seymour Wiener Family Foundation Martha Yvonne Jones Herbert Berman Bernard Osher Foundation Duane Wilder Pauline Den Ketchum Hans and Jutta Bertram-NO[hnagel Dr. lIana B. Pachter & Susan R. Witter Edward Kleinbard Ms. Allison M. Blinken Dr. William Wynn Woertendyke Adjah Associates, Inc. Stephanie & Samuel Lebowitz Charles R. Blyth Susan and Alan Parricof Wolkow Braker Roofing Corp. Mr. & Mrs. W. Loeber L1ndau Mr. James P. Bodovitz Paula Cooper Gallery Woodworks Construction Co., Inc. Harvey Lichtenstein Ms. Claudette A. Boehm Pawl Fire Protection Irene Worth Anita Lobel Judith Stuart Boroson & Penguin Air Conditioning Corp. York Internationa l Lord Day & Lord, Barrett Smith Bernard Boroson H. O. Penn Machinery Company, Inc. Lois Robbins laro W. P. McMullan Carin L Boyer Perry Ellis Sportswear Zwicker Electric Co., Inc. Ms. Barbara Menger Alexandra Branyon Petrocelli Electric Co., Inc. Anonymous Peter Moore Associates, Inc. Mrs. Elizabeth Brisbane Pile Foundation Construction Co., Inc. The New School for Social Research Ernst Brunswick Planned Expansion Group Inc. SUSTAINERS George M. Nicholson William A. Bunch V. Ponte & Sons, Inc. (5500 or mort) Rolando iella Herbert Burger In Memory of John M. Powers, Sr. Abatement InternationaVAdvatex Judy Peabody John V. Calcagno Harold Prince Associates, Inc. Mark E. Perkins Carleton Woolen Mills, Inc. Quebec Government House Ace Audio Visual andy & Steve Perl binder Mr. & Mrs. Marvin Carlson R & J Construction All Temperature Technologies Rael Automatic Sprinkler Co. Katherine F. C. Cary C. Raimondo Ltd., Inc. American Music Theater Festival Matthew Rakowski James E. Castello Marrhew Rakowski American Stock Exchange Stuart \VI. and Robin T. Ray Leon Charney Remy Martin Fine Champagne Amstar Corporation Alvin J. Rockwell Charitable Trust Sara Chermayeff Cognac Matthew Annenberg Ronald Feldman Fine Arts Genevieve Christy Richport Development Construction Arts at St. Ann's Saks Fifth Avenue Lewis G. Cole James Q. Riordan Rima Ayas Ellin Saltzman James G. Collins The Jerome Robbins Foundation, Inc. Ms. Judirh B. Bass S.B. Graphics Linda Collins Robert Derector Associates Mr. Robert E. Beers Ben Schonzeit John M. Conklin Mr. & Mrs. David Rockefeller Bergdorf Goodman Eleanor Schwartz Stephanie A. Conner Royal Bank of Canada David Bither William F. Seegraber Arlene C. Cooper Ruder Finn Charles R. Bjorklund Dana Seymour Mr. Ralph Cox Kalman Ruttenstein Dr. & Mrs. Jeffery 80rer Mrs. Louise Seymour Marilyn S. Cranin S & C Products Corp. Elizabeth P. 80rish Rosamond Shannon Kevin F. Cronebach Sandalwood Foundation Mr. & Mrs. Samuel Mandell Brody James R. Silverman Mr. & Mrs. Paul Cronson Schielfelin & Somerset Co. Andrew Duncan Brown Skyline Steel Corp. David O. Currier Mr. Harold L. Schiff D.J.R. Bruckner Mary Richie Smith Janet D'Addario Schindler Elevator Corportion B.T. Copy Patrick J. Smith Bertha Daubert Ian Schrager Leo Castelli Annaliese Soros Mary Ann B. DeRosa Security Masterlock Co., Inc. Mr. & Mrs. James Cox Chambers Kathryn Steinberg The Thomas E. Dewey Fund Elizabeth Seidman John /I( Barbara Chancellor an G. Swid Mrs. Mary J. Doherty Martin E. Segal CivettalCousins Joint Venture Charlotte L. Thorp Eugenia G. Dooley Ysrael A. Seinuk, P.C. Mr. William David Cohan & Ms. Fiona J. Tilley Ms. Barbara Drescher Dana Seymour Deborah Furrer Cora lie S. Toevs Marie V. Driscoll The Shapiro Family Foundation Ms. Selma Jeanne Cohen Treasurers and Ticker Sellers Union Joyce and Isaac Druker C. W. Shaver & Company, Inc. The Betsy and Alan Cohn Local 75 1 Karin Dubinsky Theodore & Carol Shen Foundation, Inc. Bernardette Vaskas Violet Eaga n The Shubert Organizarion William David Cohan Dr. /I( Mrs. Arthur J. Vidich EaSt New York Savings Bank Societe Cenerale Donna Costa Mary G. Ward Michael S. Eigen Ms. Barbara H. Stanton Cuervo 1800 Tequila William D. Wan Christian Eisenbeiss Sreeleo D & Z, Inc. Bernard & Jane Weinstein Howard A. Ellins Rosemarie Srrina Hester Diamond Robert G. Wilmers Arnold and Abby Ellison Tate Access Floors, Inc. Frances R. Dittmer The Zein Foundation Caryl S. Englander Susan J. Tepper Charitable Trust Dodger Productions Michael & Barbara Zimmerman Waldo C. Falkener Terra Pak Inc. Domino Sugar Corporation Anonymous James and Anna Fantaci Theatrical Stage Employees Mr. & Mrs. Gordon Douglas Jerome Finkelstein Local 4 -lATSE Mr. Seth Faison Dr. & Mrs. Michael B. First Frederic Fekkai continued C I BAM ANNUAL SUPPORTERS

SUPPORTERS (continued) Louise W. King Paul O'Neil Ellsworth G. tanton III Linda Fischer Mr. William Kistler, III Jam« E. O'Neill Starrett Protective Services Inc. Cynthia Fingerald Mr. George Klauber Janet Onnen Ed Stein Ms. Renie Vollen Francke Arvid J. Klein PAPER Magazine Mr. George Srernlieb Mrs. M. DeTent Frazier The Kling-Lindquist Partnership, Inc. linda M. Pardue Margaret Stillman Ms. Susan Friedner Leon S. Ko Mr. Anthony R. Paris Christopher E. tone Mr. & Mrs. David Gamper Koenig Iron Works James G. Pepper Mr. Thomas W. rreeter Paul Gerard Patricia S. Konecky Rachel Bickhardr Pesner J. D. Strohl MaTir Centelc-Cruson Mary Jane Koren, MD Barhara Petersen John C. SUlherland Michael J. Gillespie Kathryn Kosrohryz. Mr. & Mrs. William C. Pierce Michael M. Sweeley Giamboi Bros. Inc. Sandra Krasnow Ms. Susan Pines Richard and Joan Swih Raymond M. Goldberg Bruce R. Kraus Elise Pinman Mr. Willard B. Taylor June O. Goldberg Herman and Rhoda Krawirz Mrs. Marie D. Powers Jack Terry Barbara Lubin Goldsmith Sandy Kurman Mr. Henry C. Preston David Tolley Foundation Peter Lamm Harry W. Prichett Ms. Kanwaljit Trehan Michael Goldsrrom Kim Landsman Jack Princ( Peter Tumarkin Viaor R. Gomez Mr. Dumirru Dan Ucca Ann Purtill Margot M. Tweedy Ms. Kathleen S. Grant Mr. Robert E. l.tt III Mr. Waldo Rasmussen Augustine F. Udo Whitmor( Gray Jonathan E. Lehman Susie Raymond Mr. & Mrs. Richard Van Slyke Mary and Harold Grimes Robert Lemert Arthur W. Reed Massimo Vignelli Warren Grov(r Jean M. Leo Ronald M. Reel Margo Viscusi Allan Guggenheim Mr. & Mrs. Harold Levy Christa W. Ric( Mr. William Volckhausen James Guih(r R. B. Lewis Associates, Inc. William D. and Susan Kahan Rifkin Monina Von Opel Gunilla Haac Ikrnard and Kim Liebman Mr. Joseph A. Rosalie Ethan J. Wagner & Thea Westreich The Haupt Foundation, Inc., Philanthropic Fund Susan Rowland & Tony Sihon Drs. B. & . E. Wainfeld in memory ofSruart Haupt George and Frayda Lindemann William Ryall Meryl Wain Ira and Marilyn Hechler Rose A. Lucius Dr. & Mrs. Martin J. Salwen Philip and Joan Wallick Jesse Wilson Henley Mr. Norman A MacArthur San Aid Company, Inc. Alan Wanzenberg Buck Henry Mr. John P. MacDonald Mr. & Mrs. Irwin Schneiderman Mr. Peter L. Washburn Mrs. Heidi Hewes-Hollander Mr. Joseph Machli, Michael Schussler Guy A. Weill Mr. & Mrs. Harry Hinkle The Madden Corporation David E. Schwab II John Wendell Walter Hinrichsen Laurie Mallet Joseph M. Scort Paul B. West Harry Hives Mancini Duffy Hall Paul Rene Seger Jaan Whitehead Barbara Horgan Howard Mandel Jeanetle & Ruben Selles Mr. Wheelock Whitney Mrs. Kathleen C. Howard The Manning Institute Ms. Noriko Sengoku John Wilkie Deirdre Howley and Ira Eisenstadt James Mansour Rena Shagan Robert G. Wilmers Sue A. Hruby Mr. Ira Mayer Mr. & Mrs. John Shalam Travis L Winfrey Phyllis S. Hyde Mr. Michael A. McCarthy Loren Sherman Richard Winger Marcie Imberman Susan McGrath Ms. Anne Sidamon-Eristoff Mary Wolf Inter-Arts, .Y. Company Etan Merrick Mr. & Mrs. John Simmons Michael H. Yampol Mr. Jam« F. Ivory Judy S. and David C. Miller David Simpson Satoshi YUta Thelma E. Jack Lucy Mitchell-Innes Gayle and Charles Sindair Mr. & Mrs Arnold M. Zai, Mr. & Mrs. George P. Jahn Charles W. Monheim Mr. Richard Smolin Michael Zimmer Mr. & Mrs. John W. Jam«, III Barbara and Richard Moore Mr. & Mrs. Arnold Smoller Matthew & Myra Zuckerbraun Harry M. JohnSton, III Frank Moore Jane Socolow Lloyd Zusman Anthony Jones Dr. Tatsuji Namba Liliane Soriano Anonymous Ms. Janet FeaStr Jones Andrea Harris Nelson Jack Sou ltanian Gregory and Louise A. Kandel Dick & Carol Netzer Edward P. Speiran Terry Kaplan Charles R. Nordlander Ismene Spel iotis For more information about the Dr. Sandra J. Kaplan John & Bonnie Nuzum Paul and Ann Sperry FRIENDS OF BAM, please call Norman Kaye Barry Okun and Judilh Fell Samuel & Ellen Sporn Ihe Membership Office, al Judith Kessler Ms. Dorinda J. Oliver P. William Slaby (718) 636-4194.

BAM DIRECTORY BAM BOX OrnCE: Open Mon.-Fri., lOam to 6pmj Sat. 12 noon to 6pmj performance days until performance times; Sun. performance times only. BAM MAJES1lC BOX OFFICE: Open at performance times only. TELEPHONE ORDERS: Call TlCketMaster (212) 307-4100. GROUP RATES: For informalion call (718) 636-4126. RESTRooMS: Opera House: mezzanine level and 5th floor; handicapped - orchestra level. BAM Majestic: lobby level and gallery level. PUBUCTELEPHO ES: localed in the main lobby. LOST & FOUND: (718) 636-4144. REFRESHMENTS IN THE LOBBY by Gage & Tollner. NO FOOD OR DRINKS PERMITTED INSIDE THE THEATERS. WARNING: The photographing or sound recording of any performance or the possession of any device for such inside this theater, without written permission of the management, is prohibited by law. Violators may be punished by ejection and may be liable for money damages. FIRE NOTICE: The exit indicated by a red light and sign nearest to the seat you occupy is the shortest route to the street. In the event of fire or other emergency please WALK TO THAT EXIT, FOLLOWING THE DIRECTIVES OF HOUSE STAFF. Thoughtless persons annoy patrons and endanger the safety of others by lighting matches or smoking in prohibited areas during the performances and intermis­ sions. This violates a City ordinance and is punishable by law. - Fire Commissioner The Brooklyn Academy of Music is a Charter Member of the League of Historic American Theatres. Backstage and Box Office Employe« art represented by ,he International Alliance of Theatrical Stage Employ«s (I.A.T.S.E.) ~ BROOKLYN ACADEMY OF MUSIC. 30 Lafayene Avenue, Brooklyn, NY 11217-1486. Genmllnformation: (718) 636-4100. BAM PROG RAM STAFF 1994-95 Edito, ...... Sean Ketpcrs Aduiso, ...... Debbie Millman AdlJtTtising Sales ...... Jan Winarsky, Spenger Charles To rtserveadvertising space call (718) 636-4113. , 'r -..vlan-...:: . natural spring water CZMPORT~ CARBONATE§:)